CHAPTER X

Carley’s edifice of hopes, dreams, aspirations, and struggles fell in

ruins about her. It had been built upon false sands. It had no ideal

for foundation. It had to fall.

Something inevitable had forced her confession to Rust. Dissimulation

had been a habit of her mind; it was more a habit of her class than

sincerity. But she had reached a point in her mental strife where she

could not stand before Rust and let him believe she was noble and

faithful when she knew she was neither. Would not the next step in this

painful metamorphosis of her character be a fierce and passionate

repudiation of herself and all she represented?

She went home and locked herself in her room, deaf to telephone and

servants. There she gave up to her shame. Scorned—despised—dismissed by

that poor crippled flame-spirited Virgil Rust! He had reverenced her,

and the truth had earned his hate. Would she ever forget his

look—incredulous—shocked—bitter—and blazing with unutterable contempt?

Carley Burch was only another Nell—a jilt—a mocker of the manhood of

soldiers! Would she ever cease to shudder at memory of Rust’s slight

movement of hand? Go! Get out of my sight! Leave me to my agony as you

left Glenn Kilbourne alone to fight his! Men such as I am do not want

the smile of your face, the touch of your hand! We gave for womanhood!

Pass on to lesser men who loved the fleshpots and who would buy your

charms! So Carley interpreted that slight gesture, and writhed in her

abasement.

Rust threw a white, illuminating light upon her desertion of Glenn. She

had betrayed him. She had left him alone. Dwarfed and stunted was her

narrow soul! To a man who had given all for her she had returned

nothing. Stone for bread! Betrayal for love! Cowardice for courage!

The hours of contending passions gave birth to vague, slow-forming

revolt.

She became haunted by memory pictures and sounds and smells of Oak

Creek Canyon. As from afar she saw the great sculptured rent in the

earth, green and red and brown, with its shining, flashing ribbons of

waterfalls and streams. The mighty pines stood up magnificent and

stately. The walls loomed high, shadowed under the shelves, gleaming in

the sunlight, and they seemed dreaming, waiting, watching. For what?

For her return to their serene fastnesses—to the little gray log cabin.

The thought stormed Carley’s soul.

Vivid and intense shone the images before her shut eyes. She saw the

winding forest floor, green with grass and fern, colorful with flower

and rock. A thousand aisles, glades, nooks, and caverns called her to

come. Nature was every woman’s mother. The populated city was a

delusion. Disease and death and corruption stalked in the shadows of

the streets. But her canyon promised hard work, playful hours, dreaming

idleness, beauty, health, fragrance, loneliness, peace, wisdom, love,

children, and long life. In the hateful shut-in isolation of her room

Carley stretched forth her arms as if to embrace the vision. Pale close

walls, gleaming placid stretches of brook, churning amber and white

rapids, mossy banks and pine-matted ledges, the towers and turrets and

ramparts where the eagles wheeled—she saw them all as beloved images

lost to her save in anguished memory.

She heard the murmur of flowing water, soft, low, now loud, and again

lulling, hollow and eager, tinkling over rocks, bellowing into the deep

pools, washing with silky seep of wind-swept waves the hanging willows.

Shrill and piercing and far-aloft pealed the scream of the eagle. And

she seemed to listen to a mocking bird while he mocked her with his

melody of many birds. The bees hummed, the wind moaned, the leaves

rustled, the waterfall murmured. Then came the sharp rare note of a

canyon swift, most mysterious of birds, significant of the heights.

A breath of fragrance seemed to blow with her shifting senses. The dry,

sweet, tangy canyon smells returned to her—of fresh-cut timber, of wood

smoke, of the cabin fire with its steaming pots, of flowers and earth,

and of the wet stones, of the redolent pines and the pungent cedars.

And suddenly, clearly, amazingly, Carley beheld in her mind’s sight the

hard features, the bold eyes, the slight smile, the coarse face of Haze

Ruff. She had forgotten him. But he now returned. And with memory of

him flashed a revelation as to his meaning in her life. He had appeared

merely a clout, a ruffian, an animal with man’s shape and intelligence.

