THE "reconquest of the classic world of thought was by far the most
important achievement of the fifteenth and sixteenth centuries.
It absorbed nearly the whole mental energy of the Italians.... The
revelation of what men were and what they wrought under the influence of
other faiths and other impulses, in distant ages with a different ideal
for their aim, not only widened the narrow horizon of the Middle Ages,
but it also restored self-confidence to the reason of humanity."(1)
(1) J. A. Symonds: The Renaissance in Italy; the Revival of
Learning, 1877, p. 52.
Everywhere throughout the Middle Ages learning was the handmaid of
theology. Even Roger Bacon with his strong appeal for a new method
accepted the dominant mediaeval conviction--that all the sciences did
but minister to their queen, Theology. A new spirit entered man's heart
as he came to look upon learning as a guide to the conduct of life.
A revolution was slowly effected in the intellectual world. It is
a mistake to think of the Renaissance as a brief period of sudden
fruitfulness in the North Italian cities. So far as science is
concerned, the thirteenth century was an aurora followed by a long
period of darkness, but the fifteenth was a true dawn that brightened
more and more unto the perfect day. Always a reflex of its period,
medicine joined heartily though slowly in the revolt against
mediaevalism. How slowly I did not appreciate until recently. Studying
the earliest printed medical works to catch the point of view of the men
who were in the thick of the movement up to 1480--which may be taken to
include the first quarter of a century of printing--one gets a startling
record. The mediaeval mind still dominates: of the sixty-seven
authors of one hundred and eighty-two editions of early medical books,
twenty-three were men of the thirteenth and fourteenth centuries, thirty
men of the fifteenth century, eight wrote in Arabic, several were of
the School of Salernum, and only six were of classical antiquity, viz.,
Pliny (first 1469), Hippocrates (1473) (Hain (*)7247), Galen (1475)
(Hain 7237), Aristotle (1476), Celsus (1478), and Dioscorides
(1478).(**)
(*) This asterisk is used by Hain to indicate that he had seen a
copy.--Ed.
(**) Data added to a manuscript taken from the author's summary
on "Printed Medical Books to 1480" in Transactions of the
Bibliographical Society, London, 1916, XIII, 5-8, revised from
its "News-Sheet" (February, 1914). "Of neither Hippocrates nor
Galen is there an early edition; but in 1473 at Pavia appeared an
exposition of the Aphorisms of Hippoerates, and in 1475 at Padua
an edition of the Tegni or Notes of Galen." Ibid., p. 6.
Osler's unfinished Illustrated Monograph on this subject is now
being printed for the Society of which he was President.--Ed.
The medical profession gradually caught the new spirit. It has been well
said that Greece arose from the dead with the New Testament in the one
hand and Aristotle in the other. There was awakened a perfect passion
for the old Greek writers, and with it a study of the original
sources, which had now become available in many manuscripts. Gradually
Hippocrates and Galen came to their own again. Almost every professor
of medicine became a student of the MSS. of Aristotle and of the Greek
physicians, and before 1530 the presses had poured out a stream of
editions. A wave of enthusiasm swept over the profession, and the best
energies of its best minds were devoted to a study of the Fathers. Galen
became the idol of the schools. A strong revulsion of feeling arose
against the Arabians, and Avicenna, the Prince, who had been clothed
with an authority only a little less than divine, became anathema. Under
the leadership of the Montpellier School, the Arabians made a strong
fight, but it was a losing battle all along the line. This group
of medical humanists--men who were devoted to the study of the old
humanities, as Latin and Greek were called--has had a great and
beneficial influence upon the profession. They were for the most part
cultivated gentlemen with a triple interest--literature, medicine and
natural history. How important is the part they played may be gathered
from a glance at the "Lives" given by Bayle in his "Biographic Medicale"
(Paris, 1855) between the years 1500 and 1575. More than one half of
them had translated or edited works of Hippocrates or Galen; many of
them had made important contributions to general literature, and a large
proportion of them were naturalists: Leonicenus, Linacre, Champier,
Fernel, Fracastorius, Gonthier, Caius, J. Sylvius, Brasavola, Fuchsius,
Matthiolus, Conrad Gesner, to mention only those I know best, form a
great group. Linacre edited Greek works for Aldus, translated works
of Galen, taught Greek at Oxford, wrote Latin grammars and founded
the Royal College of Physicians.(*) Caius was a keen Greek scholar,
an ardent student of natural history, and his name is enshrined as
co-founder of one of the most important of the Cambridge colleges.
Gonthier, Fernel, Fuchs and Mattioli were great scholars and greater
physicians. Champier, one of the most remarkable of the group, was
the founder of the Hotel Dieu at Lyons, and author of books of a
characteristic Renaissance type and of singular bibliographical
interest. In many ways greatest of all was Conrad Gesner, whose mors
inopinata at forty-nine, bravely fighting the plague, is so touchingly
and tenderly mourned by his friend Caius.(2) Physician, botanist,
mineralogist, geologist, chemist, the first great modern bibliographer,
he is the very embodiment of the spirit of the age.(2a) On the flyleaf
of my copy of the "Bibliotheca Universalis" (1545), is written a fine
tribute to his memory. I do not know by whom it is, but I do know from
my reading that it is true:
(*) Cf. Osler: Thomas Linacre, Cambridge University Press,
1908.--Ed.
(2) Joannis Caii Britanni de libris suis, etc., 1570.
(2a) See J. C. Bay: Papers Bibliog. Soc. of America, 1916, X,
No. 2, 53-86.
"Conrad Gesner, who kept open house there for all learned men who came
into his neighborhood. Gesner was not only the best naturalist among the
scholars of his day, but of all men of that century he was the pattern
man of letters. He was faultless in private life, assiduous in study,
diligent in maintaining correspondence and good-will with learned men in
all countries, hospitable--though his means were small--to every scholar
that came into Zurich. Prompt to serve all, he was an editor of other
men's volumes, a writer of prefaces for friends, a suggestor to young
writers of books on which they might engage themselves, and a great
helper to them in the progress of their work. But still, while finding
time for services to other men, he could produce as much out of his own
study as though he had no part in the life beyond its walls."
A large majority of these early naturalists and botanists were
physicians.(3) The Greek art of observation was revived in a study of
the scientific writings of Aristotle, Theophrastus and Dioscorides and
in medicine, of Hippocrates and of Galen, all in the Greek originals.
That progress was at first slow was due in part to the fact that the
leaders were too busy scraping the Arabian tarnish from the pure gold of
Greek medicine and correcting the anatomical mistakes of Galen to bother
much about his physiology or pathology. Here and there among the great
anatomists of the period we read of an experiment, but it was the art of
observation, the art of Hippocrates, not the science of Galen, not the
carefully devised experiment to determine function, that characterized
their work. There was indeed every reason why men should have been
content with the physiology and pathology of that day, as, from a
theoretical standpoint, it was excellent. The doctrine of the four
humors and of the natural, animal and vital spirits afforded a ready
explanation for the symptoms of all diseases, and the practice of the
day was admirably adapted to the theories. There was no thought of, no
desire for, change. But the revival of learning awakened in men at
first a suspicion and at last a conviction that the ancients had left
something which could be reached by independent research, and gradually
the paralytic-like torpor passed away.
(3) Miall: The Early Naturalists, London, 1912.
The sixteenth and seventeenth centuries did three things in
medicine--shattered authority, laid the foundation of an accurate
knowledge of the structure of the human body and demonstrated how its
functions should be studied intelligently--with which advances, as
illustrating this period, may be associated the names of Paracelsus,
Vesalius and Harvey.
PARACELSUS
PARACELSUS is "der Geist der stets verneint." He roused men against the
dogmatism of the schools, and he stimulated enormously the practical
study of chemistry. These are his great merits, against which must be
placed a flood of hermetical and transcendental medicine, some his own,
some foisted in his name, the influence of which is still with us.
"With what judgment ye judge it shall be judged to you again" is the
verdict of three centuries on Paracelsus. In return for unmeasured abuse
of his predecessors and contemporaries he has been held up to obloquy
as the arch-charlatan of history. We have taken a cheap estimate of
him from Fuller and Bacon, and from a host of scurrilous scribblers
who debased or perverted his writings. Fuller(4) picked him out as
exemplifying the drunken quack, whose body was a sea wherein the tide
of drunkenness was ever ebbing and flowing--"He boasted that shortly
he would order Luther and the Pope, as well as he had done Galen and
Hippocrates. He was never seen to pray, and seldome came to Church.
He was not onely skilled in naturall Magick (the utmost bounds whereof
border on the suburbs of hell) but is charged to converse constantly
with familiars. Guilty he was of all vices but wantonnesse: . . . "
(4) Fuller: The Holy and Profane State, Cambridge, 1642, p. 56.
