For several minutes after this they both contemplated the level mass of

illuminated waters with absorbed concentration. At last Adrian broke

the silence.

“What I’m aiming at in my book,” he said, “is a revelation of how

the essence of life is found in the instinct of destruction. I want

to show--what is simply the truth--that the pleasure of destruction,

destruction entered upon out of sheer joy and for its own sake,

lies behind every living impulse that pushes life forward. Out of

destruction alone--out of the rending and tearing of something--of

something in the way--does new life spring to birth. It isn’t

destruction for cruelty’s sake,” he went on, his fingers closing

and unclosing at his side over a handful of sand. “Cruelty is mere

inverted sentiment. Cruelty implies attraction, passion, even--in some

cases--love. Pure destruction--destruction for its own sake--such as

I see it--is no thick, heavy, muddy, perverted impulse such as the

cruel are obsessed by. It’s a burning and devouring flame. It’s a mad,

splendid revel of glaring whiteness like this which hurts our eyes

now. I’m going to show in my book how the ultimate essence of life,

as we find it, purest and most purged in the ecstasies of the saints,

is nothing but an insanity of destruction! That’s really what lies

at the bottom of all the asceticism and all the renunciation in the

world. It’s the instinct to destroy--to destroy what lies nearest to

one’s hand--in this case, of course, one’s own body and the passions

of the body. Ascetics fancy they do this for the sake of their souls.

That’s their illusion. They do it for its own sake--for the sake of the

ecstasy of destruction! Man is the highest of all animals because he

can destroy the most. The saints are the highest among men because they

can destroy humanity.”

He rose to his feet and, picking up a flat stone from the sea’s edge,

sent it skimming across the water.

“Five!” he cried, as the stone sank at last.

The girl rose and stood beside him. “I can play at ‘Ducks and Drakes’

too,” she said, imitating his action with another stone which, however,

sank heavily after only three cuttings of the shiny surface.

“You can’t play ‘Ducks and Drakes’ with the universe,” retorted Sorio.

“No girl can--not even you, with your boy-arms and boy-legs! You can’t

even throw a stone out of pure innocence. You only threw that--just

now--because I did and because you wanted me to see you swing your

arm--and because you wanted to change the conversation.”

He looked her up and down with an air of sullen mockery. “What the

saints and the mystics seek,” he went on, “is the destruction of

everything within reach--of everything that sticks out, that obtrudes,

that is simply _there_. That is why they throw their stones at every

form of natural life. But the life they attack is doing the same thing

itself in a cruder way. The sea is destroying the land; the grass

is destroying the flowers; the flowers one another; the woods, the

marshes, the fens, are all destroying something. The saints are only

the maddest and wisest of all destroyers--”

“Sorio! There’s a starfish out there--being washed in. Oh, let me try

and reach it!”

She snatched his stick from him and catching up her skirt stepped into

the water.

“Let it be!” he muttered, “let it be!”

She gave up her attempt with an impatient shrug but continued to watch

the steady pressure of the incoming tide with absorbed interest.

“What the saints aim at,” Sorio continued, “and the great poets too, is

that absolute _white light_, which means the drowning, the blinding,

the annihilating, of all these paltry-coloured things which assert

themselves and try to make themselves immortal. The only godlike

happiness is the happiness of seeing world after world tumbled into

oblivion. That’s the mad, sweet secret thought at the back of all

the religions. God--as the great terrible minds of antiquity never

forgot--is the supreme name for that ultimate destruction of all

things which is the only goal. That’s why God is always visualised as

a blaze of blinding white light. That’s why the Sun-God, greatest of

destroyers, is pictured with burning arrows.”

While Adrian continued in this wild strain, expounding his desperate

philosophy, it was a pity there was no one to watch the various

expressions which crossed in phantasmal sequence, like evil ghosts over

a lovely mirror, the face of Philippa Renshaw.

The conflict between the man and woman was, indeed, at that moment,

of curious and elaborate interest. While he flung out, in this

passionate way, his metaphysical iconoclasm, her instinct--the shrewd

feminine instinct to reduce everything to the personal touch--remained

fretting, chafing, irritable, and unsatisfied. It was nothing to her

that the formula he used was the formula of her own instincts. She

loved destruction but in her subtle heart she despised, with infinite

contempt, all philosophical theories--despised them as being simply

irrelevant and off the track of actual life--off the track, in fact, of

those primitive personal impulses which alone possess colour, perfume,

salt and sweetness!

