Produced by Greg Weeks and the Online Distributed
Proofreading Team at http://www.pgdp.net
[Illustration: THE ABDUCTION]
[Illustration: THE FIRE]
TALES OF
THE WONDER CLUB.
BY
DRYASDUST.
VOL. III.
ILLUSTRATED BY
JOHN JELLICOE and VAL PRINCE,
AFTER DESIGNS BY THE AUTHOR.
HARRISON & SONS, 59, PALL MALL,
_Booksellers to the Queen and H.R.H. the Prince of Wales._
_All rights reserved._
LONDON:
PRINTED BY A. HUDSON AND CO.,
160 WANDSWORTH ROAD, S.W.
LIST OF ILLUSTRATIONS.
PAGE
THE ABDUCTION _Frontispiece_
THE FIRE _Title Page_
THE CURIOSITY SHOP _Preface_
THE GIPSY QUEEN 389
THE DUEL 603
THE QUAKER 658
[Illustration: THE CURIOSITY SHOP]
PREFACE TO VOL. III.
Before taking leave of his readers, the author would inform them that at
the commencement of these "Tales," the earlier ones dating some thirty
years back, nothing was further from his intentions than rushing into
print, although repeatedly persuaded to do so by certain well-meaning
friends, who from time to time were permitted to peruse the hidden MSS.
The tales, nearly all of them, were written when the author was living
abroad, and to beguile a period of enforced idleness, which otherwise
would have been intolerable.
Never in his wildest dreams did he meditate inflicting them on the
public mind. Partly, it may be, that he thought with Lord Tennyson, that
"fame is half disfame," and that "in making many books there is no end,"
as Solomon teaches. Or it may be that he didn't care to augment that
already numerous class who are said "to rush on where angels fear to
tread." However this might be, time passed and the tales began to
accumulate, when the author conceived the idea of stringing them
together in a decameron, and later still of illustrating them with his
own designs. Still years rolled on, and the tales, long abandoned, were
consigned to the limbo of a mysterious black box, where they remained
all but forgotten till many years later.
"Why on earth don't you publish them?" was the constant cry of those few
who were taken into the writer's confidence.
The author answered by a modest shrug of self-depreciation, and still
the unfinished MSS. lay at the bottom of the black box. The fact was
that a weight of inertia oppressed him, added to a total lack of
experience in business matters of this kind, which prevented him from
taking the first step. He recoiled from the thought of calling on a
publisher and presenting his own MSS., and being occupied in other ways
besides writing, he begrudged the time lost in hunting up printers,
publishers, and engravers, together with all the delays _contretemps_,
and disappointments attendant on red tape.
What he wanted was a factotum, "an all round man," who would take, so to
speak, the dirty work off his hands. Where was such a man to be found?
He knew of none. The author is a man of unusually retired habits, and
associates with but few of his kind. By proclaiming his want openly,
doubtless, many would have presented themselves for the task, but in
matters of this sort a certain amount of intimacy with the person
employed seems to be necessary; at least, so the author thought, and
thus time rolled on, and the "Tales" were no nearer publication than
they were years ago, and might still have remained in this state for
years longer but for an unforeseen incident. One morning, whilst taking
a constitutional in a neighbouring suburb, the author's attention was
attracted by a strange-looking stringed instrument of undoubted
antiquity, in the window of an old curiosity shop. He would enquire the
price of it. The proprietor, a weasel-faced little man, with a polished
bald head, foxy beard streaked with grey, and a nose rather red at the
tip, stood at the door of his shop. His ferret eyes spotted a customer.
"What is the price of that instrument?"
"One guinea."
"I'll take it. Wrap it up in paper."
"Right you are, sir. Good morning, sir. Thank you."
And off trudged the author with this new acquisition to his collection
of curios.
Little did he imagine at the time what an important part this same
weasely little man was destined to play in the drama of his every day
life. Soon after this a second visit was paid to the shop. It was a
strange place, choked with odd lumber, where any curio might be
obtained, from a mermaid to a mummy. A stuffed crocodile hung in the
window. There were cases of stuffed birds and animals, dummies in
costume, old pictures, antique furniture, armour, weapons, coins, and
postage stamps. A third and fourth visit succeeded, and after almost
every visit the author's collection was enriched by some new curio. At
length, so frequent became these visits to the curio shop, that hardly a
day passed without the author putting in an appearance. Some two years
may thus have passed away, during which time the author had ample
opportunity of studying this human weasel. He learned that he was a
bum-bailiff, a commission agent, etc., ready to undertake any odd job
for money.
Here, then, at last, was the very man. The author accordingly propounded
his plan of publishing the "Tales." That weasel nose sniffed business.
With alacrity he seized the MSS., and donning a new top hat, which he
did whenever he desired to create an impression of respectability, he
climbed to the top of a 'bus, and was soon landed in the thick of our
metropolis. From that time all has been comparatively plain sailing.
"_Ce n' est que le premier pas qui coute_," and cost it did, readers,
you may be certain of that.
THE AUTHOR.
[Illustration: THE GIPSY QUEEN]
CHAPTER VI.
THE GIPSY QUEEN.--MR. BLACKDEED'S NEW PLAY.
It was Monday morning. Our members assembled as usual at the breakfast
table, after which the host entered with the newspaper, to show his
guests an account of some political event of great importance. The
appearance of a newspaper in the club was a thing of great rarity, as we
have already hinted that politics were only permitted occasionally on
sufferance. As Mr. Oldstone was commonly looked up to as the head of the
club, if not altogether on account of his age, still as one who was most
rigid against any infringement of discipline and decorum, each member
glanced timidly towards this worthy, as if to ask his consent and
absolution, which having given with a solemn nod of his head, the other
members seized with eagerness the mystic folio, and having spread it out
upon the table, huddled one behind the other to get the first look at
its contents.
As for our artist, he had "metal more attractive," as Mr. Blackdeed
might have observed. Nothing would satisfy him but a good long sitting
from his enchantress, Helen. So stealing from the company, engrossed as
they were with their politics, he retired to his chamber, where he set
his palette; and, placing Helen's portrait on the easel, he called his
model, who came without much pressing, and having placed her in the old
carved high-backed chair, he commenced work. The portrait waxes apace.
Our host's daughter is in her very best looks. The painter's hand is
inspired not merely by the love of art--great, though that love
undoubtedly is with all artists--but spurred on by another, perhaps more
powerful feeling, which lends such temper to our artist's ordinary
faculties, as to render the painter himself, a rare occurrence, utterly
amazed at his own powers. The first hour passes away like five minutes.
Scarce a word has been spoken on either side. To those who feel they
love, few words are necessary, and in many cases, perhaps the fewer the
better. This was a case in point. Our couple loved. Why should we deny
it? How futile, indeed, for lovers themselves to deny it to the world?
How utterly hopeless a task it is for lovers to attempt to conceal their
love one for the other, even _when_ they intend to do so! Murder will
out sooner or later. In this, as in many other cases, love given vent to
in words could be productive of no good to either party; and, therefore,
as we said before, the fewer words spoken, the better.
But what do I say? Will nature be subdued by mere obstinate silence?
Will not the trampled down heart rebel and burst its fetters, seeking an
outlet in the powerful upheavings of the breast; the electric flashes
of the impassioned eye that the strongest efforts of our feeble will in
vain endeavour to render cold and indifferent; the involuntary blush,
the haggard cheek, the pensive look; the smothered sigh--have they no
language? Nay, your very silence speaks for itself. Oh, youth! if you
would hide your passion, do so by flight, there is no other way.
This is what McGuilp felt. As for Helen, poor child, her virgin heart
was a stranger to the tender passion. She had heard of love, but just
heard of it vaguely as the world speaks of it, without being able to
realise its power. She would have been incapable of analysing her own
feelings, but a mysterious languishing softness welled forth from her
large blue eyes, which whispered to the painter's heart things that it
dare not acknowledge to her own. Strange, awful, mysterious passion;
instilling thy subtle poison into the veins of thy willing victims.
Merciless poisoned dart! Swift as thou art deep, inextricable as thou
art unerring--who can escape thee?
But let us leave the enamoured couple to themselves for a while. Far be
it from us to play the spy upon their actions, and let us return to the
club-room, where the members, having exhausted their newspaper, are
interrupted in the midst of a political discussion by an authorative
thump on the table from Mr. Oldstone, who reminds the company that Mr.
Blackdeed has not yet discharged his debt to the club--viz., the recital
of his new play, that he had just finished preparing for the stage.
"Ay, ay, the play, the play!" shouted several voices.
"Now then. Blackdeed," said Parnassus, "the play is the thing, you
know."
Our dramatist, with some show of modest reluctance, or, as Mr Parnassus
observed, "with sweet reluctant amorous delay," produced his manuscript
from his ample pocket, inwardly, nothing loath to declaim his late
effusion before the august assembly, seated himself with an air of
dignity, and having waited till the whole club was fairly settled, and
all attention, he thus began:
THE GIPSY QUEEN.
DRAMATIS PERSONAE.
DON DIEGO.
DON SILVIO.
DON PASCUAL, son of Don Diego, in love with Inez.
PEDRO, servant to Don Silvio.
JUAN, servant to Don Diego.
DON ALFONSO, friend to Don Pascual, and student of Salamanca.
DONNA INEZ, only daughter of Don Silvio.
DONNA RODRIGUEZ, nurse to Donna Inez.
LADY ABBESS, sister to Don Silvio.
GIPSY QUEEN, Pepa.
MIGUEL, a Priest.
Another Priest, Gipsies, Soldiers, Guests, Attendants, and Populace.
The Scene is laid in Spain in the mountains of Grenada. In Scene III.
of Act I., in Salamanca.
ACT I.
SCENE I.--_Study of Don Silvio, with large open window, through which is
seen the castle of Don Diego on the opposite mountain peak. Don Silvio
is discovered at a table covered with books, papers, and scientific
instruments. Strewn about the floor and on shelves are various objects
of natural science. Don Silvio closes a book he has been reading and
advances._
D. SIL. In vain the consolations of deep science,
The chiding voice of grave philosophy,
To wean us from our earthly fond affections,
When once deep-rooted in our bosom's core.
Paternal love, surviving youthful passion,
As autumn's deep'ning tints the summer's green,
Remains mature till the cold wintry blast
Of death hath scattered its last quivering leaf,
And driven us, whither? I have a daughter,
Than whom no saint in heaven purer is.
Fair and virtuous Inez! Sole object left
Me now to love on earth of all my kin.
An old man's pride, and only legacy
Of my late spouse, the sainted Dorothea.
