CHAPTER I

THE STRUCTURE

OF THE

ENGLISH SENTENCE

BY

LILLIAN G. KIMBALL

INSTRUCTOR IN ENGLISH, STATE NORMAL SCHOOL, OSHKOSH, WISCONSIN

NEW YORK ·:· CINCINNATI ·:· CHICAGO

AMERICAN BOOK COMPANY

COPYRIGHT, 1900

BY LILLIAN G. KIMBALL

Eng. Sentence

E-V 20

PREFACE

It has long seemed to me both unfortunate and wrong that many pupils

leave school with no keen delight in the study of English grammar,

and with the mistaken idea that it is mainly a study of rules and

definitions based upon the forms of mere words. Far from this, it

should be from the beginning a study of thought. Words should be

examined solely from the point of view of their function in the

sentence, the part they play in the communication of thought. Always

the sentence should be the unit of study, and it should be looked

at, not primarily as expressing a thought that was once in the mind

of its author, but rather as forever communicating thought to the

minds of its readers. For men would neither speak nor write without

an audience. Their aim is not to get their thought into words for

satisfaction to themselves, but to convey thought by means of words to

their fellow-men. Therefore it is that in all language study, in all

language teaching, the governing idea should be, not expression, but

communication, of thought.

It is now universally conceded that the purposes of grammar study

are three; namely, and in the order of their importance and

their realization,--1. to discipline the mind; 2. to aid in the

interpretation of speech and literature; 3. to facilitate the correct

expression of thought. It cannot, then, be denied that a rational

investigation of the structure of English sentences is far more

important than any other phase of grammar study, and for three

reasons:--1. it is a study of thought, and as such must discipline the

mind; 2. it trains the student through practice, which is the most

effective way, to interpret the thought of others; 3. by presenting to

him the best models for imitation, it aids him in communicating clearly

his own thoughts.

Believing this, and knowing from much experience that not until

students have examined the structure of sentences in relation to

the thought embodied, do they have any vital or useful knowledge of

etymology and syntax, I have long thought that a book was needed which

should deal only with the analysis of sentences, the culminating phase

of grammar study, for which all previous work is a preparation. The

book that I have prepared is not intended to supplant any text-book in

grammar, but rather to provide for a profitable continuation of grammar

study in high schools and normal schools. It is based upon the English

sentence as it has been written during the present century. No attempt

has been made to criticize any form or variation of sentence structure.

Instead, sentences are examined as they have been constructed by

reputable authors, with a view to determining the adequacy of their

structure to the communication of thought.

My highest aim and my sincerest hope have been to present worthy

matter in such a way as to require and stimulate good thinking on the

part of students, and to make them marvel and rejoice at the perfect

adaptability of the English sentence to the noble burden that it bears,

that of communicating thought.

L. G. K.

OSHKOSH, WIS., May, 1900.

CONTENTS

CHAPTER PAGE

I. The Proposition 7

II. The Classification of Propositions 11

III. The Classification of Sentences according to Structure 18

IV. The Classification of Sentences according to Form 23

V. The Adjective Clause 28

VI. The Analysis of Simple, Partially Compound, and

Complex Sentences 38

VII. The Substantive Clause 42

VIII. Analysis of Sentences containing Noun Clauses 51

IX. The Adverbial Clause of Time 53

X. The Adverbial Clause of Place 59

XI. The Adverbial Clause of Manner 62

XII. The Analysis of Sentences 66

XIII. The Adverbial Clause of Cause 68

XIV. Clauses of Purpose and Result 73

XV. The Adverbial Clause of Condition 78

XVI. The Adverbial Clause of Concession 82

XVII. The Adverbial Clause of Degree or Comparison 87

XVIII. The Compound Sentence 97

XIX. The Conjunction in some of its Uses 105

XX. The Infinitive Phrase 113

XXI. The Participial Phrase 129

XXII. The Gerund 139

XXIII. The Prepositional Phrase 146

XXIV. The Appositive Phrase 161

XXV. The Direct Object 169

XXVI. The Subjective Complement 175

XXVII. The Objective Complement 179

XXVIII. The Indirect Object 188

XXIX. The Adverbial Noun 189

XXX. Peculiar Modifications 193

XXXI. Independent Elements 201

XXXII. Sentence Modifiers 209

XXXIII. Elliptical Sentences 214

MISCELLANEOUS SENTENCES FOR ANALYSIS 228

INDEX 241

THE

STRUCTURE OF THE ENGLISH SENTENCE

CHAPTER I

THE PROPOSITION

In the mind of every human being there are innumerable ideas, or mental

pictures, gathered from previous experience. Whenever we perceive a

relation between any two of these ideas, we form a judgment, or, in

other words, have a thought. If we wish to communicate our thought we

ordinarily express it in words, and this verbal expression of a thought

we call a sentence.

For example, I have an idea of _children_ and an idea of the activity

called _play_; I see a relation between them, that of agent and thing

done; I affirm this relation, and have the sentence, _Children play_.

Or I detect a relation between _flower_ and _whiteness_, and say, _The

flower is white_. Or I fail to establish such a relation and so deny

the former statement by saying, _The flower is not white_. In each case

my sentence serves the great purpose of communicating thought; and it

does this by calling up in the mind of the reader the same combination

of ideas that exists in my mind.

