~Cow-lick~, the term given to the lock of hair which costermongers and

tramps usually twist forward from the ear; a large greasy curl upon the

cheek, seemingly licked into shape. These locks are also called NUMBER

SIXES, from their usual shape. The opposite of NEWGATE-KNOCKER, which

_see_.

~Cow’s grease~, butter.

~Coxy-loxy~, good-tempered, drunk.—_Norfolk._

~Crab~, a disagreeable old person. Name of a wild and sour fruit.

~Crab~, “to catch a CRAB,” to fall backwards by missing a stroke in

rowing. From the crab-like or sprawling appearance of the man when in

the bottom of the boat.

~Crab~, to offend, or insult; to expose or defeat a robbery, to inform

against. CRAB, in the sense of “to offend,” is _Old English_.

“If I think one thing and speak another,

I will both CRAB Christ and our Ladie His mother.”

_Packman’s Paternoster._

~Crabs~, in dicing, a pair of aces.

~Crabshells~, or TROTTER-CASES, shoes.—_See_ CARTS.

~Crack~, the favourite horse in a race. Steeplechase and hunting CRACKS

have been made the subjects of well-known pictures, and “the gallops of

the CRACKS” is a prominent line in the sporting papers.

~Crack~, first-rate, excellent; “a CRACK HAND,” an adept; a “CRACK

article,” a good one. “A CRACK regiment,” a fashionable one.—_Old._

~Crack~, dry firewood.—_Modern Gipsy._

~Crack~, “in a CRACK (of the finger and thumb),” in a moment.

~Crack~, to break into a house; “CRACK A CRIB,” to commit burglary.

~Crack a bottle~, to drink. Shakspeare uses CRUSH in the same slang

sense.

~Cracked up~, penniless or ruined.

~Cracking a crust~, rubbing along in the world. CRACKING A TIDY CRUST,

means doing very well. This is a very common expression among the lower

orders.

~Crackle~, or CRACKLING, the scored rind on a roast leg or loin of pork;

hence applied to the velvet bars on the gowns of the students at St.

John’s College, Cambridge, long called “Hogs,” and the covered bridge

which connects one of the courts with the grounds, Isthmus of Suez

(SUES, _Lat._ SUS, a swine).

~Cracksman~, a burglar, _i.e._, the man who CRACKS.

~Crack up~, to boast or praise.—_Ancient English._

~Cram~, to lie or deceive, implying to fill up or CRAM a person with

false stories; to impart or acquire learning quickly, to “grind” or

prepare for an examination.

~Crammer~, one skilled in rapidly preparing others for an examination.

One in the habit of telling lies.

~Crammer~, a lie.

~Cranky~, foolish, idiotic, rickety, capricious (not confined to

persons). _Ancient cant_, CRANKE, simulated sickness. _German_, KRANK,

sickly. A CRANK or CRANKY vessel is one which pitches very much.

~Crap~, to ease oneself by evacuation.

~Crapping case~, or KEN, the water-closet. Generally called

CRAPPING-CASTLE.

~Crawler~, a mean, contemptible, sycophantic fellow. Also a cab which is

driven slowly along while its driver looks out for a fare. Crawling is

by recent statute a punishable offence.

~Crawly mawly~, in an ailing, weakly, or sickly state.

~Craw thumper~, a Roman Catholic. Compare BRISKET-BEATER.

~Cream of the valley~, gin; as opposed to or distinguished from

“mountain dew,” whisky.

~Crib~, house, public or otherwise; lodgings, apartments; a situation.

Very general in the latter sense.

~Crib~, to steal or purloin; to appropriate small things.

~Crib~, a literal translation of a classic author.—_University._

~Crib biter~, an inveterate grumbler; properly said of a horse which has

this habit, a sign of its bad digestion.

~Cribbage-faced~, marked with the small-pox, full of holes like a

cribbage-board. Otherwise crumpet-face.

~Crikey~, profane exclamation of astonishment; “Oh, CRIKEY, you don’t

say so!” corruption of “O Christ!” Sometimes varied by “O crimes!”

~Cripple~, a bent sixpence.

~Cripple~, an awkward or clumsy person. Also one of dull wits.

~Croak~, to die—from the gurgling sound a person makes when the breath

of life is departing.