Vaguely, at the bottom of his soul, even while he was speaking, Sorio

knew that the girl was irritated and piqued; but the consciousness of

this, so far from being unpleasant, gave an added zest to his words.

He revenged himself on her for the attraction he felt towards her by

showing her that in the metaphysical world at any rate, he could reduce

her to non-existence! Her annoyance at last gave her, in desperation,

a flash of diabolic cunning. She tossed out to him as a bait for his

ravening analysis, her own equivocal nature.

“I know well what you mean,” she said, as they moved slowly back

towards Rodmoor. “Poor dear, you must have been torn and rent,

yourself, to have come to such a point of insight! I, too, in my way,

have experienced something of the sort. My brain--you know _that_, by

this time, don’t you, Adriano?--is the brain of a man while my body

is the body of a woman. Oh, I hate this woman’s body of mine, Adrian!

You can’t know how I hate it! All that annoys you in me, and all that

annoys myself too, comes from this,” and she pressed her little hands

savagely to her breast as she spoke, as though, there before him, she

would tear out the very soul of her femininity.

“From earliest childhood,” she went on, “I’ve loathed being a girl.

Long nights, sometimes, I’ve lain awake, crying and crying and crying,

because I wasn’t born different. I’ve hated my mother for it. I hate

her still, I hate her because she has a morbid, sentimental mania for

what she calls the sensitiveness of young girls. The sensitiveness!

As if they weren’t the toughest, stupidest, sleepiest things in the

world! They’re not sensitive at all. They’ve neither sensitiveness nor

fastidiousness nor modesty nor decency! It’s all put on--every bit of

it. I _know_, for I’m like that myself--or half of me is. I betray

myself to myself and lacerate myself for being myself. It’s a curious

state of things--isn’t it, Adriano?”

She had worked herself up into such a passion of emotional self-pity

that great swimming tears blurred the tragic supplication of her eyes.

The weary swing of her body as she walked by his side and the droop

of her neck as she let her head fall when his glance did not respond

were obviously not assumed. The revelation of herself, entered upon for

an exterior purpose, had gone further than she intended and this very

stripping of herself bare which was to have been her triumph became her

humiliation when witnessed so calmly, so indifferently.

After this they walked for a long while in silence, he so possessed by

the thrilling sense of having a new vista of thought under his command

that he was hardly conscious of her presence, and she in obstinate

bitter resolution wrestling with the remorse of her mistake and

searching for some other means--any means--of sapping the strength of

his independence.

As they moved on and the afternoon advanced, a large and striking

change took place in the appearance of the scene. A narrow, clear-cut

line of shadow made itself visible below the sand-dunes. The sky lost

its metallic glitter and became a deep hyacinthine blue, a blue which

after a while communicated itself, with hardly any change in its tint,

to the wide-spread volume of water beneath it. In those spots where

masses of seaweed floated beneath the surface, the omnipresent blue

deepened to a rich indescribable purple, that amazing purple more

frequent in southern than in northern seas, which we may suppose is

indicated in the Homeric epithet “wine dark.”

As the friends approached the familiar environs of Rodmoor they

suddenly came upon a fisherman’s boat pulled up upon the sand, with

some heavy nets left lying beside it.

“Sorio!” cried the girl, stooping down and lifting the meshes of one of

these, “Sorio! there’s something alive left here. Look!”

He bent over the net beside her and began hastily disentangling several

little silvery fish which were struggling and flapping feebly and

opening their tiny gills in labouring gasps.

“All right--all right!” cried the man, addressing in his excitement the

tiny prisoners, “I’ll soon set you free.”

“What are you doing, Adrian?” expostulated the girl. “No--no! You

mustn’t throw them back--you mustn’t! The children always come round

when school’s over and search the nets. It’s a Rodmoor custom.”

“It’s a custom I’m going to break, then!” he shouted, rushing towards

the sea with a handful of gasping little lives. His fingers when he

returned, were covered with glittering scales but they did not outshine

the gleam in his face.

