"That ain't true; he's lying, monsieur le commissaire. The dog was ahead

of him--a long way ahead of him--when I saw the little creature, and I

said: 'He hasn't got any master,' and I picked him up. If he was his,

why didn't he say: 'That's my dog.' But he let me pick him up, and it

wasn't till madame overtook him that he began to run after me and yell:

'Stop thief!'--What is there to prove that the dog belongs to them and

not to me?"

The magistrate, having weighed these depositions in his mind, said to

the boy in a grave tone:

"Put the dog on the floor, and let both of these ladies call him; I will

give him to the one he follows."

François placed the little creature on the floor. The two women began to

call him, lavishing the most affectionate words on him. The dog did not

stir, and the affair became complicated. The two women recommenced

their billingsgate, the boy stuttered, the soldiers laughed, and the dog

howled. Suddenly the thin woman began to take off her dress to show the

marks of the pinching she had received; but the corpulent woman,

divining her purpose, instantly raised her skirt, and, fearlessly

exhibiting her leg above the garter, cried triumphantly:

"Look, monsieur le commissaire, look! it's blue, it's all blue, and

it'll be all black to-morrow!"

It was blue, in fact; to be sure, the rest of the leg seemed to be about

the same color; but the magistrate, who did not care to see any more,

said to the other woman:

"That seems to be authentic; if you can't show as much, it's of no use

for you to unbutton your dress."

The thin woman decided not to disrobe, but began to weep, mumbling:

"Let her keep the dog, for all I care! Mon Dieu! let her keep him! I

don't want him! But she's a saucy slut, all the same; a person ain't to

be called a thief because she picks up a dog in the street that has no

owner!"

The cause was decided, and the magistrate rendered judgment. He awarded

the dog to the stout woman, who took him in her arms and waddled

triumphantly away with François, followed by her antagonist, muttering:

"Never mind! you shall pay me for this, dearer than you think!"

Sans-Cravate and Jean Ficelle stepped forward, but the magistrate

motioned to them to sit down and wait, for he had many other cases to

hear. In the office of a Parisian police magistrate the stage is seldom

unoccupied.

Other soldiers, with a short, thickset woman at their head, who seemed

disposed to command them, although they also had a corporal with them,

brought in a small boy of ten or twelve years, wretchedly clad, or, to

speak more accurately, hardly clad at all. Ragged trousers revealed his

bare legs, and a linen jacket, devoid of buttons, made no pretence of

concealing a torn shirt, black with dirt, and a body blacker still. The

little wretch, who, despite his miserable aspect, was stout and strong,

had a mean face, and a hangdog glance, which seemed never to have looked

at the sky.

This young thief, for the boy had previously been convicted of larceny,

was now under arrest charged with stealing a loaf of bread; the thickset

woman had the loaf under her arm; she explained to the magistrate that

she was a fruit seller and dealt also in soldiers' bread, which she kept

at the door of her shop; that the boy crept up to a table on which the

bread was, and that another urchin, probably in league with the thief,

ran against her and fell almost between her legs; while she helped him

get up, his comrade seized a loaf and ran away with it. But she saw him

in time; she ran after the little villain and caught him with the stolen

loaf still in his possession; so that he could not deny his crime.

"Why did you steal this loaf?" the magistrate sternly asked the little

thief, who had listened to the fruit seller's declaration as if it did

not concern him, drumming on the clerk's desk with his fingers. He

swayed from right to left, just like a bear, stuck out his lips, hung

his head lower than ever, and at last mumbled something which could not

be taken for words.

"Why did you steal this bread?" repeated the magistrate, more severely

than before. "Come, answer; and speak up so that you can be heard."

Thereupon a low, drawling voice replied:

"'Cos I was hungry! I ain't had nothing to eat for two days."

"That is not true; you haven't the face of one who is starving; at all

events, if you were hungry, you should have gone to a baker's shop and

asked for bread; you wouldn't have been refused. But we know your ways;

you stole this loaf of bread to sell again, and get three or four sous

to gamble with on the boulevard or at the barrier; isn't that the

truth?"

The little fellow again began to sway back and forth. He made a grimace

which seemed to be intended for a smile, and said nothing.

"Are your parents living?" continued the magistrate.

"I dunno."

"What! you don't know whether you have a father and mother?"

"I ain't got no father, I don't think."

"And your mother?"

"She sells fried potatoes."

"Isn't she able to pay for your apprenticeship to some trade?"

