Produced by Charles Aldarondo. HTML version by Al Haines.
AFTER THE STORM.
BY
T. S. ARTHUR.
PHILADELPHIA:
1868
CONTENTS.
CHAPTER I. THE WAR OF THE ELEMENTS.
CHAPTER II. THE LOVERS.
CHAPTER III. THE CLOUD AND THE SIGN.
CHAPTER IV. UNDER THE CLOUD.
CHAPTER V. THE BURSTING OF THE STORM.
CHAPTER VI. AFTER THE STORM.
CHAPTER VII. THE LETTER.
CHAPTER VIII. THE FLIGHT AND THE RETURN.
CHAPTER IX. THE RECONCILIATION.
CHAPTER X. AFTER THE STORM.
CHAPTER XI. A NEW ACQUAINTANCE.
CHAPTER XII. IN BONDS.
CHAPTER XIII. THE REFORMERS.
CHAPTER XIV. A STARTLING EXPERIENCE.
CHAPTER XV. CAPTIVATED AGAIN.
CHAPTER XVI. WEARY OF CONSTRAINT.
CHAPTER XVII. GONE FOR EVER!
CHAPTER XVIII. YOUNG, BUT WISE.
CHAPTER XIX. THE SHIPWRECKED LIFE.
CHAPTER XX. THE PALSIED HEART.
CHAPTER XXI. THE IRREVOCABLE DECREE.
CHAPTER XXII. STRUCK DOWN.
CHAPTER XXIII. THE HAUNTED VISION.
CHAPTER XXIV. THE MINISTERING ANGEL.
CHAPTER XXV. BORN FOR EACH OTHER.
CHAPTER XXVI. LOVE NEVER DIES.
CHAPTER XXVII. EFFECTS OF THE STORM.
CHAPTER XXVIII. AFTER THE STORM.
AFTER THE STORM.
CHAPTER I.
THE WAR OF THE ELEMENTS.
_NO_ June day ever opened with a fairer promise. Not a single cloud
flecked the sky, and the sun coursed onward through the azure sea
until past meridian, without throwing to the earth a single shadow.
Then, low in the west, appeared something obscure and hazy, blending
the hill-tops with the horizon; an hour later, and three or four
small fleecy islands were seen, clearly outlined in the airy ocean,
and slowly ascending--avant-couriers of a coming storm. Following
these were mountain peaks, snow-capped and craggy, with desolate
valleys between. Then, over all this arctic panorama, fell a sudden
shadow. The white tops of the cloudy hills lost their clear,
gleaming outlines and their slumbrous stillness. The atmosphere was
in motion, and a white scud began to drive across the heavy, dark
masses of clouds that lay far back against the sky in mountain-like
repose.
How grandly now began the onward march of the tempest, which had
already invaded the sun's domain and shrouded his face in the smoke
of approaching battle. Dark and heavy it lay along more than half
the visible horizon, while its crown invaded the zenith.
As yet, all was silence and portentous gloom. Nature seemed to pause
and hold her breath in dread anticipation. Then came a muffled,
jarring sound, as of far distant artillery, which died away into an
oppressive stillness. Suddenly from zenith to horizon the cloud was
cut by a fiery stroke, an instant visible. Following this, a heavy
thunder-peal shook the solid earth, and rattled in booming echoes
along the hillsides and amid the cloudy caverns above.
At last the storm came down on the wind's strong pinions, swooping
fiercely to the earth, like an eagle to its prey. For one wild hour
it raged as if the angel of destruction were abroad.
At the window of a house standing picturesquely among the Hudson
Highlands, and looking down upon the river, stood a maiden and her
lover, gazing upon this wild war among the elements. Fear had
pressed her closely to his side, and he had drawn an arm around her
in assurance of safety.
Suddenly the maiden clasped her hands over her face, cried out and
shuddered. The lightning had shivered a tree upon which her gaze was
fixed, rending it as she could have rent a willow wand.
"God is in the storm," said the lover, bending to her ear. He spoke
reverently and in a voice that had in it no tremor of fear.
The maiden withdrew her hands from before her shut eyes, and looking
up into his face, answered in a voice which she strove to make
steady:
"Thank you, Hartley, for the words. Yes, God is present in the
storm, as in the sunshine."
"Look!" exclaimed the young man, suddenly, pointing to the river. A
boat had just come in sight. It contained a man and a woman. The
former was striving with a pair of oars to keep the boat right in
the eye of the wind; but while the maiden and her lover still gazed
at them, a wild gust swept down upon the water and drove their frail
bark under. There was no hope in their case; the floods had
swallowed them, and would not give up their living prey.
A moment afterward, and an elm, whose great arms had for nearly a
century spread themselves out in the sunshine tranquilly or battled
with the storms, fell crashing against the house, shaking it to the
very foundations.
The maiden drew back from the window, overcome with terror. These
shocks were too much for her nerves. But her lover restrained her,
saying, with a covert chiding in his voice,
"Stay, Irene! There is a wild delight in all this, and are you not
brave enough to share it with me?"
But she struggled to release herself from his arm, replying with a
shade of impatience--
"Let me go, Hartley! Let me go!"
