From our windows, then, we could note, first, the Citadel, high on its

rock, three hundred feet above the town. The oldest part of the present

fortress was erected in 1550; but the site has always been the

stronghold. Corinthians, Athenians, Spartans, Macedonians, and Romans

have in turn held the island, and this rock is the obvious keep. Later

came four hundred years of Venetian control, and I am ashamed to add

that the tokens of this last-named period were to me more delightful

than any of the other memorials. I say "ashamed," for why should one be

haunted by Venice in Greece? With the Parthenon to look forward to, why

should the lion of St. Mark, sculptured on Corfu facades, be a thing to

greet with joy? Many of us are familiar with the disconsolate figures of

some of our fellow-countrymen and countrywomen in the galleries of

Europe, tired and dejected tourists wandering from picture to picture,

but finding nothing half so interesting as the memory of No. 4699

Columbus Avenue at home. I am afraid it is equally narrow to be scanning

Corfu, Athens, Cairo, and the sands of the desert itself for something

that reminds one of another place, even though that place be the

enchanting pageant of a town at the head of the Adriatic. History,

however, as related by the esplanade, pays no attention to these

aberrations of the looker-on; its story goes steadily forward. The lions

of St. Mark on the facades, and another memento of the Doges--namely,

the statue of Count von der Schulenburg, who commanded the Venetian

forces in the great defence of Corfu in 1716--these memorials have as

companions various tokens of the English occupation, which, following

that of Venice, continued through forty-nine years--that is, from 1815

to 1863. Before this there had been a short period of French dominion;

but the esplanade, so far as I could discover, contains no memorial of

it, unless Napoleon's phrase can stand for one--and I think it can. The

souvenirs of the British rule are conspicuous. The first is the palace

built for the English Governor, a functionary who bore the sonorous

official name of Lord High Commissioner, a title which was soon

shortened to the odd abbreviation "the Lord High." This palace is an

uninteresting construction stretching stiffly across the water-side of

the esplanade, and cutting off the view of the harbor. It is now the

property of the King of Greece, but at present it is seldom occupied.

While we were at Corfu its ghostliness was enlivened for a while; Prince

Henry of Prussia was there with his wife. They had left their yacht (if

so large a vessel as the _Irene_ can be called a yacht), and were

spending a week at the palace. An hour after their departure entrance

was again permitted, and an old man, still trembling from the excitement

of the royal sojourn, conducted us from room to room. All was ugly.

Fading flowers in the vases showed that an attempt had been made to

brighten the place; but the visitors must have been endowed with a

strong natural cheerfulness to withstand with success such a mixture of

the commonplace and the dreary as the palace presents. They had the

magnificent view to look at, and there was always the graceful

silhouette of the _Irene_ out on the water. She could come up at any

time and take them away; it was this, probably, that kept them alive.

[Illustration: THE PALACE]

[Illustration: UNIVERSITY OF THE IONIAN ISLANDS]

If the palace is ordinary, what shall be said of another memento which

adorns the esplanade? This is a high, narrow building, so uncouth that

it causes a smile. It looks raw, bare, and so primitive that if it had a

pulley at the top it might be taken for a warehouse erected on the bank

of a canal in one of our Western towns; one sees in imagination

canal-boats lying beneath, and bulging sacks going up or down. Yet this

is nothing less than that University of the Ionian Islands which was

founded by the Earl of Guildford early in this century, the epoch of

English enthusiasm for Greece, the days of the Philhellenes. Lord

Guildford, who was one of the distinguished North family, gave largely

of his fortune and of his time to establish this university.

Contemporary records speak of him as "an amiable nobleman." But after

seeing his touchingly ugly academy and his bust (which is not ugly) in

the hall of the extinct Ionian Senate at the palace, one feels sure that

he was more than amiable--he must have been original also. The English

are called cold; but as individuals they are capable sometimes of

extraordinary enthusiasms for distant causes and distant people.