"I don't want to work."

"You prefer to steal! you hope to be imprisoned with other little

rascals of your sort, with whom you will become hopelessly bad. Where

does your mother live?"

The little vagabond made no reply. The magistrate repeated his question.

"I won't tell you; I don't want her to claim me; I won't go back to

her!"

"Then you will be taken to the préfecture, and from there to a house

where you'll have to work."

Nothing that the magistrate could say seemed to move the young thief in

the slightest degree; but when the secretary took his pen to write the

report for the préfecture, the little rascal began to laugh, and

muttered:

"_V'là le griffon qui prend une voltigeante pour broder sur du

mince._"[F]

The soldiers led the offender away, and the fruit seller went off with

her bread. This scene depressed Sans-Cravate; he glanced at his comrade,

who seemed utterly unmoved by what he had seen and heard.

A well-dressed man, and of gentlemanly aspect, came forward and informed

the magistrate that at No. 19 in the next street, on the third floor, at

the rear of the courtyard, a gambling hell was being carried on

clandestinely, under cover of a so-called reading-room. The gamblers

were admitted by a secret door, and opening out of the reading-room was

another room, in which roulette and _trente-et-un_ were played. The

magistrate was invited to visit the place, with his inspectors, about

ten o'clock at night, when he would be sure to find the games in full

operation; his informant would come to fetch him and act as his guide;

he had succeeded in obtaining admission as a gambler.

This well-dressed, well-mannered man was simply a spy.

Next came a rather attractive young girl, of modest aspect, who was very

near weeping as she asked the magistrate why he had summoned her to his

office.

"Because you persist in keeping flower pots on your window ledge,

mademoiselle, despite the municipal ordinance; and because, very lately,

you spattered water on a lady who was passing. I shall be obliged to

fine you."

"Mon Dieu! monsieur le commissaire, it's very strange that I could have

spattered anybody, watering a small pot of pansies; for I'm always very

careful when I water my flowers. Probably some neighbor below me threw

the water out into the street, then the lady looked up and saw a flower

pot at my window, and so thought it came from there."

"Still, mademoiselle, your flower pots may cause a serious accident."

"Oh! monsieur le commissaire, just a little pot of pansies!"

"If it should fall on anybody's head, mademoiselle, a pot of pansies

might do as much damage as one of poppies. If you are so fond of

flowers, why don't you put your pansies on something inside your room?

You would enjoy them just as much--yes, more; and there would be no

danger to your health, for the pansy has no odor."

The girl lowered her eyes, as she replied:

"That wouldn't be the same thing; if it was inside my room, he wouldn't

see it!"

"_He_ wouldn't see it? Ah! I understand: that pot of pansies is a signal

to your lover, is it?"

"Yes, monsieur," faltered the girl, with a smile; "when it's on the

ledge, he may come up; and if I happen to have company, I take it away,

and he don't come up."

"Very good; he is able to come up very often, I judge, as the pot of

pansies seems to be always in evidence; and thus the most innocent of

flowers is made to serve the intrigues of lovers!"

"Oh! monsieur, my lover will marry me; I am perfectly sure of it."

"I trust so, mademoiselle; but you must put a wooden bar across your

window, so that passers-by will not be in danger; only on that condition

can I sanction the flower pot which you use to telegraph to your lover."

"What, monsieur! if I put a wooden rail, a bar, across, you will allow

me to keep flowers at my window?"

"Yes; if you do that, you may keep as many there as you choose."

The girl fairly jumped for joy.

"Oh! what fun! I will put a rosebush and carnations with my pansies!"

"Mon Dieu! mademoiselle! will each of the three be a signal to a lover?"

"I'll put up a bar right away; and I'll keep three flower pots there,

monsieur le commissaire; three flower pots!"

The girl left the office in a very joyous frame of mind. After her, came

a woman who charged her husband with striking her with a skimmer; then a

husband who wanted a separation from his wife, because she gave him

nothing but onion soup for dinner every day; then a tenant who

complained of his concierge, because he made him pass the night in the

street, on the ground that it was after midnight when he came home; then

a peddler whose tray had been upset; a milkwoman whose donkey had been

wounded by a cabriolet; a cab that refused to move; a shop which did not

close at midnight; a man who had tried to drown himself; a girl who was

found dying of suffocation. Sometimes this sort of thing goes on from

morning till night; and it not infrequently happens that the magistrate

is roused from his sleep. A man needs to be made of iron to fill that

post in Paris.