~Croaker~, one who takes a desponding view of everything, a misanthrope;

an alarmist. From the croaking of a raven.—_Ben Jonson._

~Croaker~, a beggar.

~Croaker~, a dying person beyond hope; a corpse. The latter is generally

called a “stiff’un.”

~Croaks~, last dying speeches, and murderers’ confessions.

~Crocodiles’ tears~, the tears of a hypocrite. An ancient phrase,

introduced into this country by Mandeville, or other early English

traveller, who believed that the crocodile made a weeping noise to

attract travellers, and then devoured them. See Shakspeare’s use of the

term in _Othello_.

~Crocus~, or CROAKUS, a quack or travelling doctor; CROCUS-CHOVEY, a

chemist’s shop.

~Crone~, a termagant or malicious old woman. CRONY, an intimate friend.

~Crooked~, a term used among dog-stealers and the “fancy” generally, to

denote anything stolen. “Got on the CROOK” is exchangeable with “Got on

the cross,” CROOK and cross generally being synonymous.

~Crooky~, to hang on to, to lead, to walk arm-in-arm; to court or pay

addresses to a girl.

~Cropped~, hanged. Sometimes topped. “May I be topped.”

~Cropper~, a heavy fall, a decided failure. Term originally used in the

hunting-field, but now general, and not at all confined to physical

matters.

~Cropper~, “to go a CROPPER,” or “to come a CROPPER,” _i.e._, to fail

badly.

~Croppie~, a person who has had his hair cut, or CROPPED, in prison.

Formerly those who had been CROPPED (_i.e._, had their ears cut off and

their noses slit) by the public executioner were called CROPPIES, then

the Puritans received the reversion of the title.

~Crop up~, to turn up in the course of conversation. “It CROPPED UP

while we were speaking.”

~Cross~, a deception—two persons pretending hostility or indifference

to each other, being all the while in concert for the purpose of

deceiving a third. In the sporting world a CROSS is an arrangement made

between two men that one shall win without reference to relative merits.

This is sometimes done with the backer’s consent for the public benefit,

at other times a backer is himself the sufferer, the men having “put

some one in to lay,” according to instructions.—_See_ DOUBLE CROSS.

~Cross~, a general term amongst thieves expressive of their plundering

profession, the opposite of square. “To get anything on the CROSS” is to

obtain it surreptitiously. “CROSS-FANNING in a crowd,” robbing persons

of their scarf-pins, so called from the peculiar position of the arms.

This style of thieving is not confined to the conveying of scarf-pins.

CROSSMAN, a thief, or one who lives by dishonest practices.

~Cross.~—For not paying his term bills to the bursar (treasurer), or

for cutting chapels, or lectures, or other offences, the undergrad can

be “CROSSED” at the buttery, or kitchen, or both, _i.e._, a CROSS is put

against his name by the Don, who wishes to see him, or to punish him. Of

course it is easy to get one’s buttery commons out in some one else’s

name, and to order dinner in from the confectioner’s. The porter is

supposed to allow no dinners to be sent in, but, between his winking and

a little disguise, it is possible. As another instance, a barrel of beer

will not be admitted; but if it is in a hamper it will pass!—_Oxford

University._

~Cross-buttock~, an unexpected fling down or repulse; from a peculiar

throw practised by wrestlers.

~Cross cove and molisher~, a man and woman who live by thieving.

~Cross-crib~, a house frequented by thieves.

~Crossed~, prohibited from taking food from the buttery.—_University._

~Crow~, or COCK-CROW, to exult over another’s abasement, as a

fighting-cock does over his vanquished adversary.

~Crow~, “a regular CROW,” a success, a stroke of luck,—equivalent to a

FLUKE.

~Crow~, one who watches whilst another commits a theft, a confederate in

a robbery. The CROW looks to see that the way is clear, whilst the

SNEAK, his partner, commits the depredation.

~Crow~, “I have a CROW to pick with you,” _i.e._, an explanation to

demand, a disagreeable matter to settle. Sometimes the article picked is

supposed to be a bone.

~Crowsfeet~, wrinkles which gather in the corners of the eyes of old or

dissipated people.

~Crug~, food. Christ’s Hospital boys apply it only to bread.

