Chapter XII

I

A certain struggling incoherence is manifest in Spinrobin's report of it

all, as of a man striving to express violent thoughts in a language he

has not yet mastered. It is evident, for instance, as those few familiar

with the "magical" use of sound in ceremonial and the power that resides

in "true naming" will realize, that he never fully understood Skale's

intended use of the chord, or why this complex sound was necessary for

the utterance of the complex "Name."

Moreover, the powers concealed in the mere letters, while they laid hold

upon his imagination, never fully entered his understanding. Few minds,

it seems, can conceive of any deity as other than some anthropomorphic

extension of themselves, for the idea is too greatly blinding to admit

human thought within a measurable distance even of a faintest conception.

The true, stupendous nature of the forces these letters in the opening

syllable clothed, Spinrobin unquestionably never apprehended. Miriam,

with her naked and undefiled intuitions, due to utter ignorance of

worldly things from birth, came nearer to the reality; but then Miriam

was now daily more and more caught up into the vortex of a sweet and

compelling human love, and in proportion as this grew she feared the

great experiment that might--so Spinrobin had suggested--spell Loss.

Gradually dread closed the avenues of her spirit that led so fearfully to

Heaven; and in their place she saw the dear yet thorny paths that lay

with Spinny upon the earth.

They no longer, these two bewildered loving children, spoke of one

another in the far-fetched terminology of sound and music. He no longer

called her his "brilliant little sound," nor did she respond with "you

perfect echo"; they fell back--sign of a gradual concession to more human

things--upon the gentler terminology, if the phrase may be allowed, of

Winky. They shared Winky between them ... though neither one nor other of

them divined yet what Winky actually meant in their just-opening lives.

"Winky is yours," she would say, "because you made him, but he belongs to

me too, because he simply can't live without me!"

"Or I without you, Little Magic," he whispered, laughing tenderly. "So,

you see, we are all three together."

Her face grew slightly troubled.

"He only pays me visits, though. Sometimes I think you hide him, or tell

him not to come." And far down in her deep grey eyes swam the first

moisture of rising tears. "Don't you, my wonderful Spinny?"

"Sometimes I forget him, perhaps," he replied gravely, "but that is only

when I think of what may be coming if--the experiment succeeds--"

"Succeeds?" she exclaimed. "You mean if it fails!" Her voice dropped

instinctively, and they looked over their shoulders to make sure they

were alone.

He came up very close to her and spoke in her small pink ear. "If it

succeeds," he whispered, "we go to Heaven, I suppose; if it fails we

stay upon the earth." Then he stood off, holding her hands at arm's

length and gazing down upon her. "Do you want to go to Heaven?" he asked

very deliberately, "or to stay here upon the earth with me and Winky--?"

She was in his arms the same second, laughing and crying with the strange

conflict of new and inexplicable emotions.

"I want to be with you here, and forever. Heaven frightens me now.

But--oh, Spinny, dear protecting thing, I want--I also want--" She broke

off abruptly, and Spinrobin, unable to see her face buried against his

shoulder, could not guess whether she was laughing or weeping. He only

divined that something in her heart, profound as life itself, something

she had never been warned to conceal, was clamoring for comprehension and

satisfaction.

"Miriam, tell me exactly. I'm sure I shall understand--"

"I want Winky to be with us always--not only sometimes--on little

visits," he heard between the broken breathing.

"I'll tell him--"

"But there's no good telling _him_," she interrupted almost fiercely, "it

is _me_ you must tell...."

Spinrobin's heart sank within him. She was in pain and he could not quite

understand. He pressed her hard against him, keeping silence.

Presently she lifted her face from his coat, and he saw the tears of

mingled pain and happiness in her eyes--the eyes of this girl-woman who

knew not the common ugly standards of life because no woman had ever told

them to her.

"You see, Winky is not really mine unless I have some share in making him

too," she said very softly. "When I have made him too, then he will stay

forever with us, I think."

And Spinrobin, beginning to understand, knowing within him that singular

exultation of triumphant love which comes to a pure man when he meets the

mother-to-be of his firstborn, lowered his own face very reverently to

hers, and kissed her on the cheeks and eyes--saying nothing, and vaguely

wondering whether the awful name that Skale sought with so much thunder

and lightning, did not lie at that very moment, sweetly singing its

divinest message, between the contact of this pair of youthful lips, the

lips of himself and Miriam.

