ALDI DISCIP. ANGL.]

[Illustration: BASIL MONTAGU PICKERING.

B M Pickering

Aldi Discipulus Anglus]

[Illustration: THE CHISWICK PRESS.

HOPE WELL AND HAVE WELL

CW]

The “Chiswick Press” of Messrs. Whittingham and Co., is in several

respects a link with the long past, and, having been in existence for

more than a century, is one of the oldest offices in London. It has

attained a world-wide celebrity for the excellence of its work, the

careful reading and correction of proofs, and the appropriate

application of its varied collection of ornaments and initial letters.

The Chiswick Press was the first to revive the use of antique type in

1843, for the printing of “Lady Willoughby’s Diary,” published by

Messrs. Longmans. Since that time its use has become universal. The

founder, Charles Whittingham, was born on June 16th, 1767, at Calledon,

in Warwick, and was apprenticed at Coventry in 1779, working

subsequently at Birmingham, and then in London. He commenced business on

his own account in Fetter Lane in 1790; and in 1810 he had removed to

Chiswick, and since that period the firm has always been known as “The

Chiswick Press.” In 1828 he began to execute work for William Pickering,

the publisher, and his press quickly acquired an unrivalled reputation

for its collection of ornamental borders, head and tail pieces. The

publisher Pickering, and the printer Whittingham, had employed about two

dozen marks in their various books: the former justly calling himself a

disciple of Aldus, and using a large number of variations on the

original Anchor and Dolphin Mark of the great Venetian printer. Of these

we give two examples, one with, and one without a cartouche; and also

the mark of Basil Montagu Pickering, the son and successor of William

Pickering. We also reproduce three of the more striking Marks of the

Chiswick Press, the shield on one of which, it will be observed, carries

the Aldine Anchor and Dolphin.

[Illustration: THE CHISWICK PRESS.]

[Illustration: THE CHISWICK PRESS.

Printers' Marks: A Chapter in the History of Typography · 第 103 / 120 题