FIFTH PERIOD

I submit that, by that time, if the subject had a good average mind, he

would be prepared by habit to read older works related with the best

modern works. The essays of Mr Lucas would prepare him for the works of

Lamb; those of Mr Belloc, for the essays of Carlyle and Bacon. Thus

would I lead back to the heavier Victorian novels, to the older ones of

Fielding and Sterne. If any taste for plays has been developed by

Shakespeare, it might be turned to Marlowe, Congreve, and Sheridan. The

drift of my argument is: read the easiest first; do not strain; do not

try to 'improve your mind,' but try to enjoy yourself. Than books there

is no better company, but it is no use approaching them as dour

pedagogues. Proceed as a snob climbing the social ladder, namely, know

the best people in the neighbourhood, then the best people they know.

The end is not that of snobbery, but an eternal treasure.

I think that my subject, if capable of developing taste, would find his

way to the easier classic works, such as Carlyle's _French Revolution_,

Boswell's _Life of Johnson_, perhaps even to Wesley's _Journal_. But at

that stage the subject would have to be dismissed to live or die. Enough

would have been done to lead him away from boredom, from dull solemnity

and false training, to purify his taste and make it of some use. The day

is light and the past is dark; all eyes can see the day and find it

splendid, but eyes that would pierce the darkness of the past must grow

familiar with lighter mists; to every man the life of the world about

him is that man's youth, while old age is ill to apprehend.

A Novelist on Novels · 第 30 / 51 题