CHAPTER XII

DICK KEEPS HIS PROMISE

Twinkling points of light that pierced the darkness lower down the hill

marked the colored laborers' camp, and voices came up faintly through the

still air. The range cut off the land breeze, though now and then a

wandering draught flickered down the hollow spanned by the dam, and a

smell of hot earth and damp jungle hung about the veranda of Dick's iron

shack. He sat near a lamp, with a drawing-board on his knee, while Jake

lounged in a canvas chair, smoking and occasionally glancing at the sheet

of figures in his hand. His expression was gloomily resigned.

"I suppose you'll have things ready for us in the morning," Dick said

presently.

"François' accounts are checked and I'm surprised to find them right,

but I imagine the other calculations will not be finished. Anyhow, it

won't make much difference whether they are or not. I guess you know

that!"

"Well, of course, if you can't manage to do the lot----"

"I don't say it's impossible," Jake rejoined. "But beginning work before

breakfast is bad enough, without going on after dinner. Understand that I

don't question your authority to find me a job at night; it's your object

that makes me kick."

"We want the calculations made before we set the boys to dig."

"Then why didn't you give me them when I was doing nothing this

afternoon?" Jake inquired.

"I hadn't got the plans ready."

"Just so. You haven't had things ready for me until after dinner all this

week. As you're a methodical fellow that's rather strange. Still, if you

really want the job finished, I'll have to do my best, but I'm going out

first for a quarter of an hour."

"You needn't," Dick said dryly. "If you mean to tell the engineer not to

wait, he's gone. I sent him off some time since."

"Of course you had a right to send him off," Jake replied in an injured

tone. "But I don't quite think----"

"You know what your father pays for coal. Have you reckoned what it costs

to keep a locomotive two or three hours for the purpose of taking you to

Santa Brigida and back?"

"I haven't, but I expect the old man wouldn't stand for my running a

private car," Jake admitted. "However, it's the only way of getting into

town."

"You were there three nights last week. What's more, you tried to draw

your next month's wages. That struck me as significant, though I'd

fortunately provided against it."

"So I found out. I suppose I ought to be grateful for your thoughtfulness

but can't say I am. I wanted the money because I had a run of wretched

luck."

"At the casino?"

"No," said Jake, shortly.

"Then you were at Kenwardine's; I'll own that's what I wanted to prevent.

He's a dangerous man and his house is no place for you."

"One would hardly expect you to speak against him. Considering

everything, it's perhaps not quite in good taste."

Dick put down the drawing-board and looked at him steadily. "It's very

bad taste. In fact, I find myself in a very awkward situation. Your

father gave me a fresh start when I needed it badly, and agreed when your

sister put you in my charge."

"Ida's sometimes a bit officious," Jake remarked.

"Well," Dick continued, "I promised to look after you, and although I

didn't know what I was undertaking, the promise must be kept. It's true

that Kenwardine afterwards did me a great service; but his placing me

under an obligation doesn't relieve me from the other, which I'd incurred

first."

Somewhat to his surprise, Jake nodded agreement. "No, not from your point

of view. But what makes you think Kenwardine _is_ dangerous?"

"I can't answer. You had better take it for granted that I know what I'm

talking about, and keep away from him."

"As a matter of fact, it was Miss Kenwardine to whom you owed most," Jake

said meaningly. "Do you suggest that she's dangerous, too?"

Dick frowned and his face got red, but he said nothing, and Jake resumed:

"There's a mystery about the matter and you know more than you intend to

tell; but if you blame the girl for anything, you're absolutely wrong. If

you'll wait a minute, I'll show you what I mean."

He went into the shack and came back with a drawing-block which he stood

upon the table under the lamp, and Dick saw that it was a water-color

portrait of Clare Kenwardine. He did not know much about pictures, but it

was obvious that Jake had talent. The girl stood in the patio, with a

pale-yellow wall behind her, over which a vivid purple creeper trailed.

Her lilac dress showed the graceful lines of her slender figure against

the harmonious background, and matched the soft blue of her eyes and the

delicate white and pink of her skin. The patio was flooded with strong

sunlight, but the girl looked strangely fresh and cool.

"I didn't mean to show you this, but it's the best way of explaining what

I think," Jake said with some diffidence. "I'm weak in technique, because

I haven't been taught, but I imagine I've got sensibility. It's plain

that when you paint a portrait you must study form and color, but there's

something else that you can only feel. I don't mean the character that's

expressed by the mouth and eyes; it's something vague and elusive that

psychologists give you a hint of when they talk about the _aura_. Of

course you can't paint it, but unless it, so to speak, glimmers through

the work, your portrait's dead."

"I don't quite understand; but sometimes things do give you an impression

you can't analyze," Dick replied.

