ARISE FOR IT IS DAY]

Like so many other of the early printers, Richard Jugge, 1548-77, whose

shop was at the sign of the Bible at the north door of St. Paul’s, was a

University man, having studied at King’s College, Cambridge. “He had a

license from Government to print the New Testament in English, dated

January, 1550; and no printer ever equalled him in the richness of the

initial letters and general disposition of the text which are displayed

therein.” On the accession of Elizabeth to the throne, he printed the

proclamation, November 17, 1558. About seventy books are catalogued as

coming from his press. His elegant Mark consists of a massive

architectural panel, adorned with wreaths of fruit, and bearing in the

centre an oval within which is a pelican feeding her young, surrounded

by the mottoes, “Love kepyth the Lawe, obeyeth the Kynge, and is good to

the commen welthe,” and “Pro Rege Lege et Grege.” On the left of the

oval stands a female figure having a serpent twined round her right arm,

with the word “Prudentia” underneath, whilst the second female figure,

with a balance and a sword, is called “Justicia”; in the bottom centre

in a small cartouche panel is the name R. Jugge in the form of a

monogram. This Mark was also used by J. Windet and by Alexander

Arbuthnot, of Edinburgh, of which we give the example of the last named.

Hugh Singleton, 1548-82, appears to have earned as much notoriety among

his contemporaries for his “rather loose” principles as for the books

which he printed. He was often in conflict with the authorities, and

very narrowly escaped severe punishment for printing one of Stubbs’

outbursts, for which the author and Page the publisher had their right

hands cut off with a butcher’s knife and a mallet in 1581; Singleton was

pardoned. His Mark, of which there are variations, is sufficiently

self-explanatory, although it may be mentioned that for a time he dwelt

at the Golden Tun in Creed Lane. Walter Lynne, 1547-50, who was a

scholar and an author, had a shop at “Sommer’s Key near Billingsgate”

and printed about twenty sermons and other religious tracts in octavo,

employed the device given as an initial to the present chapter. John

Wyghte, or Wight, resembled Singleton somewhat in his facility for

running his head against established customs, and was on one occasion

fined for keeping his shop open on St. Luke’s Day, and on another for

selling pirated books. His shop was at the sign of the Rose, St. Paul’s

Churchyard, and his books--beginning with an edition of the Bible--range

from the year 1551 to 1596. His device was a portrait of himself, which

varies considerably both in size and in other respects. Perhaps the most

curious and interesting work which he published was “A Booke of the arte

and manner how to plant and graffe all sortes of trees,” 1586,

translated from the French by Leonard Mascall, and dedicated to Sir John

Paulet.

[Illustration: A. ARBUTHNOT.

ALEXANDER ARBVTHNET

LOVE KEPYTH THE LAWE OBEYETH THE KYNGE

AND IS GOOD TO THE COMMEN WELTHE

PRO LEGE REGE, ET GREGE

PRVDENCIA IVSTICIA]

[Illustration: HUGH SINGLETON.

Printers' Marks: A Chapter in the History of Typography · 第 35 / 120 题