We had been promenading the hall for some time, having become pretty

well acquainted with the pattern of the encaustic tiles with which it

was paved; and were going towards the entrance for the last time,

pluming ourself that we might appear to the greatest advantage--for we

felt assured the ladies were descending, having heard a rustling and

tittering;--when, just turning by the door, we were electrified by three

distinct bangs, that subsided into a sharp rat, with an infinity of

tail, causing the lid of the letter-box to look as if it had the palsy,

and ourself to retreat like a shot--feeling alternately hot and cold;

whilst Strap, who, upon hearing Mrs. Brown's footsteps, began to be very

busy, performing a feat of strength with seven waiters, a copper scuttle

and an ice-pail, is put in such trepidation that he loses his grip--all

coming to the flags; causing the greatest amount of clamour at the

smallest amount of sacrifice--Mrs. Brown saying she is happy it is not

glass, and hoping Strap hasn't been drinking. The effect having

annihilated the cause, the door is not opened; so the dose gets

repeated, with similar gusto, by Fred. Lark--for it was he that gave the

"stunner," and witnessed the commotion through the attenuated windows at

either side the door,--a piece of pleasantry for which he got

stigmatised by Mrs. B. as a naughty, noisome, noisy man; and for which

he himself proposed the _still_-room, as an antidote. Now, Mr. Lark is

one of those funny little men, rather liked, because not over given to

sarcasm, and quite capable of laughing at his own jokes; or rather the

jokes he has picked up and disseminates--such whimsies in their place

being very well, but out of it intolerable nuisances. Mr. Lark commenced

his vagaries in the still-room, when we were taking coffee, placing the

toast on the table, and the buttered bread to the fire; proffering the

sugar to Miss Angelina; inquiring of that lady if she _liked_ her

tea--because, if not, she might _lump_ it; and upon our observing some

cracknels, as hard, the Lark said--it was _harder_ where there were

none; and that evening he completely confounded Mr. Brown, by informing

the worthy gentleman--he had not seen him this year!--nothing very

remarkable, considering it only three days' old; but enough, withal,

to make Mr. Brown think of three hundred and sixty-five--doubting the

statement.

Now arrive the musicians, with a gentle knock:--up goes the harp (like a

huge blade-bone in baize), followed by the cornet, violin, and pianist.

We ascend:--Mrs. Brown popping and firing her parting injunctions in

every direction--at Alphonso, in the (library) coffee-room; at Mr.

Strap, by the door; at John, by the foot of the stairs;--and, I was

going to say, at the listless supernumerary footman, lolling over the

banisters; who appeared in, or rather out of, character, by especial

desire, for this night only, being lent with the rout-seats at a sure

salary. As Mrs. Brown passed this latter gentleman in silence, we could

not help smiling--hoping she might have to think as well of his powers

as he did himself, and that all titles entrusted to his care might be

safely delivered; for we knew Mrs. Bramston would not be called

_Brimstone_, without turning fiery; or Mr. Reynard Sly put up with

anything but _Slée_, though he may write it Sly, himself.

Having gained the drawing-room, and got fairly through the

muslin-barrier in the doorway, which made the staircase look as if in a

fog, we found the appearance within very gratifying--everything well out

of the way, and no stinting of wax-lights:--altogether exhibiting a

clearer stage than is often to be met with--some antique people inviting

you to polk in an old curiosity shop;--as, the other evening, at the

Dowager Lady Oldbuck's, young Whisk, of the Heavies, brought down a

_buhl_ table, covered with porcelain gimcracks; a thing that Lark

observed--ought to cure itself, if people wished to save their _Sèvres_.

Evening parties are not the slow things they used to be:--here the back

balcony is all evergreens and tissue-paper blossoms, lit up with a

Chinese lanthorn--looking like a fairy bower, tenanted by four gaping

gold-fish and a dissipated canary; the little boudoir, beyond, so snug

in sage and silver, seeming but small accommodation for card-players. We

thought of Lady Oldbuck's--the valuable space occupied by _chaperones_

and corpulent cronies,--blessing the new mode;--dances now being

given to dancers, not to dowagers and matrimonial slave-dealers, as

heretofore. Mrs. Brown calculates her company; and thinking there

is enough for a quadrille in either room, she commences to form

them--pouncing, from time to time, upon timid young men by the door, who

are led forward, like lambs from a flock, to sacrifice,--until the sets

are completed--all but one couple--Mrs. Brown stating herself

"distressed for ladies;"--a combination of suffering by no means acute,

for she stood up herself, having engaged the amiable young Slowcoach to

fill the gap.