The flexed arm was instantly relaxed, and the maiden was free. She
went back, hastily, from the window, and, sitting down on a sofa,
buried her face in her hands. The young man did not follow her, but
remained standing by the window, gazing out upon Nature in her
strong convulsion. It may, however, be doubted whether his mind took
note of the wild images that were pictured in his eyes. A cloud was
in the horizon of his mind, dimming its heavenly azure. And the
maiden's sky was shadowed also.
For two or three minutes the young man stood by the window, looking
out at the writhing trees and the rain pouring down an avalanche of
water, and then, with a movement that indicated a struggle and a
conquest, turned and walked toward the sofa on which the maiden
still sat with her face hidden from view. Sitting down beside her,
he took her hand. It lay passive in his. He pressed it gently; but
she gave back no returning pressure. There came a sharp, quick gleam
of lightning, followed by a crash that jarred the house. But Irene
did not start--we may question whether she even saw the one or heard
the other, except as something remote.
"Irene!"
She did not stir.
The young man leaned closer, and said, in a tender voice--
"Irene--darling--"
Her hand moved in his--just moved--but did not return the pressure
of his own.
"Irene." And now his arm stole around her. She yielded, and,
turning, laid her head upon his shoulder.
There had been a little storm in the maiden's heart, consequent upon
the slight restraint ventured on by her lover when she drew back
from the window; and it was only now subsiding.
"I did not mean to offend you," said the young man, penitently.
"Who said that I was offended?" She looked up, with a smile that
only half obliterated the shadow. "I was frightened, Hartley. It is
a fearful storm!" And she glanced toward the window.
The lover accepted this affirmation, though he knew better in his
heart. He knew that his slight attempt at constraint had chafed her
naturally impatient spirit, and that it had taken her some time to
regain her lost self-control.
Without, the wild rush of winds was subsiding, the lightning gleamed
out less frequently, and the thunder rolled at a farther distance.
Then came that deep stillness of nature which follows in the wake of
the tempest, and in its hush the lovers stood again at the window,
looking out upon the wrecks that were strewn in its path. They were
silent, for on both hearts was a shadow, which had not rested there
when they first stood by the window, although the sky was then more
deeply veiled. So slight was the cause on which these shadows
depended that memory scarcely retained its impression. He was
tender, and she was yielding; and each tried to atone by loving acts
for a moment of willfulness.
The sun went down while yet the skirts of the storm were spread over
the western sky, and without a single glance at the ruins which
lightning, wind and rain had scattered over the earth's fair
surface. But he arose gloriously in the coming morning, and went
upward in his strength, consuming the vapors at a breath, and
drinking up every bright dewdrop that welcomed him with a quiver of
joy. The branches shook themselves in the gentle breezes his
presence had called forth to dally amid their foliage and sport with
the flowers; and every green thing put on a fresher beauty in
delight at his return; while from the bosom of the trees--from
hedgerow and from meadow--went up the melody of birds.
In the brightness of this morning, the lovers went out to look at
the storm-wrecks that lay scattered around. Here a tree had been
twisted off where the tough wood measured by feet instead of inches;
there stood the white and shivered trunk of another sylvan lord,
blasted in an instant by a lightning stroke; and there lay, prone
upon the ground, giant limbs, which, but the day before, spread
themselves abroad in proud defiance of the storm. Vines were torn
from their fastenings; flower-beds destroyed; choice shrubbery,
tended with care for years, shorn of its beauty. Even the solid
earth had been invaded by floods of water, which ploughed deep
furrows along its surface. And, saddest of all, two human lives had
gone out while the mad tempest raged in uncontrollable fury.
As the lover and maiden stood looking at the signs of violence so
thickly scattered around, the former said, in a cheerful tone--
"For all his wild, desolating power, the tempest is vassal to the
sun and dew. He may spread his sad trophies around in brief, blind
rage; but they soon obliterate all traces of his path, and make
beautiful what he has scarred with wounds or disfigured by the tramp
of his iron heel."
"Not so, my children," said the calm voice of the maiden's father,
to whose ears the remark had come. "Not so, my children. The sun and
dew never fully restore what the storm has broken and trampled upon.
They may hide disfiguring marks, and cover with new forms of life
and beauty the ruins which time can never restore. This is
something, and we may take the blessing thankfully, and try to
forget what is lost, or so changed as to be no longer desirable.
Look at this fallen and shattered elm, my children. Is there any
hope for that in the dew, the rain and sunshine? Can these build it
up again, and spread out its arms as of old, bringing back to me, as
it has done daily, the image of my early years? No, my children.
After every storm are ruins which can never be repaired. Is it not
so with that lightning-stricken oak? And what art can restore to its
exquisite loveliness this statue of Hope, thrown down by the
ruthless hand of the unsparing tempest? Moreover, is there human
vitality in the sunshine and fructifying dew? Can they put life into
the dead?
"No--no--my children. And take the lesson to heart. Outward tempests
but typify and represent the fiercer tempests that too often
desolate the human soul. In either case something is lost that can
never be restored. Beware, then, of storms, for wreck and ruin
follow as surely as the passions rage."