“You should have seen them dash away,” he cried. “I’m glad those

children won’t find them!”

“They’ll find others,” remarked Philippa Renshaw. “There’ll always be

some nets that have fish left in them.”

IX

PRIEST AND DOCTOR

There are hours in every man’s day when the main current of his

destiny, rising up from some hidden channel, becomes a recognizable

and palpable element in his consciousness. Such hours, if a man’s

profoundest life is--so to speak--in harmony with the greater gods, are

hours of indescribable and tremulous happiness.

It was nothing less than an experience of this kind which flowed

deliciously, like a wave of divine ether, over the consciousness of

Hamish Traherne on the day following the one when Sorio and Philippa

walked so far.

As he crossed his garden in the early morning and entered the church,

the warm sun and clear-cut shadows filled him with that sense of

indestructible joy to which one of the ancient thinkers has given the

beautiful name of μονοχρονος ἡδονὴ--the Pleasure of the Ideal Now.

From the eastern window, flooding the floor of the little chancel,

there poured into the cool, sweet-smelling place a stream of quivering

light. He had opened wide the doors under the tower and left them open

and he heard, as he sank on his knees, the sharp clear twittering of

swallows outside and the chatter of a flock of starlings. Through every

pulse and fibre of his being, as he knelt, vibrated an unutterable

current of happiness, of happiness so great that the words of his

prayer melted and dissolved and all definite thought melted with them

into that rare mood where prayer becomes ecstasy and ecstasy becomes

eternal.

Returning to his house without spilling one golden drop of what

was being allowed him of the wine of the Immortals, he brought his

breakfast out into the garden and ate it, lingeringly and dreamily,

by the side of his first roses. These were of the kind known as “the

seven sisters”--small and white-petaled with a faint rose-flush--and

the penetrating odour of them as he bent a spray down towards his face

was itself suggestive of old rich wine, “cooled a long age in the

deep-delved earth.”

From the marshes below the parapet came exquisite scents of water-mint

and flowering-rush and, along with these, the subtle fragrance, pungent

and aromatic, of miles and miles of sun-heated fens.

The grass of his own lawn and the leaves of the trees that overshadowed

it breathed the peculiar sweetness--a sweetness unlike anything else

in the world--of the first hot days of the year in certain old East

Anglian gardens. Whether it is the presence of the sea which endows

these places with so rare a quality or the mere existence of reserve

and austere withholding in the ways of the seasons there, it were hard

to say, but the fact remains that there are gardens in Norfolk and

Suffolk--and to Hamish Traherne’s flower-beds in spite of the modesty

of their appeal, may well be conceded something of this charm--which

surpass all others in the British Isles in the evocation of wistful and

penetrating beauty.

The priest had just lit his cigarette and was sipping his tea when

he was startled by the sudden appearance of Nance Herrick, white and

desperate and panting for breath.

“I had to come to you,” she gasped, refusing his proffered chair and

sinking down on the grass. “I had to! I couldn’t bear it. I couldn’t

sleep. I couldn’t stop in that house. I saw him last night. He was

walking with _her_ near the harbour. I spoke to them. I was quiet--not

angry or bitter at all and he let her insult me. He let her whip

me with her tongue, wickedly, cruelly and yet so under cover, so

sideways--you know the kind of thing, Hamish?--that I couldn’t answer.

If I’d been alone with her I could have, but his being there made me

stupid, miserable, foolish! And she took advantage of it. She said--oh,

such mean, biting things! I can’t say them to you. I hate to think of

them. They went right through me like a steel lash. And he stood there

and did nothing. He was like a man in a trance. He stood there and let

her do it. Hamish--Hamish--I wish I were at the bottom of the sea!”

She bowed her white, grief-distorted face until it was buried in

the grass. The sun, playing on her bright hair, made it look like

newly-minted gold. Mr. Traherne sank on his knees beside her. His

ugliness, intensified by the agitation of his pity, reached a pitch

that was almost sublime. He was like a gargoyle consoling a goddess.

“Child, child, listen to me!” he cried, his husky grating voice

flinging itself upon the silence of her misery like a load of rubble

upon a marble pavement.

