CHAPTER XIII.

IN THE FIELDS.

I gave her new music, some books of songs, some books of poetry, and

some novels of a kind that I thought she would like. I filled the

windows with flowers, insomuch that Robert groaned; I gave her flowers

for the table. In the evening I took her on the river for an hour of

the fresh strong air which sweeps up with the flow and down with the

ebb; and on Saturday I took her for a little journey into the country.

I wanted real country, not cockney country, though that is not to be

despised. Isabel was clad, I well remember, in a summer dress of some

soft and light material. Perhaps it was not trimmed exactly as a Bond

Street dressmaker would approve. She wore a hat which had been bought

in the neighbourhood of Aldgate, yet it was a pretty hat; and with a

touch of colour round her neck, and a flower at her throat, she looked

a very dainty damsel indeed. And, oh, the blindness, and the coldness,

and the stony-heartedness of her _fiancé_, who would have no kissing,

and fondling, and foolishness. In this respect, though we were sprung

from the same stock, I am not ashamed to confess that in my principles,

not to speak of practice, we were hopelessly at variance.

‘Permit me to observe, Isabel,’ I remarked judicially, ‘that you look

very nice, and that your dress becomes you.’

‘Oh!’ She coloured with pleasure; she was so unused to compliments, you

see. ‘I am so glad you like it. If you had not made Robert give up all

that work I should not have found time to make it.’

‘Well, I thought of taking you by rather a long journey, if you don’t

mind that--to Rickmansworth. Then you shall walk through a lovely park

that I know of, and then we shall be picked up by a trap and drive to

Chenies, there to dine, and go home in the cool of the evening. Will

that suit you, Isabel?’

‘Anything suits me that suits you, George; only I am afraid----’

‘What are you afraid of?’

‘I am afraid of you. Oh, not that way’--she did not explain what

way--‘only you belong to another world almost. I am afraid that I shall

be such a stupid companion. I don’t even talk your language; and you

always look so happy. I am ashamed to be seen with anyone who looks so

happy.’

I laughed. Afraid of me! As if any woman in the world could ever be

afraid of me! ‘Why,’ I told her, ‘I go in perpetual awe and adoration

of all women. I look happy because you condescend to walk with me.

Women are all goddesses. I worship in fear----’ So she smiled, and

resigned herself to fate, and we set off.

From Wapping to Rickmansworth is a long journey: it takes an hour and a

half. In the underground Isabel began to talk again about Robert.

‘I am ashamed,’ she said, ‘of having told you what I did last Monday; I

am ashamed of feeling so--afraid of Robert. You will think me the most

unworthy person in the world when I tell you that it is gratitude--the

deepest gratitude--that ought to bind us to Robert. Did he ever tell

you how we came to his house? No? Well, I will tell you, and then you

will understand what I mean. It is five years since we came to him.

I was sixteen then. We are his cousins. He could not get on with his

mother. She was a very grand lady--I remember her--who dressed in black

silk, and wore a large gold chain, and wanted to rule everybody. And

Robert was the master, and he intended to be master, in which he was

quite right. So they couldn’t agree, and his mother went out to her

other sons in Tasmania. Then Robert remembered us. Just then it was,

oh, a terrible time with us. I used to lie awake crying and praying for

help. And Robert brought the help.’

‘What was the trouble?’

‘Father had a stroke--you see how lame he is--and he couldn’t go to sea

any more, and there was no money at all.’

‘Oh, but that was terrible.’

‘Yes. They were trying to get father into the Trinity Almshouse, and

I was to go and do something--become a barmaid, perhaps. Then Robert

found us out. “Come and live with me,” he said. And so we came. I was

to be his secretary, and to keep the books and the house.’

‘And that you have continued ever since. Yes. And you have never been

outside Wapping once all that time?’

‘Oh yes; now and then I go as far as Aldgate.’

‘Have you been into any kind of society? Have you had any kind of

change?’

‘No; we have no visitors here, and I have been too busy to think of

change.’

‘That is just it; you have been too busy. Don’t talk to me of

gratitude, Isabel. Robert has taken from you more than he has given.

Not that he is to be blamed. Robert, you see, is such a strong sort

that he never wants any change, and he thinks that nobody else does.

Why, you’ve lost what ought to have been your happiest days. Why, you

ought to have been a princess.’

‘Please, George----’ She stopped me, turning red. ‘Remember that,

whatever I have lost, I have never heard foolish compliments.’

‘If you call that foolish---- But I refrain. So, little one, you

entered upon the boat-building business; and you saw Robert, naturally,

every day.’

‘Yes; all day long.’

‘And he--he--I mean you--presently accepted him.’

She blushed again. ‘Yes; he said he must have a wife some time or

other, and he would marry me. But he had a great deal to do first, and

I must not expect him to--to----’

‘I know. The most singular limitation of an engagement on record.’

‘If I could make him happy, how could I refuse? Besides, I was afraid

to refuse. And we owed everything to him. But it won’t have to be for a

great while yet--not for years.’