~Crumbs~, “to pick up one’s CRUMBS,” to begin to have an appetite after

an illness; to improve in health, circumstances, &c., after a loss

thereof.

~Crummy~, fat, plump.—_North._ In London street slang, lousy.

~Crummy-doss~, a lousy or filthy bed.

~Crumpet-face~, a face pitted with small-pox marks.

~Crunch~, to crush. Perhaps from the sound of teeth grinding against

each other.

~Crush~, to run or decamp rapidly. CRUSH DOWN SIDES, run to a place of

safety, or the appointed rendezvous.—_North Country Cant._

~Crusher~, a policeman.

~Crushing~, excellent, first-rate.

~Crusty~, ill-tempered, petulant, morose.—_Old_, said to be a

corruption of the _Anglo-Norman_ CORUSEUX.

~Cub~, a mannerless uncouth lout.—_See_ UNLICKED.

~Cubitopolis~, an appellation, originally given by Londoners to the

Warwick and Eccleston Square districts. From the name of the builders.

~Cue~, properly the last word spoken by one actor, it being the CUE for

the other to reply. “Very often an actor knows nothing of a piece beyond

his own lines and the CUES.”

~Cull~, a man or boy.—_Old Cant._ RUM CULL, the manager of a theatre.

~Cullet~, broken glass. _French_, CUEILLETTE, a gathering or collection.

~Culling~, or CULING, stealing from the carriages at racecourses.

~Cully gorger~, a companion, a brother actor.—_Theatrical._ _See_

GORGER.

~Culver-headed~, weak and stupid.

~Cummer~, a gossip or acquaintance.

~Cumshaw~, a present or bribe.—_Anglo-Chinese._

~Cupboard-headed~, an expressive designation of one whose head is both

wooden and hollow.—_Norfolk._

~Cupboard-love~, affection arising from interested motives.

“A CUPBOARD LOVE is seldom true;

A love sincere is found in few.”—_Poor Robin._

Cupboard is the fount-spring of the love supposed to exist among

policemen for the cooks upon their beats.

~Cup-tosser~, a person who professes to tell fortunes by examining the

grounds in tea or coffee cups. A cup or goblet, however, is the old

mystic symbol of a juggler. _French_, JOUEUR DE GOBELET.

~Cure~, an odd person; a contemptuous term, abridged from CURIOSITY,

which was formerly the favourite expression. The word cure, as

originally applied, was London street slang, and was, as just stated, an

abbreviation of curiosity, or, more correctly, of curious or queer

fellow. Of late years it has, however, been used to denote a funny,

humorous person, who can give and receive chaff.

~Curios~, a corruption of “curiosities;” any articles of vertu brought

from abroad. Used by naval and military travellers and others.

~Currency~, persons born in Australia are there termed CURRENCY, while

natives of England are termed STERLING. The allusion is to the

difference between colonial and imperial moneys, which it may be as well

to remark have no difference so far as actual value is concerned.

~Curse~, anything worthless. Corruption of the _Old English_ word KERSE,

a small sour wild cherry; _French_, CERISE; _German_, KIRSCH. _Vision of

Piers Ploughman_:—

“Wisdom and witt nowe is _not worth_ a KERSE,

But if it be carded with cootis as clothers

Kembe their woole.”

The expression “not worth a CURSE,” used frequently nowadays, is

therefore not properly profane, though it is frequently intensified by a

profane expletive. Horne Tooke says from KERSE, or CRESS. The expression

“not worth a tinker’s CURSE,” may or may not have arisen from

misapplication of the word’s origin, though as now used it certainly

means curse in its usual sense. Tinkers do curse, unfortunately, and it

will take a good deal of school-board work to educate them out of it, as

well as a fair amount of time. The phrase “not worth a tinker’s damn,”

is evidently a variation of this, unless indeed it should be spelt

“dam,” and used as a reference to the general worthlessness of the wives

and mothers of tinkers. This latter is merely offered to those who are

speculative in such matters, and is not advanced as an opinion.

