He decided against his dressing-table as being too intimate a place for

it, and so carried the picture on from his bedroom to the dining-room

beyond, where he set it among his silver on the sideboard. But so

little of his time was spent in this room that he concluded he would

derive but little pleasure from it there, and so bore it back again into

his library, where there were many other photographs and portraits, and

where to other eyes than his own it would be less conspicuous.

He tried it first in one place and then in another; but in each position

the picture predominated and asserted itself so markedly, that Stuart

gave up the idea of keeping it inconspicuous, and placed it prominently

over the fire-place, where it reigned supreme above every other object

in the room. It was not only the most conspicuous object there, but the

living quality which it possessed in so marked a degree, and which was

due to its naturalness of pose and the excellence of the likeness, made

it permeate the place like a presence and with the individuality of a

real person. Stuart observed this effect with amused interest, and noted

also that the photographs of other women had become commonplace in

comparison like lithographs in a shop window, and that the more

masculine accessories of a bachelor's apartment had grown suddenly

aggressive and out of keeping. The liquor case and the racks of arms

and of barbarous weapons which he had collected with such pride seemed

to have lost their former value and meaning, and he instinctively began

to gather up the mass of books and maps and photographs and pipes and

gloves which lay scattered upon the table, and to put them in their

proper place, or to shove them out of sight altogether. "If I'm to live

up to that picture," he thought, "I must see that George keeps this room

in better order--and I must stop wandering round here in my bath-robe."

His mind continued on the picture while he was dressing, and he was so

absorbed in it and in analyzing the effect it had had upon him, that his

servant spoke twice before he heard him.

"No," he answered, "I shall not dine here to-night." Dining at home was

with him a very simple affair, and a somewhat lonely one, and he avoided

it almost nightly by indulging himself in a more expensive fashion.

But even as he spoke an idea came to Stuart which made him reconsider

his determination, and which struck him as so amusing, that he stopped

pulling at his tie and smiled delightedly at himself in the glass before

him.

"Yes," he said, still smiling, "I will dine here to-night. Get me

anything in a hurry. You need not wait now; go get the dinner up as soon

as possible."

The effect which the photograph of Miss Delamar had upon him, and the

transformation it had accomplished in his room, had been as great as

would have marked the presence there of the girl herself. While

considering this it had come to Stuart, like a flash of inspiration,

that here was a way by which he could test the responsibilities and

conditions of married life without compromising either himself, or the

girl to whom he would suppose himself to be married.

"I will put that picture at the head of the table," he said, "and I will

play that it is she herself, her own, beautiful, lovely self, and I will

talk to her and exchange views with her, and make her answer me just as

she would were we actually married and settled." He looked at his watch

and found it was just seven o'clock. "I will begin now," he said, "and

I will keep up the delusion until midnight. To-night is the best time to

try the experiment because the picture is new now, and its influence

will be all the more real. In a few weeks it may have lost some of its

freshness and reality and will have become one of the fixtures in the

room."

Stuart decided that under these new conditions it would be more pleasant

to dine at Delmonico's, and he was on the point of asking the Picture

what she thought of it, when he remembered that while it had been

possible for him to make a practice of dining at that place as a

bachelor, he could not now afford so expensive a luxury, and he decided

that he had better economize in that particular and go instead to one of

the table d'hôte restaurants in the neighborhood. He regretted not

having thought of this sooner, for he did not care to dine at a table

d'hôte in evening dress, as in some places it rendered him conspicuous.

So, sooner than have this happen he decided to dine at home, as he had

originally intended when he first thought of attempting this experiment,

and then conducted the picture into dinner and placed her in an

armchair facing him, with the candles full upon the face.

"Now this is something like," he exclaimed, joyously. "I can't imagine

anything better than this. Here we are all to ourselves with no one to

bother us, with no chaperone, or chaperone's husband either, which is

generally worse. Why is it, my dear," he asked gayly, in a tone that he

considered affectionate and husbandly, "that the attractive chaperones

are always handicapped by such stupid husbands, and vice versa?"