Francis Bacon, too, says many hard things of him.(5)
(5) Bacon: Of the Proficience and Advancement of Learning, Bk.
II, Pickering ed., London, 1840, p. 181. Works, Spedding ed.,
III, 381.
To the mystics, on the other hand, he is Paracelsus the Great, the
divine, the most supreme of the Christian magi, whose writings are too
precious for science, the monarch of secrets, who has discovered the
Universal Medicine. This is illustrated in Browning's well-known poem
"Paracelsus," published when he was only twenty-one; than which there
is no more pleasant picture in literature of the man and of his
aspirations. His was a "searching and impetuous soul" that sought to win
from nature some startling secret--". . . a tincture of force to flush
old age with youth, or breed gold, or imprison moonbeams till they
change to opal shafts!" At the same time with that capacity for
self-deception which characterizes the true mystic he sought to cast
Light on a darkling race; save for that doubt,
I stood at first where all aspire at last
To stand: the secret of the world was mine.
I knew, I felt (perception unexpressed,
Uncomprehended by our narrow thought,
But somehow felt and known in every shift
And change in the spirit,--nay, in every pore
Of the body, even)--what God is, what we are,
What life is--. . .(6)
(6) Robert Browning: Paracelsus, closing speech.
Much has been done of late to clear up his story and his character.
Professor Sudhoff, of Leipzig, has made an exhaustive bibliographical
study of his writings,(7) there have been recent monographs by Julius
Hartmann, and Professors Franz and Karl Strunz,(8) and a sympathetic
summary of his life and writings has been published by the late Miss
Stoddart.(9) Indeed there is at present a cult of Paracelsus. The
hermetic and alchemical writings are available in English in the edition
of A. E. Waite, London, 1894. The main facts of his life you can find
in all the biographies. Suffice it here to say that he was born at
Einsiedeln, near Zurich, in 1493, the son of a physician, from whom
he appears to have had his early training both in medicine and in
chemistry. Under the famous abbot and alchemist, Trithemiusof Wurzburg,
he studied chemistry and occultism. After working in the mines at
Schwatz he began his wanderings, during which he professes to have
visited nearly all the countries in Europe and to have reached India
and China. Returning to Germany he began a triumphal tour of practice
through the German cities, always in opposition to the medical faculty,
and constantly in trouble. He undoubtedly performed many important
cures, and was thought to have found the supreme secret of alchemistry.
In the pommel of his sword he was believed to carry a familiar spirit.
So dominant was his reputation that in 1527 he was called to the chair
of physic in the University of Basel. Embroiled in quarrels after
his first year he was forced to leave secretly, and again began his
wanderings through German cities, working, quarrelling, curing, and
dying prematurely at Saltzburg in 1541--one of the most tragic figures
in the history of medicine.
(7) Professor Sudhoff: Bibliographia Paracelsica, Berlin, 1894,
1899.
(8) R. Julius Hartmann: Theophrast von Hohenheim, Berlin, 1904;
ditto, Franz Strunz, Leipzig, 1903.
(9) Anna M. Stoddart: The Life of Paracelsus, London, John
Murray, 1911.
Paracelsus is the Luther of medicine, the very incarnation of the spirit
of revolt. At a period when authority was paramount, and men blindly
followed old leaders, when to stray from the beaten track in any field
of knowledge was a damnable heresy, he stood out boldly for independent
study and the right of private judgment. After election to the chair at
Basel he at once introduced a startling novelty by lecturing in German.
He had caught the new spirit and was ready to burst all bonds both in
medicine and in theology. He must have startled the old teachers and
practitioners by his novel methods. "On June 5, 1527, he attached a
programme of his lectures to the black-board of the University inviting
all to come to them. It began by greeting all students of the art of
healing. He proclaimed its lofty and serious nature, a gift of God to
man, and the need of developing it to new importance and to new renown.
This he undertook to do, not retrogressing to the teaching of the
ancients, but progressing whither nature pointed, through research into
nature, where he himself had discovered and had verified by prolonged
experiment and experience. He was ready to oppose obedience to old
lights as if they were oracles from which one did not dare to differ.
Illustrious doctor smight be graduated from books, but books made not a
single physician.(10) Neither graduation, nor fluency, nor the knowledge
of old languages, nor the reading of many books made a physician, but
the knowledge of things themselves and their properties. The business
of a doctor was to know the different kinds of sicknesses, their
causes, their symptoms and their right remedies. This he would teach, for
he had won this knowledge through experience, the greatest teacher, and
with much toil. He would teach it as he had learned it, and his lectures
would be founded on works which he had composed concerning inward and
external treatment, physic and surgery."(11) Shortly afterwards, at
the Feast of St. John, the students had a bonfire in front of the
university. Paracelsus came out holding in his hands the "Bible of
medicine," Avicenna's "Canon," which he flung into the flames saying:
"Into St. John's fire so that all misfortune may go into the air with
the smoke." It was, as he explained afterwards, a symbolic act: "What
has perished must go to the fire; it is no longer fit for use: what is
true and living, that the fire cannot burn." With abundant confidence in
his own capacity he proclaimed himself the legitimate monarch, the very
Christ of medicine. "You shall follow me," cried he, "you, Avicenna,
Galen, Rhasis, Montagnana, Mesues; you, Gentlemen of Paris, Montpellier,
Germany, Cologne, Vienna, and whomsoever the Rhine and Danube nourish;
you who inhabit the isles of the sea; you, likewise, Dalmatians,
Athenians; thou, Arab; thou, Greek; thou, Jew; all shall follow me, and
the monarchy shall be mine."(12)
(10) And men have oft grown old among their books
To die case hardened in their ignorance.
--Paracelsus, Browning.
(11) Anna M. Stoddart: Life of Paracelsus, London, 1911, pp.
95-96.
(12) Browning's Paracelsus, London, 1835, p. 206 (note).
This first great revolt against the slavish authority of the schools had
little immediate effect, largely on account of the personal vagaries of
the reformer--but it made men think. Paracelsus stirred the pool as had
not been done for fifteen centuries.
Much more important is the relation of Paracelsus to the new chemical
studies, and their relation to practical medicine. Alchemy, he held, "is
to make neither gold nor silver: its use is to make the supreme
sciences and to direct them against disease." He recognized three
basic substances, sulphur, mercury and salt, which were the necessary
ingredients of all bodies organic or inorganic. They were the basis of
the three principles out of which the Archaeus, the spirit of nature,
formed all bodies. He made important discoveries in chemistry; zinc, the
various compounds of mercury, calomel, flowers of sulphur, among others,
and he was a strong advocate of the use of preparations of iron and
antimony. In practical pharmacy he has perhaps had a greater reputation
for the introduction of a tincture of opium--labdanum or laudanum--with
which he effected miraculous cures, and the use of which he had probably
learned in the East.
Through Paracelsus a great stimulus was given to the study of chemistry
and pharmacy, and he is the first of the modern iatro-chemists. In
contradistinction to Galenic medicines, which were largely derived
from the vegetable kingdom, from this time on we find in the literature
references to spagyric medicines and a "spagyrist" was a Paracelsian who
regarded chemistry as the basis of all medical knowledge.
One cannot speak very warmly of the practical medical writings of
Paracelsus. Gout, which may be taken as the disease upon which he had
the greatest reputation, is very badly described, and yet he has one or
two fruitful ideas singularly mixed with mediaeval astrology; but he
has here and there very happy insights, as where he remarks "nec praeter
synoviam locqum alium ullum podagra occupat."(13) In the tract on
phlebotomy I see nothing modern, and here again he is everywhere
dominated by astrological ideas--"Sapiens dominatur astris."
(13) Geneva ed., 1658, Vol. I, p. 613.
As a protagonist of occult philosophy, Paracelsus has had a more
enduring reputation than as a physician. In estimating his position
there is the great difficulty referred to by Sudhoff in determining
which of the extant treatises are genuine. In the two volumes issued in
English by Waite in 1894, there is much that is difficult to read and
to appreciate from our modern standpoint. In the book "Concerning Long
Life" he confesses that his method and practice will not be intelligible
to common persons and that he writes only for those whose intelligence
is above the average. To those fond of transcendental studies they
appeal and are perhaps intelligible. Everywhere one comes across
shrewd remarks which prove that Paracelsus had a keen belief in the
all-controlling powers of nature and of man's capacity to make those
powers operate for his own good: "the wise man rules Nature, not Nature
the wise man." "The difference between the Saint and the Magus is that
the one operates by means of God, and the other by means of Nature."
He had great faith in nature and the light of nature, holding that man
obtains from nature according as he believes. His theory of the three
principles appears to have controlled his conception of everything
relating to man, spiritually, mentally and bodily; and his threefold
genera of disease corresponded in some mysterious way with the three
primary substances, salt, sulphur and mercury.