Adventurous travellers as they are, does the charm lie in the word

"distant"? The defunct academy now shelters a school where vigorous

young Greeks sit on benches, opposite each other, in narrow, doorless

compartments which resemble the interior of a large omnibus; this, at

least, was the arrangement of the ground-floor on the day of our visit.

Although it was December, the boys looked heated. The teachers, who

walked up and down, had a relentless aspect. Even the porter,

white-haired and bent, had a will untouched by the least decay; he would

not show us the remains of the university library, nor the Roman

antiquities which are said to be stored somewhere in a lumber-room,

among them "fifty-nine frames of mosaic representing a bustard in

various attitudes." He had not the power, apparently, to exhibit these

treasures while the school exercises were going on, and as soon as they

were ended--instantly, that very minute--he intended to eat his dinner,

and nothing could alter this determination; his face grew ferocious at

the mere suggestion. So we were obliged to depart without seeing the

souvenirs of Lord Guildford's enthusiasm; and owing to the glamour which

always hangs over the place one has failed to see, I have been sure ever

since that we should have found them the most fascinating objects in

Corfu.

At the present school the teaching is done, no doubt, in a tongue which

would have made the old university shudder. In a letter written by Sir

George Bowen in 1856, from one of the Ionian Islands, there is the

following anecdote: "Bishop Wilberforce told me that he recently had, as

a candidate at one of his ordinations, Mr. M., the son of an English

merchant settled in Greece. 'I examined him myself,' said the bishop,

'when he gave what was to me an unknown pronunciation.' 'Oh, Mr. M.,' I

said, 'where _did_ you learn Greek?' 'In Athens, my lord,' replied the

trembling man." Classical scholars who visit Greece to-day are not able

to ask the simplest questions; or, rather, they may ask, but no one will

understand them. Several of these gentlemen have announced to the world

that the modern speech of Athens is a barbarous decadence. It is not for

an American, I suppose, to pass judgment upon matters of this sort. But

when these authorities continue as follows: "And even in pronunciation

modern Greek is hopelessly fallen; the ancients never pronounced in this

way," may we not ask how they can be so sure? They are not, I take it,

inspired, and the phonograph is a modern invention. The voice of Robert

Browning is stored for coming generations; the people A.D. 3000 may hear

him recite "How They Brought the Good News from Ghent to Aix." Possibly

the tones of Lord Salisbury and of Mr. Balfour are already garnered and

arranged in cylinders for the future orators of the South Seas. But we

cannot know how Pindar spoke any more than we can know the song the

Sirens sang; the most learned scholar cannot, alas! summon from the past

the articulation of Plato.

[Illustration: SMALL TEMPLE, MEMORIAL TO SIR THOMAS MAITLAND]

In the esplanade the period of English rule is further kept in mind by

monuments to the memory of three of the Lords High--a statue, an

obelisk, and (of all things in the world) an imitation of a Greek

temple. This temple--it is so small that they might call it a

templette--was erected in honor of Sir Thomas Maitland, a Governor whose

arbitrary rule gained for him the title of King Tom. The three memorials

are officially protected, an agreement to that effect having been made

between the governments of Great Britain and Greece. They were never in

danger, probably, as the English protection was a friendly one. In spite

of its friendliness, the Corfiotes voted as follows with enthusiasm

when an opportunity was offered to them: "The single and unanimous will

of the Ionian people has been and is for their reunion with the Kingdom

of Greece." England yielded to this wish and withdrew--a disinterested

act which ought to have gained for her universal applause. Since 1864

Corfu and her sister islands, happily freed at last from foreign

control, have filled with patriotic pride and contentment their proper

place as part of the Hellenic kingdom.