Who, giving birth to this fair angel, left,
After ten years of childless married life,
This, my poor helpless babe, but in exchange
For her own precious self. Long unconsoled
For this, my doleful loss, I sought once more
Relief from sorrow in those studies deep,
Abandoned since my manhood's prime, when I
In Salamanca's university,
Did strive for honors, my child consigning
To a certain faithful old retainer,
The good Rodriguez, who in lieu of mother
Did rear the tender babe until it grew
To years maturer, when I thought it fit
To rescue her from out the hands of one
Who, whatsoe'er her care maternal be,
Is yet too full of vanity to make
A good instructress to my only child,
Whom I designed to educate in mode
Far different from that in which Rodriguez
And all her worldly tribe would seek to do.
With this my aim in view, I took the child
Away from home whilst yet her mind was tender,
And placing her under my sister's care,
The Lady Abbess of Saint Ursula--
A convent distant thirty miles from hence--
I left her until she should reach such age
As maidens having made due preparations
Are deemed fit to marry. Scarce sixteen
Is now my daughter Inez; far too young
To face without a guide the many wiles
And dire temptations of this giddy world;
I fain would keep her longer there, but then,
Then comes the thought that harasses my soul.
Having in youth squandered my patrimony,
Wasting my substance that I might procure
Expensive books and likewise instruments
I needed in the fond pursuits of science,
In gratifiying literary tastes,
And other fancies, thus I soon became
Deeply indebted to my richer neighbour,
The valiant Don Diego, who, much loath
To see an old house ruined, hath full oft
From time to time with liberal hand advanced
Such sums as I could ne'er hope to repay.
This knew he, too, full well, and having seen
Once my little daughter at the castle,
And fancying much her beauty, thereupon
Did make what he then doubtless did consider
An offer fair and not to be refused
By me, a desperate man--his debtor, too--
An offer, namely, for my daughter's hand
When she should have attained her sixteenth year;
And this he gave me well to understand
Would be the only way that he'd consent
To counsel all my former debts to him;
Refusing this, I knew th' alternative.
Don Diego is a soldier fierce and proud
As he is courageous, stern and merciless
Towards those who thwart his will. What could I do?
Unable to pay and in his power,
Groaning 'neath a sense of obligation;
Allured, too, perhaps, by prospects flattering
In worldly sense to her, a poor man's daughter,
I e'en consented. In an evil hour
I gave my word to friend Diego,
A man of my own years, whose castle stands
Upon the opposite peak. Behold it.
A man, I say, who might be her grandsire;
Nor is it mere disparity of years
That makes the gap to gape between the pair.
Besides his age, and now decaying health,
Don Diego all his youth has led a life
The most licentious. Rumours strange and wild
Are busy with his name, for it is known
That he esteems the holy love of woman
But as a flower to pluck and cast aside.
He hath no reverence for religious rites,
And thinks of matrimony but as a bond,
Of all bonds easiest broke. With thoughts like these
How shall it fare then with my poor daughter
When once the knot is tied? His temper then
Is stern and imperious, blunt and rude.
Accustomed to command, he reigns alone
Amidst a flattering troup of followers,
Like petty tyrant, treating men as serfs.
In boasting moods he vaunts of ancestry
Who never thwarted were in lust or hate,
And to this man shall I consign my daughter?
No, no, it was an evil hour when I
O'er hastily did consent to sacrifice
My lovely Inez, purest of her sex,
To this man's savage and rapacious lust.
Repentance came too late, for he doth hold
Me still to my promise, and all in vain
Are pleadings of my daughter's tender age.
The promise of her hand at some time hence,
When she to riper womanhood hath grown,
Excuse or promise unavailing both,
For he, with military punctilio
And lustful hot impatience, doth demand
Her hand at once, and will brook no delay.
He called on me of late, and from his mien
I saw there was but little left to hope.
A father's tears, as ever, failed to soften
His all too stubborn nature, and at length
He threatened me with ruin or with death
And forcible abduction of my daughter
If on a certain day ('tis now at hand)
I gave not him my daughter for his wife.
As yet my child knows nothing of this plan,
But now the time draws near when she must know.
How can I face my daughter? How can I
With humble, piteous whine, say, "Inez,
Thy father is ruined, an thou heed him not?
Save him by the sacrifice of thyself."
Or else, with imperious and austere brow,
Say, "Inez, I command thee as a father
To wed the man I've chosen thee--Don Diego.
Obedience is a filial duty, and
Thy father better knows what's for thy good
Than thou thyself. At once prepare, obey!"
Or should I, contrary to precepts taught
Once by myself when she was yet a child,
When I have preached 'gainst vanities and pomps,
Empty frivolities and lust of greed,
Can I now plead thus, and say, "Daughter mine,
Behold what a grand thing it is to be
One of the great ones of the earth, and move
For ever midst the gay and high-born throng
Of lords and ladies without care or pain,
With means at hand to gratify each wish,
To live the mistress of a noble castle,
With serfs at thy command, with gold, with jewels,
Dress at thy caprice, and hear around thee
Ravishing strains of music in thy halls;
Thy gardens, parks, and pleasure grounds rivalling
Those of the noblest peers, exciting envy
Of all thy neighbours, and this, yes, all this,
Thou hast but to reach out thy hand to take;
Accept the old Don Diego for thy spouse,
His castle's thine, and all that therein is;
Don't be a fool and throw this chance away
Because, forsooth, he's old, somewhat infirm,
Unfair to view, irascible and stern,
And recklessly give up thy giddy heart
To some young spendthrift, all because he's fair;
Throw not such a glorious chance away,
But make thy father's fortune and thine own?"
Is this the strain that I could use to her
After my virtuous lessons and wise saws?
Could she not answer, "Father, is it thou--
Thou who dids't ever counsel me to shun
The whispered words of gallants with the wiles
And impious vanities of this base world,
Dids't inculcate obedience, filial love,
As primary virtues ever with the young?
Was it that I might blindly, passively
Submit my will to thine? Shunning fresh youth;
That at thy bidding I might give my hand,
Loathing, yet passively, unto a man
Whose years do full quadruple mine, and all
Because this man has wealth and I have none?
Is this thy virtue, father? This the end
Of all thy teachings, that I should become
The minion, yes, the minion of a dotard?"
And would she not be right? Could I look up
Into her angel's face unblushingly,
And with a base hypocrisy reply,
"My child, 'tis for thy good. Such is the world."
Would she believe me? Would she not despise
Me and my words, see through my selfishness?
Yet what to do I know not. I am lost.
Would not the world itself proclaim me base?
Would not the mockers say, "Behold the sage,
The philosophic, wise Don Silvio,
He who despises wealth and this world's pomp,
Yet sells his daughter for Don Diego's gold?"
Thus run I counter both to God and man,
And mine own conscience. Crushing my child's heart
That I might save my own grey head from ruin.
Help me, ye saints! for I have need of guidance. [_Kneeling._
Soul of my blest departed Dorothea!
Assist me with thy counsels, and send down
From that high heaven where thou in peace doth dwell
A blessing on thy daughter and her sire;
It cannot, sure, be that our Inez shall
Unwillingly and loathingly consent
To wed a vicious dotard for his gold. [_Rising._
Time wanes, and with my part I must go through;
Then, as to the rest, let heaven think on't.
I know not if I meditate aright;
Nay, I know I am wrong, but I've no choice.
Hola! Rodriguez!--Rodriguez, I say!
_Enter_ RODRIGUEZ.
How now, Rodriguez, did'st not hear me call?
ROD. Indeed, my lord, I came as soon as I
Did hear you, but it may be that of late
I have grown a little hard of hearing;
Rodriguez now is getting old. How many
Years is it I have served your lordship here?
D. SIL. Cease thy prating tongue, and now lend thine ear.
ROD. I'm all attention, good my lord, proceed.
D. SIL. Well then, here is a letter I have written
To thy young mistress, bidding her return
With fullest speed to the paternal roof.
ROD. What! my young mistress Inez coming home
After full five years' stay within the walls,
The gloomy walls, of grim St. Ursula!
Poor soul! she'll scarce remember old Rodriguez.
How I long to see her! How she'll have grown.
Time will have wrought great changes. But a child
She was when first she left her father's hall,
And now returns a woman. Pretty dear!
Shall I ever forget how she did cry
At leaving me? For you must know, Senor,
That ever with a mother's tender care
I've cherished her as were she child of mine,
And she, sweet soul, ne'er having known her mother,
Looked for no other mother than myself.
And mother she would call me when a babe,
Until she grew and first began to learn
The death of your good lady Dorothea--
Peace be to her soul, the dear sweet lady--
Then she learned to call me Nurse Rodriguez.
Dear little soul! When I did see her last
She had her mother's brow, her mother's hair,
Her eyes, too, and her tiny foot and hand;
Her smile was all her mother's, yet methinks
Something about the nose and mouth and chin
Was from your lordship. How I wonder now
If she be changed, if she do remember
How I was wont to dance her on my knee
To still her cries with sweets, and how she'd ask
Me to tell her all about her mother--
How she looked and spoke, and how she dressed?
I told her all I knew. What I knew not
That straight I did invent to please the child,
And oftimes on a chilly wintry night
Of storm and tempest, when the lightning's flash
Lit up with lurid glare the outward gloom,
And the loud thunder, like to wake the dead,
Shook the old castle walls to their foundation,
On such nights as these, when sleep would desert
Her downy pillow, I would lift her thus,
And wrapping her up in my ample shawl,
I'd draw her to the fire. Then, whilst the warmth
Of the genial element diffused
Itself throughout the chamber, rendering
By the contrast of the black storm without
Its growing blaze more grateful, then would I
Beguile the night with tales of ghosts and ghouls,
Of elves and fairies, and hobgoblins grim,
Of witches, wizards, vampires, dwarfs, and giants,
Pirates, brigands, and unburied corpses,
Whose restless spirits, ever hovering near,
Render the place accursed, and bring ill
To happen unto those who wander there.
Wraiths and doubles, and corpse candles glim'ring
O'er unhallowed graves. Of secret murders,
Of spells, enchantment, and of hidden treasure,
Fights of knights and dragons, Christian damsels
Rescued from Moorish captors by their lovers,
Tales of the Inquisition and its tortures,
Of dungeons dark and drear, and skeletons
Found bleak and bare, laden with rusty chains
That ever and anon at midnight's hour
Were heard to move and shake, with many a tale
Of the wild gipsy tribes that roam these mountains,
Of haunted houses and weird palaces,
That at the magician's word sink 'neath the ground,
Of devils and of fiends--
D. SIL. And all the lore
That gossips love to frighten children with.
Wretch and most wicked beldam! Is it thus
By giving reins to thine accursed tongue
That thou hast sought to poison my child's mind?
Is this why every eve when it grew dark
I've seen her shudder and look o'er her shoulder?
