Privilege for three years to H. de Marnef, "juré libraire en

l'Université de Paris."

"L'auteur aux lecteurs." He takes his pen to portray what he has seen

"en Italie, Espagne, Romanie, Allemagne, & autre païs, dont je ne fais

aucune mention à cause de trop longue plexite," that he gives at

{477}least eighty designs for the use and singular profit of many,

"hommes tant que femmes." Below, "Finis coronat opus."

Then follows a "Balade" of 28 lines. On the last page, the impresa of

Cavellat, a pelican in its piety, "Mors in me vita in me."

62.

[Sidenote: 1596. _G. Frano._]

Frano Gio. Libro delle mostre da ceuser per le donne.

16 engravings on wood and 8 on copper. (Cited by Marquis d'Adda.)

63.

[Sidenote: _Bologna. A. Parisini._]

Danieli Bartholomeo Recamatore libro di diversi disegni per Collari,

punti per Fazzoletti et Reticelle divarie sorte. Agostino Parisini forma

in Bologna.

15 leaves obl. 8vo, entirely engraved au burin, towards the end of the

sixteenth century.[1318]

64.

[Sidenote: _N. D._]

Ornamento delle belle et virtuose donne opera nova nella quale troverrai

varie sorti di frisi, con li quali si potra ornar ciascuna donna, & ogni

letti con ponti tagliato, ponti gropposi, & ogni altra sorte di ponti per

fare quelle belle opere che si appartengono alle virtuose & lodevoli

fanciulle.

On a scutcheon, with 3 figures below, "Libro Primo." Lib. Victoria and

Albert Museum.

65.

[Sidenote: 1587. _Paris. 1st Edit. 1st Part. F. Vinciolo._]

Les singuliers et nouveaux pourtraicts et ouvrages de Lingerie. Servans

de patrons à faire toutes sortes de poincts, couppé, Lacis & autres.

Dedie a la Royne. Nouvellement inventez, au proffit & c[=o]tentement, des

nobles Dames & Damoiselles & autres gentils esprits, amateurs d'un tel

art. Par le Seigneur Federic (_sic_) de Vinciolo Venitien. A Paris. Par

Iean le Clerc le ieune, ruë Chartiere, au Chef Sainct Denis. 1587. Avec

privilege du Roy.[1319]

[Sidenote: _2nd Part._]

Les singuliers et nouveaux pourtraicts et ouvrages de Lingerie ou est

representé les sept planettes, & plusieurs autres figures & pourtraitz

servans de patrons à faire de plusieurs sortes de Lacis. Nouvellement

inventez, au proffit & c[=o]tentement des nobles Dames & Damoiselles &

autres gentils esprits, amateurs d'un tel art. Par le Seigneur Federic de

Vinciolo Venitien. A Paris. Par Iean le Clerc le ieune, ruë Chartiere, au

Chef Sainct Denis. 1587. Avec privilege du Roi.

(At the end.)

Privilege for nine years to "Iean le Clerc le ieune, 'tailleur

d'histoires,' à Paris," signed 27 June, 1587. "De l'Imprimerie de David

le Clerc Rue Frementel à l'Estoille d'Or."

{478}4to.

The first part consists of 40 ff., 36 of patterns and 4 preliminary

pages.

P. 1. The title-page with decorated border, in which are two ladies at

work. (See Title-page of this work.)

P. 2. Dedication of "Le Seigneur Federic de Vinciolo aux Benevolles

Lecteurs," in which he sets forth that several authors before him

having published certain patterns for work that "les Seigneurs, Dames,

& Damoyselles ont eu pour agréable," he, to show "la bonne volonté que

je porte à la France, laquelle m'ayant été douce et favorable, depuis

certain temps que j'ay quitté Venize, païs de ma nativité," wish to

portray the present "pourtraicts d'ouvrages magnifiques tous

differ[=e]s, & non encor usitez en cette c[=o]tree ni aultres, & que

j'ay tenus cachés & inc[=o]gnus jusques à maintenant," feeling assured

that if the first you had seen "on engendré quelque fruit & utilité,

ceux cy en aporteront d'avantage," and if I see this my invention

pleases you, I will "vous faire participer d'un aultre seconde bande

d'ouvrages."

