Chapter I

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THE PORTENT AND OTHER STORIES

By George MacDonald

THE PORTENT

A STORY OF THE INNER VISION OF THE HIGHLANDERS,

COMMONLY CALLED _THE SECOND SIGHT_

DEDICATION.

MY DEAR SIR, KENSINGTON, _May, 1864._

Allow me, with the honour due to my father’s friend, to inscribe this

little volume with your name. The name of one friend is better than

those of all the Muses.

And permit me to say a few words about the story.--It is a Romance. I am

well aware that, with many readers, this epithet will be enough to

ensure condemnation. But there ought to be a place for any story, which,

although founded in the marvellous, is true to human nature and to

itself. Truth to Humanity, and harmony within itself, are almost the

sole unvarying essentials of a work of art. Even _The Rime of the

Ancient Mariner_--than which what more marvellous?--is true in these

respects. And Shakespere himself will allow any amount of the

marvellous, provided this truth is observed. I hope my story is thus

true; and therefore, while it claims some place, undeserving of being

classed with what are commonly called _sensational novels._

I am well aware that such tales are not of much account, at present; and

greatly would I regret that they should ever become the fashion; of

which, however, there is no danger. But, seeing so much of our life must

be spent in dreaming, may there not be a still nook, shadowy, but not

miasmatic, in some lowly region of literature, where, in the pauses of

labour, a man may sit down, and dream such a day-dream as I now offer to

your acceptance, and that of those who will judge the work, in part at

least, by its purely literary claims? If I confined my pen to such

results, you, at least, would have a right to blame me. But you, for

one, will, I am sure, justify an author in dreaming _sometimes_.

In offering you a story, however, founded on _The Second Sight_, the

belief in which was common to our ancestors, I owe you, at the same

time, an apology. For the tone and colour of the story are so different

from those naturally belonging to a Celtic tale, that you might well be

inclined to refuse my request, simply on the ground that your pure

Highland blood revolted from the degenerate embodiment given to the

ancient belief. I can only say that my early education was not Celtic

enough to enable me to do better in this respect. I beg that you will

accept the offering with forgiveness, if you cannot with approbation.

Yours affectionately,

GEORGE MACDONALD.

_To_ DUNCAN MCCOLL, Esq., R.N., _Huntly._

CONTENTS

THE PORTENT

THE CRUEL PAINTER

THE CASTLE

THE WOW O’ RIVVEN

THE BROKEN SWORDS

THE GRAY WOLF

UNCLE CORNELIUS HIS STORY

Chapter I

_My Boyhood._

My father belonged to the widespread family of the Campbells, and

possessed a small landed property in the north of Argyll. But although

of long descent and high connection, he was no richer than many a farmer

of a few hundred acres. For, with the exception of a narrow belt of

arable land at its foot, a bare hill formed almost the whole of his

possessions. The sheep ate over it, and no doubt found it good; I

bounded and climbed all over it, and thought it a kingdom. From my very

childhood, I had rejoiced in being alone. The sense of room about me had

been one of my greatest delights. Hence, when my thoughts go back to

those old years, it is not the house, nor the family room, nor that in

which I slept, that first of all rises before my inward vision, but that

desolate hill, the top of which was only a wide expanse of moorland,

rugged with height and hollow, and dangerous with deep, dark pools, but

in many portions purple with large-belled heather, and crowded with

cranberry and blaeberry plants. Most of all, I loved it in the still

autumn morning, outstretched in stillness, high uplifted towards the

heaven. On every stalk hung the dew in tiny drops, which, while the

rising sun was low, sparkled and burned with the hues of all the gems.

Here and there a bird gave a cry; no other sound awoke the silence. I

never see the statue of the Roman youth, praying with outstretched arms,

and open, empty, level palms, as waiting to receive and hold the

blessing of the gods, but that outstretched barren heath rises before

me, as if it meant the same thing as the statue--or were, at least, the

fit room in the middle space of which to set the praying and expectant

youth.

There was one spot upon the hill, half-way between the valley and the

moorland, which was my favourite haunt. This part of the hill was

covered with great blocks of stone, of all shapes and sizes--here

crowded together, like the slain where the battle had been fiercest;

there parting asunder from spaces of delicate green--of softest grass.