How far he was a believer in astrology, charms and divination it is not
easy to say. From many of the writings in his collected works one would
gather, as I have already quoted, that he was a strong believer. On the
other hand, in the "Paramirum," he says: "Stars control nothing in us,
suggest nothing, incline to nothing, own nothing; they are free from
us and we are free from them" (Stoddart, p. 185). The Archaeus, not the
stars, controls man's destiny. "Good fortune comes from ability, and
ability comes from the spirit" (Archaeus).
No one has held more firmly the dualistic conception of the healing art.
There are two kinds of doctors; those who heal miraculously and those
who heal through medicine. Only he who believes can work miracles. The
physician has to accomplish that which God would have done miraculously,
had there been faith enough in the sick man (Stoddart, p. 194). He
had the Hippocratic conception of the "vis medicatrix naturae"--no one
keener since the days of the Greeks. Man is his own doctor and finds
proper healing herbs in his own garden: the physician is in ourselves,
in our own nature are all things that we need: and speaking of wounds,
with singular prescience he says that the treatment should be defensive
so that no contingency from without could hinder Nature in her work
(Stoddart, p. 213).
Paracelsus expresses the healing powers of nature by the word "mumia,"
which he regarded as a sort of magnetic influence or force, and he
believed that anyone possessing this could arrest or heal disease
in others. As the lily breaks forth in invisible perfume, so healing
influences may pass from an invisible body. Upon these views of
Paracelsus was based the theory of the sympathetic cure of disease
which had an extraordinary vogue in the late sixteenth and seventeenth
centuries, and which is not without its modern counterpart.
In the next century, in Van Helmont we meet with the Archaeus everywhere
presiding, controlling and regulating the animate and inanimate bodies,
working this time through agents, local ferments. The Rosicrucians had
their direct inspiration from his writings, and such mystics as the
English Rosicrucian Fludd were strong Paracelsians.(14)
(14) Robert Fludd, the Mystical Physician, British Medical
Journal, London, 1897, ii, 408.
The doctrine of contraries drawn from the old Greek philosophy,
upon which a good deal of the treatment of Hippocrates and Galen was
based--dryness expelled by moisture, cold by heat, etc.--was opposed by
Paracelsus in favor of a theory of similars, upon which the practice of
homeopathy is based. This really arose from the primitive beliefs, to
which I have already referred as leading to the use of eyebright in
diseases of the eye, and cyclamen in diseases of the ear because of its
resemblance to that part; and the Egyptian organotherapy had the same
basis,--spleen would cure spleen, heart, heart, etc. In the sixteenth
and seventeenth centuries these doctrines of sympathies and antipathies
were much in vogue. A Scotchman, Sylvester Rattray, edited in the
"Theatrum Sympatheticum"(15) all the writings upon the sympathies and
antipathies of man with animal, vegetable and mineral substances, and
the whole art of physics was based on this principle.
(15) Rattray: Theatrum Sympatheticum, Norimberge, MDCLXII.
Upon this theory of "mumia," or magnetic force, the sympathetic cure of
disease was based. The weapon salve, the sympathetic ointment, and the
famous powder of sympathy were the instruments through which it acted.
The magnetic cure of wounds became the vogue. Van Helmont adopted these
views in his famous treatise "De Magnetica Vulnerum Curatione,"(16) in
which he asserted that cures were wrought through magnetic influence.
How close they came to modern views of wound infection may be judged
from the following: "Upon the solution of Unity in any part the ambient
air . . . repleted with various evaporations or aporrhoeas of mixt
bodies, especially such as are then suffering the act of putrefaction,
violently invadeth the part and thereupon impresseth an exotic miasm or
noxious diathesis, which disposeth the blood successively arriving at
the wound, to putrefaction, by the intervention of fermentation." With
his magnetic sympathy, Van Helmont expressed clearly the doctrine of
immunity and the cure of disease by immune sera: "For he who has once
recovered from that disease hath not only obtained a pure balsaamical
blood, whereby for the future he is rendered free from any recidivation
of the same evil, but also infallibly cures the same affection in his
neighbour . . . and by the mysterious power of Magnetism transplants
that balsaam and conserving quality into the blood of another." He was
rash enough to go further and say that the cures effected by the relics
of the saints were also due to the same cause--a statement which led to
a great discussion with the theologians and to Van Helmont's arrest for
heresy, and small wonder, when he makes such bold statements as "Let the
Divine enquire only concerning God, the Naturalist concerning Nature,"
and "God in the production of miracles does for the most part walk hand
in hand with Nature."
(16) An English translation by Walter Charleton appeared in 1650,
entitled "A Ternary of Paradoxes."
That wandering genius, Sir Kenelm Digby, did much to popularize this
method of treatment by his lecture on the "Powder of Sympathy."(17) His
powder was composed of copperas alone or mixed with gum tragacanth.
He regarded the cure as effected through the subtle influence of the
sympathetic spirits or, as Highmore says, by "atomicall energy wrought
at a distance," and the remedy could be applied to the wound itself,
or to a cloth soaked in the blood or secretions, or to the weapon that
caused the wound. One factor leading to success may have been that
in the directions which Digby gave for treating the wound (in the
celebrated case of James Howell, for instance), it was to be let alone
and kept clean. The practice is alluded to very frequently by the poets.
In the "Lay of the Last Minstrel" we find the following:
(17) French edition, 1668, English translation, same year. For a
discussion on the author of the weapon salve see Van Helmont, who
gives the various formulas. Highmore (1651) says the "powder is
a Zaphyrian salt calcined by a celestial fire operating in Leo
and Cancer into a Lunar complexion."
But she has ta'en the broken lance,
And wash'd it from the clotted gore,
And salved the splinter o'er and o'er.
William of Deloraine, in trance,
Whene'er she turn'd it round and round,
Twisted, as if she gall'd his wound,
Then to her maidens she did say,
That he should be whole man and sound,
(Canto iii, xxiii.)
and in Dryden's "Tempest" (V, 1) Ariel says:
Anoint the Sword which pierc'd him with the Weapon-Salve,
And wrap it close from Air till I have time
To visit him again.
From Van Helmont comes the famous story of the new nose that dropped off
in sympathy with the dead arm from which it was taken, and the source
of the famous lines of Hudibras. As I have not seen the original story
quoted of late years it may be worth while to give it: "A certain
inhabitant of Bruxels, in a combat had his nose mowed off, addressed
himself to Tagliacozzus, a famous Chirurgein, living at Bononia, that he
might procure a new one; and when he feared the incision of his own arm,
he hired a Porter to admit it, out of whose arm, having first given
the reward agreed upon, at length he dig'd a new nose. About thirteen
moneths after his return to his own Countrey, on a sudden the ingrafted
nose grew cold, putrified, and within few days drops off. To those of
his friends that were curious in the exploration of the cause of this
unexpected misfortune, it was discovered, that the Porter expired,
neer about the same punctilio of time, wherein the nose grew frigid and
cadaverous. There are at Bruxels yet surviving, some of good repute, that
were eye-witnesses of these occurrences."(18)
(18) Charleton: Of the Magnetic Cure of Wounds, London, 1650, p.
13.
Equally in the history of science and of medicine, 1542 is a starred
year, marked by a revolution in our knowledge alike of Macrocosm and
Microcosm. In Frauenburg, the town physician and a canon, now nearing
the Psalmist limit and his end, had sent to the press the studies of a
lifetime--"De revolutionibus orbium coelestium." It was no new thought,
no new demonstration that Copernicus thus gave to his generation.
Centuries before, men of the keenest scientific minds from Pythagoras on
had worked out a heliocentric theory, fully promulgated by Aristarchus,
and very generally accepted by the brilliant investigators of the
Alexandrian school; but in the long interval, lapped in Oriental
lethargy, man had been content to acknowledge that the heavens declare
the glory of God and that the firmament sheweth his handiwork. There
had been great astronomers before Copernicus. In the fifteenth century
Nicholas of Cusa and Regiomontanus had hinted at the heliocentric
theory; but 1512 marks an epoch in the history of science, since for all
time Copernicus put the problem in a way that compelled acquiescence.
Nor did Copernicus announce a truth perfect and complete, not to be
modified, but there were many contradictions and lacunae which the work
of subsequent observers had to reconcile and fill up. For long years
Copernicus had brooded over the great thoughts which his careful
observation had compelled. We can imagine the touching scene in the
little town when his friend Osiander brought the first copy of the
precious volume hot from the press, a well enough printed book. Already
on his deathbed, stricken with a long illness, the old man must have had
doubts how his work would be received, though years before Pope Clement
VII had sent him encouraging words. Fortunately death saved him from the
"rending" which is the portion of so many innovators and discoverers.
