SCENE · 5

_Supper-room in the Palace. All are reclined at two

tables, thus_:

_Agrippina_, _Nero_, _Poppæa_.| _A gentm._, _Octavia_, _A lady_.

_Tigellinus_, _A gentm._ | _Britannicus_, _Paris_.

_A lady_, _Domitia._ |

_Petronius_, _Lucan._ |

_Waiters, tasters, etc. Some are talking._

_NERO._

I will propose a question to the table:

Which of the arts is greatest? Lucan, these sausages

Are something new: try them.

_POPPÆA._

You question, Cæsar,

Which of the arts is greatest? I would answer

The one which Cæsar honours.

_TIGELLINUS._

But if Cæsar

Should honour more than one?

_PETRONIUS._

The sausages 1529

Are good enough. As for the arts, here’s Lucan

Can speak for poetry.

_Ner._ If any man

Could prove one art beyond contention first,

I would reward him excellently. With me

To know the best and follow it are one:

Success being easy in all, my difficulty

Lies in distraction: show me then the best,

I’ll perfect that.

_Pop._ What! Cæsar give up singing?

_Ner._ For better things.

_Tig._ Which be the arts?

_Petr._ (_to servants_). Here, vermin,

This wine’s half-way to vinegar.

_Ner._ Who will name

The arts? There’s sculpture, painting, poetry, 1540

Singing..

_PARIS._

And acting.

_Ner._ Well, what more?

_Tig._ Horse-racing.

_Pop._ (_across_). Ruling I think’s an art.

_AGRIPPINA_ (_across_).

And making love.

_Ner._ ’Tis of the fine arts we would speak.

(_To servants_) Ho! fellows,

Pour out the wine! Ah, here’s a lovely mullet.

Has this been tasted?

_TASTER._

Ay, Cæsar. ’Tis stuffed with truffles.

_Ner_. A mullet stuffed with truffles. Now, Poppæa,

Will not this please?

_Pop._ I thank you.—(_aside_) Prithee, bid

Lucan to speak for poetry.

_BRITANNICUS_ (_to servant_).

Nay, the mullet.

_Ner._ Lucan, what say you for your art?

_LUCAN._

I claim

The first place for it, and I say ’tis proved 1550

Nobler than any plastic art in this;

It needs not tools nor gross material,

And hath twin doors to the mind, both eye and ear.

Nay, even of drama Aristotle held,

Though a good play must act well, that ’tis perfect

Without the stage: which shows that poetry

Stains not her excellence by being kind

To those encumbrances, which, in my judgment,

Are pushed to fetter fancy.—Then hath our art

Such strong and universal mastery 1560

O’er heart and mind, that here ’tis only music

Competes, and she is second far in scope,

Directness, and distinction.

_Ner._ You think that?

_Luc._ Ay, Cæsar.

_Ner._ Do you! you who have ever been

More gracious to my voice than to my pen!

Am I a better singer then than poet,

Think you?

_Luc._ Nay, Cæsar; but....

_Ner._ Ha! then you are envious.

You would not have me write because, forsooth,

You write yourself. Now, by the god, I swear

Thou shalt not publish nor recite a verse 1570

Within my empire till I give thee leave.

One man to keep the muses to himself!

Monstrous!

_Pop._ And serve him right.

_Luc._ (_aside_). Monstrous indeed!

_Ner._ (_to servants_). Heat me some wine.

Come, lords, ye drink not. Eh! what have we here?

_Servant._ Cherubim, Cæsar.

_Ner._ What is Cherubim?

_Petr._ The gods of the Jews.

_Ner._ Hoo! let us eat their gods.

They are much like pheasants.

_Servt._ ’Tis a pheasant, Cæsar,

And stuffed with woodcock.

_Petr._ Cæsar, there’s one art

Has not been mentioned; though I think at table

It should not be passed o’er. 1581

_Ner._ What art is that?

_Petr._ I shall contend it is the first of all.

_Ner._ Name it.

_Petr._ It hath no name. It scarce exists.

I think the goddess never walked the earth.

_Par._ Ranks she with poetry?

_Petr._ I avouch above.

_Par._ Cæsar, if this be proved, thou must rescind

Thy poet’s sentence.

_Ner._ Let him prove it first.

_Petr._ I see in other arts some wit or fancy

Extrinsical to nature. I can find

No ground of need in any, save maybe 1590

In architecture,—which ranks not so well

As to be mentioned by you.—Now, if I

Show you an art whose matter every day

Is life’s necessity, which gives more scope

To skill than any other, which delights

Among the senses one which the other arts

Wholly neglect, would you not say this art

Hath the first claim? See, I could live without

The joys of harmony, colour, or form,

But without this it were impossible 1600

To outlast the week.

_Par._ Oh! Cookery.

_Several._ Cookery, cookery!

_Petr._ There’s the mistake I gird at. None of you

But thinks this art I speak of, which includes

Pleasures of entertainment, ease and elegance,

The mind’s best recreation, the satisfaction

Of the body’s nearest needs, the preservation

Of health, and with all this, the gratifying

Of that one sense, which above all the senses

Is subtle, difficult, discerning, ticklish,

And most importunate,—that this great art 1610

Is a cook’s province.