"If that is true," replied the Picture, or replied Stuart, rather, for

the picture, "I cannot be a very attractive chaperone." Stuart bowed

politely at this, and then considered the point it had raised as to

whether he had, in assuming both characters, the right to pay himself

compliments. He decided against himself in this particular instance, but

agreed that he was not responsible for anything the Picture might say,

so long as he sincerely and fairly tried to make it answer him as he

thought the original would do under like circumstances. From what he

knew of the original under other conditions, he decided that he could

give a very close imitation of her point of view.

Stuart's interest in his dinner was so real that he found himself

neglecting his wife, and he had to pull himself up to his duty with a

sharp reproof. After smiling back at her for a moment or two until his

servant had again left them alone, he asked her to tell him what she had

been doing during the day.

"Oh, nothing very important," said the Picture. "I went shopping in the

morning and--"

Stuart stopped himself and considered this last remark doubtfully. "Now,

how do I know she would go shopping?" he asked himself. "People from

Harlem and women who like bargain counters, and who eat chocolate

meringue for lunch, and then stop in at a continuous performance, go

shopping. It must be the comic paper sort of wives who go about matching

shades and buying hooks and eyes. Yes, I must have made Miss Delamar's

understudy misrepresent her. I beg your pardon, my dear," he said aloud

to the Picture. "You did _not_ go shopping this morning. You probably

went to a woman's luncheon somewhere. Tell me about that."

"Oh, yes, I went to lunch with the Antwerps," said the Picture, "and

they had that Russian woman there who is getting up subscriptions for

the Siberian prisoners. It's rather fine of her because it exiles her

from Russia. And she is a princess."

"That's nothing," Stuart interrupted, "they're all princesses when you

see them on Broadway."

"I beg your pardon," said the Picture.

"It's of no consequence," said Stuart, apologetically, "it's a comic

song. I forgot you didn't like comic songs. Well--go on."

"Oh, then I went to a tea, and then I stopped in to hear Madame Ruvier

read a paper on the Ethics of Ibsen, and she--"

Stuart's voice had died away gradually, and he caught himself wondering

whether he had told George to lay in a fresh supply of cigars. "I beg

your pardon," he said, briskly, "I was listening, but I was just

wondering whether I had any cigars left. You were saying that you had

been at Madame Ruvier's, and--"

"I am afraid that you were not interested," said the Picture. "Never

mind, it's my fault. Sometimes I think I ought to do things of more

interest, so that I should have something to talk to you about when you

come home."

Stuart wondered at what hour he would come home now that he was married.

As a bachelor he had been in the habit of stopping on his way up town

from the law office at the club, or to take tea at the houses of the

different girls he liked. Of course he could not do that now as a

married man. He would instead have to limit his calls to married women,

as all the other married men of his acquaintance did. But at the moment

he could not think of any attractive married women who would like his

dropping in on them in such a familiar manner, and the other sort did

not as yet appeal to him.

He seated himself in front of the coal-fire in the library, with the

Picture in a chair close beside him, and as he puffed pleasantly on his

cigar he thought how well this suited him, and how delightful it was to

find content in so simple and continuing a pleasure. He could almost

feel the pressure of his wife's hand as it lay in his own, as they sat

in silent sympathy looking into the friendly glow of the fire.

There was a long pleasant pause.

"They're giving Sloane a dinner to-night at the 'Travellers'," Stuart

said at last, "in honor of his going to Abyssinia."

Stuart pondered for some short time as to what sort of a reply Miss

Delamar's understudy ought to make to this innocent remark. He recalled

the fact that on numerous occasions the original had shown not only a

lack of knowledge in far-away places, but what was more trying, a lack

of interest as well. For the moment he could not see her robbed of her

pretty environment and tramping through undiscovered countries at his

side. So the Picture's reply, when it came, was strictly in keeping with

several remarks which Miss Delamar herself had made to him in the past.

"Yes," said the Picture, politely, "and where is Abyssinia--in India,

isn't it?"

"No, not exactly," corrected Stuart, mildly; "you pass it on your way to

India, though, as you go through the Red Sea. Sloane is taking

Winchesters with him and a double express and a 'five fifty.' He wants

to test their penetration. I think myself that the express is the best,

but he says Selous and Chanler think very highly of the Winchester. I

don't know, I never shot a rhinoceros. The time I killed that elephant,"

he went on, pointing at two tusks that stood with some assegais in a

corner, "I used an express, and I had to let go with both barrels. I

suppose, though, if I'd needed a third shot I'd have wished it was a

Winchester. He was charging the smoke, you see, and I couldn't get away

because I'd caught my foot--but I told you about that, didn't I?" Stuart

interrupted himself to ask politely.