~Curse of Scotland~, the Nine of Diamonds. Various hypotheses have been

set up as to this appellation—that it was the card on which the

“Butcher Duke” wrote a cruel order with respect to the rebels after the

battle of Culloden; that the diamonds are the nine lozenges in the arms

of Dalrymple, Earl of Stair, detested for his share in the Massacre of

Glencoe; that it is a corruption of Cross of Scotland, the nine diamonds

being arranged somewhat after the fashion of a St. Andrew’s Cross. The

first supposition is evidently erroneous, for in Dr. Houston’s Memoirs

of his own Lifetime, 1747, p. 92, the Jacobite ladies are stated to have

nicknamed the Nine of Diamonds “the Justice Clerk,” after the rebellion

of 1715, in allusion to the Lord Justice-Clerk Ormistone, who, for his

severity in suppressing it, was called the Curse of Scotland. Gules a

cross of lozenges were also the arms of Colonel Packer, who attended

Charles I. on the scaffold, and commanded in Scotland afterwards with

great severity.—_See_ Chatto on the _Origin and History of Playing

Cards_, p. 267. The most probable explanation is, that in the game of

Pope Joan the nine of diamonds is the POPE, of whom the Scotch have an

especial horror.

~Curtail~, to cut off. Originally a Cant word—vide _Hudibras_, and

_Bacchus and Venus_, 1737. Evidently derived from the French _court

tailler_.

~Cushion~, to hide or conceal.

~Cushion-smiter~, polite rendering of tub-thumper, a clergyman, a

preacher.

~Cushmawaunee~, never mind. Sailors and soldiers who have been in India

frequently say—

“CUSHMAWAUNEE,

If we cannot get arrack,

We must drink pawnee.”

_Anglo-Indian._

~Customer~, synonymous with CHAP, a fellow; “a rum CUSTOMER,” _i.e._, a

man likely to turn the tables on any one who attacked him, and therefore

better be let alone, or very warily proceeded with; an “odd fish,” or

curious person.—_Shakspeare._

~Customhouse-officer~, an aperient pill.

~Cut~, to run away, move off quickly; to cease doing anything; CUT AND

RUN, to quit work, or occupation, and start off at once—_Sea_ phrase,

“CUT the cable and RUN before the wind;” to CUT DIDOES, synonymous with

to CUT CAPERS; CUT A DASH, make a show; CUT A CAPER, to dance or show

off in a strange manner; CUT A FIGURE, to make either a good or bad

appearance; CUT IT, desist, be quiet, go away, leave what you are doing

and run; CUT IT SHORT, cease being prolix, “make short work” of what you

have in hand; CUT OUT, to excel, thus in affairs of gallantry one Adonis

is said to CUT the other out in the affections of the wished-for

lady—_Sea_ phrase, from CUTTING out a ship from the enemy’s port. CUT

THAT! be quiet, or stop; CUT OUT OF, done out of; CUT OF ONE’S JIB, the

expression or cast of his countenance [_see_ JIB]; TO CUT ONE’S COMB, to

take down a conceited person, from the practice of cutting the combs of

capons [_see_ COMB CUT]; CUT AND COME AGAIN, plenty, if one cut does not

suffice, plenty remains to come at again; CUT UP, to mortify, to

criticise severely, or expose; CUT UP SHINES, to play tricks; CUT ONE’S

STICK, to be off quickly, _i.e._, to be in readiness for a journey,

further elaborated into AMPUTATE YOUR MAHOGANY [_see_ STICK]; CUT IT

FAT, to exaggerate or show off in an extensive manner; to CUT UP FAT, or

CUT UP WELL, to die, leaving a large property; CUT UNDER, to undersell;

CUT YOUR LUCKY, to run off; CUT ONE’S CART, to expose unfair tricks; CUT

AN ACQUAINTANCE, to cease friendly intercourse with him; “CUT UP ROUGH,”

to become obstreperous and dangerous; to have “CUT ONE’S EYE-TEETH,”

_i.e._, to be wide awake, knowing; to DRAW CUTS, to cast lots with

papers of unequal lengths.

~Cut~, to take cards from a pack, with a view to decide by comparison

which persons shall be partners, or which players shall deal. Not less

than four cards must be picked up by the cutter, and the bottom one is

the CUT. When cutting for a “turn-up,” the residuum is called the CUT.