P. 3. Dedication "A la Royne," Louise de Vaudemont, by Le Clerc, saying

that having received from Italy some rare and singular patterns, and

"ouvrages de l'ingerie & en ay[=a]t inv[=e]te quelques uns, selon mon

petit sçavoir, j'ay pensé puis que ces choses là appartienent

principallement aux Dames," that he cannot do better than present them

to the Queen, as if these patterns are useful (as he hears some less

perfect and more rudely sketched have served and profited before), they

ought to be offered to her Majesty. Signed last day of May, 1587.

P. 4. A sonnet.

AUX DAMES ET DAMOISELLES.

"L'un sefforce à gaigner le coeur des gr[=a]ds seigneurs

Pour posséder enfin une exquise richesse,

L'autre aspire aux Estats pour monter en altesse,

Et l'autre par la guerre alléche les honneurs.

Quand à moy, seulement pour chasser mes langueurs,

Je me sen satisfait de vivre en petitesse,

Et de faire si bien, qu'aux dames je délaisse

Un grand contentement en mes graves labeurs.

Prenez doncques en gré (mes Dames), je vous prie,

Ces pourtrais ouvragez lesquelz je vous dédie,

Pour tromper vos ennuis, et l'esprit employer.

En ceste nouveauté, pourrés beaucoup apprendre,

Et maistresses en fin en cest oeuvre vous rendre.

Le travail est plaisant. Si grand est le loyer."

"_Morir assidouamente per virtu,_

_Non morirè._"

Then follow the 36 patterns set off in white on a black ground, viz.,

20 "Ouvrages de point Couppé," the first plate with the double [Greek:

ll], according to the fashion introduced by Francis I. of using Greek

monograms, standing for Queen Louise. On the second page are two

escutcheons, one of France, the other with the letter H for Henry III.

Then follow eight "Passemens de point Couppé," which are succeeded by

eight more "Ouvrages de point Couppé."

Part 2, 24 ff. Same decorated frontispiece and 22 plates of subjects in

squares for stitches like the German patterns of the present day. These

consist of the Seven Planets, Sol, Luna, Mars, Mercury, Jupiter, Venus

and Saturn. Four in squares of various designs; two of Amorini shooting

stags and birds; Neptune and the winds; an arabesque with impresa of a

column with circle and double triangle; five borders and squares, and

{479}two "bordures à carreaux," diamond-shaped meshes. The last page

contains the Extract from the Privilege.

This is the original edition of Vinciolo, of which we know but one copy

existing--that in the Library at Rouen.

It was followed the same year by two other editions, with

alterations.[1320]

66.

[Sidenote: 1587. _2nd Ed. 1st Part. F. Vinciolo._]

Les singuliers et nouveaux pourtraicts pour les ouvrages de Lingerie.

Nouvellement augmentez de plusieurs differens pourtraits servans de

patrons à faire toutes sortes poincts couppé, Lacis, et autres reseau de

poinct conté. Dedié à la Royne. Le tout inventé, au proffit &

contentement des nobles Dames & Damoiselles & autres gentils esprits,

amateurs d'un tel art. Par le Seigneur Federic de Vinciolo Venitien. A.

Paris. Par Iean le Clerc le ieune, ruë Chartiere, au Chef Sainct Denis,

pres le college de Coqueret. Avec privilege du Roy. 1587.

[Sidenote: _2nd part._]

Les singuliers et nouveaux pourtraicts pour les ouvrages de Lingerie ou

avons augm[=e]té plusieurs nouveaux & differens portraitz de reseau, tout

point conté, plusieurs nouvelles bordures et autres sortes differentes.

Nouvellement inventez au proffit & c[=o]tentement des nobles Dames &

Damoiselles & autres gentils esprits amateurs d'un tel art. Par le

Seigneur Federick de Vinciolo Venitien. A Paris. Par Iean le Clerc le

ieune, Ruë Chartiere, au Chef Sainct Denis, pres le college de Coqueret.

Avec privilege du Roy. 1587.[1321]

1st Part, 40 ff. The same frontispiece, dedications, date, and sonnet,

as the first, the same number of patterns, only the eight styled in the

first "Passemens" are here all called, like the others, "Ouvrages" de

point couppé. (See Fig. 4.)

2nd Part, 32 ff. This part has 30 patterns, comprising the 24 of the

first edition, and six additional ones, consisting of squares and two

hunting subjects.

67.

[Sidenote: 1587. _3rd Edit. No. 1. Parts 1 and 2._]

Les singuliers et nouveaux Pourtraicts, du Seigneur Federic de Vinciolo

Venitien, pour toutes sortes d'ouvrages de Lingerie. Dedie a la Royne.