Why she would never enter a dark room?
Why, as I've watched beside her tiny crib,
I've seen her start in sleep with stifled sob?
When I have watched her wan and haggard cheek,
Her thoughtful mien, her dreamy vacant stare,
Until I've fancied her in a decline,
And feared she would not long be left to cheer
My gloomy hearth; then was it this, I say,
Thy foolish wicked lies, torturing thus
Her tender infant brain? I say, for shame!
In good time I rescued her from thy hands.
ROD. I'm sure my lord, I've always sought to--
D. SIL. Hush!
And give me no more of thy silly prate,
I've some affairs on hand, and must away,
O'er long thou hast detained me with thy cant.
Here, take this note, bid Pedro start at once
And bear this safely to my daughter there,
For to-night at the hostel he must sleep,
To-morrow early he must start towards home,
Accompanying my daughter by the way. [_Going._
ROD. My lord, I'll see to't.
D. SIL. And hark! Rodriguez,
There's one thing I would caution you against.
ROD. And that is, my lord?
D. SIL. And that is, I say,
That when my daughter home arrives to-morrow,
You fill not her head with foolish stories
And antiquated superstitions.
Above all, talk to her not of gallants,
Of tournaments, elopements, serenades,
Or anecdotes of thine own frivolous life.
RON. My lord! my lord!
D. SIL. Once for all, I repeat,
Detail not all the follies of thy youth;
Talk to her not of dress or finery,
Nor all the gilded pageantries of courts,
Or such like vanities; and now, adieu,
I must go hence. Think well of what I've said. [_Exit._
ROD. (_Alone._) Poor, poor gentleman, I fear he's going;
He's growing old now, is my poor master,
And folks when they grow old are ever childish.
He ne'er has been the same since the departure
Of my poor mistress, Lady Dorothea.
What said he about my frivolous life?
Who can cast a stone at Dame Rodriguez?
Oh, his head's gone; that's very clear, alas!
_My_ life! 'Twere well he thought about his own,
Spent here mid dusty books and parchments old,
With dirty bottles and queer instruments.
As no one ever saw the like before.
What he does with them, who can understand?
Shut up here like a hermit all day long.
A plague on him, and all his crotchety ways!
Wait till my mistress Inez doth return;
She will enliven him, and 'twixt us two,
We'll make a clearance of this dusty cell.
"Talk to her not of dress!" Poor silly man!
Why, how on earth is the poor child to know,
Shut up these five years in those convent walls,
Of all the latest fashions of the day?
How should she dress herself without the aid
Of old Rodriguez? See how these men are.
Do we live in a world or do we not?
I should not do my duty to his child
Were I to listen to him. No I must,
The instant she arrives, take her in hand.
"Talk to her not of gallants!" Why, forsooth?
Must the poor child see no society?
Is this hall a convent or a desert?
Was she not born to marry and to mix
With other ladies of her state and rank?
How should she find a husband without me?
She's growing up now, and has no mother,
And as for her poor father, he'd as soon
Think of flying as of his daughter's weal.
No, no; but I will teach her how to cut
A figure in this world as best becomes
Her rank and station. I will teach her, too,
What colours best become her, and how I,
I, Rodriguez, figured once in youth,
When I with train of yellow and scarlet silk,
And stomacher of green, sleeves of sky-blue,
First did meet my Carlos at the bull-fight.
I'll teach her how to dress, to use the fan--
Thus, also thus, and thus, and how to draw,
With well-feigned coyness, the mantilla, thus,
Across her face, leaving one eye exposed,
And ogle, so, the gallants as they pass.
A few good lessons taken from an adept
Will soon prepare her for society.
PEDRO. (_Without._) Rodriguez, Hola! Rodriguez, What ho!
_Enter_ PEDRO.
ROD. Donna Rodriguez, an it please you, sir.
PED. Well then, be it so, Donna Rodriguez,
I've just met master coming from the castle,
Apparently in no good humour. He
Asked me if you'd given me a letter
Addressed to Donna Inez at the convent,
And bid me thither haste without delay,
Threatening me with mine instant dismissal
Should Mistress Inez fail to arrive to-morrow,
And thus with hasty step and moody brow
He passed me by, as if old retainers
Had not their privileges, eh? Rodriguez--
Donna Rodriguez, I should say. Pardon me.
ROD. Here is the letter; you had best be off.
Stay, Pedro. Did master look so savage?
PED. Even so.
ROD. Something must have angered him.
Prithee, good Pedro, hast thou not of late
Noted a change in poor Don Silvio?
PED. Faith, I cannot tell. Since I have known him
He hath been always the same moody man.
ROD. But has he not of late seemed more estranged,
More dull, more gloomy, just as if there were
Something of unusual import that
Were hanging o'er him?
PED. In truth I know not.
ROD. He sees no company.
PED. That's nothing new.
ROD. I mean--save that of that old haughty Don,
Old Don Diego from the neighbouring castle,
Who ne'er vouchsafes me word, but when he comes
Passes me by as the veriest slut,
With not so much as "Good-day, Rodriguez,"
But asks me sternly if my master's in.
His visits have been frequent here of late.
What think'st thou is the meaning of all this?
PED. In faith, I know not, and do not much care.
ROD. Ha! thou carest not? Come now, good Pedro,
Wilt thou that I confide a secret to thee?
PED. A secret that shall increase my wages,
Take more work off my shoulders? Then declare 't;
If it be ought else, then keep your secret.
I am tired of ever being the slave and drudge
Of my old master for such paltry pay.
I've served here now some twenty years and more.
But matters were not always thus. I've seen
The castle walls look handsomer in my day.
In Lady Dorothea's time I never
Had to wait for my wages, and my suit
Was always clean and new. Then were there more
Servants in the castle who took near all
The work off my hands. Now that they're dismissed
The burden of the household falls on me,
And the wages, 'stead of waxing more,
I have to wait for. I know not how long 'tis
I have not seen the colour of his gold.
Why, the castle's gone to rack and ruin.
I am ashamed to meet my former friends,
The well-fed menials of Don Diego's hall,
When they with grave and supercilious smile
Do thus accost me, "Ha! good man, Pedro,
How fares it with thee and thy poor master?
Thy suit, methinks, grows musty, like his castle,
And, to speak truth, I once have seen thee fatter."
Then straight they talk about their master's bounty.
"Look how we fare," say they; "an I were thou
I'd strike for higher wages or else leave."
And all these taunts I have to bear--for what?
ROD. Well, well, I fare but as yourself; but hark--
Something's astir within the castle.
PED. (_Turning round timidly._) Where?
ROD. Bah! I mean something's about to happen
In this old hall, an I do not mistake.
A _change_.
PED. For the better? Out with it, Rodriguez.
Be quick, for with this note I must away. [_Going._
ROD. Just so; the letter. What think'st thou there's in 't?
PED. I never play the spy. Money, think you?
[_Holding it up to the light._
ROD. I trow not. I spoke but of it's import.
PED. Marry, what should it be but just to bid
Young Mistress Inez home without delay?
ROD. Exactly; and canst divine the motive?
PED. Faith! Perhaps the charges of the convent
Have grown too costly for the miser's purse,
Or 't may be having stayed there her full time,
She now returns unto her father's hall.
ROD. Not altogether that, for I well know
Don Silvio would fain have kept her longer.
Hark, Pedro! thou know'st that I've always been
A faithful follower of this ancient house,
And no time-server as some others are.
PED. (_Aside._) Humph! That's meant for me. Time-server, forsooth!
ROD. Ill would 't become a faithful old retainer
Not to take interest in her lord's affairs,
So with this sense of duty upmost, aye,
And marking something most unusual
In these frequent visits of Don Diego,
Then hearing once his voice in angry tones,
And that of our poor master, trembling, meek,
I naturally bent my ear until
It level stood with the chamber's keyhole.
PED. Naturally, Donna Rodriguez. Well?
ROD. Ha! Now you take more interest in my tale.
Well, then I heard the whining piteous tones
Of our old master's voice in broken sobs.
"Think of her tender age, and your own years.
Can this disparity between you both,
This forced consent on her part, bring to her
Ought but unhappiness? Prithee, reflect.
Think of a father's feelings, and forbear."
"Think of your debts, old man, and of your past,"
Now said a sterner voice; "and if you fail
To have your daughter all in readiness
The next time that I call, so the wedding
May be solemnised within my private chapel
At whatsoever hour I please, hark ye!
I'll sell your ruined castle o'er your head,
Drive you houseless into the open air
To beg your bread; by force abduct your daughter,
And----
PED. Did he say that?
ROD. Ay, he did, indeed.
_Enter_ DON SILVIO _musingly behind--he stops and listens_.
PED. Why then he'll do 't; that is, if our old lord
Do not peaceably give up his daughter.
ROD. Oh, it's horrible, horrible. Poor child!
PED. Horrible for us to be turned adrift.
Poor child, indeed! the best thing that could hap,
I wish the little jade no better luck.
The daughter of a threadbare miser. _She_
Turn up her nose at such a match as this!
I can't think what our master's scruples are
To such a union. Luck seems on his side.
ROD. Hush. You forget her age, the poor dear child
Has scarce arrived at puberty, and then
Knows nothing of the world, but cometh straight
From that old convent without time to taste
The sweets of life, or choose from out the crowd
Of motley youths who _should_ encompass her
One of her choice, befitting more her age
Than this grey, grim, and surly Don Diego.
PED. Don Diego is a proper gentleman.
A trifle old, perhaps; so much the better,
He will but die the sooner, and so leave
Our Inez mistress of his lordly hall.
Once left a widow, young and rich, she then
May marry any gallant that she likes.
First let her fill her mouth and clothe her back,
Then indulge her own caprice at leisure.
I'm for Don Diego, and will help his plan
With all my power.
ROD. Oh! you men, you men,
You're all alike, and have no sentiments.
Just such a one is master, who would sell
His only child to pay his debts withal.
PED. Why, how can he help it? Debts must be paid.
And when the debt is cancelled in this way
I fancy I can see the old miser chuckle
To himself at having got off so cheap.
DON SILVIO _advances in their midst_.
D. SIL. Discussing matters that concern ye not,
Eavesdropping hounds, unmannered miscreants!
Is this your duty and your gratitude?
Knaves that ye are, and base-born time-servers,
Off with ye both! Thou, Pedro, lazy lout,
Off to the convent, as I bade thee. Fly!
Rouse not my wrath; and thou, thou gossiping hag,
Back to thy room and give thy tongue a rest,
Else it will swell and choke thee. Would it might.