But he was the embodiment of the raw, crude violence of the West. He

was the eyes of the natural primitive man, believing what he saw. He

had seen in Carley Burch the paraded charm, the unashamed and serene

front, the woman seeking man. Haze Ruff had been neither vile nor base

nor unnatural. It had been her subjection to the decadence of feminine

dress that had been unnatural. But Ruff had found her a lie. She

invited what she did not want. And his scorn had been commensurate with

the falsehood of her. So might any man have been justified in his

insult to her, in his rejection of her. Haze Ruff had found her unfit

for his idea of dalliance. Virgil Rust had found her false to the

ideals of womanhood for which he had sacrificed all but life itself.

What then had Glenn Kilbourne found her? He possessed the greatness of

noble love. He had loved her before the dark and changeful tide of war

had come between them. How had he judged her? That last sight of him

standing alone, leaning with head bowed, a solitary figure trenchant

with suggestion of tragic resignation and strength, returned to flay

Carley. He had loved, trusted, and hoped. She saw now what his hope had

been—that she would have instilled into her blood the subtle, red, and

revivifying essence of calling life in the open, the strength of the

wives of earlier years, an emanation from canyon, desert, mountain,

forest, of health, of spirit, of forward-gazing natural love, of the

mysterious saving instinct he had gotten out of the West. And she had

been too little too steeped in the indulgence of luxurious life too

slight-natured and pale-blooded! And suddenly there pierced into the

black storm of Carley’s mind a blazing, white-streaked thought—she had

left Glenn to the Western girl, Flo Hutter. Humiliated, and abased in

her own sight, Carley fell prey to a fury of jealousy.

She went back to the old life. But it was in a bitter, restless,

critical spirit, conscious of the fact that she could derive neither

forgetfulness nor pleasure from it, nor see any release from the habit

of years.

One afternoon, late in the fall, she motored out to a Long Island club

where the last of the season’s golf was being enjoyed by some of her

most intimate friends. Carley did not play. Aimlessly she walked around

the grounds, finding the autumn colors subdued and drab, like her mind.

The air held a promise of early winter. She thought that she would go

South before the cold came. Always trying to escape anything rigorous,

hard, painful, or disagreeable! Later she returned to the clubhouse to

find her party assembled on an inclosed porch, chatting and partaking

of refreshment. Morrison was there. He had not taken kindly to her late

habit of denying herself to him.

During a lull in the idle conversation Morrison addressed Carley

pointedly. “Well, Carley, how’s your Arizona hog-raiser?” he queried,

with a little gleam in his usually lusterless eyes.

“I have not heard lately,” she replied, coldly.

The assembled company suddenly quieted with a portent inimical to their

leisurely content of the moment. Carley felt them all looking at her,

and underneath the exterior she preserved with extreme difficulty,

there burned so fierce an anger that she seemed to have swelling veins

of fire.

“Queer how Kilbourne went into raising hogs,” observed Morrison. “Such

a low-down sort of work, you know.”

“He had no choice,” replied Carley. “Glenn didn’t have a father who

made tainted millions out of the war. He had to work. And I must differ

with you about its being low-down. No honest work is that. It is

idleness that is low down.”

“But so foolish of Glenn when he might have married money,” rejoined

Morrison, sarcastcally.

“The honor of soldiers is beyond your ken, Mr. Morrison.”

He flushed darkly and bit his lip.

“You women make a man sick with this rot about soldiers,” he said, the

gleam in his eye growing ugly. “A uniform goes to a woman’s head no

matter what’s inside it. I don’t see where your vaunted honor of

soldiers comes in considering how they accepted the let-down of women

during and after the war.”

“How could you see when you stayed comfortably at home?” retorted

Carley.

“All I could see was women falling into soldiers’ arms,” he said,

sullenly.

“Certainly. Could an American girl desire any greater happiness—or

opportunity to prove her gratitude?” flashed Carley, with proud uplift

of head.

“It didn’t look like gratitude to me,” returned Morrison.