The esplanade also contains the one modern monument erected by the

Corfiotes themselves--a statue of Capo d'Istria. John Capo d'Istria, a

native of Corfu, was the political leader of Greece when she succeeded

in freeing herself from the Turkish yoke. The story of his life is a

part of the exciting tale of the Greek revolution. His measures, after

he had attained supreme power, were thought to be high-handed, and he

was accused also of looking too often towards that great empire in the

North whose boundaries are stretching slowly towards Constantinople; he

was resisted, disliked; finally he was assassinated. Time has softened

the remembrance of his faults, whatever they were, and brought his

services to the nation into the proper relief; hence this statue,

erected in 1887, fifty-six years after his death, by young Greece. It is

a sufficiently imposing figure of white marble, the face turned towards

the bay with a musing expression. Capo d'Istria--a name which might have

been invented for a Greek patriot! The Eastern question is a complicated

one, and I have no knowledge of its intricacies. But a personal

observation of the hatred of Turkey which exists in every Greek heart,

and a glance at the map of Europe, lead an American mind towards one

general idea or fancy--namely, that Capo d'Istria was merely in advance

of his time, and that an alliance between Russia and Greece is now one

of the probabilities of the near future. It is unexpected--at least, to

the non-political observer--that Hellas should be left to turn for help

and comfort to the Muscovites, a race to whom, probably, her ancient art

and literature appeal less strongly than they do to any other European

people. But she has so turned. "Wait till _Russia_ comes down here!" she

appears to be saying, with deferred menace, to Turkey to-day.

These various monuments of the esplanade do not, however, make Corfu in

the least modern. They are unimportant, they are inconspicuous, when

compared with the old streets which meander over the slopes behind them,

fringed with a net-work of stone lanes that lead down to the water's

edge. It has been said that the general aspect of the place is Italian.

It is true that there are arcades like those of Bologna and Padua; that

some of the byways have the look of a Venetian calle, without its canal;

and that the neighborhood of the gay little port resembles, on a small

scale, the streets which border the harbor of Genoa. In spite of this,

we have only to look up and see the sky, we have only to breathe and

note the quality of the air, to perceive that we are not in Italy. Corfu

is Greek, with a coating of Italian manners. And it has also caught a

strong tinge from Asia. Many of the houses have the low door and masked

entrance which are so characteristic of the East; at the top of the

neglected stairway, as far as possible from public view, there may be

handsome, richly furnished apartments; but if such rooms exist, the

jealous love of privacy keeps them hidden. This inconspicuous entrance

is as universal in the Orient as the high wall, shutting off all view of

the garden or park, is universal in England.

[Illustration: STATUE OF CAPO D'ISTRIA]

The town of Corfu has 26,000 inhabitants. Among the population are

Dalmatians, Maltese, Levantines, and others; but the Greeks are the

dominant race. There is a Jews' quarter, and Jews abound, or did

abound at the time of my visit. Since then fanaticism has raised its

head again, and there have been wild scenes at Corfu. Face to face with

the revival of persecution for religious opinions which is now visible

in Russia, and not in Russia alone, are we forced to acknowledge that

our century is not so enlightened as we have hoped that it was. I

remember when I believed that in no civilized country to-day could there

be found, among the educated, a single person who would wish to

persecute or coerce his fellow-beings solely on account of their

religious opinions; but I am obliged to confess that, without going to

Russia or Corfu, I have encountered within the last dozen years

individuals not a few whose flashing eyes and crimson cheeks, when they

spoke of a mental attitude in such matters which differed from their

own, made me realize with a thrill that if it were still the day of the

stake and the torch they would come bringing fagots to the pile with

their own hands.