[_Exeunt severally Pedro and Rodriguez. Don Silvio throws
himself into an armchair, and covers his face with his
hands._
SCENE II.--_Interior of the Convent of St. Ursula. Inez discovered
pacing up and down dejectedly._
INEZ. 'Tis passing strange that all these five long years
That I have lived within these convent walls,
A stranger to the world without, unless
To the narrow limits of our garden.
I ne'er remember to have passed a night
Like last night was. Most strange and fearful dreams
Disturbed my slumber, robbing me of rest;
Confused they were, and I can scarce recall
Aught of their substance, but methought that I
Was caught and roughly handled by rude men
With dark ferocious faces. By their dress
I should have deemed them gipsies; then methought
I saw a female--tall, majestic, old,
Or middle-aged, in strange and wild attire,
Who spoke to me, and questioned me in proud,
Yet calm and kindly accents, and that she
Rebuked the ruffians, so that they fell back
And did no harm to me; yet still I sat
Surrounded by the band, which kept close guard.
My fear was very great, so that I think
I must have fainted, for I knew no more.
It was a dream most unaccountable.
My aunt, the Lady Abbess, says that dreams
Are sent us oftimes by the saints to warn,
Guide, and admonish us. That holy men,
Ay, and women, too, have had many things
Revealed to them in dreams and visions.
Old nurse Rodriguez, too, I can recall,
Oft would relate me hers, and would declare
They all came true, or bore some hidden sense
That none save gifted sybils could explain.
And now, although my memory's much confused,
Methinks Rodriguez formed part of my dream.
_Enter_ LADY ABBESS.
LADY AB. What! Inez, musing--art not well, my child?
INEZ. I've slept badly, aunt, and have a headache.
LADY AB. Here's that will cure it.
INEZ. What! A letter?
LADY AB. Ay, from thy father; it was hither brought
By an old servitor.
INEZ. The good Pedro?
LADY AB. I think the same; I've seen his face before.
Thou know'st, Inez, that it is my custom
To break the seal of all the letters that
Come here directed to my novices,
To prevent clandestine correspondence;
But knowing well my brother's handwriting,
And being well informed of the contents
By this same Pedro, I deemed it useless.
Read it then, dear, thyself.
INEZ. (_Reads._) "My dearest child,
The time has now come round when thou should'st end
Thy course of studies at St. Ursula's.
It is my wish that thou at once take leave
For ever of thy aunt, the Lady Abbess,
And without more delay prepare to start
In the company of my servant Pedro.
See that thou be not tardy, but straightway,
Quick after the perusal of these lines,
Set off upon thy journey, for I have
Much to say to thee. Greet my good sister.
Your loving father,
Silvio."
Dearest aunt,
I know not if I should laugh for joy or weep,
For, returning home to see my father,
I needs must bid farewell to you, who e'er
Have been a mother to me.
LADY AB. Dearest child!
I am full loath to part with thee, but still,
In obedience to thy father's orders,
Thou must not tarry. Take my blessing then,
And may the blessed Virgin and the saints
Protect thee from all harm upon the road.
Kiss me, my Inez, and now straight commence
To get thy baggage ready.
INEZ. And Pedro?
LADY AB. He is without. I'll call him. What! Pedro.
_Enter_ PEDRO.
PED. Gracious Donna Inez, I kiss your hands.
INEZ. Ah, good Pedro, sure thou scarce knowest me;
These many years have wrought a change in us.
How leftest thou my father? Well, I hope;
And nurse Rodriguez, she, I hope, is well.
PED. Excellent well, most gracious lady, both.
INEZ. I'm glad of 't. And thou thyself, good Pedro?
PED. I thank the Lord, good lady, I'm not worse--
I'm getting old.
LADY AB. That is the fate of all;
We cannot aye be young.
PED. True, good lady.
INEZ. And now, Pedro, do thou wait here until
I shall return. I'll try not to be long;
I've my baggage yet to pack, and to say
Some words in private to our Lady Abbess
[_Exeunt Inez and Lady Abbess._
PED. Why, how the little wench has grown, i' faith!
But I'd have known her anywhere, I would,
So strong is the resemblance to her mother--
Her voice, her very manner too's the same
As Lady Dorothy's when first I knew her.
Ah, those were merry days. Would I could live
Them o'er again. Let me see. What was it
The gipsy beldam told me by the road?
Ha! I remember. When about half-way
Between the castle and St. Ursula,
While jogging through a bleak and bare ravine
Upon my mule, and leading on the other,
A crone stood in my path--a gipsy crone.
I know not how old; but past middle age.
Still, from her mien, which was majestic, proud,
I think she had been handsome in her youth.
"Good morrow, Pedro," said the crone. "Speed well"
"Good morrow, Dame," said I. "You know me, then?"
"And have done long. Gipsies know everything.
Wilt have a proof of it? Wilt know thy fortune?
Show me thy palm," she said. "My palm!" said I,
"Know thou, good gipsy, I have nought withal
To pay thee." "Never mind for that," she said;
"I love to gossip with an old retainer.
Thy gossip shall repay me. Quick, thy palm."
Then tracing with her gaunt and taloned finger
A mystic sign across the line of life,
"Not always thus, good Pedro, hast thou been.
Thou hast a master who but ill repays
Thy manifold and useful services.
Thou hadst a mistress once, but she is gone;
With her decease good luck hath fled the house,
But times will change, and luck will reappear,
And thou shalt live content to good old age."
I recollect no more of what she said,
But mighty promises she made of luck.
Then straightway she did ask me of my lord--
How he fared, and also of Don Diego.
"Excellent well," said I, and here I laughed.
"Too well, too well, for one with head so white."
"How mean'st thou?" she said, with searching gaze.
"Why, marry thus!" said I; "they say Don Diego----
Hush, but this is a secret (here I winked)
That old Don Diego, spite his years, doth think
To take to him a young and pretty wife."
Here the crone started somewhat, as I thought,
And o'er her bronzed features came a flush
Like burnished copper, and her eagle eye
Flashed as with fire; but in an instant
Her cheeks grew ashen pale and her lips trembled.
Why I know not; but deeming her unwell,
I offered her a sip of wine from out
The gourd I carried at my saddle's flank;
But she declined. "No wine," saith she, "hath ever
Passed my lips since I was born. Shall I
Break through my abstinence in hoary age?"
Then seeming quite recovered, "Well," she said,
"What was it of Don Diego, thou wert saying?
Thou saidst, he thought to take to him a wife.
Can this be true? Who may the lady be?"
Then, mocking her, I said, "Thou knowest all things,
Know'st thou not, the lady is our Inez,
The daughter of my old lord Don Silvio.
Still in her teens, and staying with her aunt,
Lady Superior at St Ursula's,
From here some fifteen miles, whither I go
By order of her father, at full speed
To carry back his daughter to his hall?
And know'st thou not the wedding day is fixed,
And all in readiness, but that our Inez
As yet knows nought o't; but that to-morrow,
When at eve I bring her to her father,
She will soon learn it all, and willy, nilly,
Will have to wed the old man for his gold?"'
All this I told her. Then she said, "True, true,
The stars already have revealed so much;
But mark me, Pedro, mark me well, I say,
For I know all things. It shall never be
It will not happen. The stars forbid it."
"What! Don Diego's wedding," said I. "We'll see."
And off I trotted till I reached the convent.
_Re-enter_ LADY ABBESS _and_ INEZ.
LADY AB. And now, dear Inez, now that all's prepared
For thy long homeward journey, one more kiss.
Salute thy father, and bear well in mind
All I have taught thee. When thou hast arrived
Write to me straight to say that thou art safe.
Thou, Pedro, do thy duty towards thy charge.
And, Inez, love, thou'lt think of me sometimes,
And should chance ever bring thee by this way,
Thou'lt come and see me, eh? And now farewell.
I dare not keep thee longer. Bless thee, Inez.
Adieu; the saints protect thee. Go in peace. [_Embracing her._
INEZ. Farewell, kind aunt, farewell.
[_Exeunt Lady Abbess and Inez weeping, Pedro following._
ACT II.
SCENE I.--_A country inn in the Sierra Nevada. A table spread under a
vine._
_Enter_ DON ALFONSO _and_ DON PASCUAL.
D. PAS. Must thou then really leave me and return
To Salamanca to resume thy studies?
Alas! to think that thou shouldst go alone,
And that I dare not bear thee company.
Tell me, Alfonso, think'st thou the police
Are ever on my track, or else that they
Have now given up all strict and diligent search,
Some weeks having passed o'er since the fatal deed?
D. ALF. I would not counsel thee yet to return.
Too many rash deeds have been done of late
For the law to lie much longer passive;
Besides, the man you murdered was a count,
A great hidalgo, and of haughty race;
His family will leave no stone unturned
Until this murdered member is avenged.
D. PAS. Murdered! say'st thou again? 'Twas in a duel.
D. ALF. Murder or homicide, 'twill go ill with thee,
An thou fall'st in the clutches of the law.
In good time thou leftest Salamanca.
But live and learn; I did ever tell thee
Thou wast over ready with thy weapon.
What! For a hasty word said in hot blood
Must thou be ever quarte, and tierce, and thrust?
D. PAS. Hold, friend, but you must know the case was thus--
I met Count Pablo----
D. ALF. I know the story.
The count was stern and haughty as thyself,
Nor made allowances for others' pride;
He could not brook the independent gaze
Of one whom, perhaps, he deemed of lower birth;
This led to altercation and fierce looks
(I own him wrong, for he began the quarrel),
But it was thou who wast the first to challenge;
And all for a word, too.
D. PAS. And was that nought?
Nought, the being called a gipsy bastard?
What! Call'st thou that a trifle? Bastard! Ugh!
I swear, that had he been ten times my friend,
I would have slain him. Bastard! Gipsy, too!
What! Are we Spaniards of so fair a skin
That he would have me pale-eyed, flaxen-haired,
Like the barbarians of northern climes?
May not a Spaniard have an olive skin
And jetty eye without being gipsy called?
A mystery, I know, hangs o'er my birth;
I ne'er knew my parents. Some secret hand
Doth forward me remittances at times,
That I might be enabled to pursue
My studies at the university.
I cannot think it is my spurious father,
For I do well remember me of one--
Indeed, I think that she was not my mother.
Although she treated me as her own son--
A lady of high rank and ample means,
A widow, too, with kind and gentle ways.
I knew not then that she was not my mother;
But dying when I yet was but a child,
I was put early to a seminary.
It may be I inherited her fortune,
And out of this expenses are disbursed.
When young I made no strict inquiries
As to my origin. Those around me
Told me but little, but I think I heard
I was adopted by this widow lady.
More I ne'er cared to know, until of late,
Being stung by the count's taunt of spurious birth,
I challenged him and killed him in a duel.