“Well, it _was_ gratitude,” declared Carley, ringingly. “If women of

America did throw themselves at soldiers it was not owing to the moral

lapse of the day. It was woman’s instinct to save the race! Always, in

every war, women have sacrificed themselves to the future. Not vile,

but noble!... You insult both soldiers and women, Mr. Morrison. I

wonder—did any American girls throw themselves at _you?_”

Morrison turned a dead white, and his mouth twisted to a distorted

checking of speech, disagreeable to see.

“No, you were a slacker,” went on Carley, with scathing scorn. “You let

the other men go fight for American girls. Do you imagine one of them

will ever _marry_ you?... All your life, Mr. Morrison, you will be a

marked man—outside the pale of friendship with real American men and

the respect of real American girls.”

Morrison leaped up, almost knocking the table over, and he glared at

Carley as he gathered up his hat and cane. She turned her back upon

him. From that moment he ceased to exist for Carley. She never spoke to

him again.

Next day Carley called upon her dearest friend, whom she had not seen

for some time.

“Carley dear, you don’t look so very well,” said Eleanor, after

greetings had been exchanged.

“Oh, what does it matter how I look?” queried Carley, impatiently.

“You were so wonderful when you got home from Arizona.”

“If I was wonderful and am now commonplace you can thank your old New

York for it.”

“Carley, don’t you care for New York any more?” asked Eleanor.

“Oh, New York is all right, I suppose. It’s I who am wrong.”

“My dear, you puzzle me these days. You’ve changed. I’m sorry. I’m

afraid you’re unhappy.”

“Me? Oh, impossible! I’m in a seventh heaven,” replied Carley, with a

hard little laugh. “What ’re you doing this afternoon? Let’s go

out—riding—or somewhere.”

“I’m expecting the dressmaker.”

“Where are you going to-night?”

“Dinner and theater. It’s a party, or I’d ask you.”

“What did you do yesterday and the day before, and the days before

that?”

Eleanor laughed indulgently, and acquainted Carley with a record of her

social wanderings during the last few days.

“The same old things—over and over again! Eleanor don’t you get sick of

it?” queried Carley.

“Oh yes, to tell the truth,” returned Eleanor, thoughtfully. “But

there’s nothing else to do.”

“Eleanor, I’m no better than you,” said Carley, with disdain. “I’m as

useless and idle. But I’m beginning to see myself—and you—and all this

rotten crowd of ours. We’re no good. But you’re married, Eleanor.

You’re settled in life. You ought to _do something_. I’m single and at

loose ends. Oh, I’m in revolt!... Think, Eleanor, just think. Your

husband works hard to keep you in this expensive apartment. You have a

car. He dresses you in silks and satins. You wear diamonds. You eat

your breakfast in bed. You loll around in a pink dressing gown all

morning. You dress for lunch or tea. You ride or golf or worse than

waste your time on some lounge lizard, dancing till time to come home

to dress for dinner. You let other men make love to you. Oh, don’t get

sore. You do.... And so goes the round of your life. What good on earth

are you, anyhow? You’re just a—a gratification to the senses of your

husband. And at that you don’t see much of _him_.”

“Carley, how you rave!” exclaimed her friend. “What has gotten into you

lately? Why, everybody tells me you’re—you’re queer! The way you

insulted Morrison—how unlike you, Carley!”

“I’m glad I found the nerve to do it. What do you think, Eleanor?”

“Oh, I despise him. But you can’t say the things you feel.”

“You’d be bigger and truer if you did. Some day I’ll break out and flay

you and your friends alive.”

“But, Carley, you’re my friend and you’re just exactly like we are. Or

you were, quite recently.”

“Of course, I’m your friend. I’ve always loved you, Eleanor,” went on

Carley, earnestly. “I’m as deep in this—this damned stagnant muck as

you, or anyone. But I’m no longer _blind_. There’s something terribly

wrong with us women, and it’s not what Morrison hinted.”

“Carley, the only thing wrong with you is that you jilted poor

Glenn—and are breaking your heart over him still.”

