CHAPTER XVII

'THE END'

It is easy to conceive circumstances not widely different from those of

actual life that would, if not altogether, at least very largely, take

from death the gloom that commonly surrounds it. If all the members of

the human race died either before two or after seventy; if death was in

all cases the swift and painless thing that it is with many; and if the

old man always left behind him children to perpetuate his name, his

memory, and his thoughts, Death, though it might still seem a sad thing,

would certainly not excite the feelings it now so often produces. Of all

the events that befall us, it is that which owes most of its horror not

to itself, but to its accessories, its associations, and to the

imaginations that cluster around it. 'Death,' indeed, as a great stoical

moralist said, 'is the only evil that can never touch us. When we are,

death is not. When death comes, we are not.'

The composition of treatises of consolation intended to accustom men to

contemplate death without terror was one of the favourite exercises of

the philosophers in the Augustan and in the subsequent periods of Pagan

Rome. The chapter which Cicero has devoted to this subject in his

treatise on old age is a beautiful example of how it appeared to a

virtuous pagan, who believed in a future life which would bring him into

communion with those whom he had loved and lost on earth, but who at the

same time recognised this only as a probability, not a certainty.

"Death," he said, 'is an event either utterly to be disregarded if it

extinguish the soul's existence, or much to be wished if it convey her

to some region where she shall continue to exist for ever. One of these

two consequences must necessarily follow the disunion of soul and body;

there is no other possible alternative. What then have I to fear if

after death I shall either not be miserable or shall certainly be

happy?'

Vague notions, however, of a dim, twilight, shadowy world where the

ghosts of the dead lived a faint and joyless existence, and whence they

sometimes returned to haunt the living in their dreams, were widely

spread through the popular imaginations, and it was as the extinction of

all superstitious fears that the school of Lucretius and Pliny welcomed

the belief that all things ended with death--'Post mortem nihil est,

ipsaque mors nihil.' Nor is it by any means certain that even in the

school of Plato the thought of another life had a great and operative

influence on minds and characters. Death was chiefly represented as

rest; as the close of a banquet; as the universal law of nature which

befalls all living beings, though the immense majority encounter it at

an earlier period than man. It was thought of simply as

sleep--dreamless, undisturbed sleep--the final release from all the

sorrows, sufferings, anxieties, labours, and longings of life.

We are such stuff

As dreams are made on, and our little life

Is rounded with a sleep.[77]

The best of rest is sleep,

And that thou oft provok'st; yet grossly fear'st

Thy death, which is no more.[78]

To die is landing on some silent shore

Where billows never break, nor tempests roar.[79]

It is a strange thing to observe to what a height not only of moral

excellence, but also of devotional fervour, men have arisen without any

assistance from the doctrine of a future life. Only the faintest and

most dubious glimmer of such a belief can be traced in the Psalms, in

which countless generations of Christians have found the fullest

expression of their devotional feelings, or in the Meditations of Marcus

Aurelius, which are perhaps the purest product of pagan piety.

As I have already said, I am endeavouring in this book to steer clear of

questions of contested theologies; but it is impossible to avoid

noticing the great changes that have been introduced into the conception

of death by some of the teaching which in different forms has grown up

under the name of Christianity, though much of it may be traced in germ

to earlier periods of human development. Death in itself was made

incomparably more terrible by the notion that it was not a law but a

punishment; that sufferings inconceivably greater than those of Earth

awaited the great masses of the human race beyond the grave; that an

event which was believed to have taken place ages before we were born,

or small frailties such as the best of us cannot escape, were sufficient

to bring men under this condemnation; that the only paths to safety were

to be found in ecclesiastical ceremonies; in the assistance of priests;

in an accurate choice among competing theological doctrines. At the same

time the largest and most powerful of the Churches of Christendom has,

during many centuries, done its utmost to intensify the natural fear of

death by associating it in the imaginations of men with loathsome images

and appalling surroundings. There can be no greater contrast than that

between the Greek tomb with its garlands of flowers, its bright,

youthful and restful imagery, and the mortuary chapels that may often be

found in Catholic countries, with their ghastly pictures of the _saved_

souls writhing in purgatorial flames, while the inscription above and

the moneybox below point out the one means of alleviating their lot.

Fermati, O Passagiero, mira tormenti.

Siamo abbandonati dai nostri parenti.

Di noi abbiate pietà, o voi amici cari.