The train arrived at the station. I ordered a conveyance to meet us at

Chorley Common, and I took Isabel by a way that I knew through the Park.

There is nothing in the world, I believe, lovelier than an English

park in early summer. Wild places--lofty mountains, tall peaks, dark

ravines, broad glaciers, black forests, cliffs white, cliffs red,

cliffs black--touch another note. The tranquillity, the quiet beauty of

the Park, fills the soul with rest and calm. The Alps do not call forth

the same kind of emotion as a stately park.

I do not know how long it was since Isabel had been in the country.

She looked about her with a kind of stupor. There were tall trees, not

in lines, but single; all with their lower branches at the same height

above the sward--the height, that is, to which the deer can reach; the

foliage was at its best; the turf was green and soft and elastic; a

skylark was singing up above; a blackbird was repeating his pretty,

tuneful lay close beside us; there was a confused chatter from the

bridge; the buttercups covered the low-lying part; beyond us ran the

river, the little river Chess, winding among the meadows. The air that

fanned the soft cheeks of the girl breathed refreshment. We were quite

alone save for the birds and the trees, and afar off a herd of deer.

‘What do you think of it, Isabel?’

She made answer with the simple interjection which is used for

everything beyond the power of speech. There is no other word in any

language half so useful or half so expressive, because, you see, it

expresses every possible form of emotion--love, pain, pleasure, hope,

fear, admiration, joy, despair.

‘Come,’ I said; ‘we must not stay too long.’

‘Oh! But not to hurry. It is wonderful; to think that these lovely

places are all around us and we never see them! George, to live all the

time in that corner and never to see these things! Oh, is it life?’

‘No, Isabel, it is not life: it is prison. But courage, we have broken

prison. The doors are open. We shall see lots of things rare and

beautiful now. This is only a beginning.’

So we walked on more slowly, because this part of the Park is not

very big. In order to show off my country lore, I carried on a little

running commentary. ‘That whistle is the blackbird’s; that is the

thrush; did you hear the cuckoo? You must run for luck. That is the

blackcap; that is the complaint of the willow warbler.’

‘You know them all,’ she said jealously, ‘and I know not a single one.

Oh, how ignorant I am of everything--everything!’

‘I will teach you. I am sure you will be an apt scholar. You shall

learn the flowers, too--the names of all the flowers; I have got some

good by being born in the country. I can teach you the birds, and their

song and their flight; and the flowers, and their seasons and their

history; and the trees and the leaves. We had a country house once;

there was another one near us, with a huge park, where I used to wander

with Frances.’

‘Who was Frances?’

‘Lady Frances was the daughter of the Earl of Clovelly, formerly Prime

Minister. Her mother was a great political lady who had a _salon_.’

‘What is a _salon_?’

‘She received in her house the men of the party; encouraged the

deserving, rebuked the lazy, and strengthened those who wobbled. You

still do not understand? I will explain further, not now. Briefly this,

Frances and I were great friends always, and we learned those things

when we were children together.’

‘Are you engaged to Lady Frances?’ she asked sharply.

‘Oh dear no! There is no question of engagement between us. We are like

brother and sister. Frances is a young widow; if she were to marry

again, it would be to a strong man, full of ambition, who would advance

himself and enable her to become what her mother was.’

‘She should marry Robert, if she wants a strong man.’

‘Indeed, she might do worse. Now, Isabel, this is the wildest place

anywhere round London; you are quite in the country; there are no

houses to be seen, no roads, no railways, nothing but trees, and grass,

and sky, and flowing river. Sit down on this trunk and rest, and don’t

try to tell me how much you like it.’

We sat down on a fallen tree: the sunshine lay on the rippling waters

where the light breeze here and there lifted the surface into a little

crest of wave, or where it was broken by the leaping of a fish; there

were wild ducks overhead flying in two straight lines that joined at a

single duck, to make an angle of thirty degrees--not that Isabel asked

what angle they made--and higher up was flying a pair of herons, their

long legs stretched out behind them.

No one, I say, was in the Park; nor was there any sign or sound of any

human creature: the leaves of spring were at their earliest and their

loveliest; the chestnuts were in bloom; and the girl sat with hands

folded in her lap, carried away by the spectacle of the abounding joy

of spring. Perhaps for the first time in all her cribbed and cabined

youth, she felt the full joy of life. It fell upon her in waves; it

made her faint; it filled her with a new emotion. Shall we ever become

too old to remember the joy of life in adolescence--the yearning after

we know not what--the happiness of the sunshine, the air, the water,

the green trees, the birds--the fulness and the sweetness and the

innocence of it--the consciousness of understanding for the first time

what life means--how happy it may be--if the gods permit--how glorious

and how abundant are Nature’s gifts to bless the living? We cannot thus

clothe the thoughts of the young with words; youth is hardly conscious

of them. I am sure that Isabel could not describe the emotions that

filled her soul. Words are only possible long after the thing itself is

over and done with, and possible no longer. We who are old can never

again feel that overwhelming, supreme, passionate joy of life; but we

can remember--sometimes. When did it first fall upon you, dear reader?