And now I fain would have the myst'ry cleared,
E'en should the certain knowledge gall my soul
And I in truth should be a gipsy bastard.
It may be that he spoke the truth. But how
Did he come to know of it? Or, if truth,
That truth was spoke in insult, and so ta'en.
He who would call me gipsy, let him fear
My gipsy blood. Let who would call me bastard
Prepare to feel the sting a bastard feels.
[_Touching his sword hilt._
D. ALF. Chafe not thyself; the deed is done. No more
Mar not the precious moments of our parting
With fiery words, like braggadocio,
Or vain lamentings of the fatal past,
But let us rather draw unto the table,
And o'er a merry flask of Val de Penas
Strive to forget all sorrow.
D. PAS. So say I; [_Seating themselves at the table._
And here's to thy safe journey and return
To thy most beloved Salamanca.
And here's to the eyes that await thee there.
Here's also to the delicate moustache----
D. ALF. Enough, enough, my friend. Such toasts as these
Keep for thyself. I've other ends in view.
I have to carve my passage through the world,
To which no syren's eyes must be a hindrance.
Wish me but success in all my studies.
D. PAS. Ay, so I do, Alfonso, from my heart.
D. ALF. As to thyself, Pascual, as it seems
Thou art but little formed for study, being
Of a too warm and hasty temperament
To find much solace in the student's page,
Preferring lone rambles and sylvan sports
To the uncertain fame a scholar seeks.
To thee, and such as thee, the love of woman
Thy ardent nature will not fail to find
Out of the many one whom thou canst love.
May she be virtuous as she is fair,
And worthy of thy love as thou of hers.
D. PAS. I thank thee, but as yet my heart is whole.
May I dare hope yet that a time may come
When a woman's love and a happy home
To thee may not be all contemptible.
Heigho!
D. ALF. Thou sighest. Sure thou art in love.
D. PAS. Not so, my friend, not yet.
D. ALF. Then wherefore sigh?
D. PAS. Thou hast awoke strange mem'ries in my mind--
Events long past that I'd but all forgot.
'Tis nothing, thou'lt say--mere childish fancy.
Prithee, friend Alfonso, tell me one thing.
Dost really think I come of gipsy blood?
D. ALF. What! Is it there the shoe still pinches? Ha!
Fill up another bumper of this wine
And wash down the word, else it will choke thee.
D. PAS. Nay, I am serious, and would have thy word.
Tell me in honour, now, what thou dost think.
D. ALF. Bah! What matters it? Thou art somewhat dark;
But, as thou well sayst, so are all our race.
D. PAS. True. But what think'st thou?
D. ALF. Faith! I cannot tell.
Perhaps over dark for a Castilian.
D. PAS. Ha! Say'st thou so? I've long thought so myself.
And what confirms me in the thought is this,
That ever since my earliest youth I've felt
A strange affection for these gipsy tribes--
A sympathy for their wild wandering life
And fierce impatience at the cold restraints
By which well-bred society doth cramp
Our fervid passions. Friend, thou knowest me well.
Thou sayest well I am not formed for study,
That is to say, such studies as thine own--
Th' intricacies of law, philosophy,
The mysteries of theology, and all
The lore for which you students sap your youth.
My book is nature. In the open fields
I've loved to lie at night and watch the stars,
The various aspects of the changing moon,
Or on the giddy mountain peak at morn
To view the first beams of the rising sun
As from the rosy horizon it climbs
Up towards the purple zenith. At midday
I love to rest me in the sylvan shade
And watch the deer grazing on the rich turf,
Or else in company of some jovial friends,
Hunt these poor denizens from their peaceful haunts,
And, heated with the chase, dismount and slake
My parching thirst from out the neighbouring brook.
Full oft in my wild wanderings I have passed
Through desert places, where no dwelling was,
And, overcome by hunger and fatigue,
Have well nigh fainted, but in such cases,
When human hospitality doth fail
Nature comes to the rescue and procures
Its roots and berries, sometimes luscious fruit:
And thus I've journeyed often from my youth,
Encountering many dangers in my path.
Twice captured by the brigands, nor set free
Without heavy ransom. More than once
I've 'scaped unaided from the blades of ruffians,
But not unscathed, and fighting hand to hand.
I've also fallen in with the gipsy tribes,
And lived among them, too, in early youth,
Till I became familiar with their tongue,
Their life and customs, for when yet a child
They stole me from my friends, whoe'er they were,
But I was rescued, and the dusky tribe
Were driven out from that part of the land.
Among my early reminiscences
I can recall the tall and bronzed form
Of one who should have been the queen of them,
For so I've heard her styled. I met her oft;
And when I first remember her she bore
A countenance as beautiful as day.
I have not seen her now for many years.
When last I met her I could plainly see
That time and trouble and a roving life
Had left their stamp upon her dusky brow.
But I had nought to fear from _her_. The crone
Would call me to her and caress me, too;
Call me endearing names, and, as a proof
Of further love, she gave this ring to me;
Made me swear it ne'er should leave my finger,
And that some day it would protect my life.
For should I fall in with the gipsy band,
On seeing this token they would let me pass
Without let or hindrance, so she said.
For years I have not seen the gipsy band,
And therefore have not put it to the proof;
But still I've kept my vow, and from that time
I ne'er have doffed it. And now tell me, friend,
If what I've just told you does not prove
Me sprung from gipsy blood?
D. ALF. We cannot help
Our birth. What matters it our parentage?
D. PAS. Thou seest not, then, what it is that galls me.
List. If I be of gipsy origin,
I must be likewise bastard, for whoe'er
Did hear of legal marriage in a case
Of love 'twixt Christian and a gipsy maid?
Knowest thou not what the term "bastard" means?
Could I once but meet my spurious father,
He should account for sending me adrift
And nameless through the world, or I'd know why.
For know, whate'er my origin may be,
I have been brought up as a gentleman,
And hope to marry one of gentle blood.
What proud Castilian family would mate
A cherished daughter to a lineage soiled?
D. ALF. I do acknowledge thy perplexity.
But bastard though thou beest, thou'rt still a man.
Would'st 'rase the bar sinister from thy shield,
Or, what is much the same, cast it i' the shade,
So that it appear not for the lustre
Of thy many and resplendent virtues?
Make thy name famous. Fame, however bought,
Hath ne'er failed to win the heart of woman.
A woman's heart being once securely won,
The vict'ry's thine. Th' obstacles that follow
Thou'lt find will not be insurmountable;
I mean, to gain the parents' full consent.
But he must fight who'd win. And now, adieu
I have no time to tarry longer. See,
My mule is saddled, and I must away.
Detain me not, my friend, for I would fain
Reach the adjacent township ere nightfall.
D. PAS. Bless thee, Alfonso, and fortune speed thee.
D. ALF. The like to thee, Pascual, from my heart.
[_They embrace. Exit Alfonso. Pascual remains behind and
waves his handkerchief from the terrace._
D. PAS. Adios! He is gone. His ambling mule
Has borne its gallant freight far out of sight.
Farewell, Alfonso. Fortune be thy guide,
Truest of comrades, best of counsellors,
Ride _thou_, my friend, towards fame, whilst I, Pascual,
Like Cain, must roam the earth, a vagabond,
Flying the face of man, by man pursued;
A price set on my head. Not merely bastard,
But vagabond! What was't he said of fame?
He mocked me. Fame for an outlawed gipsy!
An it be not such fame the gallows brings,
Write me down lucky. Would not an attempt
To bring my name to light sign my death warrant?
My friend thought not of this. For such as I
The monast'ry's sequestered cell were good,
Rather than fame. But courage yet! I feel
The blood of our dark race boil in my veins,
And cry shame on my fears. Then fame be it,
But not that fame Alfonso wrings from books.
Not that for me. The valour of my arm,
The patient wasting of my hardy frame
Shall win the fame I seek. For I recall
The words long spoken, and but all forgot,
By that same gipsy queen when first she gazed
Into my infant palm. "Hail to thee, child!
For thou beneath a lucky star was born.
Fortune," she said, "hath marked thee for her own."
These are the words. I cannot choose, but trust.
Shine out, my star, since thou dost lead me on,
For as the loadstone draws the unwilling steel
Unto itself, so man is led by fate.
Avaunt, base fear, and fortune, thus I seize thee. [_Exit._
SCENE II.--_A wild ravine. Gipsies, headed by the Gipsy Queen, in
ambush._
GIP. Q. This way she comes. Now to your work; but mark!
Exceed not my commands. Do her no harm,
Show yourselves loyal to your queen, as men,
And not wild beasts.
SEVERAL GIPSIES. Queen, thou shalt be obeyed.
_Enter_ DONNA INEZ _and_ PEDRO, _on mules_.
PED. Cheer up, fair mistress. Banish idle fears.
Already we've accomplished half our journey.
Ere sundown we'll have reached your father's castle.
So follow me. Fear not. And as for dreams,
They are all vain, and bred of convent fare--
Sickly disease engendered in the mind
By monkish legends and low superstition,
Unworthy ladies of your rank. Look ye!
I, Pedro, now am old, and yet I never
Have known a dream of mine that did come true.
No, my young mistress, take Pedro's word for't,
All dreaming is unhealthy--a bad sign.
Live well, sleep soundly, and you'll dream no more.
Dreams proceed but from impaired digestion.
Take my advice and give no heed to them.
[_Gipsies advance suddenly and seize the bridles._
FIRST GIPSY. Hola! there, good people. Halt and dismount!
[_Inez screams and falls against Pedro._
INEZ. Pedro, protect me. Oh, holy Virgin!
Oh, blessed saints and souls in purgatory!
Have mercy on us, or we're lost, O God!
Pedro, dost hear? Assist me. Fly! Call. Help!
PED. Help, help! To the rescue, I say. What ho!
SECOND GIPSY. Any attempt at flight or cry for help
Is vain, and may prove fatal. Come, dismount.
INEZ. Oh, saints! The very faces, I declare,
That I saw in my dream--and dreams are false.
Holy Virgin, protect us. Help, I say!
THIRD GIPSY. Ay, call upon your saints. Call on, call on!
And see if they'll come to your assistance.
FIRST GIPSY. An you cease not your screaming, you'll be gagged.
[_Pedro and Inez dismount._
GIP. Q. Come, no rough treatment to this young lady,
Or it will be the worse for some of you.
Tie up the mules and bind the serving man,
That he escape not, and so call for help.
As to this damsel, leave her all to me.
(_To Inez_) Young lady, have no fear, for I am one
Who can command th' entire gipsy band,
Who are my serfs and tremble at my frown.
An you be docile, they shall do no harm.
Raise but your voice, and I will have you bound.
But I, the gipsy queen, would be your friend;
And soon you shall acknowledge me as such;
But not just now. (_To the gipsies_) Bind not the young lady
Unless she call for help or attempt to escape.