"Yes," said the Picture, cheerfully, "I remember it very well; it was

very foolish of you."

Stuart straightened himself with a slightly injured air and avoided the

Picture's eye. He had been stopped midway in what was one of his

favorite stories, and it took a brief space of time for him to recover

himself, and to sink back again into the pleasant lethargy in which he

had been basking.

"Still," he said, "I think the express is the better gun."

"Oh, is an 'express' a gun?" exclaimed the Picture, with sudden

interest. "Of course, I might have known."

Stuart turned in his chair and surveyed the Picture in some surprise.

"But, my dear girl," he remonstrated kindly, "why didn't you ask, if you

didn't know what I was talking about. What did you suppose it was?"

"I didn't know," said the Picture, "I thought it was something to do

with his luggage. Abyssinia sounds so far away," she explained, smiling

sweetly. "You can't expect one to be interested in such queer places,

can you?"

"No," Stuart answered, reluctantly, and looking steadily at the fire, "I

suppose not. But you see, my dear," he said, "I'd have gone with him, if

I hadn't married you, and so I am naturally interested in his outfit.

They wanted me to make a comparative study of the little

semi-independent states down there, and of how far the Italian

government allows them to rule themselves. That's what I was to have

done."

But the Picture hastened to reassure him. "Oh, you mustn't think," she

exclaimed, quickly, "that I mean to keep you at home. I love to travel,

too. I want you to go on exploring places just as you've always done,

only now I will go with you. We might do the Cathedral towns, for

instance."

"The what!" gasped Stuart, raising his head. "Oh, yes, of course," he

added, hurriedly, sinking back into his chair with a slightly bewildered

expression. "That would be very nice. Perhaps your mother would like to

go too; it's not a dangerous expedition, is it? I _was_ thinking of

taking you on a trip through the South Seas--but I suppose the Cathedral

towns are just as exciting. Or we might even penetrate as far into the

interior as the English lakes and read Wordsworth and Coleridge as we

go."

Miss Delamar's understudy observed him closely for a moment, but he made

no sign, and so she turned her eyes again to the fire with a slightly

troubled look. She had not a strong sense of humor, but she was very

beautiful.

Stuart's conscience troubled him for the next few moments, and he

endeavored to make up for his impatience of the moment before, by

telling the Picture how particularly well she was looking.

"It seems almost selfish to keep it all to myself," he mused.

"You don't mean," inquired the Picture, with tender anxiety, "that you

want any one else here, do you? I'm sure I could be content to spend

every evening like this. I've had enough of going out and talking to

people I don't care about. Two seasons," she added, with the superior

air of one who has put away childish things, "was quite enough of it for

me."

"Well, I never took it as seriously as that," said Stuart, "but, of

course, I don't want any one else here to spoil our evening. It is

perfect."

He assured himself that it _was_ perfect, but he wondered what was the

loyal thing for a married couple to do when the conversation came to a

dead stop. And did the conversation come to a stop because they

preferred to sit in silent sympathy and communion, or because they had

nothing interesting to talk about? Stuart doubted if silence was the

truest expression of the most perfect confidence and sympathy. He

generally found when he was interested, that either he or his companion

talked all the time. It was when he was bored that he sat silent. But it

was probably different with married people. Possibly they thought of

each other during these pauses, and of their own affairs and interests,

and then he asked himself how many interests could one fairly retain

with which the other had nothing to do?

"I suppose," thought Stuart, "that I had better compromise and read

aloud. Should you like me to read aloud?" he asked, doubtfully.

The Picture brightened perceptibly at this, and said that she thought

that would be charming. "We might make it quite instructive," she

suggested, entering eagerly into the idea. "We ought to agree to read so

many pages every night. Suppose we begin with Guizot's 'History of

France.' I have always meant to read that, the illustrations look so

interesting."