“There are moments in our life when no words, however tender, however

wise, can do any good. The only way--child, it is so--it is so!--the

only way is to find in love itself the thing that can heal. For love

_can_ do this, I know it, I have proved it.”

He raised one of his arms with a queer, spasmodic gesture and let it

drop as suddenly as he had raised it.

“Love rejoices to bear everything,” he went on. “It forgives and

forgives again. It serves its beloved night and day, unseen and unfelt,

it draws strength from suffering. When the blows of fate strike it,

it sinks into its own heart and rises stronger than fate. When the

passing hour’s cruel to it, it sinks away within, below the passing of

every possible hour, beyond the hurt of every conceivable stroke. Love

does not ask anything. It does not ask to be recognized. It is its own

return, its own recognition. Listen to me, child! If what I’m saying to

you is not true, if love is not like this, then the whole world is dust

and ashes and ‘earth’s base built on stubble’!”

His harsh voice died away on the air and for a little while there

was no sound in that garden except the twitter of birds, the hum of

insects, and the murmur of the sea. Then she moved, raised herself from

the ground and rubbed her face with her hands.

“Thank you, Hamish,” she said.

He got up from his knees and she rose too and they walked slowly

together up and down the little grass plot. His harsh voice, harsher

than ever when its pitch was modulated, rose and fell monotonously in

the sunny air.

“I don’t say to you, Nance, that you shouldn’t expect the worst. I

think we always should expect that and prepare to meet it. What I say

is that in the very power of the love you feel there is a strength

capable of sustaining you through your whole life, whatever happens.

And it is out of this very strength--a strength stronger than all

the world, my dear--than all the world!--that you’ll be able to give

your Adrian what he needs. He needs your love, little one, not your

jealousy, nor your self-pity, nor your anger. God knows how much he

needs it! And if you sink down into your heart and draw upon that and

wait for him and pray for him and endure for him you will see how, in

the end, he’ll come back to you! No--I won’t even say that. For in this

world he may never realize whose devotion is sustaining him. I’ll say,

whether he comes back or not, you’ll have been his only true love and

he’ll know it, child, in this world or another, he’ll know you for what

you are!”

The sweet, impossible doctrine, older than the centuries, older than

Plato, of the supremacy of spiritual passion had never--certainly

not in that monastic garden--found a more eloquent apologist. As she

listened to his words and her glance lingered upon a certain deeply

blue border of larkspurs, which, as they paced up and down mingled

with the impression he made upon her, Nance felt that a crisis had

indeed arrived in her life--had arrived and gone--the effect of which

could never, whatever happened, altogether disappear. She was still

unutterably sad. Her new mood brought no superficial comfort. But

her sadness had nothing in it now of bitterness or desperation. She

entered, at any rate for that hour, into the company of those who

resolutely put life’s sweetness away from them and find in the accepted

pressure of its sharp sword-point a pride which is its own reward.

This mood of hers still lasted on, when, some hours later, she

found herself in the main street of the little town, staring with a

half-humorous smile at the reflection of herself in the bow-window of

the pastry-cook’s. She had just emerged from the shop adjoining this

one, a place where she had definitely committed herself to accept the

post of “forewoman” in the superintendence of half a dozen young girls

who worked in the leisurely establishment of Miss Pontifex, “the only

official dressmaker,” as the advertisement announced, “on that side of

Mundham.”

She felt unspeakably relieved at having made this plunge. She had begun

to weary of idleness--idleness rendered more bitter by the misery

of her relations with Sorio--and the independence guaranteed by the

eighteen shillings a week which Miss Pontifex was to pay her seemed

like an oasis of solid assurance in a desert of ambiguities. She cared

nothing for social prestige. In that sense she was a true daughter of

her father, the most “democratic” officer in the British Navy. What

gave her a profound satisfaction in the midst of her unhappiness was

the thought that now, without leaving Rodmoor, she could, if Rachel’s

jealousy or whatever it was, became intolerable, secure some small,

separate lodging for herself and her sister.

Linda even, now her organ-playing had advanced so far, might possibly

be able to earn something. There were perhaps churches in Mundham

willing to pay for such assistance if the difficulty of getting over

there on Sundays when the trains were few, could in some way be

surmounted. At any rate, she felt, she had made a move in the right

direction. For the present, living at Dyke House, she would be able to

save every penny Miss Pontifex gave her, and the sense of even this

relative independence would strengthen her hand and afford her a sort

of vantage-ground whatever happened in the future.