~Cut~, in theatrical language, means to strike out portions of a

dramatic piece, so as to render it shorter for representation. A late

treasurer of one of the so-called Patent Theatres when asked his opinion

of a new play, always gave utterance to the brief but safe piece of

criticism, “Wants cutting.”

~Cut~, tipsy.—_Old._

~Cut~, to compete in business; “a CUTTING trade,” one conducted on

competitive principles, where the profits are very closely shaved.

~Cut-throat~, a butcher, a cattle-slaughterer; a ruffian.

~Cute~, sharp, cunning. Abbreviation of ACUTE.

~Cutter~, a ruffian, a cut-purse. Of Robin Hood it was said—

“So being outlaw’d (as ’tis told),

He with a crew went forth

Of lusty CUTTERS, bold and strong,

And robbed in the north.”

CUTTER, a swashbuckler—_balaffreux taillebras, fendeur de

naseaux._—_Cotgrave._

“He’s out of cash, and thou know’st by CUTTER’S LAW,

We are bound to relieve one another.”

_Match at Midn._, O. Pl., vii. 553.

This ancient cant word now survives in the phrase, “to swear like a

CUTTER.”

~Cutting-shop~, a place where cheap rough goods are sold.

~Cutty-pipe~, a short clay pipe. _Scotch_, CUTTY, short.

~Cutty-sark~, a short chemise.—_Scotch._ A scantily-draped lady is so

called by Burns.

“‘Weel done, CUTTY-SARK!’

And in an instant all was dark.”

~Dab~, or DABSTER, an expert person. Most probably derived from the

Latin _adeptus_.

~Dab~, street term for small flat fish of any kind.—_Old._

~Dacha-saltee~, tenpence. Probably from the _Lingua Franca_. _Modern

Greek_, δέκα; _Italian_, DIECI SOLDI, tenpence; _Gipsy_, DIK, ten. So

also DACHA-ONE (oney), _i.e._, _dieci uno_, elevenpence.—_See_ SALTEE.

~Daddle~, the hand; “tip us your DADDLE,” _i.e._, shake hands.

~Daddy~, a stage manager.—_Theatrical._ Also the person who gives away

the bride at a wedding.

~Daddy;~ at mock raffles, lotteries, &c., the DADDY is an accomplice,

most commonly the getter-up of the swindle, and in all cases the person

that has been previously selected to win the prize.

~Daddy~, the old man in charge—generally an aged pauper—at casual

wards. Most people will remember “kind old DADDY.”

~Daffy~, gin. A term with monthly nurses, who are always extolling the

virtues of Daffy’s Elixir, and who occasionally comfort themselves with

a stronger medicine under Daffy’s name. Of late years the term has been

altered to “soothing syrup.”

~Dags~, feat or performance; “I’ll do your DAGS,” _i.e._, I will do

something that you cannot do. Corruption of DARINGS.

~Dairies~, a woman’s breasts, which are also called CHARLIES.

~Daisy-cutter~, a horse that trots or gallops without lifting its feet

much from the ground.

~Daisy-kicker~, the name ostlers at large inns used to give each other,

now nearly obsolete. DAISY-KICKER, or GROGHAM, was likewise the cant

term for a horse. The DAISY-KICKERS were sad rogues in the old posting

days; frequently the landlords rented the stables to them, as the only

plan to make them return a profit.

~Damage~, in the sense of recompense; “what’s the DAMAGE?” _i.e._, what

is to pay? or actually, what is the DAMAGE to my pocket?

~Damper~, a shop till; to DRAW A DAMPER, _i.e._, rob a till. A till is

more modernly called a “lob,” and stealing from tills is known as

“lob-sneaking.”

~Dancer, or dancing-master~, a thief who prowls about the roofs of

houses, and effects an entrance by attic windows, &c. Called also a

“garreter.”

~Dance upon nothing~, to be hanged.

~Dander~, passion or temper; “to get one’s DANDER up,” to rouse his

passion.—_Old_, but now much used in America.

~Dando~, a great eater, who cheats at hotels, eating shops,

oyster-cellars, &c., from a person of that name who lived many years

ago, and who was an enormous oyster-eater. According to the stories

related of him, Dando would visit an oyster-room, devour an almost

fabulous quantity of bivalves, with porter and bread and butter to

match, and then calmly state that he had no money.