Another name for sentences like those just formed, is _proposition_,

a proposition being the expression of one thought. But since a

proposition is the statement of a judgment, it must contain two ideas.

One of these, denoting that of which something is asserted, we call

the _subject_; the other, denoting what is said of the subject, we call

the _predicate_. The relation between these two ideas cannot always

be expressed by means of two words. If we wish to assert a relation

between _water_ and _freshness_, we must use at least three words,

_Water is fresh_; the word _is_ contains little, if any, meaning, but

is necessary for the grammatical expression of the thought.

Although a proposition must contain at least two ideas, it may contain

any number of them. For example, I may expand the proposition,

_Children play_, by additional ideas, telling (1) whose children, (2)

a characteristic of the children, (3) what they play, (4) where they

play, (5) when they play,--_My neighbor’s little children play hide and

seek in their yard every evening_. Still I have only one proposition,

for the number of propositions in a sentence depends on the number of

judgments, or thoughts, expressed,--in other words, on the number of

assertions made; and here there is but one, that made essentially by

the verb _play_.

All sentences, however, are not single propositions, for in building

sentences we often go a step further than seeing the relation between

ideas, that is, we see the relation between thoughts; and so, instead

of combining mere words, we combine whole propositions into one

sentence. Take, for example, the two propositions, _Children play_, and

_Children enjoy play_. I may see that the second fact is a cause of the

first, and, by combining the two so as to bring out this relation of

cause and effect, get the sentence, _Children play because they enjoy

it_, wherein I substitute the pronouns they and it for the already

known words _children_ and _play_.

Or take the two propositions, _The lion roared_, and _The hyena

laughed_. I may wish to tell some one that these two actions were

related in time, occurring simultaneously; I do this by saying, _The

lion roared and the hyena laughed_, where I have one sentence, but

made of two propositions, because conveying two thoughts. I might put

in other thoughts, telling (1) which lion, (2) why he roared, (3) how

long the hyena laughed,--The lion _that was kept in the cage near the

door_ roared _because the keeper did not bring his food_, and the hyena

laughed _till he had set all the animals around him in an uproar_. Here

I have one sentence containing five thoughts, therefore made up of five

propositions.

However, it is not with composition, the building up of sentences, that

we are to concern ourselves, so much as with an examination into the

structure of the finished product. Now, when we study the structure of

the human body, we look upon it first as a symmetrical whole, then we

separate it into its largest, most distinct members,--the head, the

trunk, the arms, the legs. After we have noted the relations of these

parts, we take up each part as a whole and proceed again in the same

way. In analyzing sentences we shall pursue the same method.

Every sentence is a unit just as the body is; like the body, too,

it is made up of smaller units. In studying its structure we should

first of all find the units which compose the sentence-unit. If the

sentence is a single proposition, the constituent units are, of course,

the subject and the predicate. But if the sentence is a combination

of propositions, as is oftener the case, then its chief units are

these propositions. Therefore, as a foundation for the analysis of

sentences, we must be able to determine readily how many propositions a

given sentence contains. Our first exercise will be devoted to this end.

Exercise 1

Resolve the following sentences into single propositions. Remember that

the number of propositions depends on the number of assertions made.

1. There are thousands of years between the stone hatchet and the

machine shop.--_C. W. Eliot._

2. All along the Atlantic, the country is bordered by a broad tract,

called the _tierra caliente_, or hot region, which has the usual high

temperature of equinoctial lands.--_Prescott._

3. Times grew worse and worse with Rip Van Winkle as years of

matrimony rolled on; a tart temper never mellows with age, and a

sharp tongue is the only edged tool that grows keener with constant

use.--_Irving._

4. Every thing around me wore that happy look which makes the heart

glad.--_Longfellow._

5. I came from India as a child, and our ship touched at an island

on the way home, where my black servant took me a long walk over

rocks and hills, until we reached a garden where we saw a man

walking.--_Thackeray._

6. As a painter may draw a cloud so that we recognize its general

truth, though the boundaries of real clouds never remain the same for

two minutes together, so, amid the changes of feature and complexion,

brought about by commingling of race, there still remains a certain

cast of physiognomy, which points back to some one ancestor of marked

and peculiar character.--_Lowell._

7. Our eyes are holden that we cannot see things that stare us in the

face, until the hour arrives when the mind is ripened.--_Emerson._

8. The burning sun of Syria had not yet attained its highest point in

the horizon, when a knight of the Red Cross, who had left his distant

northern home and joined the host of the Crusaders in Palestine, was

pacing slowly along the sandy deserts which lie in the vicinity of the

Dead Sea, where the waves of the Jordan pour themselves into an inland

sea from which there is no discharge of waters.--_Scott._

9. Through the black Tartar tents he passed which stood,

Clustering like bee hives on the low, flat strand

Of Oxus, where the summer floods o’erflow

When the sun melts the snow in high Pamere.

--_M. Arnold._

10. On a fine, breezy forenoon I am audaciously skeptical, but, as

twilight sets in, my credulity grows steadily, till it becomes equal

to anything that could be desired.--_De Quincey._

11. Although it was now well on towards dark and the sun was down an

hour or so, I could see the robbers’ road before me in a trough of the

winding hills, where the brook plowed down from the higher barrows,

and the coving banks were roofed with furze.--_Blackmore._

12. In one place the poet describes a congregation gathered to listen

to a preacher in a great unillumined cathedral at night.--_Wm. James._

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