CHAPTER II.

THE STRASSBURGERS’ DILEMMA.

Two hundred years earlier than this time, the great architect Erwin

von Steinbach had enlarged and beautified Strassburg Cathedral, and at

about the same date, a clever artificer had contrived to make a curious

mechanical clock. A wonderful work was this clock, and ever since, it

has been the pride and admiration of the city. It told the time very

well, and that is no doubt a desideratum in a clock; but it did much

more than that, for it had a pert chanticleer who popped himself out

of a little cupboard, and clapped his wings when the hour struck; then

it had a tiny carillon which tinkled merrily; and so, take it for all

in all, one would be a mere heretic to say that this horologe had not

been in its time a good catholic clock, and creditably done its works

of supererogation. But the clock was not infallible—indeed that word

was not yet invented—and once or twice of late had not been up to time

at all; and one fine day this old clock, having seen many a generation

quietly laid to rest from their labours, began also to think and to

feel itself past work, and struck—struck for the last time.

Now, whether it is some dear one whom the good God has taken home to

a better world, or whether it is only your pet but worn-out saucepan

which cooked omelettes and other galimafries as no other saucepan ever

can, it is so very disagreeable to find yourself suddenly without

what you have been so long used to call your own. You feel aggrieved

and injured beyond measure, and wish you had treated your possessions

better while you had them; and so it was with the Strassburgers and

their clock.

“It has no business to wear out,” said one.

“The Town Council ought to have seen to it long ago,” said another;

“but there, what can one expect from such a pack of old women!”

“It is a shame. How am I ever to tell now when my Hans is coming in to

dinner? And if it is not ready to the minute, he always growls like

six bears!” sighed a good wife.

“Kunz will always be pretending now he didn’t know it was so late!”

scolded another whose spouse was somewhat inordinately devoted to the

shrine of the “Golden Bull” opposite.

“Rudolf will never be keeping his tryst properly by the river now!”

sighed a maiden.

“What’s the use of a clock that won’t go? tell me that, gentlemen!”

thundered Burgomaster Niklaus von Steinbach, at the next assembled Town

Council. And then everybody went to look at the clock, setting their

arms a-kimbo, and scowling and frowning. It was all of no use however;

there was the clock, and there still as death were its hands, the long

one at eleven, and the short one at twelve, and not one hundredth part

of an inch further would they budge—no, not if my Lord Bishop himself

had anathematized them with bell, book, and candle. But the Bishop only

said: “My children, things will wear out; we must have a new clock”.

And the Town Council said that was a happy thought of my Lord’s; and

forthwith a resolution was put and unanimously carried, and then drawn

up by the town-clerk on a stupendously lengthy roll of parchment, to

the effect that the cathedral clock being worn out, it was desirable

a new one should be commenced. Moreover, that aforesaid clock, having

been a work of considerable ingenuity and skill, it was but just and

right, and proper, that the new Horologe should, in every particular

equal, and if such a thing were possible, surpass its predecessor. And

to this end, only one truly and greatly versed in the curious science

of horology, should be entrusted with the preparation, and building

up, and putting together of such Horologe. Therefore this was to give

notice to all whom it might concern, being those mechanicians and

artificers who felt in themselves that they were competent and able to

undertake so great a work as the making of the aforesaid Horologe—that

these aforementioned mechanicians, mathematicians, and artificers in

horology should make ready their plans, and devices, and designs, and

send them in on a certain day, for the consideration, and selection,

and choosing, by the most honourable and well-born Town Council.

Further, it was made known to these competitors, that on its

completion, an adequate sum should be awarded out of the municipal

treasury to the successful candidate and maker, and deviser, of the

Horologe. And furthermore, all men were to know, that the day on which

aforesaid Horologe should be completed, was to be celebrated throughout

the city as a festival day, and a general and universal holiday.

Here was a good chance for somebody! and all the candidates set to

work, and began to make their estimates, and then, the appointed date

having arrived, they sent them in. There was a good round dozen of

competitors, but the greater number of them were soon distanced; and

the choice at last lay between three, Chretei Herlin, and his two

pupils, Conrad Dasipodius and Otto von Steinbach. Opinion differed

almost uproariously as to the merits of those three designs. Some

admired Otto von Steinbach’s vastly. It was so showy, and had as many

painting and gilding capabilities as a piece of gingerbread; as to the

inside of it, well—there, what did that signify? who would ever see the

inside of it? Some folks did so love to quibble over trifles. Wasn’t

Otto von Steinbach descended from the great and famous architect Irwin

von Steinbach, and what could any one want more? Nevertheless, many

grumbled and said, if it had not been for his name, Otto would have

been out of the running altogether; and certainly he had no right to

have been even a bad third. Otto, however, counted on the influence of

his uncle Niklaus the Burgomaster; but he was out in his reckoning, for

Niklaus said his nephew’s design could not hold a candle to the one

submitted by Conrad Dasipodius; and Otto said this was a crying shame

and scandal for a man not to stand by his own flesh and blood, and that

he did not deserve to have a nephew at all. Enlightened spirits who

failed to see that ancestry had any voice in the question, balanced

their decision very carefully, but the choice fell at last on Chretei

Herlin. Meritorious and beautiful as Conrad’s design was declared to

be, and even in some respects superior to Herlin’s, still, all things

considered, they chose Herlin’s design, for the old monk was a tried

and long-trusted man among them, and reputed, above all others, for

experience in his craft.

Although proud of the distinction conferred on him, Chretei Herlin

would have been well content to have seen Conrad Dasipodius entrusted

with the work: “For,” said he, “I am long past my threescore now; and

young brains are clearer than old ones, and Conrad’s plan was better

than mine; but _Fiat Voluntas Tua Domine_; and if it please Thee, my

poor mantle shall one day fall on the boy’s shoulders.” Then he set to

work at the Horologe, and Conrad helped him.

It would have been out of all nature, if the younger mathematician had

felt no pang of disappointment at the Town Council’s final decision.

Dasipodius had spent time and infinite care over his design, but who

can ever excel, without being thwarted once and again? Then too,

compared with Herlin, Conrad thought himself as nothing. Who, indeed,

was worthy to make the clock, but he who was to make it, Father

Chretei? Otto von Steinbach, however, did not quite see things in the

same light. “It was a shame,” he said, “every way. The old man was

already in his dotage; he might have had talent in his day, but nearly

all the designs had been handsomer than Herlin’s, and certainly he did

not hesitate to consider his own immeasurably superior. As for Conrad’s

designs, they were poor, decidedly poor. The fellow, you see, was such

a slow coach. Why, to his knowledge, Dasipodius had spent nights and

days concocting those few ideas of his, and putting them on paper;

whereas he, Otto von Steinbach, had dashed his down in less than no

time, just a scratch here, and a dot there, and you had it. Of course,

if the Town Council could afford to set aside hereditary talent in this

wholesale fashion, that was its business; but to his thinking, it was

absurd that such pig-heads should be allowed to give rein to favour

and prejudice in this way.” And these opinions Otto would air to each

chance individual of his acquaintance whom he could buttonhole. It was

a great theory with Otto von Steinbach, that “every thing in Strassburg

went by favour and prejudice”.

The silver dial, volume 1 (of 3) · 第 2 / 17 章