At length, having dismissed the last of the crowd that besieged him, the

magistrate motioned to the messengers to follow him into his private

office. Having closed his door, to ensure them against interruption, he

seated himself at his desk, and addressed Sans-Cravate first.

"Are you the man called Sans-Cravate?"

"Yes, monsieur."

"This is the first time that you have been summoned to my office?"

"That is true, monsieur le commissaire."

"But you have the reputation, in the quarter, of being a noisy,

quarrelsome fellow, and of drinking rather hard, too."

"Faith! monsieur le commissaire, it's possible that I like to enjoy

myself, that I'm a little hot-headed, that I fight sometimes! It's in my

blood, and I can't make myself over. But all that don't prevent a man

from being honest, and I defy anyone to say that Sans-Cravate ever did

him an injury."

"I know that you are an honest man, that your head alone is a little

unruly; and because I am convinced of that, I wanted to speak to you

privately, to give you some good advice. This is the first time you have

been to my office, and I like to think that, if you follow my advice, it

will be the last."

Jean Ficelle turned his head away, and muttered:

"On my word! a moral lecture! I should think we was at

_Quart-d'OEil's_ school!"

But Sans-Cravate listened humbly enough to the magistrate, who

continued:

"The quickest, the most impulsive people are usually the easiest to

lead. Beware of evil associates, Sans-Cravate, that's all; the man who

obeys the first suggestions of his anger generally has a weak will; and

there are rascals, who, by flattering your passions, sometimes lead you

into bad ways."--As he said this, the magistrate glanced at Jean

Ficelle, who affected to whistle through his teeth.--"Sans-Cravate, you

were at the same table, last night, in a wine shop, with one Laboussole;

where did you make that man's acquaintance?"

"Faith! monsieur le commissaire, I know him only by having met him at

the Petit Bacchus, and, as Jean Ficelle called him his friend, I invited

him to have a drink with us."

"I!" cried Jean Ficelle; "I didn't know him any more'n you did; just

from meeting him at the wine shop. I called him _old fellow;_ that's a

term men often use to each other when they're drinking together; but I

don't know him."

"You lie!" said the magistrate, gazing sternly at the messenger; "you do

know that man; you know that he ran a game of chance, a _biribi_, under

Pont d'Austerlitz; and you are suspected of having been his

confederate."

"I, monsieur le commissaire! on my word! what a slander!"

"If I were certain of it, you would have ceased to be a messenger before

this; for you would be likely to betray the confidence of the

public.--As for you, Sans-Cravate, you see how dangerous it is to form

intimacies with people you don't know. This Laboussole, in addition to

the punishment he has earned for conducting games of chance, is also

involved in a serious case of larceny; if you were often seen with such

men, your reputation for honesty would suffer. That is what I wanted to

say to you. We have too many rascals in Paris now, and it is almost

always by frequenting their society that others are ruined. As you know

nothing more about Laboussole, you may go."

"But, monsieur le commissaire," said Jean Ficelle, in a fawning tone,

"we wasn't the only ones with Laboussole in the wine shop; our mate was

there, too--Paul, a messenger who has a stand where we do; why don't you

examine him too?"

"If we do not summon that young man before us, it is presumably because

we do not deem it necessary. Our purpose in summoning Sans-Cravate was

principally to give him some good advice, and to urge him to distrust

evil acquaintances. As for your young comrade, such advice to him is

unnecessary. He is neither a drinking man, nor a quarrelsome man, nor a

frequenter of wine shops; the best thing you could do would be to take

him for a model. You may go now."

The two messengers left the magistrate's office. Sans-Cravate was

pensive; he seemed to be reflecting upon what had been said to him; but

his comrade, who feared the result of his reflections, exclaimed:

"Who ever heard of a magistrate having the cheek to give advice! For

God's sake, ain't we old enough to know how to behave? what's all this

talk about liberty, anyway? He'd better attend to making cabs move on,

and leave us alone!"

"He seems to have a high opinion of Paul," said Sans-Cravate.

Jean Ficelle pursed up his lips, cast a sidelong glance at his

companion, and rejoined:

"Do you know, that gives me a curious idea?"

"What is it?"

"That Paul may be a spy; and that it was him who had Laboussole arrested

last night."

"Shut up, Jean Ficelle! don't insult our mate. It's an infernal shame

for you to say that!"

"I may not be wrong; ain't there something queer in the way Paul acts?

