OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

The title, somewhat puzzling at first, which Miss F.E. MILLS YOUNG has

given to her latest story, _The Almonds of Life_ (HODDER AND STOUGHTON),

turns out to be based upon a Chinese proverb to the effect that "almonds

came to those who have no teeth." This rather devastating sample of

philosophy (which I have put by for use against the next person who

attempts to work off upon me the adage about those who wait) forms the text

of a well-told tale of misplaced affections. As you may expect, if you know

Miss YOUNG'S former work, it is a South African story, not concerned

however with Boers and natives and the trackless veld, but with coastwise

civilization and suburban garden-parties. As before, the author excellently

conveys the place-feeling, so well indeed that I was sorry when the love

intrigues of the two protagonists necessitated their quitting Africa for a

more conventional Italian setting. I may summarise the plot by telling you

that the particular almond that fell too late to the heroine was somebody

else's husband. But it wasn't so much that she was unable to eat him as

that he proved indigestible when swallowed. The lady was _Gerda_, young and

dazzling bride of the middle-aged _Fred Wooten_, and the gentleman one of

her husband's closest friends, also (before the arrival of _Gerda_) happily

married to a wife whom I found the most attractive person in the book. I

need not further detail the crooked course of untrue love, though I may

hint at a fault in balance, where your sympathy, previously and rightly

enlisted for poor betrayed _Fred_, is demanded for _Gerda_ in her

difficulty with the almond. As usual, Miss YOUNG unfolds her plot with

admirable directness, chiefly through a natural and unforced dialogue, so

easy that it disguises its own art.

* * * * *

If any reasonable man still possesses a grain of sympathy with Bolshevism I

invite him to purge himself by reading _With the "Die-Hards" in Siberia_

(CASSELL). In August, 1918, Colonel JOHN WARD, M.P., reached Vladivostok in

command of the 25th Battalion Middlesex Regiment, and from the time of his

arrival until his departure nearly a year later his position was almost

grotesquely difficult. Of our Allies in Siberia and of their policy he

writes with justifiable frankness. Our own is not excused, but he lets us

clearly see that however ineffectual it may have been there was honesty of

purpose underlying it. In the medley of confusion which prevailed we were

lucky to have in Colonel WARD as senior British officer a man who was not

afraid to shoulder his responsibility. Under conditions so exasperating

that anyone might have been excused if he had been overwhelmed with anger

and bewilderment he was resolved to uphold our prestige. Upon the

Bolshevist horrors in Siberia he does not dwell, but he says enough in

passing to make one shudder. Colonel WARD is a true friend of Russia. "This

great people are bound to recover, and become all the stronger for their

present trials," are the concluding words of his preface. That this

prophecy may come true must be the prayer of all of us who remember what we

owed to Russia during the earlier part of the War.

* * * * *

It was perhaps my misfortune that, not having read the book in which Mr.

EDGAR RICE BURROUGHS recorded the earlier adventures of his hero, _John

Carter_, in the red planet Mars, when that gentleman precipitated himself

thither (from the banks of the Hudson, of all places), I found myself in

more senses than one out of my element. Not that it really matters; since

the Martian existence of _Mr. Carter_ was apparently of that wild and

whirling character, familiar to patrons of the Continuous Programme, in

which one thrill follows upon another so fast that their precise order

becomes of small moment. When I tell you that the opening chapters of this

remarkable nightmare--_The Gods of Mars_ (METHUEN)--contain monsters with

one white eye and mouths in their hands, flying pirates, an air-ship that

sinks down a volcano, an ageless witch who--but why continue? The

publishers call these happenings "bold;" but this is a pitiful

understatement. Really they are of a character to make the wildest

imaginings of JULES VERNE, friend of my youth, or Mr. WELLS, companion of

my riper years, read like the peaceful annals of a country rectory. To

quote again from the publishers, "only the man who created _Tarzan_ could

write such stories." If _Tarzan_ were in any way comparable with the

present volume, it would perhaps not be unfair to add the corollary that

only those readers who appreciated the one could swallow the other.

