THE BLACK CAT

It has been raining for already two days,—a soft, leisurely drizzle,

but an endless one. Often it increases in vehemence. It begins to

patter upon my roof with rapid fury. Then it seems that at last it

is over. Now the dense grey clouds will empty themselves and the

downpour will cease. The great fury abates, the racket upon the roof

becomes gradually quiet, yet the rain continues to fall, softly and

leisurely. Often so softly that it seems to have stopped. Then I look

out of the window with just a ray of hope that I shall see a clear

sky. But by the wheels that roll incessantly across the pavement I

recognise the eternal rain. The eternal rain. The eternal....

I lower the shades and turn on the electric light. Let it be night.

I’ll seat myself upon the armchair before my desk and pursue my

thoughts, and think and think of——

Of my fortune—or of my misfortune?

It has come upon me so suddenly that I don’t know how to take it. The

day before yesterday I was so happy, and to-day my heart is so heavy,

so heavy.... I know that this is the effect of the ceaseless rain,—of

the weeping, lamenting, grey, dark-grey outdoors. Still, I am so

restless. My feeling comes from within,—comes over me from the depths

of my heart and my soul. It seems to me that I _must_ be moody, and

I cannot understand how I could have been so high-spirited the day

before yesterday. I am vexed that I can no longer be so merry.

So suddenly. So suddenly....

Can it have happened only ten days ago?

Only ten days ago.

* * * * *

_She_ brought me a manuscript, which I was to read and appraise for

her.

Young—perhaps twenty, and maybe only eighteen.

And beautiful—beautiful? Yes, even strikingly beautiful. Scarcely

had I opened the door and beheld her, when a strange sensation

clutched at my heart.

Her eyes! Those deep, black eyes under the long black lashes! They

pierced me at once. I could not tear myself away from them. And thus

overwhelmed, only half conscious, I received the impression that

those eyes were set in a rather long, dark-complexioned, youthful

countenance, and that around a low, alluring forehead played several

black curls mischievously, and that her whole figure was very svelte

and supple,—almost that of a child.

And her voice! Like her eyes. Deep, and of a dark quality, and so

warm. No sooner had she asked, “Does Mr. So-and-so live here, and are

you not he?” than my eyes and my ears were so completely filled with

her that I forgot I must not keep her standing at the door, and that

I must invite her in.

She invited herself, however. She entered my room, far beyond the

threshold, and I closed the door slowly, without removing my glance

from her. And remained standing as if hypnotised, without knowing

whether to make inquiry or to wait until she would tell me who she

was and what she wished of me.

She laughed. Deep, warm, ringing laughter. Why did I not ask her to

be seated?

Oh, yes. Pardon. And I, the father of a daughter almost as old as

she, turned red with embarrassment, it seems. I hastened to fetch her

a chair, but she had already chosen one and sat down.

* * * * *

She continues to speak, while I take my place in my armchair before

the desk and gaze, gaze upon her, my ears thirstily and enchantedly

drinking in the sound of her voice.

She tells me that she pictured me exactly as I am. She has read

everything I have written. She knows all my writings well and has

imagined a picture of me. And the picture is correct. But she did

not think I possessed so many grey hairs. That makes no difference,

however. For I am young. She is certain of that. But she still has

no idea of how my voice sounds. She thus hints that I have said

nothing as yet. And she laughs.

I join the laughter and am at a loss for words. I feel that I must

say something _significant_,—that the maidenly vision with the

beautiful childlike figure, who knows all my writings and has formed

a perfect image of me, is now waiting for deep and notable words to

issue from my lips. Nor do I desire to be insignificant. I don’t care

to utter plain, ordinary, pedestrian words. So I smile and wait for

her to speak further.

She looks about the room, resting her glance for a moment upon the

paintings that hang upon my walls. And soon she transfers her eyes

once more to me. Sharp, penetrating glances, with a great question in

them. And now there rises in her eyes a smile of subtle irony.

Because I do not inquire, she explains in her deep voice, she is

compelled to speak for herself. Why does one come to a famous

author? Naturally, she has for a long time desired to know me, but

without a special reason she would never have dared to come. Now,

however, she comes as to a doctor or a lawyer, on a professional

visit, for an opinion and for counsel. She has written something and

wishes to enjoy the criticism of an authority. Will I not take the

trouble?

I reply politely, very politely: “Certainly, with the greatest of

pleasure.”

She laughs. Oh, she does not believe that her piece will afford me

much pleasure. The very handwriting is impossible. Should I prefer,

perhaps, to have her read it to me?

I desire to hear the sound of her voice. But if she reads she will

look at the manuscript during the entire reading, and I’ll be unable

to see her eyes.

Then she adds, “But I read very badly. My reading is even worse than

my handwriting.” She laughs: she does not care to read, either. For

if she reads it now, I’ll express my opinion at once, and she will

have to arise, say “Good day,” and never call again. She would

rather leave the manuscript with me, and then she will come,—yes,

she will really _come_ and hear the answer. She does not wish it

by mail. She will certainly have a number of questions to ask. She

would prefer to come,—and since, naturally, I shall not have read her

manuscript through, she will have to call again and again....

She deposits upon my desk a small manuscript. For the first time I

see her hand. A wee little hand,—white, tender skin, through which

the lines of the joints are visible.

I take the manuscript, glance at the title-page, peep at the

beginning and at the middle, and feel her deep black eyes upon

me. And as I raise my head I encounter her glances with the great

question in them, and also the subtle irony.

* * * * *

Something taps at my window. And now it miaows. I know that a cat

has taken refuge upon my window-sill from the endless downpour. I am

certain of it, yet I arise from my chair and walk over to take a

look. This furnishes some distraction from my thoughts. And an excuse

for moving. My feet are like ice.

I raise the shade and shudder with fright. A large black cat

is looking up at me from the outer darkness, with her burning,

phosphorescent eyes. I hate a black cat. Not that I am superstitious,

yet in my memory and my nerves there is a residue of everything that

superstition has created concerning black cats. I rap at the window

to drive her away. But she pays little heed to my rapping. She turns

around, selects a comfortable spot and lies down. I am on the point

of opening the window and thrusting her into the street below, but I

don’t care to touch her. I take pity on her, too. Outside the rain is

still falling, falling. Let her lie and rest on a dry spot. Who cares?

Temptations · 第 55 / 91 题