"Well, allowing for poor workmanship, all you see here's harmonious. The

blues and purples and yellows tone, and yet, if I've got the hot glare of

the sun right, you feel that the figure's exotic and doesn't belong to

the scene. The latter really needs an olive-skinned daughter of the

passionate South; but the girl I've painted ought to walk in the

moonlight through cool forest glades."

Dick studied the picture silently, for he remembered with disturbing

emotion that he had felt what Jake suggested when he first met Clare

Kenwardine. She was frank, but somehow remote and aloof; marked by a

strange refinement he could find no name for. He was glad that Jake did

not seem to expect him to speak, but after a few moments the latter

wrapped up the portrait and took it away. When he came back he lighted a

cigarette.

"Now," he said, "do you think it's sensible to distrust a girl like that?

Admitting that her father makes a few dollars by gambling, can you

believe that living with him throws any taint on her?"

Dick hesitated. Clare had stolen his papers. This seemed impossible, but

it was true. Yet when he looked up he answered as his heart urged him:

"No. It sounds absurd."

"It is absurd," Jake said firmly.

Neither spoke for the next minute, and then Dick frowned at a disturbing

thought. Could the lad understand Clare so well unless he loved her?

"That picture must have taken some time to paint. Did Miss Kenwardine

often pose for you?"

"No," said Jake, rather dryly; "in fact, she didn't really pose at all. I

had trouble to get permission to make one or two quick sketches, and

worked up the rest from memory."

"Yet she let you sketch her. It was something of a privilege."

Jake smiled in a curious way. "I think I see what you mean. Miss

Kenwardine likes me, but although I've some artistic taste, I'm frankly

flesh and blood; and that's not quite her style. She finds me a little

more in harmony with her than the rest, but this is all. Still, it's

something to me. Now you understand matters, perhaps you won't take so

much trouble to keep me out of Santa Brigida."

"I'll do my best to keep you away from Kenwardine," Dick declared.

"Very well," Jake answered with a grin. "You're quite a good sort, though

you're not always very smart, and I can't blame you for doing what you

think is your duty."

Then he set to work on his calculations and there was silence on the

veranda.

Dick kept him occupied for the next week, and then prudently decided not

to press the lad too hard by finding him work that obviously need not be

done. If he was to preserve his power, it must be used with caution. The

first evening Jake was free he started for Santa Brigida, though as there

was no longer a locomotive available, he got two laborers to take him

down the line on a hand-car. After that he had some distance to walk and

arrived at Kenwardine's powdered with dust. It was a hot night and he

found Kenwardine and three or four others in the patio.

A small, shaded lamp stood upon the table they had gathered round, and

the light sparkled on delicate green glasses and a carafe of wine. It

touched the men's white clothes, and then, cut off by the shade, left

their faces in shadow and fell upon the tiles. A colored paper lantern,

however, hung from a wire near an outside staircase and Jake saw Clare a

short distance away. It looked as if she had stopped in crossing the

patio, but as he came forward Kenwardine got up.

"It's some time since we have seen you," he remarked.

"Yes," said Jake. "I meant to come before, but couldn't get away."

"Then you have begun to take your business seriously?"

"My guardian does."

"Ah!" said Kenwardine, speaking rather louder, "if you mean Mr. Brandon,

I certainly thought him a serious person. But what has this to do with

your coming here?"

"He found me work that kept me busy evenings."

"With the object of keeping you out of mischief?"

"I imagine he meant something of the kind," Jake admitted with a chuckle.

He glanced round, and felt he had been too frank, as his eyes rested on

Clare. He could not see her face, but thought she was listening.

"Then it looks as if he believed we were dangerous people for you to

associate with," Kenwardine remarked, with a smile. "Well, I suppose

we're not remarkable for the conventional virtues."

Jake, remembering Dick had insisted that Kenwardine was dangerous, felt

embarrassed as he noted that Clare was now looking at him. To make things

worse, he thought Kenwardine had meant her to hear.

"I expect he really was afraid of my going to the casino," he answered as

carelessly as he could.

"Though he would not be much relieved to find you had come to my house

instead? Well, I suppose one must make allowances for the Puritan

character."

"Brandon isn't much of a Puritan, and he's certainly not a prig," Jake

objected.

Kenwardine laughed. "I'm not sure this explanation makes things much

better, but we'll let it go. We were talking about the new water supply.

It's a harmless subject and you ought to be interested."

Jake sat down and stole a glance at Clare as he drank a glass of wine.

There was nothing to be learned from her face, but he was vexed with

Kenwardine, who had intentionally involved him in an awkward situation.

Jake admitted that he had not dealt with it very well. For all that, he

began to talk about the irrigation works and the plans for bringing water

to the town, and was relieved to see that Clare had gone when he next

looked round.