This is one side of the picture. On the other hand it cannot be

questioned that the strong convictions and impressive ceremonies, even

of the most superstitious faith, have consoled and strengthened

multitudes in their last moments, and in the purer and more enlightened

forms of Christianity death now wears a very different aspect from what

it did in the teaching of mediæval Catholicism, or of some of the sects

that grew out of the Reformation. Human life ending in the weakness of

old age and in the corruption of the tomb will always seem a humiliating

anti-climax, and often a hideous injustice. The belief in the rightful

supremacy of conscience, and in an eternal moral law redressing the many

wrongs and injustices of life, and securing the ultimate triumph of good

over evil; the incapacity of earth and earthly things to satisfy our

cravings and ideals; the instinctive revolt of human nature against the

idea of annihilation, and its capacity for affections and attachments,

which seem by their intensity to transcend the limits of earth and carry

with them in moments of bereavement a persuasion or conviction of

something that endures beyond the grave,--all these things have found in

Christian beliefs a sanction and a satisfaction that men had failed to

find in Socrates or Cicero, or in the vague Pantheism to which

unassisted reason naturally inclines.

Looking, however, on death in its purely human aspects, the mourner

should consider how often in a long illness he wished the dying man

could sleep; how consoling to his mind was the thought of every hour of

peaceful rest; of every hour in which the patient was withdrawn from

consciousness, insensible to suffering, removed for a time from the

miseries of a dying life. He should ask himself whether these intervals

of insensibility were not on the whole the happiest in the

illness--those which he would most have wished to multiply or to

prolong. He should accustom himself, then, to think of death as

sleep--undisturbed sleep--the only sleep from which man never wakes to

pain.

You find yourself in the presence of what is a far deeper and more

poignant trial than an old man's death--a young life cut off in its

prime; the eclipse of a sun before the evening has arrived. Accustom

yourself to consider the life that has passed as a whole. A human being

has been called into the world--has lived in it ten, twenty, thirty

years. It seems to you an intolerable instance of the injustice of fate

that he is so early cut off. Estimate, then, that life as a whole, and

ask yourself whether, so judged, it has been a blessing or the reverse.

Count up the years of happiness. Count up the days, or perhaps weeks, of

illness and of pain. Measure the happiness that this short life has

given to some who have passed away; who never lived to see its early

close. Balance the happiness which during its existence it gave to those

who survived, with the poignancy and the duration of pain caused by the

loss. Here, for example, is one who lived perhaps twenty-five years in

health and vigour; whose life during that period was chequered by no

serious misfortune; whose nature, though from time to time clouded by

petty anxieties and cares, was on the whole bright, buoyant, and happy;

who had the capacity of vivid enjoyment and many opportunities of

attaining it; who felt all the thrill of health and friendship and

ecstatic pleasure. Then came a change,--a year or two with a crippled

wing--life, though not abjectly wretched, on the whole a burden, and

then the end. You can easily conceive--you can ardently desire--a better

lot, but judge fairly the lights and shades of what has been. Does not

the happiness on the whole exceed the evil? Can you honestly say that

this life has been a curse and not a blessing?--that it would have been

better if it had never been called out of nothingness?--that it would

have been better if the drama had never been played? It is over now. As

you lay in his last home the object of so much love, ask yourself

whether, even in a mere human point of view, this parenthesis between

two darknesses has not been on the whole productive of more happiness

than pain to him and to those around him.

It was an ancient saying that 'he whom the gods love dies young,' and

more than one legend representing speedy and painless death as the

greatest of blessings has descended to us from pagan antiquity; while

other legends, like that of Tithonus, anticipated the picture which

Swift has so powerfully but so repulsively drawn of the misery of old

age and its infirmities, if death did not come as a release. I have

elsewhere related an old Irish legend embodying this truth. 'In a

certain lake in Munster, it is said, there were two islands; into the

first death could never enter, but age and sickness, and the weariness

of life and the paroxysms of fearful suffering were all known there, and

they did their work till the inhabitants, tired of their immortality,

learned to look upon the opposite island as upon a haven of repose. They

launched their barks upon its gloomy waters; they touched its shore, and

they were at rest.'[80]

No one, however, can confidently say whether an early death is a

misfortune, for no one can really know what calamities would have

befallen the dead man if his life had been prolonged. How often does it

happen that the children of a dead parent do things or suffer things

that would have broken his heart if he had lived to see them! How often

do painful diseases lurk in germ in the body which would have produced

unspeakable misery if an early and perhaps a painless death had not

anticipated their development! How often do mistakes and misfortunes

cloud the evening and mar the beauty of a noble life, or moral

infirmities, unperceived in youth or early manhood, break out before the

day is over! Who is there who has not often said to himself as he looked

back on a completed life, how much happier it would have been had it

ended sooner? 'Give us timely death' is in truth one of the best prayers

that man can pray. Pain, not Death, is the real enemy to be combated,

and in this combat, at least, man can do much. Few men can have lived

long without realising how many things are worse than death, and how

many knots there are in life that Death alone can untie.