Didn't Laboussole say he'd met him all dressed up--like a regular

swell?"

"You dare to tell me what Laboussole said--a thief!"

"What does that prove? A man may steal, and still have good eyes;

indeed, he's all the more likely to; and then, one day, in the Marais, I

thought myself that I recognized Paul in a man dressed like a rich

bourgeois; I'm sure now that I wasn't mistaken. If he disguises himself

like that, he must have more trades than one. He's a sham messenger, and

I go back to my idea: he's a spy!"

"Once more, Jean Ficelle, I forbid you to say such things!"

"But you can't keep me from thinking 'em; ideas are free, like

opinions;--a man can't be prevented from having his own opinions and

ideas!"

Sans-Cravate made no further reply. They arrived at their stand, but

Paul was not there.

Jean Ficelle cast a bantering glance at his comrade, saying:

"He seems to be having a famous spree to-day, does the magistrate's

pet!"

Again Sans-Cravate made no reply; but he clenched his fists, and it was

evident that he had difficulty in restraining the feelings which

agitated him.

More than an hour had passed, when Bastringuette appeared on the

boulevard. She had no tray, and was dressed in her best clothes: cap

with broad ribbons, merino shawl, and black silk apron. She glanced at

the messengers out of the corner of her eye as she passed. Sans-Cravate

quickly turned his head and walked away. But Jean Ficelle ran after the

flower girl and accosted her:

"Ah! bless my soul! how natty we are! Where can we be going in such a

rig? to a wedding, at the very least! it can't be less than that."

"_Dame!_ perhaps that's what it is," retorted Bastringuette, assuming a

very sportive air. "Perhaps I'm going to be married myself, nobody

knows! Husbands are always on hand!"

She walked on without another word. Jean Ficelle returned to

Sans-Cravate, glanced at him, and said nothing.

But Sans-Cravate could not contain himself; a moment later, he cried:

"What did she say? Where's she going? Why don't you speak?"

"She seemed to be as gay as a lark. She said that perhaps she was going

to be married. You understand the riddle? She'll be married in the

thirteenth arrondissement."[G]

Sans-Cravate hesitated a moment; then, having made up his mind what to

do, he said:

"I mean to find out where she's going--to follow her. Are you coming

with me?"

"To be sure! As if I would desert a friend! Besides, I don't feel like

working to-day. Forward, guide left, march!"

The two messengers followed the boulevard in the direction taken by

Bastringuette; they walked very fast, one looking to the right, the

other to the left, but they did not see the person they desired to

follow.

"Where the devil can she have gone?" said Sans-Cravate.

"It's very strange," rejoined Jean Ficelle, "unless she turned off the

boulevard. Here we are at Porte Saint-Denis."

"Let's go on," said Sans-Cravate. "Bastringuette has a cousin who lives

Rue Barbette way; perhaps she's gone to see her."

"In the Marais; ah! she has a cousin who lives in the Marais? How that

fits in!"

"What's that? what do you mean?"

"Oh! nothing."

"I don't like hints, Jean Ficelle; speak out, sacrebleu!"

"Well, I mean that the Marais is where Paul's always seen when he's

disguised as a swell; and Bastringuette comes along, dressed in tiptop

style, and goes in that direction. _Dame!_ if a fellow had an evil

tongue, he might say that your mistress and our so-called comrade made

assignations there--perhaps at the cousin's, who knows? There's such

things as obliging cousins."

Sans-Cravate did not say a word, but he strode along the boulevards at

such a pace that his companion was breathless with trying to keep up

with him. Jean Ficelle suggested a brief halt, but, instead of

complying, Sans-Cravate began to run.

"I think I see her over yonder," he shouted; "she turned into Rue du

Temple; I must overtake her."

"Thunder and guns!" muttered Jean Ficelle, as he followed on; "my

liver'll bust by the time we catch her."

XII

FATHER AND SON

In a very handsome house on Rue Caumartin, the windows of an apartment

on the second floor were still brightly lighted, although it was after

three o'clock in the morning.

In that fashionable quarter, it was a fair presumption that anybody who

was still out of bed at that hour would be indulging in the pleasures of

card playing, music, or dancing; that an evening party had been

prolonged until that hour, and that the master or mistress of the house

took pride in having the dawn find their guests still under their roof.