[Illustration: THE QUADRILLE.]

No sooner did the orchestra commence--barely having finished the

first eight bars of "the Martyrs",--than the guests came rushing up

from the coffee-room, like sheep through a hedge, one bolder than

the rest leading the way, causing Mrs. Brown to desert her partner in

_l'éte_--a figure the gentleman feels bound to execute twice, though he

would much rather have been excused either performance; and upon Mrs.

Brown's presenting a substitute he became so beside himself as to forget

the figure--a mishap rendered none the clearer by a wag's performing _la

pastorale_, when he ought to have done _trenise_, and moreover, not have

done it in such a facetious manner, as to render it a matter of doubt if

he himself could have recognized it; the audacity being accompanied by a

certain amount of shyness, that had to be hidden, altogether sadly

deranging our amiable youth's comprehension, he being led by his

partner, instead of leading _her_--to be left, alone, in a mental

pillory, a specimen of blushing mortification more diverting to behold

than to experience;--but, upon being kindly treated by his gentle

partner, he recovers, in the _galop finale_, feeling truly grateful to

the guardian spirit that has conducted him through the purgatory.

Ladies, be gentle with youthful bashfulness--it often arises from pure

feelings, modest diffidence, or unselfishness;--such, unlike many

proficient dancers, carry their brains in their hats, and not in their

boots:--weigh your "_fantastic-toes_" against them, and see which are

the most empty.

Somehow, the first quadrille is always unfortunate!--In the back room

they succeeded no better than in the front:--here, Miss Charmer was top

of the dance, as she always is, if it can be obtained; especially in the

_Lancers_ or _Caledonians_ (which, we dare say, are pleasant quadrilles

to those who know them, and the Charmer does). Well, she is top, with

young Hoy (heir to Sir Hobbedy), for a partner, a brave youth at quoits,

cricket, boxing, or boating--his hands, horny as a tortoise and large as

Polyphemus', over which he split three right-hand gloves:--a glance will

suffice to show how much he is _out_ of his, and she _in_ her,

element--Miss Charmer looking, Lark said, as if she would prefer

performing the "first _set_" (or sit) upon a vacant seat, beside Arthur

Beau, who has just arrived, and by whom, we know, she disliked to be

quizzed;--so, upon the completion of the first eight bars, the Charmer

flounced, bringing the flounces of her dress into contact with the bars

of the grate, causing the smoke to come out, and Arthur to come round,

that he might lean upon the shelf, engage himself for the next dance,

and stand behind the fair partner, a fire-guard of honour, unable to

keep from smiling at Mr. Hoy, who dances upon his heels, as though

enamoured of his large feet, and afraid of knocking his head against the

chandelier. Their _vis-à-vis_ is a lively lady, apparently taking stock

of a _bouquet_, but, in reality, joking an absent gentleman,

opposite:--it is Miss Gay, whom Lark (her partner) is making laugh, by

observing--the gentleman is not so _absent_ as he ought to be; causing

that lady to forget herself--making many mistakes and false starts;

which, being those of a person who knew better, were very diverting.

Miss Gay is voluble as volatile, no subject coming amiss--she is now

speculating as to how far the gentlemen will permit the buttons to

travel down their backs, or their skirts to be curtailed; and Mr. Lark,

unable to find a reason, must get up a contrary supposition--imagining

some middle-aged ladies to resemble a cork-screw, as they have at

different periods shifted the waist from the armpits downward;--_waists_

making us think of the short lady (in this set) with a very long

one--Miss Price, only child of Alderman Price, chandler and dry-salter,

of Candlewick ward--daughter and _hair_, as Mr. Lark jocosely observed,

in allusion to the luxuriant red tresses of that lady;--saying her papa

was the great crony of Sir Rich. Big, the free vintner, late of

Portsoken ward, who was found, or rather not found--having evaporated of

spontaneous combustion, before he could get to the civic chair,--leaving

all his money to Price; who has retired, with his fat and the gout, to

Bayswater. Miss Price is a lovely dancer, appearing hollow (a thing Miss

Gay did not doubt), like an India rubber ball in flounces; she is said

to have a beautiful hand, so small as to require only No. 6. gloves--as

if a pigmy hand could not be a deformity. She is invited, in a hope that

young Brown may make her a partner, for the dance of life; and is said

to be worth £150,000--not by the pound weight, as the envious Miss Gay

hinted.--No! No! naughty Miss Gay, be satisfied with Nature's gifts, and

do not covet lucre.