In the centre of one of these green spots, on a steep part of the hill,

were three huge rocks--two projecting out of the hill, rather than

standing up from it, and one, likewise projecting from the hill, but

lying across the tops of the two, so as to form a little cave, the back

of which was the side of the hill. This was my refuge, my home within a

home, my study--and, in the hot noons, often my sleeping chamber, and my

house of dreams. If the wind blew cold on the hillside, a hollow of

lulling warmth was there, scooped as it were out of the body of the

blast, which, sweeping around, whistled keen and thin through the cracks

and crannies of the rocky chaos that lay all about; in which confusion

of rocks the wind plunged, and flowed, and eddied, and withdrew, as the

sea-waves on the cliffy shores or the unknown rugged bottoms. Here I

would often lie, as the sun went down, and watch the silent growth of

another sea, which the stormy ocean of the wind could not disturb--the

sea of the darkness. First it would begin to gather in the bottom of

hollow places. Deep valleys, and all little pits on the hill-sides, were

well-springs where it gathered, and whence it seemed to overflow, till

it had buried the earth beneath its mass, and, rising high into the

heavens, swept over the faces of the stars, washed the blinding day from

them, and let them shine, down through the waters of the dark, to the

eyes of men below. I would lie till nothing but the stars and the dim

outlines of hills against the sky was to be seen, and then rise and go

home, as sure of my path as if I had been descending a dark staircase in

my father’s house.

On the opposite side the valley, another hill lay parallel to mine; and

behind it, at some miles’ distance, a great mountain. As often as, in my

hermit’s cave, I lifted my eyes from the volume I was reading, I saw

this mountain before me. Very different was its character from that of

the hill on which I was seated. It was a mighty thing, a chieftain of

the race, seamed and scarred, featured with chasms and precipices and

over-leaning rocks, themselves huge as hills; here blackened with shade,

there overspread with glory; interlaced with the silvery lines of

falling streams, which, hurrying from heaven to earth, cared not how

they went, so it were downwards. Fearful stories were told of the gulfs,

sullen waters, and dizzy heights upon that terror-haunted mountain. In

storms the wind roared like thunder in its caverns and along the jagged

sides of its cliffs, but at other times that uplifted land-uplifted, yet

secret and full of dismay--lay silent as a cloud on the horizon.

I had a certain peculiarity of constitution, which I have some reason to

believe I inherit. It seems to have its root in an unusual delicacy of

hearing, which often conveys to me sounds inaudible to those about me.

This I have had many opportunities of proving. It has likewise, however,

brought me sounds which I could never trace back to their origin; though

they may have arisen from some natural operation which I had not

perseverance or mental acuteness sufficient to discover. From this, or,

it may be, from some deeper cause with which this is connected, arose a

certain kind of fearfulness associated with the sense of hearing, of

which I have never heard a corresponding instance. Full as my mind was

of the wild and sometimes fearful tales of a Highland nursery, fear

never entered my mind by the eyes, nor, when I brooded over tales of

terror, and fancied new and yet more frightful embodiments of horror,

did I shudder at any imaginable spectacle, or tremble lest the fancy

should become fact, and from behind the whin-bush or the elder-hedge

should glide forth the tall swaying form of the Boneless. When alone in

bed, I used to lie awake, and look out into the room, peopling it with

the forms of all the persons who had died within the scope of my memory

and acquaintance. These fancied forms were vividly present to my

imagination. I pictured them pale, with dark circles around their hollow

eyes, visible by a light which glimmered within them; not the light of

life, but a pale, greenish phosphorescence, generated by the decay of

the brain inside. Their garments were white and trailing, but torn and

soiled, as by trying often in vain to get up out of the buried coffin.

But so far from being terrified by these imaginings, I used to delight

in them; and in the long winter evenings, when I did not happen to have

any book that interested me sufficiently, I used even to look forward

with expectation to the hour when, laying myself straight upon my back,

as if my bed were my coffin, I could call up from underground all who

had passed away, and see how they fared, yea, what progress they had

made towards final dissolution of form--but all the time, with my

fingers pushed hard into my ears, lest the faintest sound should invade

the silent citadel of my soul. If inadvertently I removed one of my

fingers, the agony of terror I instantly experienced is indescribable. I

can compare it to nothing but the rushing in upon my brain of a whole

churchyard of spectres. The very possibility of hearing a sound, in such

a mood, and at such a time, was almost enough to paralyse me. So I could

scare myself in broad daylight, on the open hillside, by imagining

unintelligible sounds; and my imagination was both original and fertile

in the invention of such. But my mind was too active to be often

subjected to such influences. Indeed life would have been hardly

endurable had these moods been of more than occasional occurrence. As I

grew older, I almost outgrew them. Yet sometimes one awful dread would

seize me--that, perhaps, the prophetic power manifest in the gift of

second sight, which, according to the testimony of my old nurse, had

belonged to several of my ancestors, had been in my case transformed in

kind without losing its nature, transferring its abode from the sight to

the hearing, whence resulted its keenness, and my fear and suffering.

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