Derechef et pour la troisieme fois augmentez Outre le reseau premier et

le point couppé et lacis, de plusieurs beaux et differens portrais de

reseau de point c[=o]té avec le nombre des mailles, choze non encor veue

ni inventée. {480}A Paris. Par Iean le Clerc le ieune, ruë Chartiere, au

Chef Sainct Denis, pres le College de Coqueret. Avec privilege du Roy.

1587.[1322]

This must be the first impression of the third edition.

[Sidenote: 1588. _3rd Edit. No. 2. 1st Part._]

Les singuliers et nouveaux pourtraicts, du Seigneur Federic de Vinciolo

Venitien, pour toutes sortes d'ouvrages de Lingerie. Dedié a la Royne.

Derechef et pour la troisiesme fois augmentez, outre le reseau premier &

le point couppé & lacis, de plusieurs beaux et differens portrais de

reseau de point c[=o]té, avec le nombre des mailles, chose non encor

veuë, ny inventée. A Paris. Par Iean le Clerc le ieune, au mont Saint

Hilaire, du Chef Sainct Denis, pres le Clos Bruneau. Avec privilege du

Roy. 1588.[1323]

68.

[Sidenote: _2nd Part._]

Les singuliers et nouveaux pourtraicts, du Seigneur Federic de Vinciolo

Venitien, pour toutes sortes d'ouvrages de Lingerie. Dedié a la Royne.

Derechef et pour la troisiesme fois augmentez, outre le reseau premier &

le point couppé & lacis, de plusieurs beaux et differens portrais de

reseau de point c[=o]té, avec le nombre des mailles, chose non encor

veuë, ny inventée. A Paris. Par Iean le Clerc le ieune, au mont Saint

Hilaire, au Chef Sainct Denis, pres le Clos Bruneau. Avec privilege du

Roy. 1588.[1324]

This must be subsequent to the Brussels impression, as Jean le Clerc

has changed his address.

In the third edition, dorso of pp. 1 and 2, we have the addition of

portraits of Louise de Vaudemont and Henry III., with a complimentary

stanza of four lines under each.

In his Advertisement au lecteur, Vinciolo says that having promised,

since the first impression of his book, to give a "nouvelle bande

d'ouvrages," and not to disappoint certain ladies who have complained

that he has not made "du reseau assez beau à leur fantaisie," I have

wished for the third time to place before their eyes many new and

different patterns of "reseau de point conté que j'ay cousus et

attachez à la fin de mes premières figures," beneath which I have put

the number and quantity of the stitches. Same dedication and sonnet as

before. Privilege for nine years dated Paris, 25 May, 1587. "De

l'Imprimerie de David le Clerc, ruë S. Jacques, au petit Bec, devant le

College de Marmouttier."

1st Part, 40 ff., 36 plates, 27 of point couppé, two stomachers, and

seven "Passemens" de point couppé; the same lettered "Ouvrages" as in

the preceding impression.

2nd Part, 36 ff., 50 plates. The thirty already published in the second

edition, after which follow the twenty additional of "reseau de point

conté," announced in the Preface, consisting of "6 Quarrés, 2 Coins de

{481}Mouchoir, 2 Bordures, 6 animals: Lion, Pelican, Unicorn, Stag,

Peacock, and Griffon"; and the Four Seasons. "Déesse des fleurs,

representant le Printemps," etc.

These last twenty have the number of stitches given. (See Fig. 5.)

On the last page is an escutcheon with the arms of France and Poland.

69.

[Sidenote: 1588. _3rd Edit. No. 3. Parts 1 and 2._]

A later impression still.

Same title, date, portraits, dedication, and sonnet, only the Privilege

is dated "ce douzième jour de Novembre 1587. De l'Imprimerie de David

le Clerc, Rue S. Jaques, aux trois Mores."[1325]

34 ff. 30 plates, 1st part; 50 plates in 2nd.

70.

[Sidenote: 1595. _3rd Edit. No. 4. Parts 1 and 2._]

Les singuliers et nouveaux pourtraicts, du Seigneur Frederic de Vinciolo,

Venitien, pour toutes sortes d'ouvrages de Lingerie. Dedie à la Royne

Douairière de France.

De Rechef et pour la troisiesme fois augmentez, outre le reseau premier &

le point couppé & lacis, de plusieurs beaux & differens portrais de

reseau de point c[=o]té, avec le nombre des mailles, chose non encore

veuë ny inventée.