Here comes young Brown, who has not danced before, to make arrangements

with Miss Gay, who has--and proved herself the _belle_ of the

room;--but, as gentlemen are now in the minority, she does not hint at

being "engaged for the next," or propose "the one after."

There is a temporary lull, after the dance:--and in comes Captain de

Camp, looking like a macaw in a dress-coat, leading Lady Lucretia de

Camp, who resembles an apoplectic canary--so glittering is the amber

satin,--followed by the sons, who meander amongst the beaux and bare

shoulders, in search of the Miss Browns--dancing with no one else all

the evening,--causing the gentlemen to think very little of the De

Camps, and the ladies less of the Miss Browns. Now, then, for a

polka!--the rattling "Post knock Polka!"--Off! away they go, after a

great deal of reluctance and playful diffidence as to who should lead

off--Miss Charmer with Arthur Beau, twirling round and round, in and out

(like an eel among skittles); followed by Mr. Latimer and Miss Jemima,

who evidently intended to do great things, but only cause confusions and

contusions, until they get knocked into the open space, in the centre of

the human vortex--the Charmer spinning, as a top that could not stop,

while the music continued, like the automata in front of a street organ.

There, there they go!--that is Lord Towney--he who came with Mr.

Serjeant Wideawake, the Honourable Member for Bloomsbury--the fellow who

got acquainted with Brown, as brother-director of the "Dodo Assurance,"

that didn't do, and was done up. His Lordship is son of the Marquis of

Mary-le-bone--he that is flying with the pink flounces,--the buoyant,

hollow, Miss Price, whose pretty button of a nose we do believe was

impressed with the basket-work on her partner's fourth shirt-stud. Round

and round they twist--backwards, forwards, and sideways,--between

parties parted, and openings that close again,--faster and

faster,--smiling, frowning, and apologizing,--growing swifter and

swifter,--until the floor snapped, and rebounded with an awful crash.

* * * *

[Illustration]

The visitors are in the room below--a scene of ruin and rueful

faces;--the supper that was displayed there, in all its state, is done

for. Alas!--the chandelier has been polked off the hook--a mishap in

which few sympathise, for the floor is said to be safe; Mr. Lark being

the first to propose their going above, as he jokingly observed--to

crack the _party_-wall. Now, for that vastly-relished valse, the

"Teetotum"--liked none the less for the late excitement!--_deux temps_

against _trois temps_--the latter getting worsted; and the Brown girls,

who danced every dance, with certain gentlemen, only, more and more

unpopular.

[Illustration]

As the evening progresses, the Wall-flowers become bolder;--some finding

partners for quadrilles; others edging up to the vacant recesses,

rendering it now possible to get out at the door, and obtain air on the

landing--where several young fellows are congregated:--there young Lark

was laughing, we knew, at the Rev. Jewel St. Jones, the clerk in orders

at St. Stiffs, doing the _cavalier seul_--for we heard him say something

about early missal, or primitive Christian style,--joking the reverend

gentleman's partner, Miss what's-her-name, the "lamp-post," from No. 4,

Bury Court, St. Mary Axe--that washed-out, faint, fair creature,--she,

that looks as if you could see the back buttons of her dress through

from the front--that lady--well, do you see her?--It is said her mother

keeps her in a dark closet, that she may look like a consumptive

geranium:--however, Mr. Lark said _he_ did not believe it; and, as no

one said they did, the matter ended. The stairs soon become a popular

observatory--several Wall-flowers joining the knot; one of whom mildly

remarks something about three silver-grey silks, in the fore-ground, and

their being "much worn;" which Mr. Lark fully agreed in, as, he said,

they appeared to have been _turned_ several times--a joke, at which the

Wall-flower faintly smiles, for the three silver-greys are his

sisters:--however, nothing daunted, he is at it again, remarking upon

marriage, and people that look married; illustrating his theory by

pointing out the juvenility of an aunt, who he says is a virgin:--Lark

retorting--"_virging_ on fifty!"--a notification that begets much

laughter, making the Wall-flower feel at a discount, and more than ever

desire to say something smart; so, he pitches upon a gentleman with

parenthetical (bowed) legs, observing that Brown has invited his tailor;