Mercifully, Mr. BURROUGHS writes so continually at the top of his voice

that after a time the clatter comes to have an effect merely soporific.

* * * * *

Since Major-General Sir C.E. CALLWELL has, in _The Dardanelles_

(CONSTABLE), added a volume to a series called _Campaigns and Their

Lessons_, it is clear that he is writing mainly for military students, but

none the less at least one man in the street--meaning myself--has been

glad, after reading plenty of merely descriptive accounts of the Gallipoli

affair, to find a book that frankly and justifiably does lay claim to

technical proficiency. The exponents of vivid narrative, modestly

disclaiming expert knowledge, have been painfully liable to break off just

short of what one wanted most to know. They told us how things happened,

or, at any rate, how it seemed they happened, but the reason why of things

they had to leave to others. In this book we really do get at the why, and

even more the why not, of the magnificent failure. Of actual incident and

human interest General CALLWELL'S account, which in a sense is only

supplementary to the others, adds little to our previous knowledge. The

only point of the sort I picked up is his notice of the characteristic

reluctance shown by Anzacs to report themselves as sick when urged to do so

with a view to the gradual removal of troops without withdrawal of entire

units. It is hardly necessary to add that the author is an old literary

hand, with a pleasantly clear and luminous style of his own, though one is

free to admit he splits his infinitives almost as much as Sir IAN HAMILTON

split his forces, and with less justification.

* * * * *

In the very improving books which I had to read long ago the hero or

heroine usually had a cross to bear. They bore it with great fortitude, and

frequently died young. When therefore I opened Mr. JEROME K. JEROME'S _All

Roads Lead to Calvary_ (HUTCHINSON) I fancied I knew what to expect. I read

that _Joan Allway_ was possessed of remarkable beauty, a "Stevensonian

touch" and suitable introductions to editors and newspaper proprietors, and

that from the pulpit of a column in the evening Press, with her photograph

at the top, she attempted to reform the world. I don't know how the

photograph came out, but there was apparently no martyrdom so far.

Afterwards she began to encourage and inspire _Robert Phillips_, a Labour

M.P. and future Cabinet Minister, and at the same time to be kind to and

educate _Mrs. Phillips_, who was good-natured, vulgar and middle-aged.

Falling gradually in love with the politician, she withdrew only just in

time, nursed in a French hospital, married a journalist friend and settled

down happily with him to reform a little bit of the world at a time, and

that the part nearest to hand. And now I am left wondering what _Joan

Allway's_ cross was. Would avoiding the Divorce Court be counted the

roughest path of self-denial in a moral anecdote of to-day?

* * * * *

_Running Wild_ (SIMPKIN) is the expressive title of a collection of

child-memories by the late Mr. BERTRAM SMITH, whom readers of _Punch_ will

remember by the pseudonym "BIS." They can here learn from a sympathetic

little introduction by Mr. WARD MUIR under what conditions of a brave but

losing battle with ill-health this delicate and vivacious work was written.

When I say that these recollections (which I decline to call by any word

implying more artifice) illustrate their author, I give you their measure

for honesty and charm combined. Honesty first of all; Mr. SMITH'S young

barbarians running wild and, one conjectures, rapidly reducing their elders

to a like condition, have the compelling effect of unsentimental truth. Few

clouds of glory, for example, trail about the protagonists of "A Day," a

tribute to the joyous intoxication of a day-long orgie of naughtiness

deliberate and wholly unrepented. You will find much in these pages to

waken half-forgotten and perhaps secret pleasures. Thus there was for

me a personal echo in the rejection as a seaside entertainment of

castle-building and the ordered sequence of the tides in favour of the

infinitely more variable delight of running water and a sufficiency of mud.

Perhaps I have said enough to suggest the charm of an engaging volume,

itself a memorial of one whose kindly laughter will be missed by many.

* * * * *

[Illustration: _Young Alf._ "CHUCK IT, JIMMY. 'E AIN'T GOT A KIND FACE."]

Punch, or the London Charivari, Vol. 158, 1920-04-21 · 第 35 / 35 题