The Long Bow

I find myself still sitting in front of the last book by Mr. H. G.

Wells, I say stunned with admiration, my family says sleepy with

fatigue. I still feel vaguely all the things in Mr. Wells's book which

I agree with; and I still feel vividly the one thing that I deny. I deny

that biology can destroy the sense of truth, which alone can even desire

biology. No truth which I find can deny that I am seeking the truth. My

mind cannot find anything which denies my mind... But what is all this?

This is no sort of talk for a genial essay. Let us change the subject;

let us have a romance or a fable or a fairy tale.

Come, let us tell each other stories. There was once a king who was very

fond of listening to stories, like the king in the Arabian Nights.

The only difference was that, unlike that cynical Oriental, this king

believed all the stories that he heard. It is hardly necessary to add

that he lived in England. His face had not the swarthy secrecy of the

tyrant of the thousand tales; on the contrary, his eyes were as big and

innocent as two blue moons; and when his yellow beard turned totally

white he seemed to be growing younger. Above him hung still his heavy

sword and horn, to remind men that he had been a tall hunter and warrior

in his time: indeed, with that rusted sword he had wrecked armies.

But he was one of those who will never know the world, even when they

conquer it. Besides his love of this old Chaucerian pastime of the

telling of tales, he was, like many old English kings, specially

interested in the art of the bow. He gathered round him great archers of

the stature of Ulysses and Robin Hood, and to four of these he gave

the whole government of his kingdom. They did not mind governing his

kingdom; but they were sometimes a little bored with the necessity

of telling him stories. None of their stories were true; but the king

believed all of them, and this became very depressing. They created the

most preposterous romances; and could not get the credit of creating

them. Their true ambition was sent empty away. They were praised as

archers; but they desired to be praised as poets. They were trusted as

men, but they would rather have been admired as literary men.

At last, in an hour of desperation, they formed themselves into a club

or conspiracy with the object of inventing some story which even the

king could not swallow. They called it The League of the Long Bow; thus

attaching themselves by a double bond to their motherland of England,

which has been steadily celebrated since the Norman Conquest for its

heroic archery and for the extraordinary credulity of its people.

At last it seemed to the four archers that their hour had come. The king

commonly sat in a green curtained chamber, which opened by four doors,

and was surmounted by four turrets. Summoning his champions to him on an

April evening, he sent out each of them by a separate door, telling him

to return at morning with the tale of his journey. Every champion bowed

low, and, girding on great armour as for awful adventures, retired to

some part of the garden to think of a lie. They did not want to think of

a lie which would deceive the king; any lie would do that. They wanted

to think of a lie so outrageous that it would not deceive him, and that

was a serious matter.

The first archer who returned was a dark, quiet, clever fellow, very

dexterous in small matters of mechanics. He was more interested in the

science of the bow than in the sport of it. Also he would only shoot at

a mark, for he thought it cruel to kill beasts and birds, and atrocious

to kill men. When he left the king he had gone out into the wood and

tried all sorts of tiresome experiments about the bending of branches

and the impact of arrows; when even he found it tiresome he returned to

the house of the four turrets and narrated his adventure. “Well,” said

the king, “what have you been shooting?” “Arrows,” answered the archer.

“So I suppose,” said the king smiling; “but I mean, I mean what wild

things have you shot?” “I have shot nothing but arrows,” answered the

bowman obstinately. “When I went out on to the plain I saw in a crescent

the black army of the Tartars, the terrible archers whose bows are of

bended steel, and their bolts as big as javelins. They spied me afar

off, and the shower of their arrows shut out the sun and made a rattling

roof above me. You know, I think it wrong to kill a bird, or worm, or

even a Tartar. But such is the precision and rapidity of perfect science

that, with my own arrows, I split every arrow as it came against me. I

struck every flying shaft as if it were a flying bird. Therefore, Sire,

I may say truly, that I shot nothing but arrows.” The king said, “I know

how clever you engineers are with your fingers.” The archer said, “Oh,”

and went out.

The second archer, who had curly hair and was pale, poetical, and rather

effeminate, had merely gone out into the garden and stared at the moon.

When the moon had become too wide, blank, and watery, even for his own

wide, blank, and watery eyes, he came in again. And when the king said

“What have you been shooting?” he answered with great volubility, “I

have shot a man; not a man from Tartary, not a man from Europe, Asia,

Africa, or America; not a man on this earth at all. I have shot the

Man in the Moon.” “Shot the Man in the Moon?” repeated the king with

something like a mild surprise. “It is easy to prove it,” said

the archer with hysterical haste. “Examine the moon through this

particularly powerful telescope, and you will no longer find any

traces of a man there.” The king glued his big blue idiotic eye to the

telescope for about ten minutes, and then said, “You are right: as

you have often pointed out, scientific truth can only be tested by the

senses. I believe you.” And the second archer went out, and being of a

more emotional temperament burst into tears.

The third archer was a savage, brooding sort of man with tangled hair

and dreamy eyes, and he came in without any preface, saying, “I have

lost all my arrows. They have turned into birds.” Then as he saw that

they all stared at him, he said “Well, you know everything changes on

the earth; mud turns into marigolds, eggs turn into chickens; one can

even breed dogs into quite different shapes. Well, I shot my arrows

at the awful eagles that clash their wings round the Himalayas; great

golden eagles as big as elephants, which snap the tall trees by perching

on them. My arrows fled so far over mountain and valley that they turned

slowly into fowls in their flight. See here,” and he threw down a dead

bird and laid an arrow beside it. “Can't you see they are the same

structure. The straight shaft is the backbone; the sharp point is the

beak; the feather is the rudimentary plumage. It is merely modification

and evolution.” After a silence the king nodded gravely and said, “Yes;

of course everything is evolution.” At this the third archer suddenly

and violently left the room, and was heard in some distant part of the

building making extraordinary noises either of sorrow or of mirth.

The fourth archer was a stunted man with a face as dead as wood,

but with wicked little eyes close together, and very much alive. His

comrades dissuaded him from going in because they said that they had

soared up into the seventh heaven of living lies, and that there was

literally nothing which the old man would not believe. The face of the

little archer became a little more wooden as he forced his way in, and

when he was inside he looked round with blinking bewilderment. “Ha, the

last,” said the king heartily, “welcome back again!” There was a long

pause, and then the stunted archer said, “What do you mean by 'again'?

I have never been here before.” The king stared for a few seconds, and

said, “I sent you out from this room with the four doors last night.”

After another pause the little man slowly shook his head. “I never saw

you before,” he said simply; “you never sent me out from anywhere.

I only saw your four turrets in the distance, and strayed in here by

accident. I was born in an island in the Greek Archipelago; I am by

profession an auctioneer, and my name is Punk.” The king sat on his

throne for seven long instants like a statue; and then there awoke in

his mild and ancient eyes an awful thing; the complete conviction of

untruth. Every one has felt it who has found a child obstinately false.

He rose to his height and took down the heavy sword above him, plucked

it out naked, and then spoke. “I will believe your mad tales about the

exact machinery of arrows; for that is science. I will believe your

mad tales about traces of life in the moon; for that is science. I

will believe your mad tales about jellyfish turning into gentlemen, and

everything turning into anything; for that is science. But I will

not believe you when you tell me what I know to be untrue. I will

not believe you when you say that you did not all set forth under my

authority and out of my house. The other three may conceivably have told

the truth; but this last man has certainly lied. Therefore I will kill

him.” And with that the old and gentle king ran at the man with uplifted

sword; but he was arrested by the roar of happy laughter, which told the

world that there is, after all, something which an Englishman will not

swallow.

Alarms and Discursions · 第 80 / 84 题