His great contemporary reformer, Luther, expressed the view of the day
when he said the fool will turn topsy-turvy the whole art of astronomy;
but the Bible says that Joshua commanded the Sun to stand still, not
the Earth. The scholarly Melanchthon, himself an astronomer, thought
the book so godless that he recommended its suppression (Dannemann,
Grundriss). The church was too much involved in the Ptolemaic system to
accept any change and it was not until 1822 that the works of Copernicus
were removed from the Index.
VESALIUS
THE same year, 1542, saw a very different picture in the far-famed city
of Padua, "nursery of the arts." The central figure was a man not yet in
the prime of life, and justly full of its pride, as you may see from
his portrait. Like Aristotle and Hippocrates cradled and nurtured in an
AEsculapian family, Vesalius was from his childhood a student of nature,
and was now a wandering scholar, far from his Belgian home. But in Italy
he had found what neither Louvain nor Paris could give, freedom in
his studies and golden opportunities for research in anatomy. What an
impression he must have made on the student body at Padua may be judged
from the fact that shortly after his graduation in December, 1537,
at the age of twenty-four, he was elected to the chair of anatomy and
surgery. Two things favored him--an insatiate desire to see and handle
for himself the parts of the human frame, and an opportunity, such as
had never before been offered to the teacher, to obtain material for the
study of human anatomy. Learned with all the learning of the Grecians
and of the Arabians, Vesalius grasped, as no modern before him had done,
the cardinal fact that to know the human machine and its working, it is
necessary first to know its parts--its fabric.
To appreciate the work of this great man we must go back in a brief
review of the growth of the study of anatomy.
Among the Greeks only the Alexandrians knew human anatomy. What their
knowledge was we know at second hand, but the evidence is plain that
they knew a great deal. Galen's anatomy was first-class and was based
on the Alexandrians and on his studies of the ape and the pig. We have
already noted how much superior was his osteology to that of Mundinus.
Between the Alexandrians and the early days of the School of Salernum we
have no record of systematic dissections of the human body. It is even
doubtful if these were permitted at Salernum. Neuburger states that the
instructions of Frederick II as to dissections were merely nominal.
How atrocious was the anatomy of the early Middle Ages may be gathered
from the cuts in the works of Henri de Mondeville. In the Bodleian
Library is a remarkable Latin anatomical treatise of the late thirteenth
century, of English provenance, one illustration from which will suffice
to show the ignorance of the author. Mundinus of Bologna, one of the
first men in the Middle Ages to study anatomy from the subject, was
under the strong domination of the Arabians, from whom he appears to
have received a very imperfect Galenic anatomy. From this date we meet
with occasional dissections at various schools, but we have seen that in
the elaborate curriculum of the University of Padua in the middle of the
fifteenth century there was no provision for the study of the subject.
Even well into the sixteenth century dissections were not common, and
the old practice was followed of holding a professorial discourse,
while the butcher, or barber surgeon, opened the cavities of the body. A
member of a famous Basel family of physicians, Felix Plater, has left
us in his autobiography(19) details of the dissections he witnessed at
Montpellier between November 14, 1552, and January 10, 1557, only eleven
in number. How difficult it was at that time to get subjects is shown by
the risks they ran in "body-snatching" expeditions, of which he records
three.
(19) There is no work from which we can get a better idea of the
life of the sixteenth-century medical student and of the style of
education and of the degree ceremonies, etc. Cumston has given
an excellent summary of it (Johns Hopkins Hospital Bulletin,
1912, XXIII, 105-113).
And now came the real maker of modern anatomy. Andreas Vesalius had a
good start in life. Of a family long associated with the profession,
his father occupied the position of apothecary to Charles V, whom he
accompanied on his journeys and campaigns. Trained at Louvain, he had,
from his earliest youth, an ardent desire to dissect, and cut up mice
and rats, and even cats and dogs. To Paris, the strong school of the
period, he went in 1533, and studied under two men of great renown,
Jacob Sylvius and Guinterius. Both were strong Galenists and regarded
the Master as an infallible authority. He had as a fellow prosector,
under the latter, the unfortunate Servetus. The story of his troubles
and trials in getting bones and subjects you may read in Roth's
"Life."(20) Many interesting biographical details are also to be found
in his own writings. He returned for a time to Louvain, and here he
published his first book, a commentary on the "Almansor" of Rhazes, in
1537.
(20) M. Roth: Andreas Vesalius Bruxellensis, Berlin, 1892. An
excellent account of Vesalius and his contemporaries is given by
James Moores Ball in his superbly printed Andreas Vesalius, the
Reformer of Anatomy, St. Louis, 1910.
Finding it difficult, either in Paris or Louvain, to pursue his
anatomical studies, he decided to go to Italy where, at Venice and
Padua, the opportunities were greater. At Venice, he attended the
practice of a hospital (now a barracks) which was in charge of the
Theatiner Order. I show you a photograph of the building taken last
year. And here a strange destiny brought two men together. In 1537,
another pilgrim was working in Venice waiting to be joined by his six
disciples. After long years of probation, Ignatius Loyola was ready to
start on the conquest of a very different world. Devoted to the sick
and to the poor, he attached himself to the Theatiner Order, and in the
wards of the hospital and the quadrangle, the fiery, dark-eyed, little
Basque must frequently have come into contact with the sturdy young
Belgian, busy with his clinical studies and his anatomy. Both were to
achieve phenomenal success--the one in a few years to revolutionize
anatomy, the other within twenty years to be the controller of
universities, the counsellor of kings, and the founder of the most
famous order in the Roman Catholic Church. It was in this hospital that
Vesalius made observations on the China-root, on which he published a
monograph in 1546. The Paduan School was close to Venice and associated
with it, so that the young student had probably many opportunities of
going to and fro. On the sixth of December, 1537, before he had reached
his twenty-fourth year and shortly after taking his degree, he was
elected to the chair of surgery and anatomy at Padua.
The task Vesalius set himself to accomplish was to give an accurate
description of all the parts of the human body, with proper
illustrations. He must have had abundant material, more, probably, than
any teacher before him had ever had at his disposal. We do not know
where he conducted his dissections, as the old amphitheatre has
disappeared, but it must have been very different from the tiny one
put up by his successor, Fabricius, in 1594. Possibly it was only a
temporary building, for he says in the second edition of the "Fabrica"
that he had a splendid lecture theatre which accommodated more than five
hundred spectators (p. 681).
With Vesalius disappeared the old didactic method of teaching anatomy.
He did his own dissections, made his own preparations, and, when human
subjects were scarce, employed dogs, pigs or cats, and occasionally a
monkey. For five years he taught and worked at Padua. He is known
to have given public demonstrations in Bologna and elsewhere. In the
"China-root" he remarks that he once taught in three universities in one
year. The first fruit of his work is of great importance in connection
with the evolution of his knowledge. In 1538, he published six
anatomical tables issued apparently in single leaves. Of the famous
"Tabulae Anatomicae" only two copies are known, one in the San
Marco Library, Venice, and the other in the possession of Sir John
Stirling-Maxwell, whose father had it reproduced in facsimile (thirty
copies only) in 1874. Some of the figures were drawn by Vesalius
himself, and some are from the pencil of his friend and countryman,
Stephan van Calcar. Those plates were extensively pirated. About this
time he also edited for the Giunti some of the anatomical works of
Galen.(21)
(21) De anatomicis administrationibus, De venarum arterinrumque
dissectione, included in the various Juntine editions of Galen.
We know very little of his private life at Padua. His most important
colleague in the faculty was the famous Montanus, professor of medicine.
Among his students and associates was the Englishman Caius, who lived in
the same house with him. When the output is considered, he cannot have
had much spare time at Padua.
He did not create human anatomy--that had been done by the
Alexandrians--but he studied it in so orderly and thorough a manner
that for the first time in history it could be presented in a way that
explained the entire structure of the human body. Early in 1542 the MS.
was ready; the drawings had been made with infinite care, the blocks for
the figures had been cut, and in September, he wrote to Oporinus urging
that the greatest pains should be taken with the book, that the paper
should be strong and of equal thickness, the workmen chosen for their
skill, and that every detail of the pictures must be distinctly visible.
He writes with the confidence of a man who realized the significance of
the work he had done. It is difficult to speak in terms of moderation of
the "Fabrica." To appreciate its relative value one must compare it with
the other anatomical works of the period, and for this purpose I
put before you two figures from a text-book on the subject that was
available for students during the first half of the sixteenth century.