In spite of these survivals, ceremonial martyrdom for so-called

religion's sake is, we may hope, at an end among the civilized nations;

we have only its relics left. Corfu has one of these relics, a martyr

who is sincerely honored--St. Spiridion, or, as he is called in loving

diminutive, Spiro. Spiro, who died fifteen hundred years ago, was bishop

of a see in Cyprus, I believe. He was tortured during the persecution of

the Christians under Diocletian. His embalmed body was taken to

Constantinople, and afterwards, in 1489, it was brought to Corfu by a

man named George Colochieretry. Some authorities say that Colochieretry

was a monk; in any case, what is certain is that the heirs of this man

still own the saint--surely a strange piece of property--and derive

large revenues from him. St. Spiro reposes in a small dim chapel of the

church which is called by his name; his superb silver coffin is lighted

by the rays from a hanging lamp which is suspended above it. When we

paid our visit, people in an unbroken stream were pressing into this

chapel, and kissing the sarcophagus repeatedly with passionate fervor.

The nave, too, was thronged; families were seated on the pavement in

groups, with an air of having been there all day: probably Christmas is

one of the seasons set apart for an especial pilgrimage to the martyr.

Three times a year the body is taken from its coffin and borne round the

esplanade, followed by a long train of Greek clergy, and by the public

officers of the town; upon these occasions the sick are brought forth

and laid where the shadow of the saint can pass over them. "Yes, he's

out to-day, I believe," said a resident, to whom we had mentioned this

procession. He spoke in a matter-of-fact tone. After seeing it three

times a year for twenty years, the issuing forth of the old bishop into

the brilliant sunshine to make a solemn circuit round the esplanade did

not, I suppose, seem so remarkable to him as it seemed to us. There is

another saint, a woman (her name I have forgotten), who also reposes in

a silver coffin in one of the Corfu churches. At first we supposed that

this was Spiro. But the absence of worshippers showed us our mistake.

This lonely witness to the faith was also a martyr; she suffered

decapitation. "They don't think much of _her_," said the same resident.

Then, explanatorily, "You see--she has no head." This practically minded

critic, however, was not a native of Corfu. The true Corfiotes are very

reverent, and no doubt they honor their second martyr upon her appointed

day. But Spiro is the one they love. The country people believe that he

visits their fields once a year to bless their olives and grain, and the

Corfu sailors are sure that he comes to them, walking on the water in

the darkness, when a storm is approaching. Mr. Tuckerman, in his

delightful volume, _The Greeks of To-Day_, says, in connection with this

last legend, that it is believed by the devout that seaweed is often

found about the legs of the good bishop in his silver coffin, after his

return from these marine promenades. There is something charming in this

story, and I shall have to hold back my hand to keep myself from

alluding (and yet I do allude) to a shrine I know at Venice; it is far

out on the lagoon, and its name is Our Lady of the Seaweed. The last

time my gondola passed it I saw that by a happy chance the high tide had

left seaweed twined about it in long, floating wreaths, like an

offering.

The name of the national religion of Greece is the Orthodox Church of

the East, or, more briefly, the Orthodox Church. Western nations call it

the Greek Church, but they have invented that name themselves. The

Orthodox Church has rites and ceremonies which are striking and

sometimes magnificent. I have many memories of the churches of Corfu.

The temples are so numerous that they seem innumerable; one was always

coming upon a fresh one; sometimes there is only a facade visible, and

occasionally nothing but a door, the church being behind, masked by

other buildings. My impressions are of a series of magnified

jewel-boxes. There was not much daylight; no matter how radiant the

sunshine outside, within all was richly dim, owing to the dark tints of

the stained glass. The ornamentation was never paltry or tawdry. The

soft light from the wax candles drew dull gleams from the singular

metal-incrusted pictures. These pictures, or icons, are placed in large

numbers along the walls and upon the screen which divides the nave from

the apse. They are generally representations of the Madonna and Child in

repousse-work of silver, silvered copper, or gilt. Often the face and

hands of the Madonna are painted on panel; in that case the portrait

rises from metal shoulders, and the head is surrounded by metal hair.

