61. JANE AUSTEN. PRIDE AND PREJUDICE.

Jane Austen's delicate and ironic art will remain unassailable through

all changes of taste and varieties of opinion. What she really

possesses--what might be called the clue to her inimitable secret--is

nothing less than the power of giving expression to that undying

ironic detachment, touched with a fine malice but full of tender

understanding, which all women, to some degree or other, share, and

which all men, to some degree or other, suffer from; in other words,

the terrible and beautiful insight of the maternal instinct. The clear

charm of her unequalled style--a style quite classical in its economy

of material and its dignified reserve--is a charm frequently caught in

the wit and fine malice of one's unmarried aunts; but it is, none the

less, the very epitome of maternal humor. As a creative realist,

giving to her characters the very body and pressure of actual life, no

writer, living or dead, has surpassed her. Without romance, without

philosophy, without social theories, without pathological curiosity,

without the remotest interest in "Nature," she has yet managed to

achieve a triumphant artistic success; and to leave an impression of

serene wisdom such as no other woman writer has equaled or approached.

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