In the figures and text of the "Fabrica" we have anatomy as we know it;
and let us be honest and say, too, largely as Galen knew it. Time will
not allow me to go into the question of the relations of these two
great anatomists, but we must remember that at this period Galen ruled
supreme, and was regarded in the schools as infallible. And now, after
five years of incessant labor, Vesalius was prepared to leave his
much loved Padua and his devoted students. He had accomplished an
extraordinary work. He knew, I feel sure, what he had done. He knew that
the MSS. contained something that the world had not seen since the great
Pergamenian sent the rolls of his "Manual of Anatomy" among his friends.
Too precious to entrust to any printer but the best--and the best in the
middle of the sixteenth century was Transalpine--he was preparing to go
north with the precious burden. We can picture the youthful teacher--he
was but twenty-eight--among students in a university which they
themselves controlled--some of them perhaps the very men who five years
before had elected him--at the last meeting with his class, perhaps
giving a final demonstration of the woodcuts, which were of an accuracy
and beauty never seen before by students' eyes, and reading his
introduction. There would be sad hearts at the parting, for never had
anyone taught anatomy as he had taught it--no one had ever known anatomy
as he knew it. But the strong, confident look was on his face and with
the courage of youth and sure of the future, he would picture a happy
return to attack new and untried problems. Little did he dream that his
happy days as student and teacher were finished, that his work as an
anatomist was over, that the most brilliant and epoch-making part of his
career as a professor was a thing of the past. A year or more was spent
at Basel with his friend Oporinus supervising the printing of the
great work, which appeared in 1543 with the title "De Humani Corporis
Fabrica." The worth of a book, as of a man, must be judged by results,
and, so judged, the "Fabrica" is one of the great books of the world,
and would come in any century of volumes which embraced the richest
harvest of the human mind. In medicine, it represents the full flower
of the Renaissance. As a book it is a sumptuous tome a worthy setting
of his jewel--paper, type and illustration to match, as you may see for
yourselves in this folio--the chef d'oeuvre of any medical library.
In every section, Vesalius enlarged and corrected the work of Galen.
Into the details we need not enter: they are all given in Roth's
monograph, and it is a chapter of ancient history not specially
illuminating.
Never did a great piece of literary work have a better setting. Vesalius
must have had a keen appreciation of the artistic side of the art of
printing, and he must also have realized the fact that the masters of
the art had by this time moved north of the Alps.
While superintending the printing of the precious work in the winter of
1542-1543 in Basel, Vesalius prepared for the medical school a skeleton
from the body of an executed man, which is probably the earliest
preparation of the kind in Europe. How little anatomy had been studied
at the period may be judged from that fact that there had been
no dissection at Basel since 1531.(22) The specimen is now in the
Vesalianum, Basel, of which I show you a picture taken by Dr. Harvey
Cushing. From the typographical standpoint no more superb volume
on anatomy has been issued from any press, except indeed the second
edition, issued in 1555. The paper is, as Vesalius directed, strong and
good, but it is not, as he asked, always of equal thickness; as a rule
it is thick and heavy, but there are copies on a good paper of a much
lighter quality. The illustrations drawn by his friend and fellow
countryman, van Calcar, are very much in advance of anything previously
seen, except those of Leonardo. The title-page, one of the most
celebrated pictures in the history of medicine, shows Vesalius in
a large amphitheatre (an imaginary one of the artist, I am afraid)
dissecting a female subject. He is demonstrating the abdomen to a group
of students about the table, but standing in the auditorium are elderly
citizens and even women. One student is reading from an open book. There
is a monkey on one side of the picture and a dog on the other. Above
the picture on a shield are the three weasels, the arms of Vesal. The
reproduction which I show you here is from the "Epitome"--a smaller work
issued before (?) the "Fabrica," with rather larger plates, two of which
represent nude human bodies and are not reproduced in the great work.
The freshest and most beautiful copy is the one on vellum which formerly
belonged to Dr. Mead, now in the British Museum, and from it this
picture was taken. One of the most interesting features of the book are
the full-page illustrations of the anatomy of the arteries, veins
and nerves. They had not in those days the art of making corrosion
preparations, but they could in some way dissect to their finest
ramifications the arteries, veins and nerves, which were then spread on
boards and dried. Several such preparations are now at the College of
Physicians in London, brought from Padua by Harvey. The plates of the
muscles are remarkably good, more correct, though not better perhaps, on
the whole, than some of Leonardo's.
(22) The next, in 1559, is recorded by Plater in his
autobiography, who gave a public dissection during three days in
the Church of St. Elizabeth.
Vesalius had no idea of a general circulation. Though he had escaped
from the domination of the great Pergamenian in anatomy, he was still
his follower in physiology. The two figures annexed, taken from one
of the two existing copies of the "Tabulae Anatomica," are unique in
anatomical illustration, and are of special value as illustrating the
notion of the vascular system that prevailed until Harvey's day. I
have already called your attention to Galen's view of the two separate
systems, one containing the coarse, venous blood for the general
nutrition of the body, the other the arterial, full of a thinner, warmer
blood with which were distributed the vital spirits and the vital
heat. The veins had their origin in the liver; the superior vena cava
communicated with the right heart, and, as Galen taught, some blood was
distributed to the lungs; but the two systems were closed, though Galen
believed there was a communication at the periphery between the
arteries and veins. Vesalius accepted Galen's view that there is some
communication between the venous and arterial systems through pores
in the septum of the ventricles, though he had his doubts, and in the
second edition of his book (1555) says that inspite of the authority
of the Prince of Physicians he cannot see how the smallest quantity of
blood could be transmitted through so dense a muscular septum. Two years
before this (1553),(*) his old fellow student, Michael Servetus, had in
his "Christianismi Restitutio" annatomical touch with one another!
(*) See the Servetus Notes in the Osler Anniversary Volumes, New
York, 1919, Vol. II.--Ed.
The publication of the "Fabrica" shook the medical world to its
foundations. Galen ruled supreme in the schools: to doubt him in the
least particular roused the same kind of feeling as did doubts on the
verbal inspiration of the Scriptures fifty years ago! His old teachers
in Paris were up in arms: Sylvius, nostrae aetatis medicorum decus, as
Vesalius calls him, wrote furious letters, and later spoke of him as
a madman (vaesanus). The younger men were with him and he had many
friends, but he had aroused a roaring tide of detraction against which
he protested a few years later in his work on the "China-root," which
is full of details about the "Fabrica." In a fit of temper he threw
his notes on Galen and other MSS. in the fire. No sadder page exists in
medical writings than the one in which Vesalius tells of the burning of
his books and MSS. It is here reproduced and translated.(23) His life
for a couple of years is not easy to follow, but we know that in 1546
he took service with Charles V as his body physician, and the greatest
anatomist of his age was lost in the wanderings of court and campaigns.
He became an active practitioner, a distinguished surgeon, much
consulted by his colleagues, and there are references to many of his
cases, the most important of which are to internal aneurysms, which he
was one of the first to recognize. In 1555 he brought out the second
edition of the "Fabrica," an even more sumptuous volume than the first.
(23) Epistle on China-root, 1546, p. 196. Vesalius may be quoted
in explanation--in palliation:
"All these impediments I made light of; for I was too young to seek
gain by my art, and I was sustained by my eager desire to learn and to
promote the studies in which I shared. I say nothing of my diligence in
anatomizing--those who attended my lectures in Italy know how I spent
three whole weeks over a single public dissection. But consider that in
one year I once taught in three different universities. If I had put
off the task of writing till this time; if I were now just beginning
to digest my materials; students would not have had the use of my
anatomical labours, which posterity may or may not judge superior to
the rechauffes formerly in use, whether of Mesua, of Gatinaria, of some
Stephanus or other on the differences, causes and symptoms of diseases,
or, lastly, of a part of Servitor's pharmacopoeia. As to my notes, which
had grown into a huge volume, they were all destroyed by me; and on the
same day there similarly perished the whole of my paraphrase on the ten
books of Rhazes to King Almansor, which had been composed by me with far
more care than the one which is prefaced to the ninth book. With
these also went the books of some author or other on the formulae and
preparation of medicines, to which I had added much matter of my own
which I judged to be not without utility; and the same fate overtook all
the books of Galen which I had used in learning anatomy, and which I had
liberally disfigured in the usual fashion. I was on the point of leaving
Italy and going to Court; those physicians you know of had made to the
Emperor and to the nobles a most unfavourable report of my books and of
all that is published nowadays for the promotion of study; I therefore
burnt all these works that I have mentioned, thinking at the same time
that it would be an easy matter to abstain from writing for the future.
I must show that I have since repented more than once of my impatience,
and regretted that I did not take the advice of the friends who were
then with me."
There is no such pathetic tragedy in the history of our profession.