Like the Wesleyans, let us exchange experiences. Were you alone? Was

there a companion to share your passions? Was it on some bright day in

early summer among woods and streams and the song of birds that this

sense of an all-abundant nature and a life capable of feeling all,

embracing all, receiving all, fell upon you, and carried you for a

brief space--a space all too brief--beyond yourself?

‘I have never seen this place before,’ she murmured, as if the place

alone was the cause of this strange and unknown feeling, and as if she

could not choose but say something.

‘We will come here again,’ I said.

For her face was flushed, and her eyes were brighter than was their

wont, her hands were tightly clutched, and her lips were parted. She

was in a highly-nervous condition when we started. Now she looked like

one trying to repress some over-mastering emotion.

‘I have never dreamed; I have never thought,’ she continued.

‘You have lived too long in a dull house, Isabel.’

The words came from afar off; she heard nothing.

She sprang to her feet. ‘Oh!’ she cried, ‘I must run; I cannot sit

still.’ She threw out her arms, she was carried away; she was drunk

with the new-born joy of life. ‘I must sing.’ She lifted up her voice,

her clear, full voice, and sang; and--wonderful to relate!--she sang

the words of a hymn:

‘Oh, God of Hosts, the mighty Lord,

How lovely is the place

Where Thou, enthroned in glory, show’st

The brightness of Thy face!’

‘Isabel!’ I cried, ‘you are transformed!’

She was: not the finest actress in the whole world could so change

herself in a moment of time; not the greatest Queen of Tragedy could so

stand with outstretched arms, with flaming cheek and parted lips--as

if to welcome and to drink in all--all--all that Nature had wherewith

to bless the living. In that moment I discovered the ideal Isabel, the

possible Isabel, the dream of the sculptor--a lovely dream, a divine

ideal! For a moment I thought of the old worships--the worship of

Nature; the worship of the Sun; the procession of the seasons--the

pageant of the year; the votaress who was seized with the celestial

rapture and sang words unintelligible and danced unearthly steps, and

fell at the feet of the god; what was that old ecstasy but this strange

extravagance, suddenly awakened in a girl rendered hysterical by long

dulness and stupid work, and confinement and the repression of all that

is natural in youth?

It lasted a moment only. Then her arms dropped and the colour went out

of her cheek, and I caught her as she fell, and laid her gently on the

grass. I ran down to the river and brought back a hat full of water,

and touched her forehead with a few drops. She quickly recovered and

sat up.

‘Where am I? What has happened?’ she cried. ‘Oh! what has happened?’

‘Nothing serious, Isabel. Keep quite quiet. The heat, or the sun, or

the strangeness, was too much for you. Perhaps you had better lie back

for a little.’

‘No--no----’ She got up. ‘I must have fainted. Why did I faint? Oh, I

am so ashamed of myself! I cannot understand why I fainted.’

‘Well, Isabel, when an ancient Greek met the great god Pan in the

forest, he instantly fell dead. So that you ought not to be surprised

that you merely fainted when you first saw great Pan’s dominion. Will

you rest a little longer?’

‘No; I am quite recovered. Let us go on, for fear I should faint again.’

So we walked on, through the rest of the Park and came out close to the

common called Chorley. Here the carriage was waiting for us, and we

drove the rest of the way.

Isabel was very silent. She lay back in the carriage, looking into

the woods as we drove along the road. She was in a mood when the soul

needs silence. Had I known that she would be so deeply moved, I think

I should have hesitated to bring her to such a place. The mind of a

maiden is too delicate an instrument for the rough hand of man. He

cannot touch the strings, without fear of something snapping. But her

cheek was touched with colour and her eyes with light.

We arrived at Chenies. There is a church here with tombs of the

Russells. Isabel took no interest in them. There is an old manor-house,

the most beautiful manor-house in England--a gem of a house, built of

red brick, with creepers all over it, and a stately garden; a house to

dream of. But Isabel cared nothing at all about the house, and showed

no interest or curiosity in the noble House of Russell. There were the

ruins of a small Religious House at the back. Isabel took no interest

in the monks or nuns who once lived in this House, nor in the ruins,

nor in the little reconstructions of the House which I attempted. But

beside the ruins at the back there is a wood, and here we walked in

the shade, looking out between the trees at the breadths of sunshine

beyond, and up into the branches above at the gleaming sunlight, and

between the leaves. She wanted nothing more than just the peace of the

wood and the glory of the sunshine.

I tore her away at last. For the hour was seven, and there were lamb

cutlets at the little Inn. And it was time for Masterful Man to assert

himself.

It is a long way back, as it is a long way to come, and all the way

back Isabel sat as one in a dream. I could not wake her out of the

dream.

I left her at last at her own door.

‘We are home again,’ she said. ‘Thank you, oh! so much. It has come

with me all the way home. I hope it will stay with me. Good-night,

George.’

What had come with her? I believe she meant the new-born feeling of the

beauty and the joy of the world.

The Master Craftsman · 第 13 / 27 章