_Ner._ True, Petronius, true;

There’s room for bettering these things.

_Petr._ Why, wine—

Just think of wine. A hundred vintages

Lie in my cellar; by my taste I tell

Each one; are eye or ear so delicate?

_Par._ Here’s half a case already.

_Petr._ Then again,

Look on this side. You bid your friends to supper:

That is a promise; and hath all your life

An hour more suitable for skilful kindness? 1619

They come perturbed, fatigued, hungry and thirsty;

Nature exhausts them for you, drains them empty

To take all kinds of pleasure; their grated nerves

Ask music, their wearied limbs soft cushioned couches,

Their harassed mind wise cheerful conversation,

Their body’s appetites fawn at the word

Of food and wine: and yet we see these things,

Which should be studied, ordered, suited, measured,

All jumbled in confusion, till a feast,

Instead of relaxation and renewal,

Becomes, I say, for body and for mind 1630

The worst discomfort and the stiffest trial

That life can show.

_Par._ Bravo! bravo!

_Ner._ For one,

I am converted. Thou shalt be henceforth

Arbiter of my table.

_Br._ (_to servt._) ’Tis boiling hot;

Taste it.

_Ner._ (_to Petron._) Accept you the office?

_Petr._ This would make me

A Cæsar above Cæsar.

_Ner._ In the province

Of imperial æsthetics.

_Servt. to Brit._ Pardon, your highness,

I will add water to it: ’tis yet unmixed.

[_They pour in the poison._

_Petr._ ’Twill be a tyranny. For look, I hold

Man’s stomach is not to be trifled with. 1640

Not only should your table give delight

Even to the ravishment of every palate,

But since the end and final cause of food

Is not to breed diseases in the flesh,

Nor heat the spirits more than they can bear,

But rather to build up and comfort health,

I’d order first that there be served at table

Nothing but what is wholesome.

_Br._ (_after drinking nubile Petr. speaks_). Ah!

[_Falls back._

_Oct._ The wine, the wine!

_Br._ Ah! [_Dies._

_Oct._ He is dead. O dead! O dead! 1650

_Lucan, Petronius and Paris go to Britannicus.

Domitia follows.—All rising._

_Agr._ What is this?

_Ner._ He hath a fit.

_Petr._ He doth not breathe.

_Oct._ (_has come round to front_). Alas, alas! my brother; he is

dead.

_Ner._ Nay, sit you down; look not aghast, I say.

He hath the falling sickness, and will oft

Faint on a sudden, as ye see. He lies

An hour as dead, and then awakes again

With nought amiss. Best take him out in quiet.

(_To servants._) Carry him from the room.

_Luc._ Lift you his feet, Petronius.

We two will take him.

_Ner._ Let him be, I say. 1660

His servants will attend him. Return to table:

We cannot spare you.

_Par._ (_to Oct._) Honoured lady, be hopeful:

For hath your noble brother e’er been taken

Like this, he may recover.

_Oct._ (_to Par._) Never—

Never! O never! he is dead! I knew it! [_Going._

_Ner._ (_to Oct._) Heh, sit you down. What could you do, I pray?

He will come round.

_Oct._ Oh! I will follow him.

[_Exit with servants who are carrying Brit._

_Petr._ (_to Par._) How happened it?

_Par._ (_to Petr._) He drank a draught of wine

Fresh mixed, and then fell back just as you saw.

What think you?

_Petr._ (_to Par._) Think you ’twas aught? 1670

_Par._ (_to Luc._) What think you?

_Luc._ Impossible.

_Dom._ (_aside_). He is poisoned. Yet my sister

Was nothing privy to it. She is pale.

_Ner._ Come, sit you down, aunt: come, Petronius,

Lucan, be seated. Let not the horrid sight

Unwhet your appetites.

_Petr._ (_to Luc._) That was no fit. [_To Par._

He is dead. What if ’twere poison? Where’s the drink?

_Par._ ’Twas hurried out.

_Luc._ O God!

_Ner._ (_to servts._) Serve out the wine.

We all must need a bumper; ’tis most natural.

I have known the mere revulsion to provoke

In a strong man a seizure similar 1680

To that which frighted him.

_Par._ (_aside_). ’Twould not amaze me,

Had he such drink to cheer him. [_All refuse drink._

_Pop._ (_to Nero_). I will not drink.

_Ner._ From my cup.

_Pop._ Well, from thine. [_Drinks._

_Luc._ (_aside_). He is self-betrayed.

_Ner._ Where were we?

_Petr._ At the point where Cæsar made me

Arbiter of his table. I shall ask

To inaugurate my office.

_Ner._ Do so, Petronius.

_Petr._ Then know you are all dismissed. Let all go home,

And for the prince’s safety offer up [_All rise._

What vows ye may unto the gods. Myself,

I set the example, and go first. Come, Lucan. [_Going._

_Ner._ Eh! eh! yet thus ’tis best. Good night, Petronius, 1691

Thou hast spoken well; may the gods hear thy prayers.

I wish you all good night.

_In disorder of going curtain falls._

Poetical Works of Robert Bridges, Volume 3 · 第 24 / 49 题