Before the age of thirty Vesalius had effected a revolution in anatomy;
he became the valued physician of the greatest court of Europe; but call
no man happy till he is dead! A mystery surrounds his last days. The
story is that he had obtained permission to perform a post-mortem
examination on the body of a young Spanish nobleman, whom he had
attended. When the body was opened, the spectators to their horror saw
the heart beating, and there were signs of life! Accused, so it is said,
by the Inquisition of murder and also of general impiety he only escaped
through the intervention of the King, with the condition that he make a
pilgrimage to the Holy Land. In carrying this out in 1564 he was wrecked
on the island of Zante, where he died of a fever or of exhaustion, in
the fiftieth year of his age.
To the North American Review, November, 1902, Edith Wharton contributed
a poem on "Vesalius in Zante," in which she pictures his life, so
full of accomplishment, so full of regrets--regrets accentuated by the
receipt of an anatomical treatise by Fallopius, the successor to the
chair in Padua! She makes him say:
There are two ways of spreading light; to be
The candle or the mirror that reflects it.
I let my wick burn out--there yet remains
To spread an answering surface to the flame
That others kindle.
But between Mundinus and Vesalius, anatomy had been studied by a group
of men to whom I must, in passing, pay a tribute. The great artists
Raphael, Michael Angelo and Albrecht Durer were keen students of the
human form. There is an anatomical sketch by Michael Angelo in the
Ashmolean Museum, Oxford, which I here reproduce.(*) Durer's famous work
on "Human Proportion," published in 1528, contains excellent figures,
but no sketches of dissections. But greater than any of these, and
antedating them, is Leonardo da Vinci, the one universal genius in
whom the new spirit was incarnate--the Moses who alone among his
contemporaries saw the promised land. How far Leonardo was indebted to
his friend and fellow student, della Torre, at Pavia we do not know,
nor does it matter in face of the indubitable fact that in the
many anatomical sketches from his hand we have the first accurate
representation of the structure of the body. Glance at the three figures
of the spine which I have had photographed side by side, one from
Leonardo, one from Vesalius and the other from Vandyke Carter, who did
the drawings in Gray's "Anatomy" (1st ed., 1856). They are all of the
same type, scientific, anatomical drawings, and that of Leonardo was
done fifty years before Vesalius! Compare, too, this figure of the
bones of the foot with a similar one from Vesalius.(24) Insatiate
in experiment, intellectually as greedy as Aristotle, painter, poet,
sculptor, engineer, architect, mathematician, chemist, botanist,
aeronaut, musician and withal a dreamer and mystic, full accomplishment
in any one department was not for him! A passionate desire for a mastery
of nature's secrets made him a fierce thing, replete with too much
rage! But for us a record remains--Leonardo was the first of modern
anatomists, and fifty years later, into the breach he made, Vesalius
entered.(25)
(*) This plate was lacking among the author's illustrations, but
the Keeper of the Ashmolean Museum remembers his repeatedly
showing special interest in the sketch reproduced in John
Addington Symonds's Life of Michelangelo, London, 1893, Vol. I,
p. 44, and in Charles Singer's Studies in the History and Method
of Science, Oxford, 1917, Vol. I, p. 97, representing Michael
Angelo and a friend dissecting the body of a man, by the light of
a candle fixed in the body itself.--Ed.
(24) He was the first to make and represent anatomical cross
sections. See Leonardo: Quaderni d'Anatomia, Jacob Dybwad,
Kristiania, 1911-1916, Vol. V.
(25) See Knox: Great Artists and Great Anatomists, London, 1862,
and Mathias Duval in Les Manuserits de Leonard de Vince: De
l'Anatomie, Feuillets A, Edouard Rouveyre, Paris, 1898. For a
good account of Leonardo da Vinci see Merejkovsky's novel, The
Forerunner, London, 1902, also New York, Putnam.
HARVEY
LET us return to Padua about the year 1600. Vesalius, who made the
school the most famous anatomical centre in Europe, was succeeded by
Fallopius, one of the best-known names in anatomy, at whose death an
unsuccessful attempt was made to get Vesalius back. He was succeeded in
1565 by a remarkable man, Fabricius (who usually bears the added name
of Aquapendente, from the town of his birth), a worthy follower of
Vesalius. In 1594, in the thirtieth year of his professoriate, he built
at his own expense a new anatomical amphitheatre, which still exists
in the university buildings. It is a small, high-pitched room with six
standing-rows for auditors rising abruptly one above the other. The
arena is not much more than large enough for the dissecting table which,
by a lift, could be brought up from a preparing room below. The study of
anatomy at Padua must have declined since the days of Vesalius if this
tiny amphitheatre held all its students; none the less, it is probably
the oldest existing anatomical lecture room, and for us it has a very
special significance.
Early in his anatomical studies Fabricius had demonstrated the valves in
the veins. I show you here two figures, the first, as far as I know, in
which these structures are depicted. It does not concern us who first
discovered them; they had doubtless been seen before, but Fabricius
first recognized them as general structures in the venous system, and he
called them little doors--"ostiola."
The quadrangle of the university building at Padua is surrounded by
beautiful arcades, the walls and ceilings of which are everywhere
covered with the stemmata, or shields, of former students, many of them
brilliantly painted. Standing in the arcade on the side of the "quad"
opposite the entrance, if one looks on the ceiling immediately above the
capital of the second column to the left there is seen the stemma which
appears as tailpiece to this chapter, put up by a young Englishman,
William Harvey, who had been a student at Padua for four years. He
belonged to the "Natio Anglica," of which he was Conciliarius, and
took his degree in 1602. Doubtless he had repeatedly seen Fabricius
demonstrate the valves of the veins, and he may indeed, as a senior
student, have helped in making the very dissections from which the
drawings were taken for Fabricius' work, "De Venarum Osteolis," 1603.
If one may judge from the character of the teacher's work the sort of
instruction the student receives, Harvey must have had splendid training
in anatomy. While he was at Padua, the great work of Fabricius, "De
Visione, Voce et Auditu" (1600) was published, then the "Tractatus de
Oculo Visusque Organo" (1601), and in the last year of his residence
Fabricius must have been busy with his studies on the valves of the
veins and with his embryology, which appeared in 1604. Late in life,
Harvey told Boyle that it was the position of the valves of the veins
that induced him to think of a circulation.
Harvey returned to England trained by the best anatomist of his day. In
London, he became attached to the College of Physicans, and taking his
degree at Cambridge, he began the practice of medicine. He was elected
a fellow of the college in 1607 and physician to St. Bartholomew's
Hospital in 1609. In 1615 he was appointed Lumleian lecturer to the
College of Physicians, and his duties were to hold certain "public
anatomies," as they were called, or lectures. We know little or nothing
of what Harvey had been doing other than his routine work in the care
of the patients at St. Bartholomew's. It was not until April, 1616, that
his lectures began. Chance has preserved to us the notes of this first
course; the MS. is now in the British Museum and was published in
facsimile by the college in 1886.(26)
(26) William Harvey: Prelectiones Anatomiae Universalis, London,
J. & A. Churchill, 1886.
The second day lecture, April 17, was concerned with a description of
the organs of the thorax, and after a discussion on the structure and
action of the heart come the lines:
W. H. constat per fabricam cordis sanguinem
per pulmones in Aortam perpetuo
transferri, as by two clacks of a
water bellows to rayse water
constat per ligaturam transitum sanguinis
ab arteriis ad venas
unde perpetuum sanguinis motum
in circulo fieri pulsu cordis.
The illustration will give one an idea of the extraordinarily crabbed
hand in which the notes are written, but it is worth while to see the
original, for here is the first occasion upon which is laid down in
clear and unequivocal words that the blood CIRCULATES. The lecture gave
evidence of a skilled anatomist, well versed in the literature from
Aristotle to Fabricius. In the MS. of the thorax, or, as he calls it,
the "parlour" lecture, there are about a hundred references to some
twenty authors. The remarkable thing is that although those lectures
were repeated year by year, we have no evidence that they made any
impression upon Harvey's contemporaries, so far, at least, as to excite
discussions that led to publication. It was not until twelve years
later, 1628, that Harvey published in Frankfurt a small quarto volume
of seventy-four pages,(27) "De Motu Cordis." In comparison with the
sumptuous "Fabrica" of Vesalius this is a trifling booklet; but if not
its equal in bulk or typographical beauty (it is in fact very poorly
printed), it is its counterpart in physiology, and did for that science
what Vesalius had done for anatomy, though not in the same way. The
experimental spirit was abroad in the land, and as a student at Padua,
Harvey must have had many opportunities of learning the technique of
vivisection; but no one before his day had attempted an elaborate piece
of experimental work deliberately planned to solve a problem relating to
the most important single function of the body. Herein lies the special
merit of his work, from every page of which there breathes the modern
spirit. To him, as to Vesalius before him, the current views of the
movements of the blood were unsatisfactory, more particularly the
movements of the heart and arteries, which were regarded as an active
expansion by which they were filled with blood, like bellows with air.