moreover, wagering two to one, that if the gentleman, so libelled, were

asked to look at the splashes on the calf of his leg, he would take it

up in front, and examine it in his hand, like a nabob or tailor, used to

sit upon the floor; were he a Christian, he would look at it over his

shoulder:--here the Wall-flower turned for applause, looking over his

own shoulder to illustrate the anecdote--there to discover, Captain de

Camp, the gentleman who introduced "Parenthesis," a staff doctor, from

Woolwich (at least so the Captain said). But here we will leave them to

proceed below, and see how matters progress in the supper-room:--

The chandelier, the treacherous culprit, that would not swing or hang in

chains, is being borne away, clanking along the lower hall; the broken

glass has been picked out of the pastry, and the oily odour overcome

with _esprit de bouquet_--presenting, withal, a very effective

_coup-d'oeil_:--though, we could fancy the tipsy-cake, in the form

of a leaning-tower, if anything, a little more groggy; and that the

composite Corinthian temple looked as if it had suffered from an

earthquake--but there it was, for all the intense remorse of the cook,

who thought the exhibition of so mutilated a work of art would injure

his reputation for ever--but it did not!--Neither did any one notice the

loss of the frail effeminate brigand, that formerly tenanted the rotunda

of barley-sugar; nor was it known that a treadmill had given place to a

locomotive and tender--in sweets.

The first portion of this banquet disappears merrily; there

being no lack of the usual conserves, pasties, and geometrical

bread-envelopes--supposed to contain something, but consumed without the

slightest knowledge of their contents.

After the ladies have supped and withdrawn, the gentlemen lay to, with

immense energy, as if to make up for the time they have been kept in

suspense, creating great havoc amongst ruined fowls, or anything they

can lay hands upon--in the excitement, particularity having given place

to mirth. One gentleman has planted a spoon in his button-hole, after

the fashion of a flower; and, of course, for his pains, got called a

"Spooney," by an unknown voice behind Mr. Potts, the tame apothecary,

who is pouring, or rather measuring out, some champagne, _himself_,

catching the final drop on the edge of the glass, as if it were

castor-oil:--the "Spooney," thinking it Potts' voice, must make a joke

in return; so begins with the rather hackney'd, but, as he thought,

appropriate one, of _cham_pagne being better than _real_ pain or quinine

wine; and, upon Mr. P.'s essaying to answer, our "Spoon" diverted to

some tongue he was consuming, saying he liked it better than _Pott_ed

_tongue_--an observation that made the apothecary's face flush, and the

"Spoon" liken it to an article before them, a _claret-mug_. At this last

allusion the "Pott" got red-hot, and there is no knowing what would have

been the consequences, had not the "Spoon" terrified the "Pott" by

proclaiming "silence!"--in a stentorian voice;--and a gentleman risen,

Dr. Portbin, the author of that elaborate essay on "Dribbling Babies,"

in one thick volume, royal octavo--a work that nobody read, but

everybody thought a great deal of, for it gained its author a

vast infantine practice:--so, when the M.D. rose, the "Pott"

trembled--feeling greatly relieved to find the doctor only did so to

propose the "ladies"--"health and long life to Mrs. Brown and the

ladies!"--a toast that was drunk with great enthusiasm, Mr. Lark

vociferously applauding; at the same time stating, in an under

tone--"the doctor meant a long life of ills and bills." Dr. Portbin's

sentiment is echoed by Mr. Brown, who returns thanks in a

stereotype-speech, almost as original as a royal one; to which, in

some points, it bore slight resemblance, the ideas being very much

generalized--there was an "alliance with foreign powers," "acquisition

of territory," and "friendly relations:"--altogether a prosperous

allegory, which causes Captain de Camp to be "called upon;" and, in that

style of speech usually denominated "neat," give very visible vent to

his inexpressible feelings--sketching several scenes, commencing at

Victoria Villa and ending at St. Stephen's,--with a verse, intended to

look as if composed for the nonce; but, in reality, a work of much

study:--it was delivered with great emphasis--a composition for which we

had to blush, though, as faithful chroniclers, feel bound to insert--it

ran as follows:--

"Victoria and Albert's big

With city's wealth and soldier's glory:

To Army, Queen, and Country swig:

Improve, my friends, and prove the Tory!"