(_To Inez_) And you, young lady, courage. Tremble not.
Think not I crave your pelf or trinkets rare.
I have no need. Thyself 'tis I'ld detain.
INEZ. And why, O strange, O dread, mysterious queen,
All powerful amongst thy dusky band,
If, as thou sayst, thou hast no need of pelf,
And canst and wilt protect me from the hands
Of thy half-savage subjects, wherefore then
Detain a poor and simple maiden bound
For her paternal castle, having left
The Convent of St. Ursula this morn?
GIP. Q. Oh, of your story I am well informed.
Better, perchance, than what you are yourself.
For am I not a gipsy? Know we not
By the aspect of the heavenly bodies
All events that are about to happen?
As to my object in detaining you
Let it suffice you I have an object,
Which you shall know hereafter. (_To gipsies_) Guard her close.
Methought I did hear footsteps, but 'tis nought.
_Enter hastily_ PASCUAL _with a drawn sword_.
PAS. This way I heard the cries. How now! What's this?
Hell and furies! A chaste and lovely maid
Attacked by dusky ruffians! Halt! Forbear!
For, by my soul, I swear I will not leave
One black hide whole among ye, an ye dare
To touch a single hair of her fair head.
GIP. Q. Disarm that vain and too hot-headed youth.
[_Gipsies surround Pascual, who defends himself desperately,
killing and wounding some of the nearest. Gipsies back a
few paces. Pascual follows, and cuts through them._
Unto him, cowards! Seize the presumptuous fool.
Hear ye not, slaves? What! Is a single arm,
And that, too, of a pampered gentleman,
Too much for ye? Shame on ye, cowards, slaves!
FIRST GIPSY. Yield, fellow! and put up thy silly skewer,
An thou be not a-weary of thy life.
PAS. Never! Whilst yet a drop of my heart's blood
Flows freely in my veins. By heaven, I swear
I will release yon damsel ere I die!
SECOND GIPSY. Why, who is this, though clad in costly gear,
Doth fight as desperately as one of us?
THIRD GIPSY. Beware, young man! We do not seek thy life;
Yield up thyself. Ask pardon of our queen,
And we will let thee live.
PAS. (_Still fighting._) Base curs, avaunt!
My life is nothing. Take it an ye list,
Though ye shall buy it dearly. 'Twill console
My parting spirit somewhat but to know
That it hath rid the surface of the earth
Of even a few of such vile scum as ye.
FIRST GIPSY. Such words to us! Have at thee then, proud youth.
[_Wounds Pascual on the head, whilst others attempt to bind
him, but he liberates himself and continues fighting._
INEZ. He bleeds! he bleeds! Saints, help the noble youth
Who, at the cost of his young precious life,
Would save us both. I fear he's killed. Oh, help!
[_Screams and faints._
GIP. Q. Hush! minion, or that cry will be thy last.
A WOUNDED GIPSY. Look, she faints!
ANOTHER GIPSY. Bah! 'tis but a trick to 'scape
The easier in the confusion.
Look well to her.
GIP. Q. Make room for me, ye slaves.
I fear no mortal man. Leave him to me.
Sirrah! put down your sword.
PAS. Never, vile crone.
GIP. Q. (_Disarming him with her staff._) Then there it lies, thou
vain, presumptuous youth.
[_Murmurs of applause among the gipsies._
PAS. Disarmed! And by a woman! Ha! I faint. [_Staggers and falls._
GIP. Q. He faints from loss of blood. Bind up his wounds.
He hath fought well. I tell ye, dusky slaves,
This youth to-day hath put ye all to shame.
Do him no hurt. I e'er respect the brave.
He in a sacred cause fought valiantly;
And, faithful to his generous Christian creed,
Did seek to wrest the innocent from wrong.
FIRST GIPSY. Thou wert not wont to praise the Christians, Queen,
GIP. Q. I praise that creed that shows forth in its works
The principles of manhood. Would that thine
Had taught thee what this Christian's has
taught him.
FIRST GIPSY. (_To Second Gipsy_). The queen doth mock us, calls us
cowards, slaves;
And yet we did our best; but, to say sooth,
He set upon us in such furious haste,
Such blind and desperate rage, that we did gape
With sheer wonder, and stand aghast with awe
At's prowess, when we should have been fighting.
SECOND GIPSY. Ay, none but a madman tired of his life
Had fought so desperately.
THIRD GIPSY. The maid recovers.
INEZ. (_Recovering._) Where am I? Ah! then 'tis no dream; 'tis true.
Where's my preserver? Let me straight to him,
That I may thank him on my bended knees
For all his deeds to-day.
A GIPSY. There, low he lies.
INEZ. (_Rising and advancing towards Pascual_). What! dead! Oh,
heavens! Grant it be not so.
Look, now he moves; then life is not extinct.
Thank God for this! Hail, generous friend! What cheer?
PAS. 'Tis but a bruise, fair maid; 'twill soon be well.
INEZ. God grant it may.
GIP. Q. Here, girl, take this balsam.
It is a gipsy cure for all such wounds.
One fair action doth demand another:
For you he shed his blood, thinking that we
Did mean you harm. (How should he tell, poor youth?)
Return now you the courtesy, fair maid;
Bind up his wounds. Anon I will assist.
[_Inez commences binding up Pascual's head. The gipsies
retire a few paces. The Gipsy Queen fetches water in a
gourd._
Quaff from this gourd, young man. The flowing rill
Doth yield thee medicine. [_Pascual drinks._
Ha! what is this?
Shade of my father Djabel! it is _he_!
My long lost son! my own, my valiant boy:
Methought I knew that semi-gipsy form.
The very ring, too, wrought in virgin gold
And graven o'er with mystic hieroglyphics--
An heirloom of our tribe that I him gave
With my maternal blessing years gone by,
And he hath kept till now. God, I thank thee.
Oh, how I long to press him to this breast!
This breast that nurtured him and gave him strength!
But patience; too precipitous a step
May mar my plans. Enough, I've found my son.
Oh, ye great Powers that move earth and heaven,
Accept a mother's thanks! I faint for joy.
FIRST GIPSY. How far'st thou, noble Queen? Thou art not well.
GIP. Q. Nay, marry, I am well. I'm over well. [_Staggering._
SECOND GIPSY. Look to our queen. She faints. Art wounded, queen?
GIP. Q. (_Mastering herself._) Nay, look, I faint not. I am very well.
THIRD GIPSY. Some strong emotion seems to have stirred our Queen
But yet she masters it. How brave a spirit!
[_Gipsies retire some paces and converse in groups. Gipsy
Queen remains a little distance off, watching Inez and
Pascual. A hunter passes above unseen._
HUNTER. (_Aside._) What's this? Whom have the gipsies captured now?
A fair maid and a gallant cavalier;
And who is he, yon serving-man, bound there?
I ought to know his face. Why is not he
Don Silvio's servant Pedro? Sure it is,
For oft I've parleyed with him when at times
I've brought the game up to his master's hall.
And these two gentle-folks I ween must be
Guests at Don Silvio's castle. Ah, the knaves!
The arrant gipsy knaves! I'll dog them yet.
I've my own private wrongs that seek redress:
And I'll be even with them, by the saints!
At once I'll off unto Don Silvio's hall,
And warn him of the danger to his guests.
It may be he'll reward me slightly, though
They say that his is but a stingy house.
Still, this much for humanity I'll do. [_Exit._
D. PAS. (_to Inez._) Nay, I assure you, dearest----
INEZ. Hush! Senor.
It ill becomes a maid of gentle blood
Unblushingly to listen to the vows
And fervid protestations of a knight
Upon such slight acquaintance.
D. PAS. Lovely child!
Bid me but hope, and I will rest content.
INEZ. Nay, talk not thus, Senor. Pray calm yourself.
Bethink you that your wound is not yet healed.
You're faint from loss of blood. These ecstacies
May e'en prove fatal. Do thyself no harm.
D. PAS. I feel recovered in that thou bidst me live;
And so will do thy bidding, fairest maid,
And live but for thy service and thy love.
INEZ. Good saints in Heaven! Will nothing calm thy tongue?
Hush, hush, Senor, I pray. I may not listen.
I am your debtor, or I'd take offence
At too much boldness.
D. PAS. Be not harsh, fair maid,
I meant not to be overbold. I swear
I would the tongue that could give thee offence
Were wrenched from out my throat. Oh, pity me!
It was thy beauty that inflamed me so.
INEZ. If so, I must retire, and leave you to
The care and guidance of the gipsy queen.
D. PAS. Thou couldst not be so cruel. What! debar
Your wounded knight, in this wild barren spot,
From the sunshine of those heavenly orbs.
Then bid me bleed to death. My life is thine.
INEZ. (_Aside_) Poor youth! How full of passion are his words!
I feel he loves me, and I do repent
That I have spoke too harshly. Woe is me!
(_Aloud._ ) Fret not. I did but threaten, gentle youth!
I will not leave thee.
D. PAS. Oh, say that again.
Thou wilt not leave me.
INEZ. (_Confused._) That is, not yet.
I mean----
D. PAS. Nay, qualify not what was once well said;
I hold thee to thy word. Thou must not leave me.
INEZ. Thou wouldst extort a promise. Be but calm,
Obey my orders until thou be well,
And I know not what I may not promise.
D. PAS. I will obey thee, maid.
INEZ. Then now be still.
GIP. Q. (_Aside._) Drift on, young turtle doves, adown the stream
The balmy course the stars map out for ye.
Pepa can look on at the joys of others
That were denied herself, unenvying.
But mark, Pascual, if thou dost inherit
But one drop of thy hated father's blood,
Whose cursed name shall ne'er more pass my lips,
And thou, with subtle wile, like to thy sire,
Should first attempt to gain the trusting love
Of this fair damsel, and then betray her,
I, Pepa, though thy mother, with this hand
Will quench that spark of life I gave to thee.
SCENE III.--_Study of Don Silvio. D. Silvio is discovered pacing up and
down dejectedly._
D. SIL. The day wears on, and still there is no sign
Of Pedro and my daughter. 'Tis full time.
It wants an hour to sundown; and ere then
I dread another visit from Don Diego;
Before this sand is spent he will be here.
He never yet did come behind his time.
Hark! I hear footsteps in the corridor.
'Tis he. He's come for news about my daughter.
This the very night, too, of the wedding.
What shall I say to him, or how shall I----?
_An abrupt knock at the door of the study, and enter_ DON DIEGO.
D. DIE. Well, friend Silvio, well. Art thou nigh prepared?
Where is the gentle Inez? Bring her forth.