The question of the transmission of blood through the thick septum
and the transference of air and blood from the lungs to the heart were
secrets which he was desirous of searching out by means of experiment.
(27) Harvey: Exercitatio Anatomica de Motu Cordis et Sanguinis
in Animalibus, Francofurti, 1628.
One or two special points in the work may be referred to as illustrating
his method. He undertook first the movements of the heart, a task so
truly arduous and so full of difficulties that he was almost tempted to
think with Fracastorius that "the movement of the heart was only to be
comprehended by God." But after many difficulties he made the following
statements: first, that the heart is erected and raises itself up into
an apex, and at this time strikes against the breast and the pulse is
felt externally; secondly, that it is contracted every-way, but more
so at the sides; and thirdly, that grasped in the hand it was felt
to become harder at the time of its motion; from all of which actions
Harvey drew the very natural conclusion that the activity of the heart
consisted in a contraction of its fibres by which it expelled the blood
from the ventricles. These were the first four fundamental facts which
really opened the way for the discovery of the circulation, as it did
away with the belief that the heart in its motion attracts blood into
the ventricles, stating on the contrary that by its contraction it
expelled the blood and only received it during its period of repose or
relaxation. Then he proceeded to study the action of the arteries and
showed that their period of diastole, or expansion, corresponded with
the systole, or contraction, of the heart, and that the arterial pulse
follows the force, frequency and rhythm of the ventricle and is, in
fact, dependent upon it. Here was another new fact: that the pulsation
in the arteries was nothing else than the impulse of the blood within
them. Chapter IV, in which he describes the movements of the auricles
and ventricles, is a model of accurate description, to which little has
since been added. It is interesting to note that he mentions what is
probably auricular fibrillation. He says: "After the heart had ceased
pulsating an undulation or palpitation remained in the blood itself
which was contained in the right auricle, this being observed so long as
it was imbued with heat and spirit." He recognized too the importance of
the auricles as the first to move and the last to die. The accuracy and
vividness of Harvey's description of the motion of the heart have been
appreciated by generations of physiologists. Having grasped this first
essential fact, that the heart was an organ for the propulsion of blood,
he takes up in Chapters VI and VII the question of the conveyance of the
blood from the right side of the heart to the left. Galen had already
insisted that some blood passed from the right ventricle to the
lungs--enough for their nutrition; but Harvey points out, with Colombo,
that from the arrangement of the valves there could be no other view
than that with each impulse of the heart blood passes from the right
ventricle to the lungs and so to the left side of the heart. How
it passed through the lungs was a problem: probably by a continuous
transudation. In Chapters VIII and IX he deals with the amount of blood
passing through the heart from the veins to the arteries. Let me quote
here what he says, as it is of cardinal import:
"But what remains to be said upon the quantity and source of the blood
which thus passes, is of a character so novel and unheard of that I not
only fear injury to myself from the envy of a few, but I tremble lest
I have mankind at large for my enemies, so much doth wont and custom
become a second nature. Doctrine once sown strikes deeply its root, and
respect for antiquity influences all men. Still the die is cast, and my
trust is in my love of truth, and the candour of cultivated minds."(28)
Then he goes on to say:
(28) William Harvey: Exercitatio Anatomica de Motu Cordis et
Sanguinis in Animalibus, Francofurti, 1628, G. Moreton's
facsimile reprint and translation, Canterbury, 1894, p. 48.
"I began to think whether there might not be A MOVEMENT, AS IT WERE, IN
A CIRCLE. Now this I afterwards found to be true; and I finally saw that
the blood, forced by the action of the left ventricle into the arteries,
was distributed to the body at large, and its several parts, in the same
manner as it is sent through the lungs, impelled by the right ventricle
into the pulmonary artery, and that it then passed through the veins and
along the vena cava, and so round to the left ventricle in the manner
already indicated."(29)
(29) Ibid. p. 49.
The experiments dealing with the transmission of blood in the veins
are very accurate, and he uses the old experiment that Fabricius had
employed to show the valves, to demonstrate that the blood in the veins
flows towards the heart. For the first time a proper explanation of the
action of the valves is given. Harvey had no appreciation of how
the arteries and veins communicated with each other. Galen, you may
remember, recognized that there were anastomoses, but Harvey preferred
the idea of filtration.
The "De Motu Cordis" constitutes a unique piece of work in the history
of medicine. Nothing of the same type had appeared before. It is
a thoroughly sensible, scientific study of a definite problem, the
solution of which was arrived at through the combination of accurate
observation and ingenious experiment. Much misunderstanding has arisen
in connection with Harvey's discovery of the circulation of the blood.
He did not discover that the blood moved,--that was known to Aristotle
and to Galen, from both of whom I have given quotations which indicate
clearly that they knew of its movement,--but at the time of Harvey not a
single anatomist had escaped from the domination of Galen's views.
Both Servetus and Colombo knew of the pulmonary circulation, which was
described by the former in very accurate terms. Cesalpinus, a great
name in anatomy and botany, for whom is claimed the discovery of the
circulation, only expressed the accepted doctrines in the following
oft-quoted phrase:
"We will now consider how the attraction of aliment and the process
of nutrition takes place in plants; for in animals we see the aliment
brought through the veins to the heart, as to a laboratory of innate
heat, and, after receiving there its final perfection, distributed
through the arteries to the body at large, by the agency of the spirits
produced from this same aliment in the heart."(30) There is nothing
in this but Galen's view, and Cesalpinus believed, as did all his
contemporaries, that the blood was distributed through the body by the
vena cava and its branches for the nourishment of all its parts.(*) To
those who have any doubts as to Harvey's position in this matter I would
recommend the reading of the "De Motu Cordis" itself, then the various
passages relating to the circulation from Aristotle to Vesalius. Many
of these can be found in the admirable works of Dalton, Flourens,
Richet and Curtis.(31) In my Harveian Oration for 1906(32) I have dealt
specially with the reception of the new views, and have shown how long
it was before the reverence for Galen allowed of their acceptance. The
University of Paris opposed the circulation of the blood for more than
half a century after the appearance of the "De Motu Cordis."
(30) De Plantis, Lib I, cap. 2.
(*) Cesalpinus has also a definite statement of the circlewise
process.--Ed.
(31) J. C. Dalton Doctrines of the Circulation, Philadelphia,
1884; Flourens Histoire de la decouverte de la circulation du
sang, 2d ed., Paris, 1857; Charles Richet Harvey, la circulation
du sang, Paris, 1879; John G. Curtis Harvey's views on the use of
Circulation, etc., New York, 1916.
(32) Osler An Alabama Student and Other Biographical Essays,
Oxford, 1908, p. 295.
To summarize--until the seventeenth century there were believed to
be two closed systems in the circulation, (1) the natural, containing
venous blood, had its origin in the liver from which, as from a
fountain, the blood continually ebbed and flowed for the nourishment of
the body; (2) the vital, containing another blood and the spirits, ebbed
and flowed from the heart, distributing heat and life to all parts. Like
a bellows the lungs fanned and cooled this vital blood. Here and there
we find glimmering conceptions of a communication between these systems,
but practically all teachers believed that the only one of importance
was through small pores in the wall separating the two sides of the
heart. Observation--merely looking at and thinking about things--had
done all that was possible, and further progress had to await the
introduction of a new method, viz., experiment. Galen, it is true, had
used this means to show that the arteries of the body contained blood
and not air. The day had come when men were no longer content with
accurate description and with finely spun theories and dreams. It was
reserved for the immortal Harvey to put into practice the experimental
method by which he demonstrated conclusively that the blood moved in a
circle. The "De Motu Cordis" marks the final break of the modern spirit
with the old traditions. It took long for men to realize the value of
this "inventum mirabile" used so effectively by the Alexandrians--by
Galen--indeed, its full value has only been appreciated within the past
century. Let me quote a paragraph from my Harveian Oration.(33) "To the
age of the hearer, in which men had heard and heard only, had succeeded
the age of the eye in which men had seen and had been content only
to see. But at last came the age of the hand--the thinking, devising,
planning hand, the hand as an instrument of the mind, now re-introduced
into the world in a modest little monograph from which we may date the
beginning of experimental medicine."
(33) Osler: An Alabama Student, etc., pp. 329-330.
Harvey caught the experimental spirit in Italy, with brain, eye and hand
as his only aids, but now an era opened in which medicine was to derive
an enormous impetus from the discovery of instruments of precision. "The
new period in the development of the natural sciences, which reached
its height in the work of such men as Galileo, Gilbert and Kepler, is
chiefly characterized by the invention of very important instruments for
aiding and intensifying the perceptions of the senses, by means of which
was gained a much deeper insight into the phenomena than had hitherto
been possible. Such instruments as the earlier ages possessed were
little more than primitive hand-made tools. Now we find a considerable
number of scientifically made instruments deliberately planned for
purposes of special research, and as it were, on the threshold of the
period stand two of the most important, the compound microscope and
the telescope. The former was invented about 1590 and the latter about
1608."(34) It was a fellow professor of the great genius Galileo who
attempted to put into practice the experimental science of his friend.