As a matter of fact, Clare had quietly stolen away and was sitting on a

balcony in the dark, tingling with anger and humiliation. She imagined

that she had banished Brandon from her thoughts and was alarmed to find

that he had still power to wound her. It had been a shock to learn he

believed that she had stolen his papers; but he had now warned his

companion against her father and no doubt herself. Jake's manner when

questioned had seemed to indicate this.

By and by she tried, not to make excuses for Brandon, but to understand

his point of view, and was forced to admit that it was not unreasonable.

Her father now and then allowed, or perhaps encouraged, his guests to

play for high stakes, and she had hated to see the evening gatherings of

extravagant young men at their house in England. Indeed, she had eagerly

welcomed the change when he had offered to take her abroad because

business necessitated his leaving the country. Things had been better at

Santa Brigida, but after a time the card playing had begun again. The men

who now came to their house were, however, of a different type from the

rather dissipated youths she had previously met. They were quieter and

more reserved; men of experience who had known adventure. Still, she

disliked their coming and had sometimes felt she must escape from a life

that filled her with repugnance. The trouble was that she did not know

where to find a refuge and could not force herself to leave her father,

who had treated her with good-humored indulgence.

Then she began to wonder what was the business that had brought him to

Santa Brigida. He did not talk about it, but she was sure it was not

gambling, as Brandon thought. No doubt he won some money from his

friends, but it could not be much and he must lose at times. She must

look for another explanation and it was hard to find. Men who did not

play cards came to the house in the daytime and occasionally late at

night, and Kenwardine, who wrote a good many letters, now and then went

away down the coast. There was a mystery about his occupation that

puzzled and vaguely alarmed her, and she could turn to nobody for advice.

She had refused her aunt's offer of a home and knew it would not be

renewed. They had cast her off and done with her. Getting up presently

with a troubled sigh, she went to her room.

In the meantime, Jake stayed in the patio with the others. A thin, dark

Spaniard, who spoke English well, and two Americans occupied the other

side of the table; a fat German sat nearly opposite the Spaniard and next

to Jake. The heat made them languid and nobody wanted to play cards,

although there was a pack on the table. This happened oftener than

Brandon thought.

"It's a depressing night and an enervating country," Kenwardine remarked.

"I wonder why we stay here as we do, since we're apt to leave it as poor

as when we came. The people are an unstable lot, and when you've spent

your time and energy developing what you hope is a profitable scheme,

some change of policy or leaders suddenly cuts it short."

"I guess that explains why we _are_ here," one of the Americans replied.

"The South is the home of the dramatic surprise and this appeals to us.

In the North, they act by rule and one knows, more or less, what will

happen; but this gives one no chances to bet upon."

The fat German nodded. "It is the gambler's point of view. You people

take with pleasure steep chances, as they say, but mine act not so. The

system is better. One calculates beforehand what may happen and it is

provided for. If things do not go as one expects, one labors to change

them, and when this is not possible adopts an alternative plan."

"But there always is a plan, Señor Richter!" the Spaniard remarked.

Richter smiled. "With us, I think that is true. Luck is more fickle than

a woman and we like not the surprise. But our effort is to be prepared

for it."

"You're a pretty hard crowd to run up against," said the other American.

Jake, who had taken no part in the recent talk, and leaned languidly back

in his chair, turned his head as he heard footsteps in the patio. They

were quick and decided, as if somebody was coming straight towards the

table, but they stopped suddenly. This seemed strange and Jake, who had

caught a glimpse of a man in white clothes, looked round to see if

Kenwardine had made him a sign. The latter, however, was lighting his

pipe, but the Spaniard leaned forward a little, as if trying to see

across the patio. Jake thought he would find this difficult with the

light of the lamp in his eyes, but Richter, who sat opposite, got up and

reached across the table.

"With excuses, Don Sebastian, but the wine is on your side," he said, and

filled his glass from the decanter before he sat down.

In the meantime the man who had come in was waiting, but seemed to have

moved, because Jake could only see an indistinct figure in the gloom.

"Is that you, Enrique?" Kenwardine asked when he had lighted his pipe.

"_Sí, señor_," a voice answered, and Kenwardine made a sign of

dismissal.

"_Bueno!_ You can tell me about it to-morrow. I am engaged now."

The footsteps began again and when they died away Kenwardine picked up

the cards.

"Shall we play for half an hour?" he asked.

The others agreed, but the stakes were moderate and nobody took much

interest in the game; and Jake presently left the house without seeing

anything more of Clare. He felt he had wasted the evening, but as he

walked back to the line he thought about the man whom Kenwardine had sent

away. He did not think the fellow was one of the servants, and it seemed

strange that Richter should have got up and stood in front of Don

Sebastian when the latter was trying to see across the patio. Still,

there was no apparent reason why the Spaniard should want to see who had

come in, and Jake dismissed the matter.

Brandon of the Engineers · 第 12 / 32 章