I thanked Gavegan: gave him two cigars, and left.

_h_

When I reached my rooms, Mrs. Mahon was there with my breakfast tray,

and wondering what could have taken me out so early. Mrs. Mahon was the

Italian widow of an Irish policeman. I sat down to my fruit, and her

ample and unsubtle beauty was pleasant to my mood, so that I held her

with words. Mrs. Mahon loved to talk with me: but in her sense of my

state she was shrewd, and she had never intruded her wide hard rondures

and the brash clarities of her mind upon my silence. She stood over me

now, with her bare arms crowding her bosom, and told me of the latest

misdeeds of her lover. Mrs. Mahon was beautiful, and to me entirely

without charms. Her head was small, the black hair massed low on the

blandness of the forehead, and her nose was Roman. Her eyes bore out my

fancy of the moment, that she was not flesh; for in their heavy facets

was no expression. The mouth was long and quiet. Its sensuality seemed

a deliberate trait, somehow not born of her own flesh but of the will

of the artist who had made her. Finally, her body as I could sense it

under the loose white fabric of her gown, was an arrangement of obvious

feminine forms: high breasts, stomach and hips subdued: and yet to me

devoid of the mystery of her sex. She was the body unlit, goodly and

functioning: the sacrament of flesh without the spirit. So this day it

was cool nourishment to look at Mrs. Mahon, to drink in her clarities,

to convince myself that she was not sculpture, quite the opposite:

_real_.

The tang of the grapefruit, the earthy pungence of the not too fresh

eggs, the bite of the coffee, merged with Mrs. Mahon: and I was happy

in a deep forgetfulness. I was sleepy. The thought came:--You have had

a bad dream. Your visit to the body may be real: but you can wipe it

out like a dream. It need have no consequence in the real world. And

that is the trait of the dream, is it not? the one trait that shuts

dream out from other planes of life? And I chatted with Mrs. Mahon, and

gave her advice.

“His misdeeds,” I said, “save you from ever being bored by him. You

should be thankful.”

She smiled: “Oh, I guess he’s a man: and I guess I’m a woman. I suppose

I get him sore, too, sometimes, just because my ways are them of a

woman. And yet, if I wasn’t a woman, and if he wasn’t a man----”

“Precisely, Mrs. Mahon. What you’ve just said is philosophical and

deep.”

She shook her head at my solemn words which, I judged, tickled her

as the prickings of a poignard might titillate an elephant. She went

out with my tray, and the thought “Rome” came to me as I watched

her perfect carriage: the low spacing of her feet, the swing of her

hips, the breadth of her back, and the little head so rightfully

proportioned, like a rudder steering the life that dwelt within her

body.

--Rome. How far I am from Rome. How sweet Rome would be, with its sure

shallow strength.

I lit a pipe. Melancholy and the hint of an old anguish wiped out Mrs.

Mahon.--This anguish is what moves me, moves me toward what seems the

cause of the anguish. A paradox that is a common law. Look at love: how

pain of unfulfillment moves us upon the loved one, and as we come ever

closer, ever deeper and more absolute grows the pain of unfulfillment.

If I could analyze what this is that has taken me: if I could only know

where it began.... But I know that it must first fill out its life ere

my mind measure it. What did my poor analysis avail me? How wisely I

announced: “Your anguish moves you toward the source of your anguish.

You cannot stay still because you must fulfill your own beginning.” And

how blindly I moved!

I reached into my pocket and took out the envelope that I had not yet

examined, and that Mrs. Mahon had helped me to forget. It was addressed

_Philip LaMotte, Esquire_

_By Bearer_

and it was in the straight high script of Mildred Fayn!

It was empty.

I tapped it against my open palm and wondered why I felt that it had

any bearing on the case. There was no proof that this was the alleged

letter of the fatal messenger. On the contrary, how could I entertain a

thought that would implicate Mildred in this horrible affair? What was

I trying to find, or to think? I was abhorrent to myself. Doubtless,

Mildred had written more than once to a man so close. My reason flayed

my miserable thoughts: but did not break them: did not avail against

their issuance in deed.

Chalk face · 第 17 / 46 题