But such a presumption would have been false in this instance. In a

luxurious salon, where several candles were still burning, a man sat,

alone, on the corner of a couch, his head bent forward; and, to judge by

the expression of his features, by the melancholy look in his eyes, he

had not passed the night in merrymaking.

He was a man of some forty-six years, of medium height and distinguished

bearing. His grave, dignified face had been very handsome. His great

blue eyes were still instinct with charm when he smiled; but that

happened very rarely. His habitual pallor, the numerous lines on his

forehead, were eloquent of sorrow, ennui, and heartache--of all those

sentiments which bring premature old age to those who have come into the

world with a sensitive soul, and of which selfish egotists have no

knowledge; wherefore, they are able to retain their youth, freshness,

and health much longer than the others. Heaven has done everything for

the selfish man!

The man who sat there so late at night, alone, was Monsieur Vermoncey,

Albert's father.

His eyes turned frequently toward a clock on the mantel. After every

glance, he listened, as if hoping to hear the rumbling of a carriage or

the sound of footsteps in the street, then threw his head back, saying

to himself:

"He is enjoying himself, no doubt, with his friends--or his mistress.

But he is using up his life too fast, he is ruining his health. Mon

Dieu! and I have no one left but him--no one else! all my other children

have followed their mother to the grave. If I should lose Albert, what

would become of me? what can a man do on earth, when he has no one left

to love?"

Monsieur Vermoncey seemed utterly overwhelmed; profound grief was

depicted in his eyes, which he kept on the floor for a long while, as if

melancholy memories of the past were blended with his present anxieties.

He sighed at intervals, as he murmured:

"My wife, whom I loved so passionately! my children, whom I idolized!

Ah! how men change! when I was Albert's age, how far I was from thinking

that the most delicious joys are those that one knows in his own family,

with his wife and children! But at twenty-two the heart is not as yet

open to all sentiments; at that age, a man does not know what he wants,

or whom he loves! He treats lightly the most serious things, and repents

afterward--sometimes, when it is too late."

He rose and walked about the room a few times, then continued:

"I am foolish to be anxious. Albert is enjoying himself, that's all. I

ought to have gone to bed long ago; but it is useless for me to try to

sleep, when I know that he has not come in. His conduct for some time

past has been very reprehensible. He spends his money foolishly, he

makes undesirable acquaintances; but his heart is sound at bottom; he

will become reasonable in time; I must not forget that I was young

once."

As he made this reflection, Monsieur Vermoncey fixed his eyes on the

floor again, his brow became clouded, and he put his hand to it several

times as if he sought to brush away some painful memory.

Meanwhile, the sun had risen: he heard the rumbling of the milkwomen's

carts, the heavy tread of the peasants returning from selling their

vegetables at the market, the song of the early workman going to his

work, and the dialogues between the concierges as they swept their

doorsteps.

Monsieur Vermoncey rang; in a few seconds a servant appeared, whose red

face, half-closed eyes, and sluggish gait proved that he had not

followed his master's example, and that he had with difficulty roused

himself from sleep.

"Has my son come in, Florent?" inquired Monsieur Vermoncey, as if

anxious to be convinced that he had not listened intently all night.

The servant replied, rubbing his eyes:

"I think not, monsieur; but I will go to his room and see; sometimes he

doesn't wake me when he comes in."

"Ah, no! he has not come in!" said Monsieur Vermoncey to himself,

nervously pacing the floor. "And it's after five o'clock. He doesn't

usually pass the whole night away from home, without telling me.

Probably some card party which lasted till morning.--Yes, I know that I

am foolish to worry, but I cannot help it. A man endangers his life so

recklessly sometimes! Intrigues with women are often dangerous! All

husbands are not disposed to allow themselves to be betrayed, and say

nothing. But it seems that the more obstacles there are to making a

woman's acquaintance, the more determined we are to possess her."

"Monsieur Albert has not come home since yesterday," the servant

reported.

"Very well, Florent. I am going to my room; but come and tell me as soon

as my son comes in."

Monsieur Vermoncey went to his bedroom, where there were portraits of

his wife, of Albert, and of the three children he had lost. He stood a

long while in front of the picture of his wife. She had died when she

was still young and lovely, and she was so represented in the portrait.

It would be a consolation to those who die when they are still in life's

summertime to know that when we think of them we shall always recall

them as being young and fair; and regret that they could not have

enjoyed a long life, in which we fancy them growing old in years,

perhaps, but never in appearance.

Sans-Cravate; or, The Messengers; Little Streams · 第 11 / 43 段