II

And Philip Skale, meanwhile, splendid and independent of all common

obstacles, thundered along his tempestuous mad way, regardless and

ignorant of all signs of disaffection. The rest of that week--a week of

haunting wonder and beauty--was devoted to the carrying out of the

strange program. It is not possible to tell in detail the experience of

each separate room. Spinrobin does it, yet only succeeds in repeating

himself; and, as has been seen, his powers failed even in that first

chamber of awe. The language does not exist in which adventures so remote

from normal experience can be clothed without straining the mind to the

verge of the unintelligible. It appears, however, that each room

possessed its color, note and form, which later were to issue forth and

combine in the even vaster pattern, chord and outline which should

include them all.

Even the thought of it strained the possibilities of belief and the

resources of the imagination.... His soul fluttered and shrank.

They continued the processes of prayer and fasting Skale had ordained as

the time for the experiment drew near, and the careful vibratory

utterance of the "word" belonging to each room, the vibrations of which

threw their inner selves into a condition of safe--or comparatively

safe--receptivity. But Spinrobin no longer said his prayers, for the

thought that soon he was to call upon the divine and mighty name in

reality prevented his doing so in the old way of childhood--nominally. He

feared there might come an answer.

He literally walked the dizzy edge of precipices that dropped over the

edge of the world. The incoherence of all this traffic with sound and

name had always bewildered him, even to the point of darkness, whereas

now it did more, it appalled him in some sense that was monstrous and

terrifying. Yet, while weak with terror when he tried to face the

possible results, and fevered with the notion of entering some new

condition (even though one of glory) where Miriam might no longer be as

he now knew her, it was the savage curiosity he felt that prevented his

coming to a definite decision and telling Mr. Skale that he withdrew from

the whole affair.

Then the idea grew in his mind that the clergyman was obsessed by some

perverted spiritual force, some "Devil" who deceived him, and that the

name he sought to pronounce was after all not good--not God. His

thoughts, fears, hopes, all became hopelessly entangled, through them one

thing alone holding clear and steady--the passionate desire to keep

Miriam as she was now, and to be with her forever. His mind played tricks

with him too. Day and night the house echoed with new sounds; the very

walls grew resonant; the entire building, buried away among these

desolate hills, trembled as though he were imprisoned within the belly of

some monstrous and gigantic fiddle.

Mr. Skale, too, began to change, it seemed. While physically he

increased, as it were, with the power of his burning enthusiasm, his

beard longer and more ragged, his eyes more luminous, and his voice

shaking through the atmosphere almost like wind, his personality, in some

curious fashion, seemed at the same time to retire and become oddly

tinged with a certain remoteness from reality. Spinrobin once or twice

caught himself wondering if he were not after all some legendary or pagan

figure, some mighty character of dream or story, and that presently he,

Spinrobin, would awake and write down the most wonderful vision the world

had ever known. His imagination, it will be seen, was affected in more

ways than one....

With a tremendous earnestness the clergyman went about the building, down

the long dark corridors and across the halls, his long soft strides took

him swiftly everywhere; his mere presence charged with some potent force

that betrayed itself in the fire of his eyes and the flush of his cheeks.

Spinrobin thought of him as some daring blasphemer, knocking at a door in

the sky. The sound of that knocking ran all about the universe. And when

the door opened, the heavens would roll back like an enormous, flat

curtain....

"Any moment almost," Skale whispered to him, smiling, "the day may be

upon us. Keep yourself ready--and--in tune."

And Spinrobin, expecting a thunderclap in his sleep, but ever plucky,

answered in his high-pitched voice, "I'm ready, Mr. Philip Skale, I'm

ready! I'm game too!" when, truthfully speaking, perhaps, he was neither

one nor other.

He would start up from sleep in the nighttime at the least sound, and the

roar of the December gales about the house became voices of portent that

conveyed far more than the mere rushing of inarticulate winds....

"When the hour comes--and it is close at hand--we shall not fail to know

it," said Skale, pallid with excitement. "The Letters will be out upon

us. They will live! But with an intense degree of exuberant life far

beyond what we know as life--we, in our puny, sense-limited bodies!" And

the scorn in his voice came from the center of his heart. "For what we

hear as sound is only a section," he cried, "only a section of

sound-vibrations--as they exist."

"The vibrations our ears can take are _very_ small, I know," interpolated

Spinrobin, cold at heart, while Miriam, hiding behind chairs and tables

that offered handy protection, watched with mingled anxiety and

confidence, knowing that in the last resort her adorable and "wonderful

Spinny" would guide her aright. Love filled her heart, ousting that other

portentous Heaven!