D. SIL. (_Humbly._) Worthy Don Diego, I do much regret
My daughter Inez has not yet arrived.
D. DIE. Not yet arrived! Why it's long past the time.
D. SIL. I doubt not but what she will soon be here.
D. DIE. Soon! Didst thou say soon? Ay, marry ought she,
An she left St. Ursula's at daybreak.
Stay, this casement that opens towards the west
Ought to command a wide extensive view.
Lo! yonder lies the road that she should come;
My sight is good, an yet I see no one.
(_Suspiciously_) Hark ye, Don Silvio. Some new wile is this.
D. SIL. Nay, on mine honour, Diego. Think not thus.
Be patient yet awhile and thou shalt see----
D. DIE. Patience! What, patience! But I'll have my bond.
_Enter_ RODRIGUEZ _frantically_.
ROD. Oh, holy Virgin and good saints in Heaven!
Oh, blessed martyrs! Souls in Purgatory!
Would that Rodriguez ne'er had seen this day!
Oh, holy saints! Have mercy on us now!
D. SIL. How now, Rodriguez! What means all this riot?
ROD. Oh, peace! my master! Hold me ere I faint.
D. SIL. Speak! Rodriguez.
ROD. Alack! Alack! the day.
D. SIL. Nay, cease thy sobs, and more explicit be.
ROD. Oh, holy San Antonio be our guide!
My master, what ill luck's befallen the house!
D. DIE. Explain thyself, vile hag, and prate no more!
ROD. Oh, mercy on us! I can't speak for sobbing.
Oh, what disaster! Oh, what dire mishap!
Help us, ye saints.
D. DIE. This is past all bearing!
Speak out, thou limb of Satan, or I swear
By the foul fiend that 'gat thee, I will force
The lying words from out thy strumpet's throat.
ROD. Nay, good my liege, be calm. I'll tell you all.
The Lady Inez----
D. DIE. Ha! and what of her?
ROD. In sooth, my lord, but I am very faint.
D. SIL. AND D. DIE. (_Angrily._) Speak out! Speak out! Alack!
and well-a-day!
D. DIE. Zounds!
ROD. The Lady Inez and good Pedro
Started from St. Ursula's this morning
Upon their mules, and were about half-way
Upon their journey, when from ambush sprang
Some dusky ruffians of the gipsy band,
Who, having bound, robbed, and detained the pair----
D. SIL. My daughter captured by the gipsies! Oh!
[_Groans bitterly._
D. DIE. Foul hag, thou liest. Now hark ye, Silvio.
This is some farce got up to play me false.
But think not, sirrah, to elude me thus.
[_Drawing his sword and seizing Don Silvio by the throat._
Traitor! tell me where hast hid thy daughter.
ROD. (_Rallying, and throwing herself between them._)
Help! Murder! Help! Oh, help! What ho! Help! Help!
Don Silvio to the rescue! Help! I say.
D. DIE. (_Leaving hold of Don Silvio, fells Rodriguez with the pommel
of his sword._) Peace, harlot, or this blade shall make thee dumb.
Arise, and tell me whence thou hadst this news.
Beware now how thou tell me aught but truth,
For by this hand! an thou dost play me false,
I'll have thee burnt alive, or gibbetted
From the highest turret of this castle.
ROD. My noble liege, would that it were not true.
A hunter, an eye-witness of the scene,
Did bring the news unto your servant Juan.
D. DIE. My servant Juan! Why, then the tale is true!
No serf of mine would dare tell _me_ a lie.
Go, call him hither.
ROD. He is at the door. [_Exit Rodriguez._
_Enter_ JUAN.
D. DIE. How now, Juan! Say, can this wild tale be true?
What has happened to the Lady Inez?
JUAN. My lord, as I heard it you shall hear it.
A certain hunter----
D. DIE. Stay, where is this man?
JUAN. He is without, my lord.
D. DIE. Then call him here.
[_Exit Juan and re-enter with hunter._
HUNTER. (_Bowing to Don, Diego and Don Silvio._) My noble lords----
D. DIE. Hold! sirrah. Say, can'st thou
Upon thy oath affirm, thy hopes of Heaven,
That thou wert an eye-witness to this scene?
If so, relate to us in fewest words
How the case happened, and the where, the when.
HUNT. Then thus it came about, my liege. As I
Was wandering, towards mid-day, among the
Many rocks and fissures of these mountainous ranges,
Armed with my carbine, in search of game,
As is my daily wont, I came upon
A deep ravine, yet hidden from my sight
By thorns and bushes and like obstacles,
When soon I heard the hum of human voices.
The spot, if I may judge well, I should say
Was half-way 'twixt St. Ursula's and here.
Well, trampling down the brambles, I stood firm
Upon the brink of a steep precipice;
And lo! beneath me was the gipsy gang,
And chief amongst them, one tall stately form,
A woman's that would seem to be their queen.
D. DIE. (_Confused_) Ahem! Didst say the queen?
HUNT. Ay, my good lord.
And 'mongst the tribe I saw as captives, soon,
A gentle damsel and young cavalier.
D. DIE. How, sayest thou, Sirrah? A young cavalier!
Sure, 'twas an aged servitor you saw.
HUNT. An aged serving-man, 'tis true, there was,
And tightly-bound that he could not escape;
I knew him instantly. 'Twas Pedro here,
Don Silvio's servant.
D. SIL. Alas! alas! 'tis true. I was in hopes,
When the hunter spoke of a young gallant,
That he had mistaken some other travellers
For my daughter Inez and my servant.
But since he saith he knoweth Pedro----
D. DIE. Hold!
The case is not quite clear to me e'en now,
Silvio! Who's this gallant, as ye term him?
Speak, for ye ought to know.
D. SIL. No, faith, not I.
D. DIE. Proceed then, hunter, with thy story. Quick.
HUNT. Well then, my lord, knowing good Pedro's face,
I did presume that the young gentle pair
Were visitors, bound for Don Silvio's castle.
D. DIE. (_Musingly._) Young gentle pair--ahem! Well, man, proceed.
HUNT. I watched in silence, and they saw me not;
But still, from out my ambush I did take
The whole scene in, and it appeared to me
That the young knight must have resistance made,
For low he lay, sore wounded in the head,
While ever and anon the gentle maid
Would dress his wound, and gaze with tearful eye
And such a fond affection on her knight.
D. DIE. (_Aside to Don Silvio._) Traitor, thou shalt account to me
for this.
(_Aloud to Hunter._) Well, man, proceed. Hast thou ought more to say?
HUNT. But little good, my lord; but as I stood
Watching this trusting, loving, pair----
D. DIE. (_Aside._) Damnation!
HUNT. I thought my heart would bleed from tenderness.
D. DIE. (_Laughs diabolically_). Ha, ha! Ha, ha!
HUNT. So, rising to my feet,
But still unseen of any, I did haste,
As was my bounden duty, to this castle,
T'inform my lord, Don Silvio, of the fate
Impending both his servant and his guests.
D. DIE. Good; look ye, fellow. An thy tale be true,
Prepare to marshal me the way thyself,
Without loss of a moment, and may be
That thou shalt taste my bounty.
HUNT. Good, my lord;
The sun hath set, and it is growing dark.
D. DIE. No matter, thou shalt have the better pay.
HUNT. As my lord wills.
D. DIE. And Juan, see my charger
Be forthwith saddled. Bid my men-at-arms
To mount, armed cap-a-pie; whilst such amongst
The populace as thou canst muster, quick
Arm thou with pikes and loaded carabines,
And bid them follow me, their lord, Don Diego.
Lose not one precious moment, but set forth.
[_Exeunt Juan and Hunter._
What, gipsies! vagrants! bastard heathen dogs!
_I'll_ clear the country of this filthy scum,
Were it but for the sake of Christendom;
Maybe that some day they will dub me saint. [_Exit._
[_Don Silvio makes a gesture of despair, and curtain falls._
END OF ACT II.
ACT III.
SCENE I.--_Outside the castle of Don Silvio. The castle of Don Diego
seen in the background, upon the opposite peak of the mountain. Time:
Sunrise. Don Silvio and Donna Rodriguez._
D. SIL. My tears still blind my eyes. Look out, Rodriguez,
And see if there be traces of my daughter.
Alas! alas! this hoary head is bowed
As 'neath the weight of yet a score of years.
Oh, Inez, Inez! What a fate is thine!
An thy young life be spared, could ought repay
Th' injury done thine honour at the hands
Of these bold, lawless, gipsies? Woe is me!
Let me not think on't, or I shall go mad.
ROD. My lord, as I stand gazing towards the west,
Methinks I see a dusty cloud advance;
As were't a troup of horsemen at full speed,
And bearing towards the castle. Now I see
The limbs of horses and the arms of men;
The sound of human voices, too, I hear,
And, as they still approach, the distant tramp
Of horses' hoofs is plainly audible.
And now, unless my eyesight play me false,
Foremost among a file of glittering pikes,
I do discern Don Diego's waving plume.
'Tis he! and bearing at his saddle bow
My mistress Inez. Oh, thank God! she's safe.
Do you not hear, my master, what I say?
Your daughter's safe! Come, cheer up, good my lord.
D. SIL. (_Musingly_). Safe! didst thou say! My daughter's honour safe?
ROD. How say you, sir? Her honor! Nay, her life?
D. SIL. (_Musingly_). Life without honor!
ROD. Sure, my lord's not well!
(_Aside._) The blow has been too much for him, and turned
His aged head. Oh, my poor, poor master!
I tell him of his daughter's safe return,
And straight he 'gins to prate about her honor.
(_Aloud._) Look! look! Senor, at yonder cavalcade,
How it sweeps along; and now, behold,
Next to Don Diego is his servant Juan;
And there is Pedro. Bless his good old soul!
There the valiant hunter. Then all the crowd
Of vassals and retainers, and the guard, [_Cheers without._
With the armed populace. Hark! What cheering!
D. SIL. Is it, indeed, my daughter? Let me see;
'Tis she, 'tis she; Oh, Inez!
_Enter_ INEZ, _accompanied by_ DON DIEGO. _Behind_, PEDRO,
JUAN, HUNTER, _and_ ATTENDANTS.
INEZ. (_Embracing Don Silvio._) Father! Father!
ROD. My little mistress, Inez! What, no kiss
For poor old nurse Rodriguez!
INEZ. (_Embracing Rodriguez._) Good Rodriguez!
[_Don Diego comes forward, whilst Inez in the background
appears to be relating her adventures to Don Silvio and
Donna Rodriguez._
D. DIE. (_Sotto._) What work I had to quell the dusky band,
And carry off my prize. God only knows
How the black caitiffs fought! Like demons damned;
Incited on by their own swarthy queen,
My former love. Bah! why recall the past,
The ebullitions of a youthful lust,
Now five-and-twenty years agone and more?