A Paris. Par Iean le Clerc, ruë Saint Jean de Latran, à la Salemandre.

Avec privilege du Roy. 1595.[1326]

This impression is dedicated to Louise de Vaudemont, now "Reine

Douairière," Henry III. having died in 1589.

71.

[Sidenote: 1606. _3rd Edit. No 5. Parts 1 and 2._]

The same title as that of 1595--differing only in date.[1327]

Privilege for six years, "donné à Mantes, le 3 Juillet 1593." At the

foot, "De l'Imprimerie de David le Clerc au Petit Corbeil 1606."

The 1st part has 32 ff. and 36 plates; 32 "Ouvrages de poinct couppé,"

and 4 stomachers.

The 2nd part 46 plates, same as those of 1588, only four less.

On the last page the escutcheon of France and Navarre.

72.

[Sidenote: 1589. _4th Edit. Turin. Parts 1 and 2._]

Les singuliers et nouveaux pourtraicts, du Seigneur Federic de Vinciolo

Venitien, pour toutes sortes d'ouvrages de Lingerie. Dedie a la Royne.

Derechef et pour la quatrieme fois augmentez, outre le reseau premier et

le point couppé et lacis, de plusieurs beaux et differens portrais de

reseau de point conté, avec le nombre de mailles, chose non encore veue

ni inventee. A Thurin. Par Eleazaro Thomysi. 1589.[1328]

Described in Cat. Cicognara with the date 1658. The 1st part 44 ff. and

39 plates; the 2nd with 36 plates.

{482}The editions of 1613 and 1623 are described in their chronological

order. Nos. 64 and 71.

That of 1603 we have not seen; but M. Leber states it to be equally

rich with that of 1623.

The copies of Vinciolo in the Bodleian bear the dates of 1588, 1603,

and 1612.

Baron Pichon has a copy of an impression of 1612.

One at Bordeaux, in the Bib. de la Ville, is dated 1588.

In a book sale at Antwerp, March, 1864, there was sold the following:--

Lot 528. _Livre de Patrons de Lingerie dediè a la Royne, nouvellement

invente par le seign^r Frederic de Vinciolo, Venitien._ Paris, Jean le

Clerc, 1598.--_Les singuliers et nouveaux pourtraicts pour toutes

sortes d'ouvrages de Lingerie._ Paris, _Ibid._, 1598.--_Les secondes

oeuvres et subtiles inventions de Lingerie._ Paris, _Ibid._,

1598.--_Nouveaux pourtraicts de Point coupé et Dantelles en petite

moyenne et grande forme._ A. Montbeliard, Jacques Foillet, 1598. 4 tom.

1 vol. in-4. v. anc. fig. sur bois.

It went for 440 francs to a Mr. Ross. We do not know the editions of

1598.

As M. Leber observes, the various editions of Vinciolo, published by Le

Clerc and his widow, from 1587 to 1623, and perhaps later, are only

impressions more or less varied of the two distinct books, the one of

point coupé, the other of lacis.

The work of Vinciolo has been reprinted in several countries. In

England it has been translated and published by Wolfe. (See No. 72.) At

Liege, by Jean de Glen. (See No. 79.) Mr. Douce says that it was

reprinted "at Strasburg, 1596, and at Basle, 1599, with a second part,

which is rare, and sometimes contains a portrait by Gaultier of

Catherine de Bourbon."

In the Bib. Nat. (Grav. B. c. 22), a volume headed _Vinciolo (Federigo)

Peintre Venitien et ses imitateurs_, contains, with "La pratique,"

etc., of Mignerak (See No. 93), a German copy of the "nouveaux

pourtraits," the work printed by Ludwig Künigs, at Basle, 1599 (See No.

85); and a German work headed "Broderies sur filet," 50 plates engraved

upon copper.

73.

[Sidenote: 1591. _London. Wolf._]

New and singular patternes and workes of Linnen. Serving for patternes to

make all sortes of Lace edging and Cut-workes. Newly invented for the

profite and contentment of Ladies, Gentlewomen, and others that are

desirous of this Arte. London: Imprinted by J. Wolfe and Edward White,

1591.[1329]

EPISTLE TO THE READER.

