CHAPTER VII

Pavel Petrovitch Kirsanov was educated first at home, like his younger

brother, and afterwards in the Corps of Pages. From childhood he was

distinguished by remarkable beauty; moreover he was self-confident,

somewhat ironical, and had a rather biting humour; he could not fail to

please. He began to be seen everywhere, directly he had received his

commission as an officer. He was much admired in society, and he

indulged every whim, even every caprice and every folly, and gave

himself airs, but that too was attractive in him. Women went out of

their senses over him; men called him a coxcomb, and were secretly

jealous of him. He lived, as has been related already, in the same

apartments as his brother, whom he loved sincerely, though he was not

at all like him. Nikolai Petrovitch was a little lame, he had small,

pleasing features of a rather melancholy cast, small, black eyes, and

thin, soft hair; he liked being lazy, but he also liked reading, and

was timid in society.

Pavel Petrovitch did not spend a single evening at home, prided himself

on his ease and audacity (he was just bringing gymnastics into fashion

among young men in society), and had read in all some five or six

French books. At twenty-eight he was already a captain; a brilliant

career awaited him. Suddenly everything was changed.

At that time, there was sometimes seen in Petersburg society a woman

who has even yet not been forgotten. Princess R----. She had a

well-educated, well-bred, but rather stupid husband, and no children.

She used suddenly to go abroad, and suddenly return to Russia, and led

an eccentric life in general. She had the reputation of being a

frivolous coquette, abandoned herself eagerly to every sort of

pleasure, danced to exhaustion, laughed and jested with young men, whom

she received in the dim light of her drawing-room before dinner; while

at night she wept and prayed, found no peace in anything, and often

paced her room till morning, wringing her hands in anguish, or sat,

pale and chill, over a psalter. Day came, and she was transformed again

into a grand lady; again she went out, laughed, chattered, and simply

flung herself headlong into anything which could afford her the

slightest distraction. She was marvellously well-proportioned, her hair

coloured like gold and heavy as gold hung below her knees, but no one

would have called her a beauty; in her whole face the only good point

was her eyes, and even her eyes were not good--they were grey, and not

large--but their glance was swift and deep, unconcerned to the point of

audacity, and thoughtful to the point of melancholy--an enigmatic

glance. There was a light of something extraordinary in them, even

while her tongue was lisping the emptiest of inanities. She dressed

with elaborate care. Pavel Petrovitch met her at a ball, danced a

mazurka with her, in the course of which she did not utter a single

rational word, and fell passionately in love with her. Being accustomed

to make conquests, in this instance, too, he soon attained his object,

but his easy success did not damp his ardour. On the contrary, he was

in still more torturing, still closer bondage to this woman, in whom,

even at the very moment when she surrendered herself utterly, there

seemed always something still mysterious and unattainable, to which

none could penetrate. What was hidden in that soul--God knows! It

seemed as though she were in the power of mysterious forces,

incomprehensible even to herself; they seemed to play on her at will;

her intellect was not powerful enough to master their caprices. Her

whole behaviour presented a series of inconsistencies; the only letters

which could have awakened her husband's just suspicions, she wrote to a

man who was almost a stranger to her, whilst her love had always an

element of melancholy; with a man she had chosen as a lover, she ceased

to laugh and to jest, she listened to him, and gazed at him with a look

of bewilderment. Sometimes, for the most part suddenly, this

bewilderment passed into chill horror; her face took a wild, death-like

expression; she locked herself up in her bedroom, and her maid, putting

her ear to the keyhole, could hear her smothered sobs. More than once,

as he went home after a tender interview, Kirsanov felt within him that

heartrending, bitter vexation which follows on a total failure.

'What more do I want?' he asked himself, while his heart was heavy. He

once gave her a ring with a sphinx engraved on the stone.

'What's that?' she asked; 'a sphinx?'

'Yes,' he answered, 'and that sphinx is you.'

'I?' she queried, and slowly raising her enigmatical glance upon him.

'Do you know that's awfully flattering?' she added with a meaningless

smile, while her eyes still kept the same strange look.

Pavel Petrovitch suffered even while Princess R---- loved him; but when

she grew cold to him, and that happened rather quickly, he almost went

out of his mind. He was on the rack, and he was jealous; he gave her no

peace, followed her about everywhere; she grew sick of his pursuit of

her, and she went abroad. He resigned his commission in spite of the

entreaties of his friends and the exhortations of his superiors, and

followed the princess; four years he spent in foreign countries, at one

time pursuing her, at another time intentionally losing sight of her.

He was ashamed of himself, he was disgusted with his own lack of spirit

... but nothing availed. Her image, that incomprehensible, almost

meaningless, but bewitching image, was deeply rooted in his heart. At

Baden he once more regained his old footing with her; it seemed as

though she had never loved him so passionately ... but in a month it

was all at an end: the flame flickered up for the last time and went

out for ever. Foreseeing inevitable separation, he wanted at least to

remain her friend, as though friendship with such a woman was

possible.... She secretly left Baden, and from that time steadily

avoided Kirsanov. He returned to Russia, and tried to live his former

life again; but he could not get back into the old groove. He wandered

from place to place like a man possessed; he still went into society;

he still retained the habits of a man of the world; he could boast of

two or three fresh conquests; but he no longer expected anything much

of himself or of others, and he undertook nothing. He grew old and

grey; spending all his evenings at the club, jaundiced and bored, and

arguing in bachelor society became a necessity for him--a bad sign, as

we all know. Marriage, of course, he did not even think of. Ten years

passed in this way; they passed by colourless and fruitless--and

quickly, fearfully quickly. Nowhere does time fly past as in Russia; in

prison they say it flies even faster. One day at dinner at the club,

Pavel Petrovitch heard of the death of the Princess R----. She had died

at Paris in a state bordering on insanity.