And that at such a moment, too, as this,
When, acting bridegroom for the second time,
I now do lay my heart and hand, my wealth,
My land, and castle, all my fair domain
At fair Inez' feet. Poor Silvio's daughter!
A few hour's more, and she will be my own.
In my own private chapel at midnight,
And not one minute later, there a priest
Of my own choice, shall join our hands together.
'Twixt this and then, I must so use the time
To win her fairly, and by wiles t'efface
The prejudice young hearts by Nature have
Against old age. If needs be, I must use
Dissimulation and well act the saint,
That she may not give credit to the tales
That idle gossip may have crammed her with
Against my moral character. And now
I do bethink me that the readiest way
Of all to win her over to my will
Would be to tempt with goodly bribe her nurse
(What will not such a woman do for gold?)
To speak some little word in praise of me;
Talk of my love for her, my name, my fame,
My wealth, my virtues. How this match of hers
Will please her aged father. And again,
Should she be coy, and wickedly refuse
The fortune heaven has strewed along her path,
Let her reflect upon the consequences.
I would act fair with her, for I'd be loath
To lead to the altar an unwilling bride
In sight of all my vassals and retainers.
Yet, an she yield not (for as yet it seems
She looks with cold suspicion on my suit),
Why, then; why, then, however loath to use it,
Force must accomplish all when goodwill fails.
I cannot well expect much help at sixty
From youthful graces, as when first I wooed
My gipsy queen. _There!_ ever and anon
From out the past these memories will arise,
Like phantoms, threatening whether I will or no.
Avaunt! begone! And yet I cannot choose
But call to mind how, middle in the fray,
The dead and wounded lying all around,
Her dusky form arose before my path,
And all undaunted stood with staff in hand
And glance so terrible, I would as lief
Meet with the King of Terrors face to face
As that same virago. Yet there she stood,
And with uplifted arm, in clear tones cried,
"Traitor, beware! Thy star is on the wane,
Think not to conquer always, for a hand
Mightier than thine shall yet subdue thee.
Blood is on thy hand. Thine own blood shall flow.
The stars foretell thy downfall, so look to it."
I heard no more, for I had barely placed
My Lady Inez at my saddle bow,
Mid smoke of carbines and the clash of arms:
Myself with drawn sword cutting right and left,
So could but pay slight heed to what she said,
And set off homeward with my goodly prize,
Leaving the baffled foe behind to moan.
Yet, through the smoke and dust of horses' hoofs,
Still, for a time, I heard the hellish cry:
"Vengeance on the traitor! Vengeance, vengeance!"
I know not why her words cut deeper than
Had they been the words of any other;
But from _her_ lips they came with such a force,
They seemed to rend the air, and enter deep
Into the very caverns of my soul,
Turning my blood to milk, so that my arm
Fell nerveless to my side, and my good blade
Did well-nigh drop from out my hand. But hush!
It never must be known that Don Diego,
Though old in years, quailed before tongue of woman.
Bah! away with all fear of childish threats.
And, swarthy hag! do thou thy devilmost.
[_Inez comes forward, between Don Silvio and Rodriguez. Don
Silvio motions for Rodriguez to retire. Exeunt Rodriguez
and attendants._
INEZ. Nay, one thing still doth mar the joy I feel
At having passed the dangers of last night.
Though I stand safely on my father's hearth,
And see him 'live and well, and know that I
Have henceforth naught to fear, yet still my thoughts
Will ever wander towards the gipsy camp,
Close by the couch of that brave youth who fought
At cost of his own life, to rescue me
From out their hands.
D. DIE. How say you, lady fair?
What youth? You dream. 'Twas I who rescued you.
INEZ. Your pardon, sir; but I was safe already.
I thank you for your courtesy, the same.
You thought to rescue me.
D DIE. How now? _Thought to?_
D. SIL. Friend Diego, the tale runs thus: My daughter,
Accompanied by our old serving man,
Had hardly been attacked by the gang
And forced to dismount, when a comely youth
Of gentle blood----
D. DIE. Ay, ay, the hunter's story!
D. SIL. Just so. Well, my daughter says the gipsies
Meant her no harm. Merely would detain her.
D. DIE. _Meant her no harm!_ Ha, ha! Gipsies ne'er do.
_Merely detain her!_ Good again! Ha, ha!
Only so long as they might hope to get
A pretty ransom. Why, friend Silvio?
D. SIL. The pelf and trinkets that she had upon her
Were not demanded.
D. DIE. No; 'twas nought to what
They looked forward to as goodly ransom.
INEZ. Of their motives I know nothing; but she
Who seemed to be the queen of all the tribe
Did use to me such courtesy and kindness
As had she been my mother. Even when
That noble youth, thinking us in danger,
Rushed in upon them, killing and maiming
All who dared withstand him, till at length
Himself, poor soul! fell wounded in my cause.
E'en then the queen herself had pity on him,
And helped me bind his wounds.
D. DIE. What of all this?
INEZ. To show you gipsies have good qualities
E'en as Christians.
D. DIE. Bah! traitors, all of them.
But, what of this young man? This--this----
INEZ. Ah! _he_,
The noble youth whose bandaged head I still
Was tending when you did separate us,
And bore me off? Did you not see him then?
D. DIE. Ay, some such bastard gipsy dog I saw.
What! _he_ of noble blood! _He_ a Castilian!
Some half-bred gipsy. Lady, sure it was
A worse breed, far, than the pure gipsy born.
What! think you, that because of borrowed plumes
The jay will pass for peacock? Or that he,
A base-born mongrel gipsy, just because
Decked in the garments of some plundered lord,
Could e'er deceive the eyes of men like us?
Nay, lady, I do compassionate you.
You are young, and the world to you is fresh,
You know not of its wiles, its vice, its crimes,
But take all men to be just as they seem.
Take my experience, lady. I am old.
Not _old_; but old enough to know the world
And all its hollowness; and so most fit
To guide and counsel inexperienced youth.
Lean then on me, lady. I'll be your staff;
And trust me faithfully when I tell you
Not all the learning of the convent cell
Is worth one ace of that we gain by age.
INEZ. Enough, sir. That the world is full of sin
And treachery I ever have been told.
My aunt, the Lady Abbess, oft would say
We ever should distrust the tongue of men
When most persuasive, be they young or old.
D. SIL. Come, Inez, thou art tired, and need rest
After thy troubles and fatigues. (_To Don Diego._) My friend,
You will excuse my daughter for a while,
I've much to say to her in private.
D. DIE. Good. [_Exeunt Don Silvio and Inez._
Now for my ally. What ho! Rodriguez!
_Enter_ RODRIGUEZ.
ROD. Here I am, good my lord.
D. DIE. (_Caressingly._) Good Rodriguez,
I know that thou'rt a good and trusty friend
Unto this house. That thou lov'st well thy lord
And also thy young mistress, unto whom
From childhood thou hast acted as a mother.
ROD. Well, sir, I've always tried to do my best.
D. DIE. I know it. I know it both by report
And mine own observation. Wherefore, now
Full persuaded of thy many virtues----
ROD. Oh, my lord!
D. DIE. Nay, 'tis nothing but the truth.
I say, once more, persuaded beyond doubt
Of thy rare merits and good qualities
And of the value of one such as thou
To my old and long loved friend Don Silvio,
I do repent me of the hasty words
That lately 'scaped my too impatient tongue.
ROD. My lord, pray say no more. Rodriguez ever
Remains your humble servant. (_Aside._) Really he
Is not so bad as once I thought he was.
D. DIE. Believe me, that those words but rose in haste,
From o'er anxiety about the fate
Of thy young mistress, whom thou lovest so well.
Whom I, too, love so well. I, too, Don Diego.
ROD. I doubt not, sir, with a true father's love.
D. DIE. Hark ye! Rodriguez, I must not waste time
In coming to the point; but silence keep.
ROD. Ay, my lord. Who better than Rodriguez
At a secret.
D. DIE. Ha! Sayest thou so, brave wench?
Then list to me, and thou shalt never want
For bit or sup, kirtel, or farthingale,
As long thou livest. First accept this purse.
[_Gives a heavy purse._
ROD. Oh, my good lord! My generous, noble, lord!
What can I do to deserve your bounty?
(_Aside._) Well, I remember to have heard folks say,
"The devil's not so black as he is painted."
D. DIE. Rodriguez, hark! What thou hast in that purse
Is nothing unto that which thou may'st earn,
If thou succeedest in the task I set.
ROD. Proceed, my lord. I'm all attention. Speak.
D. DIE. Know then that I love thy mistress Inez.
Ay, with the passion of a younger man.
Count not my age--the heart is never old.
I've sought her of her father, and 'twas settled
She should be mine on her arrival home
After her studies at St. Ursula's,
Ay, on the very day. So ran the 'pact.
The marriage, therefore, I have said takes place
This very night, at midnight, in my chapel.
All is prepared.
ROD. 'Tis over soon, my lord.
D. DIE. Peace! peace! I'll brook no waiting, no delay;
I've sworn it shall be so, and it shall be.
What care I, think'st thou, if the wedding dress,
Or this or that be ready, so _I_ be?
Thou knowest our acquaintance is but short;
She scarce has seen my face. No matter that.
Now listen. What I ask of thee is this:
Do thou use all thy influence with the child,
T'induce her to look kindly on my suit,
And to her father's prayers and tears add thine.
But leave her not until she do consent.
And should she e'en at the eleventh hour
Be obdurate, why then, as last resource,
Tell her her father's life hangs on a thread.
Say that his castle and all that he hath
Will instantly be sold over his head;
And he and she, and you two servants both
Sent all adrift at once, to beg your bread.
If that work not, then must I fain use force,
And that were against me. So, Rodriguez,
Kind Rodriguez, I pray thee do thy best.
ROD. My lord, you ever shall have my good word
What I can do I will. Albeit, I think
Your grace is over hasty in the matter.
A little time----
D. DIE. No, faith, not one minute
Past the hour fixed. So see to't. I will now
Off to the castle, leaving thee one hour
T'exercise thy powers of persuasion
On thy young noble mistress. After that
I shall appear again and try what I
Myself can do to win her virgin heart.
Use all thy art and strength. Till then, adieu. [_Exit._
ROD. A pretty fix, forsooth! _Use all my art!_
I love the dear child well, and would, I'm sure,
Do all I could to help her to a state
Worthy the better days of this old house.
The Lady of Don Diego! That sounds well.
Mistress of his castle and his servants,
But wedded to a man who's old enough
To be her grandsire! Had he been a gallant--
Yet his money's good. Humph! I suppose I must.
[_Exit slowly; counting her money._