Having framed a body of the best and rarest manner in true perfection

of sundrie sortes of deuises or workes, as well for frame-workes as

other needle-workes, I devised with all diligence and industrious

studie to sattisfy the gentle mindes of vertuous women by bringing to

light things never before as yet seene nor committed to print; All

which devises are soe framed in due proportion as taking them in order,

the one is formed or made by the other, and soe proceedeth forward;

Whereby with more {483}ease they may be sewed and wrought in Cloth, and

keeping true accompt of the threads, maintaine the bewtey of the worke.

And more, who desyrith to bring the worke into a lesser forme, let them

make the squares lesse. And if greater, then inlarge them, and so may

you worke in divers sortes, either by stitch, pouncing, or pouldering

upon the same as you please. Alsoe it is to be understood that these

squares serve not onely for cut-workes, but alsoe for all other manner

of seweing or stitching, noteing withall that they are made to keepe

the work or deuise in good order and even proportion--And even if ye

will that squares be greater, make of two, one, four, two, and soe they

will be larger. And in this manner may you proceed in all.

God prosper your desires.

Then follows the dedication:

To the Right Worshipful Gentlewoman, Mistress Susan Saltonstall, wife

to the right Worshipfull Mr. Richard Saltonstall, Alderman of the City

of London (afterwards Lord Mayor, and knighted in 1597).

It being my chance (Right Worshipfull) to lighten upon certaine

paternes of cut-worke and others brought out of Foreign Countries which

have bin greatly accepted of by divers Ladies and Gentlewomen of

sundrie nations and consequently of the common people; This seemed unto

mee a sufficient instance and argument to bestowe likewise some paines

for the publishing thereof, But being in suspense of the dedication two

causes induced mee to imbolden myselfe to present it unto your

acceptation and patronage: First because that rare devises and

inventions are for the most part more agreeable and gratefuller

accepted, than ordinarie and common things, although of great price and

value, Secondlie because these workes belong chiefly to Gentlewomen for

to passe away their time in vertuous exercises Wherefore to fit and

accommodate the dedication aright to the contents and subject of the

book I thought it not amisse to offer it unto your worship in token of

thankfullness for so many benefites which I have received so

bountifullie at your hands Assuring myselfe moreover that as these

patternes will bring sufficient contentment and profite to all

well-willers, that are desirous of this Arte, soe they shall for ever

acknowledge themselves to be beholden chiefly unto you, being the

chiefest occasion of the publishing and setting forthe thereof. And

therefore uppon hope that you will take these inventions in good parte,

which in time I am purposed (If God permit) to increase and augment

with more paternes of worke. In the meantime I pray God give to your

Worship a happie prosperous and long life with a full accomplishment of

all your vertuous desires.

Your worshipps most dutiful

Servant and Kinsman,

ADRIAN POYNTZ.

74.

[Sidenote: 1591. _Bologna. T. Pasini._]

Fiori di ricami nuovamente posti in luce ne i quali sono varii, et

diversi dissegni di lavori; Come Merli, Bauari, Manichetti, & altre sorti

di opere, che al presente sono in uso, utilissimi ad ogni stato di Donne.

Seconda Impressione.

Impresa of Mercury. Below--

In Bologna, per Giovanni Rossi. MDXCI. Ad instanza di Tomaso

Pasini.[1330]

{484}Obl. 8vo, 20 ff., 18 plates like Vecellio, one "bavaro."

Dedicated by the author to "La Signora Silveria Rossi Ghisolieri."

Mostly indented patterns on black grounds.

75.

[Sidenote: 1591. _Venice. F. di Franceschi._]

Prima Parte de' fiori, e disegni di varie sorti di Ricami moderni come

merli, bavari, manichetti, & altri nobili lavori che al presente sono in

uso.

A figure of Peace. Below--

In Venetia, Appresso Francesco di Franceschi Senese all' insegna della

Pace 1591.[1331]

Obl. 8vo, 20 ff., 17 plates in the style of Vecellio.

Dedication to "La Signora Gabriella Zeno Michele," signed "Di Venetia

alli 19 di Marzo, 1591, Giovanbattista Ciotti." The last plate a figure

of Fortune, with "Finis in Venetia 1591. Appresso Nicolo Moretti, ad

instantia di Francesco di Franceschi."

76.

[Sidenote: 1591. _Venice. F. di Franceschi._]

La vera perfettione del disegno di varie sorti di ricami & di cucire ogni

sorti de punti à foglami, punti tagliati, punti a fili & rimessi, punti

incrociati, punti à stuoro & ogn' altre arte, che dia opera à disegni. E

di nuovo aggiuntovi varie sorti di merli, e mostre, che al presente sono

in uso & in pratica.

