From _The Pictorial Review_

The wind rose in a sharp gust, rattling the insecure windows and sighing

forlornly about the corners of the house. The door unlatched itself,

swung inward hesitatingly, and hung wavering for a moment on its sagging

hinges. A formless cloud of gray fog blew into the warm, steamy room.

But whatever ghostly visitant had paused upon the threshold, he had

evidently decided not to enter, for the catch snapped shut with a quick,

passionate vigor. The echo of the slamming door rang eerily through the

house.

Mart Brenner's wife laid down the ladle with which she had been stirring

the contents of a pot that was simmering on the big, black stove, and

dragging her crippled foot behind her, she hobbled heavily to the door.

As she opened it a new horde of fog-wraiths blew in. The world was a

gray, wet blanket. Not a light from the village below pierced the mist,

and the lonely army of tall cedars on the black hill back of the house

was hidden completely.

"Who's there?" Mrs. Brenner hailed. But her voice fell flat and muffled.

Far off on the beach she could dimly hear the long wail of a fog-horn.

The faint throb of hope stilled in her breast. She had not really

expected to find any one at the door unless perhaps it should be a

stranger who had missed his way at the cross-roads. There had been one

earlier in the afternoon when the fog first came. But her husband had

been at home then and his surly manner quickly cut short the stranger's

attempts at friendliness. This ugly way of Mart's had isolated them

from all village intercourse early in their life on Cedar Hill.

Like a buzzard's nest, their home hung over the village on the

unfriendly sides of the bleak slope. Visitors were few and always

reluctant, even strangers, for the village told weird tales of Mart

Brenner and his kin. The village said that he--and all those who

belonged to him as well--were marked for evil and disaster. Disaster had

truly written itself throughout their history. His mother was mad, a

tragic madness of bloody prophecies and dim fears; his only son a

witless creature of eighteen, who for all his height and bulk, spent his

days catching butterflies in the woods on the hill, and his nights in

laboriously pinning them, wings outspread, upon the bare walls of the

house.

The room where the Brenner family lived its queer, taciturn life was

tapestried in gold, the glowing tapestry of swarms of outspread yellow

butterflies sweeping in gilded tides from the rough floors to the black

rafters overhead.

Olga Brenner herself was no less tragic than her family. On her face,

written in the acid of pain, was the history of the blows and cruelty

that had warped her active body. Owing to her crippled foot, her entire

left side sagged hopelessly and her arm swung away, above it, like a

branch from a decayed tree. But more saddening than her distorted body

was the lonely soul that looked out of her tired faded eyes.

She was essentially a village woman with a profound love of its

intimacies and gossip, its fence-corner neighborliness. The horror with

which the village regarded her, as the wife of Mart Brenner, was an

eating sore. It was greater than the tragedy of her poor, witless son,

the hatred of old Mrs. Brenner, and her ever-present fear of Mart. She

had never quite given up her unreasoning hope that some day some one

might come to the house in one of Mart's long, unexplained absences and

sit down and talk with her over a cup of tea. She put away the feeble

hope again as she turned back into the dim room and closed the door

behind her.

"Must have been that bit of wind," she meditated. "It plays queer tricks

sometimes."

She went to the mantel and lighted the dull lamp. By the flicker she

read the face of the clock.

"Tobey's late!" she exclaimed uneasily. Her mind never rested from its

fear for Tobey. His childlike mentality made him always the same burden

as when she had rocked him hour after hour, a scrawny mite of a baby on

her breast.

"It's a fearful night for him to be out!" she muttered.

"Blood! Blood!" said a tragic voice from a dark corner by the stove.

Barely visible in the ruddy half-dark of the room a pair of demoniac

eyes met hers.

Mrs. Brenner threw her shriveled and wizened mother-in-law an angry and

contemptuous glance.

"Be still!" she commanded. "'Pears to me that's all you ever

say--blood!"

The glittering eyes fell away from hers in a sullen obedience. But the

tragic voice went on intoning stubbornly, "Blood on his hands! Red!

Dripping! I see blood!"

Mrs. Brenner shuddered. "Seems like you could shut up a spell!" she

complained.

The old woman's voice trailed into a broken and fitful whispering.

Olga's commands were the only laws she knew, and she obeyed them. Mrs.

Brenner went back to the stove. But her eyes kept returning to the clock

and thence to the darkening square of window where the fog pressed

heavily into the very room.

Out of the gray silence came a shattering sound that sent the ladle

crashing out of Mrs. Brenner's nerveless hand and brought a moan from

the dozing old woman!

It was a scream, a long, piercing scream, so intense, so agonized that

it went echoing about the room as tho a disembodied spirit were

shrieking under the rafters! It was a scream of terror, an innocent, a

heart-broken scream!

"Tobey!" cried Mrs. Brenner, her face rigid.

The old woman began to pick at her ragged skirt, mumbling "Blood! Blood

on his hands! I see it!"

"That was on the hill," said Mrs. Brenner slowly, steadying her voice.

She put her calloused hand against her lips and stood listening with

agonized intentness. But now the heavy, foggy silence had fallen again.

At intervals came the long, faint wail of the fog-horn. There was no

other sound. Even the old woman in the shadowy corner had ceased her

mouthing.

Mrs. Brenner stood motionless, with her hand against her trembling lips,

her head bent forward for four of the dull intervals between the

siren-call.

Then there came the sound of steps stumbling around the house. Mrs.

Brenner, with her painful hobble, reached the door before the steps

paused there, and threw it open.

The feeble light fell on the round, vacant face of her son, his

inevitable pasteboard box, grim with much handling, clutched close to

his big breast, and in it the soft beating and thudding of imprisoned

wings.

Mrs. Brenner's voice was scarcely more than a whisper, "Tobey!" but it

rose shrilly as she cried, "Where you been? What was that scream?"

The best short stories of 1920, and the yearbook of the American short story · 第 58 / 141 题