We do not think the Captain quite liked the word "swig," but he could

find no better in "Walker's Rhyming Dictionary;" or the last

expression--but _Conservative_ could not be lugged in any how:--however,

we must say, this ostensible improvisatorial effort produced a grand

effect, and a greater noise; which had scarcely subsided, when Mr.

Serjeant Wideawake, the Honourable Member for Bloomsbury, and author of

"Lays of a Liberal," rose to retort, saying,--

"We beg to doubt your precious rig,

And I'll tell you another story:

To _improve_ is to be a _whig_;

But not to _improve-is-a-tory_!"

[Illustration]

The effect of this latter burst of poetic fire was truly electric; it

completely extinguished the Captain's impromptu glimmer, lighting up

that gallant bosom with a passion of another kind--he feels miserably

"put out;"--and, like a dying rush-light in its last moments, seemed

determined to end with a spark of unusual brightness. The Captain stood

erect, awaiting his opportunity; but, alas!--it was one that never came;

for the ventriloquist, that caused the rupture between Mr. Potts and the

"Spooney," made the "Lion" wince, by observing, "he hoped there would be

no cruelty to animals"--a remark that made our "Lion" roar

contemptuously, and call the company "bears and monkeys"--he growling,

with blood-thirsty pugnacity, about "satisfaction" and "Chalk

Farm,"--the declamatory mania causing the irascible monster to mount a

projection in the recess, covered with a curtain, bringing down an

avalanche of fenders, fire-irons, and other stowage, with a fearful

crash--crowning the "king of beasts" with a helmet-scuttle,--thus

permitting the meaner animals to escape; leaving, as Mr. Lark (who came

out last) said, between frightful gusts of laughter oozing from his

handkerchief, Jackall Brown, the lion's provider, pacifying the enraged

brute with claret or soda water; and John in such an extreme fit of awe,

that he has taken the state jug, with the hole in the bottom stopped

with sealing-wax--only intended to hold cold water, into use, for hot;

and, being unable to stop the orifice with his finger, drops the

article--to the scalding of the already enfuriated "Lion."

* * * * * *

Feet were pattering above as we left this scene of strife--no time

seeming to have been lost during the consumption of the supper; for the

hands of the clock, in the hall, pointed to an earlier hour than they

did when we descended:--the truth being, Lark, though rather fast

himself, thought Time too much so, and put him back a little. The

Wall-flower is comparing the clock with his repeater. Lark is

reprimanding him, saying--it is not _etiquette_ to do so; and that

really some one ought to tell the vulgar thing, in green satin, who wore

her button of a watch-face outward (fearing lest it should be taken for

a locket), to turn the bauble round, for it is time she was in bed.

Having been absent for a short period, we were informed by the Lark that

we had _not_ lost a treat--for Jemima had been singing, "Memory, be thou

ever true!"--whilst Lark (perpetrating a dreary pun) said, he every

moment wished the music-stool would prove a _fall setto_, and

precipitate the lady to the ground; for it was a sad pity to hear poor

Spohf's songs so murdered.

They are now at a waltz--"the Olga,"--which is carried on with spirit,

lasting a very long while--young Lark saying he does not waltz, for it

makes his head swim; and that he has an objection to stand holding by

the shelf, experiencing a sensation delightful as standing upon one's

head in a swing, before a lady that ought to have your best

attention;--however, for all Lark's protestations, we saw some one-sided

smiles, as much as to say, _his_ vulnerable part, like that of Achilles,

lay in the heels--an insinuation Lark could well afford to allow, for he

does not live to _dance_, alone, like some sage, perfect, performers.

After the "Caledonians" and another polk (which, for diversion, young

Brown has danced to the tune of the "College-hornpipe"--a pleasing

eccentricity), followed a quadrille, _à la Française_, danced without

sides, in two very long lines--a style reported to have been imported

from a Casino, and not held to be proper by sober people. So, Potts got

a disgust for the polka, and thought _it_ improper--a dance he never

patronised or wished to--it being too _fast_ for the dull

apothecary!--he hated it, because once an inveterate polkist nearly

knocked his _patella_, or knee-pan, off, with some hard substance in the

flying tails of the dancer's dress-coat--a huge street-door key, that

ought to have been left in the _paletôt_.

Christmas Comes but Once a Year Showing What Mr. Brown Did, Thought, and Intended to Do, During That Festive Season. · 第 3 / 5 段