Remember, above all, that whatever may lie beyond the tomb, the tomb

itself is nothing to you. The narrow prison-house, the gloomy pomp, the

hideousness of decay, are known to the living and the living alone. By a

too common illusion of the imagination, men picture themselves as

consciously dead,--going through the process of corruption, and aware of

it; imprisoned with the knowledge of the fact in the most hideous of

dungeons. Endeavour earnestly to erase this illusion from your mind, for

it lies at the root of the fear of death, and it is one of the worst

sides of mediæval and of much modern teaching and art that it tends to

strengthen it. Nothing, if we truly realise it, is less real than the

grave. We should be no more concerned with the after fate of our

discarded bodies than with that of the hair which the hair-cutter has

cut off. The sooner they are resolved into their primitive elements the

better. The imagination should never be suffered to dwell upon their

decay.

Bacon has justly noticed that while death is often regarded as the

supreme evil, there is no human passion that does not become so powerful

as to lead men to despise it. It is not in the waning days of life, but

in the full strength of youth, that men, through ambition or the mere

love of excitement, fearlessly and joyously encounter its risk.

Encountered in hot blood it is seldom feared, and innumerable accounts

of shipwrecks and other accidents, and many episodes in every war, show

conclusively how calmly honour, duty, and discipline can enable men of

no extraordinary characters, virtues, or attainments, to meet it even

when it comes before them suddenly, as an inevitable fact, and without

any of that excitement which might blind their eyes. If we analyse our

own feelings on the death of those we love, we shall probably find that,

except in cases where life is prematurely shortened and much promise cut

off, pity for the dead person is rarely a marked element. The feelings

which had long been exclusively concentrated on the sufferings of the

dying man take a new course when the moment of death arrives. It is the

sudden blank; the separation from him who is dear to us; the cessation

of the long reciprocity of love and pleasure,--in a word our own

loss,--that affects us then. 'A happy release' is perhaps the phrase

most frequently heard around a death-bed. And as we look back through

the vista of a few years, and have learned to separate death more

clearly from the illness that preceded it, the sense of its essential

peacefulness and naturalness grows upon us. A vanished life comes to be

looked upon as a day that has past, but leaving many memories behind it.

It is, I think, a healthy tendency that is leading men in our own

generation to turn away as much as possible from the signs and the

contemplation of death. The pomp and elaboration of funerals; protracted

mournings surrounding us with the gloom of an ostentatious and

artificial sorrow; above all, the long suspension of those active habits

which nature intended to be the chief medicine of grief, are things

which at least in the English-speaking world are manifestly declining.

We should try to think of those who have passed away as they were at

their best, and not in sickness or in decay. True sorrow needs no

ostentation, and the gloom of death no artificial enhancement. Every

good man, knowing the certainty of death and the uncertainty of its

hour, will make it one of his first duties to provide for those he loves

when he has himself passed away, and to do all in his power to make the

period of bereavement as easy as possible. This is the last service he

can render before the ranks are closed, and his place is taken, and the

days of forgetfulness set in. In careers of riot and of vice the thought

of death may have a salutary restraining influence; but in a useful,

busy, well-ordered life it should have little place. It was not the

Stoics alone who 'bestowed too much cost on death, and by their

preparations made it more fearful.'[81] As Spinoza has taught, 'the

proper study of a wise man is not how to die but how to live,' and as

long as he is discharging this task aright he may leave the end to take

care of itself. The great guiding landmarks of a wise life are indeed

few and simple; to do our duty--to avoid useless sorrow--to acquiesce

patiently in the inevitable.

FOOTNOTES:

[77] _The Tempest._

[78] _Measure for Measure._

[79] Garth.

[80] _History of European Morals_, i. p. 203. The legend is related by

Camden.

[81] Bacon.

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