"Yes, we might do that," assented Stuart, doubtfully. "It is in six

volumes, isn't it? Suppose now, instead," he suggested, with an

impartial air, "we begin that to-morrow night, and go this evening to

see Seldon's new play, 'The Fool and His Money.' It's not too late, and

he has saved a box for us, and Weimer and Rives and Sloane will be

there, and--"

The Picture's beautiful face settled for just an instant in an

expression of disappointment. "Of course," she replied slowly, "if you

wish it. But I thought you said," she went on with a sweet smile, "that

this was perfect. Now you want to go out again. Isn't this better than a

hot theatre? You might put up with it for one evening, don't you think?"

"Put up with it!" exclaimed Stuart, enthusiastically; "I could spend

every evening so. It was only a suggestion. It wasn't that I wanted to

go so much as that I thought Seldon might be a little hurt if I didn't.

But I can tell him you were not feeling very well, and that we will come

some other evening. He generally likes to have us there on the first

night, that's all. But he'll understand."

"Oh," said the Picture, "if you put it in the light of a duty to your

friend, of course we will go."

"Not at all," replied Stuart, heartily; "I will read something. I

should really prefer it. How would you like something of Browning's?"

"Oh, I read all of Browning once," said the Picture, "I think I should

like something new."

Stuart gasped at this, but said nothing, and began turning over the

books on the centre table. He selected one of the monthly magazines, and

choosing a story which neither of them had read, sat down comfortably in

front of the fire, and finished it without interruption and to the

satisfaction of the Picture and himself. The story had made the half

hour pass very pleasantly, and they both commented on it with interest.

"I had an experience once myself something like that," said Stuart, with

a pleased smile of recollection; "it happened in Paris"--he began with

the deliberation of a man who is sure of his story--"and it turned out

in much the same way. It didn't begin in Paris; it really began while we

were crossing the English Channel to--"

"Oh, you mean about the Russian who took you for some one else and had

you followed," said the Picture. "Yes, that was like it, except that in

your case nothing happened."

Stuart took his cigar from between his lips and frowned severely at the

lighted end for some little time before he spoke.

"My dear," he remonstrated, gently, "you mustn't tell me I've told you

all my old stories before. It isn't fair. Now that I'm married, you see,

I can't go about and have new experiences, and I've got to make use of

the old ones."

"Oh, I'm so sorry," exclaimed the Picture, remorsefully. "I didn't mean

to be rude. Please tell me about it. I should like to hear it again,

ever so much. I _should_ like to hear it again, really."

"Nonsense," said Stuart, laughing and shaking his head. "I was only

joking; personally I hate people who tell long stories. That doesn't

matter. I was thinking of something else."

He continued thinking of something else, which was, that though he had

been in jest when he spoke of having given up the chance of meeting

fresh experiences, he had nevertheless described a condition, and a

painfully true one. His real life seemed to have stopped, and he saw

himself in the future looking back and referring to it, as though it

were the career of an entirely different person, of a young man, with

quick sympathies which required satisfying, as any appetite requires

food. And he had an uncomfortable doubt that these many ever-ready

sympathies would rebel if fed on only one diet.

The Picture did not interrupt him in his thoughts, and he let his mind

follow his eyes as they wandered over the objects above him on the

mantle-shelf. They all meant something from the past,--a busy, wholesome

past which had formed habits of thought and action, habits he could no

longer enjoy alone, and which, on the other hand, it was quite

impossible for him to share with any one else. He was no longer to be

alone.

Stuart stirred uneasily in his chair and poked at the fire before him.

"Do you remember the day you came to see me," said the Picture,

sentimentally, "and built the fire yourself and lighted some girl's

letters to make it burn?"

"Yes," said Stuart, "that is, I _said_ that they were some girl's

letters. It made it more picturesque. I am afraid they were bills. I

should say I did remember it," he continued, enthusiastically. "You wore

a black dress and little red slippers with big black rosettes, and you

looked as beautiful as--as night--as a moonlight night."

The Picture frowned slightly.

"You are always telling me about how I looked," she complained; "can't

you remember any time when we were together without remembering what I

had on and how I appeared?"