~Dandy~, a fop, or fashionable nondescript. This word, in the sense of a

fop, is of modern origin. Egan says it was first used in 1820, and Bee

in 1816. Johnson does not mention it, although it is to be found in all

late dictionaries. DANDIES wore stays, studied a feminine style, and

tried to undo their manhood by all manner of affectations which were not

actually immoral. Lord Petersham headed them. At the present day dandies

of this stamp have almost entirely disappeared, but the new school of

muscular Christians is not altogether faultless. The feminine of DANDY

was DANDIZETTE, but the term only lived for a short season.

~Dandy~, a small glass of whisky.—_Irish._ “Dimidium cyathi vero apud

Metropolitanos Hibernicos dicitur DANDY.”—_Father Tom and the Pope_, in

_Blackwood’s Magazine_ for May 1838.

~Dandy~, a boatman.—_Anglo-Indian._

~Dandypratt~, a funny little fellow, a mannikin; originally a

half-farthing of the time of Henry VII.

~Danna~, human ordure; DANNA DRAG, a nightman’s or dustman’s cart;

hence DUNNA-KEN, which _see_.

~Darbies~, handcuffs.—_Old Cant._—_See_ JOHNNY DARBIES. Sir Walter

Scott mentions these, in the sense of fetters, in his _Peveril of the

Peak_—

“‘Hark ye! Jem Clink will fetch you the DARBIES.’ ‘Derby!’

interrupted Julian, ‘has the Earl or Countess’”----

Had Sir Walter known of any connexion between them and this family he

would undoubtedly have mentioned it. The mistake of Julian is corrected

in the next paragraph. It is said that handcuffs were, when used to keep

two prisoners together, called DARBIES and JOANS—a term which would

soon be shortened as a natural consequence.

~Darble~, the devil. _French_, DIABLE.

~Dark~, “keep it DARK,” _i.e._, secret. A DARK horse is, in racing

phraseology, a horse of whom nothing positive is known, but who is

generally supposed to have claims to the consideration of all

interested, whether bookmakers or backers.

~Darky~, twilight; also a negro. DARKMANS, the night.

~Darn~, vulgar corruption of DAMN.—_American._

~Dash~, to jot down suddenly. “Things I have DASHED off at a moment’s

notice.”

~Dash~, fire, vigour, manliness. Literary and artistic work is often

said to be full of DASH.

~Dash~, an ejaculation, as “DASH my wig!” “DASH my buttons!” A relic of

the attempts made, when cursing was fashionable, to be in the mode

without using “bad words.”

~Dashing~, showy, fast.

~Daub~, in low language, an artist. Also a badly painted picture.

~David’s sow~, “as drunk as DAVID’S sow,” _i.e._, beastly drunk. _See_

origin of the phrase in Grose’s _Dictionary_.

~Davy~, “on my DAVY,” on my affidavit, of which it is a vulgar

corruption. Latterly DAVY has become synonymous in street language with

the name of the Deity; “so help me DAVY,” generally rendered, “swelp my

DAVY.” Slang version of the conclusion of the oath usually exacted of

witnesses.

~Davy’s locker~, or DAVY JONES’S LOCKER, the sea, the common receptacle

for all things thrown overboard;—a nautical phrase for death, is “gone

to DAVY JONES’S LOCKER,” which there means the other world.—_See_

DUFFY.

~Dawdle~, to loiter, or fritter away time.

~Dawk~, the post.—_Anglo-Indian._

~Daylights~, eyes; “to darken his DAYLIGHTS,” to give a person black

eyes. Also the spaces left in glasses between the liquor and the

brim,—not allowed when bumpers are drunk. The toast-master in such

cases cries “no DAYLIGHTS or heeltaps!”

~Daze~, to confound or bewilder; an ancient form of dazzle used by

Spenser, Drayton, &c. This is more obsolete English than slang, though

its use nowadays might fairly bring it within the latter category.

~Dead-against~, decidedly opposed to.

~Dead-alive~, stupid, dull.

~Dead-amiss~, said of a horse that from illness is utterly unable to run

for a prize.

~Dead-beat~, utterly exhausted, utterly “done up.”

The slang dictionary · 第 13 / 39 段