Hostibus haud tergo, sed forti pectore notus.]

[Illustration: MATTHIAS BIENER (APIARIUS).

Ερευνᾶτε τὰς γραφάς, οτι ἐμ ἀυταῖς

ζωὴμ ἀιώνιομ ἔχετε. Ioan. 5.

Vrsus insidians & esuriens, princeps impius super

populum pauperem. Thre. 3. Prouerb. 28.

Quam dulcia faucibus meis eloquia tua,

super mel ori meo. Psal. 118.

Omnia probate, quod bonum

fuerit tenete. 1. Thess. 5.]

[Illustration: CRAFT MÜLLER.

Alma Spicifera Flaua

CERES.

Ni purges & molas non comedes.]

[Illustration: THEODOSIUS RIHEL, JOSIAS RIHEL (UND DEREN ERBEN).]

Wendelin Rihel was the founder of one of the longest-lived dynasties of

Strassburg printers, who were issuing books from 1535 to 1639; their

eighteen Marks have all the same subject, a winged figure of Sophrosyne,

holding in one hand a rule, and in the other a bridle and halter. Of

Thiebold Berger, who appears to have been in business from 1551-1584,

very little is known, either of his books or his personality; his Mark

is, however, pretty, and unique, so far as Strassburg is concerned.

Lazarus Zetzner and his successors, whose works date from 1586 to 1648,

and whose Marks number nearly thirty, all variants of the example here

given: it is a bust of Minerva supported on a short square pedestal, on

which is inscribed the words “Scientia immutabilis.” This family printed

a large number of works, from a Lutheran Bible to Aretini’s “Historiæ

Florentinæ.” As an example of a rare and distinct Mark we give one of

two employed by Conrad Scher, 1603-31, which was subsequently used by

Johannes Reppius, also of Strassburg. Curiosity is the only feature of

the solitary example of David Hauth, 1635.

[Illustration: LAZARUS ZETZNER.

Printers' Marks: A Chapter in the History of Typography · 第 59 / 120 题