The painting is always of the stiff Byzantine school, following an

ancient model, for any other style would be considered irreverent, and

nothing can exceed the strange effect produced by these long-eyed,

small-mouthed, rigid, sourly sweet virgin faces coming out from their

silver-gilt necks, while below, painted taper fingers of unearthly

length encircle a silver Child, who in His turn has a countenance of

panel, often all out of drawing, but hauntingly sweet. These curious

pictures have great dignity. The churches have no seats. I generally

took my stand in one of the pew-like stalls which project from the wall,

and here, unobserved, I could watch the people coming in and kissing the

icons. This adoration, commemoration, reverence, or whatever the proper

word for it may be, is much more conspicuous in the Greek places of

worship than it is in Roman Catholic churches. Those who come in make

the round of the walls, kissing every picture, and they do it fervently,

not formally. The service is chanted by the priests very rapidly in a

peculiar kind of intoning. The Corfu priests did not look as if they

were learned men, but their faces have a natural and humane expression

which is agreeable. In the street, with their flowing robes, long hair

and beards, and high black caps, they are striking figures. The parish

priest must be a married man, and he does not live apart from his

people, but closely mingles with them upon all occasions. He is the

papas, or pope, as it is translated, and a lover of Tourguenieff who

meets a pope for the first time at Corfu is haunted anew by those

masterpieces of the great Russian--the village tales across whose pages

the pope and the popess come and go, and seem, to American readers, such

strange figures.

[Illustration: THE TOMB OF MENEKRATES]

In the suburb of Castrades is the oldest church of the island. It is

dedicated to St. Jason, the kinsman of St. Paul. St. Jason's appeared to

be deserted. Here, as elsewhere, it is not the church most interesting

from the historical point of view which is the favorite of the people,

or which they find, apparently, the most friendly. But when I paid my

visit, there were so many vines and flowers outside, and such a blue sky

above, that the little Byzantine temple had a cheerful, irresponsible

air, as if it were saying: "It's not my fault that people won't come

here. But if they won't, I'm not unhappy about it; the sunshine, the

vines, and I--we do very well together." The interior was bare, flooded

also with white daylight--so white that one blinked. And in this

whiteness my mind suddenly returned to Hellas. For Hellas had been

forgotten for the moment, owing to the haunting icons in the dark

churches of the town. Those silver-incrusted images had brought up a

vision of the uncounted millions to-day in Turkey, Greece, and Russia

who bow before them, the Christians of whom we know and think

comparatively so little. But now all these Eastern people vanished as

silently as they had come, and the past returned--the past, whose spell

summons us to Greece. For conspicuous in the white daylight of St.

Jason's were three antique columns, which, with other sculptured

fragments set in the walls, had been taken from an earlier pagan temple

to build this later church. And the spell does not break again in this

part of the island. Not far from St. Jason's is the tomb of Menekrates.

This monument was discovered in 1843, when one of the Venetian forts was

demolished. Beneath the foundations the workmen came upon funeral vases,

and upon digging deeper an ancient Greek cemetery was uncovered, with

many graves, various relics, and this tomb. It is circular, formed of

large blocks of stone closely joined without cement, and at present one

stands and looks down upon it, as though it were in a roofless cellar.

It bears round its low dome a metrical inscription in Greek, to the

effect that Menekrates, who was the representative at Corcyra (the old

name for Corfu) of his native town Eanthus, lost his life accidentally

by drowning; that this was a great sorrow to the community, for he was a

friend of the people; that his brother came from Eanthus, and, with the

aid of the Corcyreans, erected the monument. There is something

impressive to us in this simple memorial of grief set up before the days

of AEschylus, before the battle of Marathon--the commemoration of a

family sorrow in Corfu two thousand five hundred years ago. The

following is a Latin translation of the inscription:

"Tlasiadis memor ecce Menecrates hoc monumentum,

Ortum OEantheus, populus statuebat at illi,

Quippe benignus erat populo patronus, in alto

Sed periit ponto, totam et dolor obruit urbem.

Praximenes autem patriis huc venit ab oris

Cum populo et fratris monumentum hoc struxit adempti."

Mentone, Cairo, and Corfu · 第 14 / 17 段