THE CAXTON COFFER.

Reflecting on the extreme rarity of the works which issued from the

press of Caxton, the question arises, What number of copies was he

accustomed to print? On that point, as it seems, we have only

conjectures.

Maittaire assumes that the number was about 200; an opinion which I

shall not controvert. Dibdin, however, inclines to think, with regard to

_The golden legend_ and other works of the same class, "that at least

400 copies were struck off;" and in support of this conjecture, cites

the practice of Sweynheym and Pannartz, as proved by the memorial

addressed in their behalf to Sixtus IV., by J. Andrea, bishop of Aleria,

in 1472, which practice he thus states:--

"If we are to judge from the celebrated list of the number of

copies of the different works printed by those indefatigable

typographical artists, Sweynheym and Pannartz, it would appear

that 275 was the usual number of copies of a particular work;

although sometimes they ventured to strike off as many as 550;

and, twice, not fewer than 1100 copies."

Now, our renowned bibliographer misinterprets the important document

which he cites. Sweynheym and Pannartz printed 300 copies of a

_Donatus_, and the same number of a _Speculum vitæ humanæ_, and of two

more works. In all other cases, each impression of the works which

proceeded from their press consisted of only 275 copies. The words

_Volumina quingenta quinquaginta_ refer to works of which two editions

were published, or which were in two volumes; and the words _Volumina

mille centum_, to a work of which there were two editions of two volumes

each. So the conjecture of Dibdin loses its best support.

As Sweynheym and Pannartz printed only 275 copies of the works of such

authors as St. Augustin and St. Jerome, of Cæsar, Cicero, Livy, Ovid,

Quinctilian, and Virgil--works which must have found purchasers in all

parts of Europe--it is rather improbable that Caxton should have

ventured to exceed that number with respect to books for which, being

chiefly translations, there could be no demand beyond the shores of

England.

Notes and Queries, Vol. IV, Number 102, October 11, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 42 / 132 题