III

And then Skale announced that the time was ready for rehearsals.

"Let us practice the chord," he said, "so that when the moment comes

suddenly upon us, in the twinkling of an eye, in the daytime or in the

night, we shall be prepared, and each shall fly to his appointed place

and utter his appointed note."

The reasons for these definite arrangements he did not pretend to

explain, for they belonged to a part of his discovery that he kept

rigidly to himself; and why Spinrobin and Miriam were to call their notes

from the corridor itself, while Skale boomed his great bass in the

prepared cellar, Mrs. Mawle chanting her alto midway in the hall, acting

as a connecting channel in some way, was apparently never made fully

clear. In Spinrobin's imagination it was very like a practical

illustration of the written chord, the notes rising from the bass clef to

the high soprano--the cellar to the attic, so to speak. But, whatever the

meaning behind it, Skale was exceedingly careful to teach to each of

them his and her appointed place.

"When the Letters move of themselves, and make the first sign," he

repeated, "we shall know it beyond all doubt or question. At any moment

of the day or night it may come. Each of you then hasten to your

appointed place and wait for the sound of my bass in the cellar. There

will be no mistake about it; you will hear it rising through the

building. Then, each in turn, as it reaches you, lift your voices and

call your notes. The chord thus rising through the building will gather

in the flying Letters: it will unite them; it will summon them down to

the fundamental master-tone I utter in the cellar. The moment the Letter

summoned by each particular voice reaches the cellar, that voice must

cease its utterance. Thus, one by one, the four mighty Letters will come

to rest below. The gongs will vibrate in sympathetic resonance; the

colors will tremble and respond; the finely drawn wires will link the

two, and the lens of gas will lead them to the wax, and the record of the

august and terrible syllable will be completely chained. At any desired

moment afterwards I shall be able to reawaken it. Its phonetic utterance,

its correct pronunciation, captured thus in the two media of air and

ether, sound and light, will be in my safe possession, ready for use.

"But"--and he looked down upon his listeners with a dreadful and

impressive gravity that yet only just concealed the bursting exultation

the thought caused him to feel--"remember that once you have uttered your

note, you will have sucked out from the Letter a portion of its own

terrific life and force, which will immediately pass into yourself. You

will instantly absorb this, for you will have called upon a mighty

name--the mightiest--and your prayer will have been answered." He stooped

and whispered as in an act of earnest prayer, "_We shall be as Gods_!"

Something of cold splendor, terribly possessing, came close to them as

he spoke the words; for this was no empty phrase. Behind it lay the great

drive of a relentless reality. And it struck at the very root of the fear

that grew every moment more insistent in the hearts of the two lovers.

They did not want to become as gods. They desired to remain quietly human

and to _love_!

But before either of them could utter speech, even had they dared, the

awful clergyman continued; and nothing brought home to them more vividly

the horrible responsibility of the experiment, and the results of

possible failure, than the few words with which he concluded.

"And to mispronounce, to utter falsely, to call inaccurately, will mean

to summon into life upon the world--and into the heart of the

utterer--that which is incomplete, that which is not God--Devils!--devils

of that subtle Alteration which is destruction--the devils of a Lie."

* * * * *

And so for hours at a time they rehearsed the sounds of the chord, but

very softly, lest the sound should rise and reach the four rooms and

invite the escape of the waiting Letters prematurely.

Mrs. Mawle, holding the bit of paper on which her instructions were

clearly written, was as eager almost as her master, and as the note she

had to utter was practically the only one left in the register of her

voice, her deafness provided little difficulty.

"Though when the letters awake into life and cry aloud," said Skale,

beaming upon her dear old apple-skinned face, "it will be in tones that

even the deaf shall hear. For they will spell a measure of redemption

that shall destroy in a second of time all physical disabilities

whatsoever...."

It was at this moment Spinrobin asked a question that for days had

been hovering about his lips. He asked it gravely, hesitatingly, even

solemnly, while Miriam hung upon the answer with an anxiety as great

as his own.

"And if any one of us fails," he said, "and pronounces falsely, will the

result affect all of us, or only the utterer?"

"The utterer only," replied the clergyman. "For it is his own spirit that

must absorb the forces and powers invoked by the sound he utters."

He took the question lightly, it seemed. The possibility of failure was

too remote to be practical.

The Human Chord · 第 12 / 14 章