"I cannot," said Stuart, promptly. "I can recall lots of other things

besides, but I can't forget how you looked. You have a fashion of

emphasizing episodes in that way which is entirely your own. But, as I

say, I can remember something else. Do you remember, for instance, when

we went up to West Point on that yacht? Wasn't it a grand day, with the

autumn leaves on both sides of the Hudson, and the dress parade, and the

dance afterward at the hotel?"

"Yes, I should think I did," said the Picture, smiling. "You spent all

your time examining cannon, and talking to the men about 'firing in

open order,' and left me all alone."

"Left you all alone! I like that," laughed Stuart; "all alone with about

eighteen officers."

"Well, but that was natural," returned the Picture. "They were men. It's

natural for a girl to talk to men, but why should a man want to talk to

men?"

"Well, I know better than that now," said Stuart.

He proceeded to show that he knew better by remaining silent for the

next half hour, during which time he continued to wonder whether this

effort to keep up a conversation was not radically wrong. He thought of

several things he might say, but he argued that it was an impossible

situation where a man had to make conversation with his own wife.

The clock struck ten as he sat waiting, and he moved uneasily in his

chair.

"What is it?" asked the Picture; "what makes you so restless?"

Stuart regarded the Picture timidly for a moment before he spoke. "I was

just thinking," he said, doubtfully, "that we might run down after all,

and take a look in at the last act; it's not too late even now. They're

sure to run behind on the first night. And then," he urged, "we can go

around and see Seldon. You have never been behind the scenes, have you?

It's very interesting."

"No, I have not, but if we do," remonstrated the Picture, pathetically,

"you _know_ all those men will come trooping home with us. You know they

will."

"But that's very complimentary," said Stuart. "Why, I like my friends to

like my wife."

"Yes, but you know how they stay when they get here," she answered; "I

don't believe they ever sleep. Don't you remember the last supper you

gave me before we were married, when Mrs. Starr and you all were

discussing Mr. Seldon's play? She didn't make a move to go until half

past two, and I was _that_ sleepy, I couldn't keep my eyes open."

"Yes," said Stuart, "I remember. I'm sorry. I thought it was very

interesting. Seldon changed the whole second act on account of what she

said. Well, after this," he laughed with cheerful desperation, "I think

I shall make up for the part of a married man in a pair of slippers and

a dressing-gown, and then perhaps I won't be tempted to roam abroad at

night."

"You must wear the gown they are going to give you at Oxford," said the

Picture, smiling placidly. "The one Aunt Lucy was telling me about. Why

do they give you a gown?" she asked. "It seems such an odd thing to do."

"The gown comes with the degree, I believe," said Stuart.

"But why do they give _you_ a degree?" persisted the Picture; "you never

studied at Oxford, did you?"

Stuart moved slightly in his chair and shook his head. "I thought I told

you," he said, gently. "No, I never studied there. I wrote some books

on--things, and they liked them."

"Oh, yes, I remember now, you did tell me," said the Picture; "and I

told Aunt Lucy about it, and said we would be in England during the

season, when you got your degree, and she said you must be awfully

clever to get it. You see--she does appreciate you, and you always

treat her so distantly."

"Do I?" said Stuart; quietly; "I'm sorry."

"Will you have your portrait painted in it?" asked the Picture.

"In what?"

"In the gown. You are not listening," said the Picture, reproachfully.

"You ought to. Aunt Lucy says it's a beautiful shade of red silk, and

very long. Is it?"

"I don't know," said Stuart, he shook his head, and dropping his chin

into his hands, stared coldly down into the fire. He tried to persuade

himself that he had been vainglorious, and that he had given too much

weight to the honor which the University of Oxford would bestow upon

him; that he had taken the degree too seriously, and that the Picture's

view of it was the view of the rest of the world. But he could not

convince himself that he was entirely at fault.

"Is it too late to begin on Guizot?" suggested his Picture, as an

alternative to his plan. "It sounds so improving."

"Yes, it is much too late," answered Stuart, decidedly. "Besides, I

don't want to be improved. I want to be amused, or inspired, or

scolded. The chief good of friends is that they do one of these three

things, and a wife should do all three."

"Which shall I do?" asked the Picture, smiling good-humoredly.

Cinderella, and Other Stories · 第 2 / 9 段