He got up from the table, and a long time he paced about the rooms of

the club, or stood stockstill near the card-players, but he did not go

home earlier than usual. Some time later he received a packet addressed

to him; in it was the ring he had given the princess. She had drawn

lines in the shape of a cross over the sphinx and sent him word that

the solution of the enigma--was the cross.

This happened at the beginning of the year 1848, at the very time when

Nikolai Petrovitch came to Petersburg, after the loss of his wife.

Pavel Petrovitch had scarcely seen his brother since the latter had

settled in the country; the marriage of Nikolai Petrovitch had

coincided with the very first days of Pavel Petrovitch's acquaintance

with the princess. When he came back from abroad, he had gone to him

with the intention of staying a couple of months with him, in

sympathetic enjoyment of his happiness, but he had only succeeded in

standing a week of it. The difference in the positions of the two

brothers was too great. In 1848, this difference had grown less;

Nikolai Petrovitch had lost his wife, Pavel Petrovitch had lost his

memories; after the death of the princess he tried not to think of her.

But to Nikolai, there remained the sense of a well-spent life, his son

was growing up under his eyes; Pavel, on the contrary, a solitary

bachelor, was entering upon that indefinite twilight period of regrets

that are akin to hopes, and hopes that are akin to regrets, when youth

is over, while old age has not yet come.

This time was harder for Pavel Petrovitch than for another man; in

losing his past, he lost everything.

'I will not invite you to Maryino now,' Nikolai Petrovitch said to him

one day, (he had called his property by that name in honour of his

wife); 'you were dull there in my dear wife's time, and now I think you

would be bored to death.'

'I was stupid and fidgety then,' answered Pavel Petrovitch; 'since then

I have grown quieter, if not wiser. On the contrary, now, if you will

let me, I am ready to settle with you for good.'

For all answer Nikolai Petrovitch embraced him; but a year and a half

passed after this conversation, before Pavel Petrovitch made up his

mind to carry out his intention. When he was once settled in the

country, however, he did not leave it, even during the three winters

which Nikolai Petrovitch spent in Petersburg with his son. He began to

read, chiefly English; he arranged his whole life, roughly speaking, in

the English style, rarely saw the neighbours, and only went out to the

election of marshals, where he was generally silent, only occasionally

annoying and alarming land-owners of the old school by his liberal

sallies, and not associating with the representatives of the younger

generation. Both the latter and the former considered him 'stuck up';

and both parties respected him for his fine aristocratic manners; for

his reputation for successes in love; for the fact that he was very

well dressed and always stayed in the best room in the best hotel; for

the fact that he generally dined well, and had once even dined with

Wellington at Louis Philippe's table; for the fact that he always took

everywhere with him a real silver dressing-case and a portable bath;

for the fact that he always smelt of some exceptionally 'good form'

scent; for the fact that he played whist in masterly fashion, and

always lost; and lastly, they respected him also for his incorruptible

honesty. Ladies considered him enchantingly romantic, but he did not

cultivate ladies' acquaintance....

'So you see, Yevgeny,' observed Arkady, as he finished his story, 'how

unjustly you judge of my uncle! To say nothing of his having more than

once helped my father out of difficulties, given him all his money--the

property, perhaps you don't know, wasn't divided--he's glad to help any

one, among other things he always sticks up for the peasants; it's

true, when he talks to them he frowns and sniffs eau de cologne.' ...

'His nerves, no doubt,' put in Bazarov.

'Perhaps; but his heart is very good. And he's far from being stupid.

What useful advice he has given me especially ... especially in regard

to relations with women.'

'Aha! a scalded dog fears cold water, we know that!'

'In short,' continued Arkady, 'he's profoundly unhappy, believe me;

it's a sin to despise him.'

'And who does despise him?' retorted Bazarov. 'Still, I must say that a

fellow who stakes his whole life on one card--a woman's love--and when

that card fails, turns sour, and lets himself go till he's fit for

nothing, is not a man, but a male. You say he's unhappy; you ought to

know best; to be sure, he's not got rid of all his fads. I'm convinced

that he solemnly imagines himself a superior creature because he reads

that wretched _Galignani_, and once a month saves a peasant from a

flogging.'

'But remember his education, the age in which he grew up,' observed

Arkady.

'Education?' broke in Bazarov. 'Every man must educate himself, just as

I've done, for instance.... And as for the age, why should I depend on

it? Let it rather depend on me. No, my dear fellow, that's all

shallowness, want of backbone! And what stuff it all is, about these

mysterious relations between a man and woman? We physiologists know

what these relations are. You study the anatomy of the eye; where does

the enigmatical glance you talk about come in there? That's all

romantic, nonsensical, æsthetic rot. We had much better go and look at

the beetle.'

And the two friends went off to Bazarov's room, which was already

pervaded by a sort of medico-surgical odour, mingled with the smell of

cheap tobacco.

Fathers and Children · 第 7 / 28 章