A TRIP "PER SEA."

_Projected Re-visitation_--_Ilfracombe_--_Torrs Walks_--_En

route_--_Start_--_In Dock_--_Out_--_Tender

Thoughts_--_On Board_--Reception--_Greetings_--_Exciting

Search_--_Parting_--_Off!_

_Happy Thought._--Revisit Ilfracombe. Hire highest possible house

at the lowest possible price close to celebrated "Torrs Walks."

Why called "Torrs Walks"? Probably original TORRS who discovered

Ilfracombe used to walk here; one stormy night TORRS lost his head and

legs; then fell from sheer height of several hundred feet into

boiling sea; boiling sea made it hot for the unhappy TORRS; TORRS only

walking, not swimming. Therefore end of TORRS. Family name perpetuated

in Walks. Years ago, price to ascend Torrs was one penny per head,

body included. Tariff gone up since then. To Torrs Torr-tuous Turnings

admission Twopence. Extra penny might have improved paths. Here there

is as much "winding up" as in bankruptcy. "_Excelsior_" is motto of

visitor; likewise of proprietor who put on the extra penny. No matter;

not another spot in England where pedestrian can get better air,

better exercise, and finer views, all for twopence!

_Friendly Advice--gratis._--Always carry waterproof. If practicable

get someone to carry it for you. Never know when you may want it,

or when you mayn't. Stop for five o'clock tea on Torrs top. Whistle

merrily "_Torr-eador contento_" as you descend, and you will be giving

one of the best airs in _Carmen_ in return for about the finest air in

Devonshire.

_How to get to Ilfracombe._--Per rail, London and South-Western.

Picturesque line of country. Another, and a longer _route_, per _mare

et terram_, and therefore more varied and health-refreshing, which are

important points to score if your holiday be circumscribed, is to take

passage on board steamer, Pacific Orient Line for choice, which stops

at Plymouth _en route_ to give a last glance at Old England before

proceeding across the Bay of Biscay to Naples, and, ultimately,

Australia. Only drawback to this is the start from Fenchurch Street.

Fenchurch Street Station enough to make anyone start. Wanted here

a spacious, light and airy place where passengers carrying "hand

properties" can move about rapidly without loss of that equanimity of

temper which every traveller should cultivate under circumstances that

would try even the joviality of that utterly impossible creation _Mark

Tapley_. Still _Mark Tapley_ is an ideal to be lived up to as near as

may be; and the passenger who, with bag in hand, while struggling

with mixed crowd in Fenchurch Street Station on the departure of any

important Tilbury Dock train, can be jovial or even ordinarily polite,

is already in a fair way towards earning the Ideal Tapley Medal.

Tilbury Wharf. "And at this wharf of Tilbury" why not more porters?

Why not a covering to the landing-stage, where at present, the

traveller, like the sky parlour in ancient song, "exposed to the wind

and the rain," will be thoroughly drenched while awaiting the advent

of the tender. _Happy Thought._--To-day, fortunately, fine.

These queries occur to me as I stand on this floating quay, and

witness in the distance the "tender parting." There will be many "a

tender parting" beside this one to be seen when the _Orotava_ gets her

steam up, and quits Tilbury for Melbourne.

We board the _Orotava_, which is to board and lodge so many of them

(with another contingent going overland, and joining the ship later

on) for the next month or so.

I am personally introduced to the captain by some kindly friends who

come to see me off, and whom, as I lose sight of them in the crowd,

it is soon my turn to "see off"; as subsequently I can only catch a

glimpse of them in the crowd, on the tender, as they depart for shore,

when we wave hands to one another implying thereby all sorts of good

wishes. After making the captain's acquaintance, I am introduced by

some light-hearted companion--everyone on board is either boisterously

gay or in the deepest grief--to a good-humoured-looking portly

gentleman, whom, there being nothing whatever nautical in his

appearance, I should have taken for a landed proprietor, "one of

the olden time," had I not very soon discovered him to be something

uncommonly superior in the Nautical Pacific Service, and _the_ friend

in need, without whom no passenger's happiness is complete, that

is, speaking from practical experience, if the destination of that

passenger is only Plymouth, as was mine.

_Farewell!_ The tender is about to depart. It seems to me to be

as full as when it arrived. "Cheers, tears and laughter:" only the

laughter is a bit forced, while the tears are natural, and the cheers

most hearty. The tender hesitates. Tug evidently tender-hearted; can't

bear to part with the good ship _Orotava_. No; this is not the cause

of the delay. Some one is waited for. Tender crew impatient. Where is

he? Who is he? Find him. Some one, in ordinary frock coat and top hat

but clearly an official on board tender, puts both hands to his

month and shouts out what sounds to me like "Wait for Mister TUBBS!"

Evidently tender cannot go ashore without TUBBS; equally evident

that TUBBS is not to sail with the _Orotava_. Puzzle, to find TUBBS.

Stewards, chief officers, mates, men rush in all directions to rout

out TUBBS. Look-out man aloft in sort of suspended clothes basket

cannot get a sight of TUBBS either in the offing or out of it. Nothing

like TUBBS to be seen anywhere. Somebody reports at top of voice "He's

with the captain." Captain up above somewhere, invisible, denies soft

impeachment as to being cognisant of the whereabouts of TUBBS. What

is TUBBS doing? Playing hide and seek? Search light turned on into

darkest and deepest depths of _Orotava_. No TUBBS. Suddenly first

gangway withdrawn, and grasp of tender partially relaxed. Exciting

moment. Crew of tender rattle second gangway threateningly: their

patience is almost exhausted. The cry goes up once more for TUBBS

ahoy! Even the weeping wives and sorrowing friends, lovers and

children forget their dear ones for a moment and strain their eyes in

every direction, gasping for a glimpse of invisible TUBBS. At last

a small, stoutish figure appears on the gangway. Is he hatless?

breathless? Not a bit of it. He walks the gangway as if he yet had

hours of leisure before him, and was quite unconscious of having kept

anyone waiting. It is TUBBS himself. The self-possession of TUBBS

is remarkable, nay admirable. He notices nobody. Speaks to nobody.

Suddenly he disappears; the gangway is withdrawn; more cheers, more

waving of pocket-handkerchiefs, and the tender, with the impassive

TUBBS to boot, drifts out of sight, and the _Orotava_ is fairly under

weigh.

* * * * *

[Illustration: WITHOUT PREJUDICE.

_Ugly Man_ (_who thinks he's a privileged wag, to Artist_). "NOW, MR.

_DAUB_IGNY, DRAW ME."

_Artist_ (_who doesn't like being called_ Daub_igny, and whose real

name is Smith_). "CERTAINLY. BUT YOU _WON'T_ BE OFFENDED IF IT'S

_LIKE_ YOU. EH?"]

* * * * *

Punch, or the London Charivari, Vol. 109, August 24, 1895 · 第 11 / 16 题