She was still standing in front of the confectioner’s window when she

heard a well-known voice behind her and, turning quickly round, found

herself face to face with Fingal Raughty. The Doctor looked at her with

tender solicitude.

“Feeling the heat?” he said, retaining her fingers in his own and

stroking them as one might stroke the petals of a rare orchid.

She smiled affectionately into his eyes and thought how strange an

irony it was that every one, except the person she cared most for,

should treat her thus considerately.

“Come,” the Doctor said, “now I’ve got you I’m not going to let you go.

You must see my rooms! You promised you would, you know.”

She hadn’t the heart to refuse him and together they walked up the

street till they came to the tiny red-brick house which the Doctor

shared with the family of a Mundham bank-clerk. He opened the door and

led her upstairs.

“All this floor is mine,” he explained. “There’s where I see my

patients, and here,” he led her into the room looking out on the

street, “here’s my study.”

Nance was for the moment inclined to smile at the use of the word

“study” as applied to any room in Rodmoor High Street, but when she

looked round at walls literally lined with books and at tables and

chairs covered with books, some of them obviously rare and valuable,

she felt she had not quite done justice to the Doctor’s taste. He

fluttered round her now with a hundred delicate attentions, made her

remove her hat and gloves and finally placed her in a large comfortable

armchair close to the open window. He pulled one of the green blinds

down a little way to soften the stream of sunshine and, rushing to his

book-case, snatched at a large thin volume which stood with others of

the same kind on the lowest shelf. This he dusted carefully with his

sleeve and laid gently upon her lap.

“I think you’ll like it,” he murmured. “It’s of no value as an edition,

but it’s in his best style. I suppose Miss Doorm has all the old

masters up at Dyke House bound in morocco and vellum? Or has she only

county histories and maps?”

While his visitor turned over the pages of the work in question, her

golden head bent low and her lips smiling, the doctor began piling up

more books, one on the top of another, at her side.

“Apuleius!--he’s a strange old fellow, not without interest, but you

know him, of course? Petronius Arbiter! you had better not read the

text but the illustrations may amuse you. William Blake! There are some

drawings here which have a certain resemblance to--to one or two people

we know! Bewick! Oh, you’ll enjoy this, if you don’t know it. I’ve got

the other volume, too. You mustn’t look at _all_ the vignettes but some

of them will please you.”

“But--Fingal--” the girl protested, lifting her head from Pope’s Rape

of the Lock illustrated by Aubrey Beardsley--“what are _you_ going to

do? I feel as if you were preparing me for a voyage. I’d sooner talk to

you than look at any books.”

“I’ll be back in a moment,” he said, throwing at her a nervous and

rather harassed look, “I must wash my hands.”

He hurried precipitously from the room and Nance, lifting her eyebrows

and shrugging her shoulders, returned to the “Rape of the Lock.”

The doctor’s bathroom was situated, it appeared, in the immediate

vicinity of the study. Nance was conscious of the turning of what

sounded like innumerable taps and of a rush of mighty waters.

“Is the dear man going to have a bath?” she said to herself, glancing

at the clock on the chimney-piece. If her conjecture was right, Dr.

Raughty took a long while getting ready for his singularly timed

ablution for she heard him running backwards and forwards in the

bathroom like a mouse in a cage. She uttered a little sigh and, laying

the “Rape of the Lock” on the top of “Bewick,” looked wearily out

of the window, her thoughts returning to Sorio and the event of the

preceding evening.

Quite ten minutes elapsed before her host returned. He returned in

radiant spirits but all that was visible to the eye as the result of

his prolonged toilet was a certain smoothness in the lock of hair which

fell across his forehead and a certain heightening of the colour of his

cheeks. This latter change was obviously produced by vigorous rubbing,

not by the application of any cosmetic.

He drew a chair close to her side and ignored with infinite kindness

the fact that his pile of books lay untouched where he had placed them.

“Your neck is just like a column of white marble,” he said. “Are your

arms the same--I mean are they as white--under this?”

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