Impresa of Peace differing from the preceding.

In Venetia, Appresso Francesco di Franceschi Senese all' insegna della

Pace. 1591.[1332]

Obl. 8vo, 86 ff., 72 plates.

Dedicated to "Signora Lucretia Contarini, per matrimonio Priula Nobile

Gentildonna Venetiana," by Giovanni Ostans.

A woodcut of Lucretia working with her maidens, signed Jose Sol. 1557.

Patterns, Small Squares, Gorgets, Youth, Paris, Pyramus and Thisbe,

Arabesques, Grotesques, and an Alphabet.

On the last leaf, dorso, A. B. C. D. "tutte sono quaderni." A figure

again of Peace, and "In Ven. 1590."

77.

[Sidenote: 1592. _Venice. 1st Book. C. Vecellio._]

Corona delle nobili et virtuose donne. Libro primo. Nel quale si dimostra

in varij Dissegni, tutti le sorti di Mostre di punti tagliati, punti in

aria, punti à Reticello, e d' ogni altra {485}sorte cosi per Freggi come

per Merli, & Rosette, che con l' Aco si usano hoggidì per tutta l'

Europa. Et molte delle quali Mostre possono servire anchora per Opere à

Mazzette. Aggiuntivi in questa Quarta impressione molti bellissimi

dissegni non mai più veduti.

Then follows the printer's impresa of the stork and serpent.

"Voluptatum et malorum effetuu dissipatio," with a lady at work on each

side, and below--

Con privilegio. In Venetia, Appresso Cesare Vecellio in Frezzaria nelle

Case de' Preti. 1592.[1333]

Which is repeated in the 2nd and 3rd Books.

Obl. 4to, 32 ff., 28 plates.

Dedication of Vecellio "Alla Clarissima, et Illustrissima Signora,

Viena Vendramina Nani, dignatissima Consorte dell' Illust^{amo} Sig.

Polo Nani, il Procurator di S. Marco," in which he refers to his work

on costume, and says that he dedicates this book to her for the delight

she takes in these works and "in farne essercitar le donne di casa sua,

ricetto delle piu virtuose giovani che hoggidì vivano in questa città."

Signed: Venice, Jan. 20, 1591.

Beautiful designs, among which are three corners for handkerchiefs, the

last lettered: "Diverse inventioni p. cantoni dee fazoletti."

On Plate 3, within a point coupé border, is a statue of Venus standing

upon a tortoise, with other figures, and above, "Conviensi, che della

Donna la bontà, & non la bellezza sia divulgata," and underneath:--

"Veneer io son, de le mirabil mani

Del dotto Fidia d' un bel marmo finta.

In me vedete atti gentili, e humani,

Ch' esser dè Donna à gentilezza accinta.

Io sopra una Testugine dimora,

Perchè stia in Casa, e sia tacita ogn' hora."

[Sidenote: _2nd Book._]

Corona delle nobili et virtuose donne. Libro secondo.

Nel quale si dimostra in varij Dissegni, tutte le sorti di Mostre de

puute tagliati, punti in aria, punti à Reticello, e d' ogni altra sorte,

cosi per Freggi, come per Merli, & Rosette, che con l' Aco si usano

hoggidì per tutta l' Europa. Et molti delle quali Mostre possono servire

anchora per Opere à Mazzette. Aggiuntivi in questa Quarta Impressione

molti bellissimi dissegni non mai più veduti. Con Privilegio. In Venetia,

Appresso Cesare Vecellio, in Frezzaria nelle Case de' Preti. 1592.

28 ff., 26 plates.

The dedication of this and the next book, though differently worded,

are addressed to the same lady as the first. This is dated Jan. 24,

1591.

Among the patterns are two designs for handkerchiefs, and on the last

plate a statue of Vesta, within a point coupé border.

[Sidenote: _3rd Book._]

Corono delle nobili et virtuose donne. Libro terzo. Nel {486}quale si

dimostra in varii dissegni molte sorti di Mostri di Punti in Aria, Punti

tagliati, Punti a reticello, and ancora di picciole; cosi per Freggi,

come per Merli, & Rosette, che con l' Aco si usano hoggidi per tutta

l'Europa. Con alcune altre inventione di Bavari all' usanza Venetiana.

Opera nouva e non più in luce. Con privilegio. In Venetia Appresso Cesare

Vecellio, stà in Frezzaria nelle Case de' Petri. 1592.

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