With Sanctorius began the studies of temperature, respiration and the
physics of the circulation. The memory of this great investigator has
not been helped by the English edition of his "De Statica Medicina," not
his best work, with a frontispiece showing the author in his dietetic
balance. Full justice has been done to him by Dr. Weir Mitchell in
an address as president of the Congress of Physicians and Surgeons,
1891.(35) Sanctorius worked with a pulsilogue devised for him by
Galileo, with which he made observations on the pulse. He is said
to have been the first to put in use the clinical thermometer. His
experiments on insensible perspiration mark him as one of the first
modern physiologists.
(34) Dannemann: Die Naturwissenschaften in ihrer
Entwickelung..., Vol. II, p. 7, Leipzig, 1911.
(35) See Transactions Congress Physicians and Surgeons, 1891, New
Haven, 1892, II, 159-181.
But neither Sanctorius nor Harvey had the immediate influence upon their
contemporaries which the novel and stimulating character of their work
justified. Harvey's great contemporary, Bacon, although he lost his
life in making a cold storage experiment, did not really appreciate the
enormous importance of experimental science. He looked very coldly upon
Harvey's work. It was a philosopher of another kidney, Rene Descartes,
who did more than anyone else to help men to realize the value of the
better way which Harvey had pointed out. That the beginning of wisdom
was in doubt, not in authority, was a novel doctrine in the world,
but Descartes was no armchair philosopher, and his strong advocacy and
practice of experimentation had a profound influence in directing men to
"la nouvelle methode." He brought the human body, the earthly machine,
as he calls it, into the sphere of mechanics and physics, and he wrote
the first text-book of physiology, "De l'Homme." Locke, too, became the
spokesman of the new questioning spirit, and before the close of the
seventeenth century, experimental research became all the mode. Richard
Lower, Hooke and Hales were probably more influenced by Descartes
than by Harvey, and they made notable contributions to experimental
physiology in England. Borelli, author of the famous work on "The Motion
of Animals" (Rome, 1680-1681), brought to the study of the action of
muscles a profound knowledge of physics and mathematics and really
founded the mechanical, or iatromechanical school. The literature and
the language of medicine became that of physics and mechanics: wheels
and pulleys, wedges, levers, screws, cords, canals, cisterns, sieves and
strainers, with angles, cylinders, celerity, percussion and resistance,
were among the words that now came into use in medical literature.
Withington quotes a good example in a description by Pitcairne, the Scot
who was professor of medicine at Leyden at the end of the seventeenth
century. "Life is the circulation of the blood. Health is its free and
painless circulation. Disease is an abnormal motion of the blood, either
general or local. Like the English school generally, he is far more
exclusively mechanical than are the Italians, and will hear nothing of
ferments or acids, even in digestion. This, he declares, is a purely
mechanical process due to heat and pressure, the wonderful effects of
which may be seen in Papin's recently invented 'digester.' That the
stomach is fully able to comminute the food may be proved by the
following calculation. Borelli estimates the power of the flexors of the
thumb at 3720 pounds, their average weight being 122 grains. Now, the
average weight of the stomach is eight ounces, therefore it can develop
a force of 117,088 pounds, and this may be further assisted by the
diaphragm and abdominal muscles the power of which, estimated in the
same way, equals 461,219 pounds! Well may Pitcairne add that this
force is not inferior to that of any millstone."(36) Paracelsus gave an
extraordinary stimulus to the study of chemistry and more than anyone
else he put the old alchemy on modern lines. I have already quoted his
sane remark that its chief service is in seeking remedies. But there is
another side to this question. If, as seems fairly certain, the Basil
Valentine whose writings were supposed to have inspired Paracelsus was
a hoax and his works were made up in great part from the writings
of Paracelsus, then to our medical Luther, and not to the mythical
Benedictine monk, must be attributed a great revival in the search
for the Philosopher's Stone, for the Elixir of Life, for a universal
medicine, for the perpetuum mobile and for an aurum potabile.(37) I
reproduce, almost at random, a page from the fifth and last part of the
last will and testament of Basil Valentine (London, 1657), from which
you may judge the chemical spirit of the time.
(36) Withington: Medical History from the Earliest Times,
London, 1891, Scientific Press, p. 317.
(37) See Professor Stillman on the Basil Valentine hoax, Popular
Science Monthly, New York, 1919, LXXXI, 591-600.
Out of the mystic doctrines of Paracelsus arose the famous "Brothers of
the Rosy Cross." "The brotherhood was possessed of the deepest knowledge
and science, the transmutation of metals, the perpetuum mobile and
the universal medicine were among their secrets; they were free from
sickness and suffering during their lifetime, though subject finally to
death."(38)
(38) Ferguson: Bibliotheca Chemica, Vol. II, p. 290. For an
account of Fludd and the English Rosicrucians see Craven's Life
of Fludd, Kirkwall, 1902.
A school of a more rational kind followed directly upon the work of
Paracelsus, in which the first man of any importance was Van Helmont.
The Paracelsian Archeus was the presiding spirit in living creatures,
and worked through special local ferments, by which the functions of the
organs are controlled. Disease of any part represents a strike on the
part of the local Archeus, who refuses to work. Though full of fanciful
ideas, Van Helmont had the experimental spirit and was the first chemist
to discover the diversity of gases. Like his teacher, he was in revolt
against the faculty, and he has bitter things to say of physicians. He
got into trouble with the Church about the magnetic cure of wounds, as
no fewer than twenty-seven propositions incompatible with the Catholic
faith were found in his pamphlet (Ferguson). The Philosophus per ignem,
Toparcha in Merode, Royenborch, as he is styled in certain of his
writings, is not an easy man to tackle. I show the title-page of the
"Ortus Medicinae," the collection of his works by his son. As with the
pages of Paracelsus, there are many gems to be dug out. The counterblast
against bleeding was a useful protest, and to deny in toto its utility
in fever required courage--a quality never lacking in the Father of
Modern Chemistry, as he has been called.
A man of a very different type, a learned academic, a professor
of European renown, was Daniel Sennert of Wittenberg, the first to
introduce the systematic teaching of chemistry into the curriculum,
and who tried to harmonize the Galenists and Paracelsians. Franciscus
Sylvius, a disciple of Van Helmont, established the first chemical
laboratory in Europe at Leyden, and to him is due the introduction of
modern clinical teaching. In 1664 he writes: "I have led my pupils
by the hand to medical practice, using a method unknown at Leyden, or
perhaps elsewhere, i.e., taking them daily to visit the sick at the
public hospital. There I have put the symptoms of disease before their
eyes; have let them hear the complaints of the patients, and have asked
them their opinions as to the causes and rational treatment of each
case, and the reasons for those opinions. Then I have given my own
judgment on every point. Together with me they have seen the happy
results of treatment when God has granted to our cares a restoration of
health; or they have assisted in examining the body when the patient has
paid the inevitable tribute to death."(39)
(39) Withington: Medical History from the Earliest Times,
London, 1894, pp. 312-313.
Glauber, Willis, Mayow, Lemery, Agricola and Stahl led up to Robert
Boyle, with whom modern chemistry may be said to begin. Even as late as
1716, Lady Mary Wortley Montagu in Vienna found that all had transferred
their superstitions from religion to chemistry; "scarcely a man of
opulence or fashion that has not an alchemist in his service." To one
scientific man of the period I must refer as the author of the first
scientific book published in England. Dryden sings:
Gilbert shall live till load-stones cease to draw
Or British fleets the boundless ocean awe.
And the verse is true, for by the publication in 1600 of the "De
Magnete" the science of electricity was founded. William Gilbert was a
fine type of the sixteenth-century physician, a Colchester man, educated
at St. John's College, Cambridge. Silvanus Thompson says: "He is beyond
question rightfully regarded as the Father of Electric Science. He
founded the entire subject of Terrestrial Magnetism. He also made
notable contributions to Astronomy, being the earliest English expounder
of Copernicus. In an age given over to metaphysical obscurities and
dogmatic sophistry, he cultivated the method of experiment and of
reasoning from observation, with an insight and success which entitles
him to be regarded as the father of the inductive method. That method,
so often accredited to Bacon, Gilbert was practicing years before
him."(40)
(40) Silvanus P. Thompson: Gilbert of Colchester, Father of
Electrical Science, London, Chiswick Press, 1903, p. 3.