“Don’t—don’t!” cried Carley, shrinking. “God knows that is true. But

there’s more wrong with me than a blighted love affair.”

“Yes, you mean the modern feminine unrest?”

“Eleanor, I positively hate that phrase ‘modern feminine unrest!’ It

smacks of ultra—ultra—Oh! I don’t know what. That phrase ought to be

translated by a Western acquaintance of mine—one Haze Ruff. I’d not

like to hurt your sensitive feelings with what he’d say. But this

unrest means speed-mad, excitement-mad, fad-mad, dress-mad, or I should

say _un_dress-mad, culture-mad, and Heaven only knows what else. The

women of our set are idle, luxurious, selfish, pleasure-craving, lazy,

useless, work-and-children shirking, absolutely no good.”

“Well, if we are, who’s to blame?” rejoined Eleanor, spiritedly. “Now,

Carley Burch, you listen to me. I think the twentieth-century girl in

America is the most wonderful female creation of all the ages of the

universe. I admit it. That is why we are a prey to the evils attending

greatness. Listen. Here is a crying sin—an infernal paradox. Take this

twentieth-century girl, this American girl who is the finest creation

of the ages. A young and healthy girl, the most perfect type of culture

possible to the freest and greatest city on earth—New York! She holds

absolutely an unreal, untrue position in the scheme of existence.

Surrounded by parents, relatives, friends, suitors, and instructive

schools of every kind, colleges, institutions, is she really happy, is

she really living?”

“Eleanor,” interrupted Carley, earnestly, “she is _not_.... And I’ve

been trying to tell you why.”

“My dear, let me get a word in, will you,” complained Eleanor. “You

don’t know it all. There are as many different points of view as there

are people.... Well, if this girl happened to have a new frock, and a

new beau to show it to, she’d say, ‘I’m the happiest girl in the

world.’ But she is nothing of the kind. Only she doesn’t know that. She

approaches marriage, or, for that matter, a more matured life, having

had too much, having been too well taken care of, _knowing too much_.

Her masculine satellites—father, brothers, uncles, friends, lovers—all

utterly spoil her. Mind you, I mean, girls like us, of the middle

class—which is to say the largest and best class of Americans. We are

spoiled.... This girl marries. And life goes on smoothly, as if its aim

was to exclude friction and effort. Her husband makes it too easy for

her. She is an ornament, or a toy, to be kept in a luxurious cage. To

soil her pretty hands would be disgraceful! Even if she can’t afford a

maid, the modern devices of science make the care of her four-room

apartment a farce. Electric dish-washer, clothes-washer,

vacuum-cleaner, and the near-by delicatessen and the caterer simply rob

a young wife of her housewifely heritage. If she has a baby—which

happens occasionally, Carley, in spite of your assertion—it very soon

goes to the kindergarten. Then what does she find to do with hours and

hours? If she is not married, what on earth _can_ she find to do?”

“She can work,” replied Carley, bluntly.

“Oh yes, she can, but she doesn’t,” went on Eleanor. “_You_ don’t work.

I never did. We both hated the idea. You’re calling spades spades,

Carley, but you seem to be riding a morbid, impractical thesis. Well,

our young American girl or bride goes in for being rushed or she goes

in for fads, the ultra stuff you mentioned. New York City gets all the

great artists, lecturers, and surely the great fakirs. The New York

women support them. The men laugh, but they furnish the money. They

take the women to the theaters, but they cut out the reception to a

Polish princess, a lecture by an Indian magician and mystic, or a

benefit luncheon for a Home for Friendless Cats. The truth is most of

our young girls or brides have a wonderful enthusiasm worthy of a

better cause. What is to become of their surplus energy, the

bottled-lightning spirit so characteristic of modern girls? Where is

the outlet for intense feelings? What use can they make of education or

of gifts? They just can’t, that’s all. I’m not taking into

consideration the new-woman species, the faddist or the reformer. I

mean normal girls like you and me. Just think, Carley. A girl’s every

wish, every need, is almost instantly satisfied without the slightest

effort on her part to obtain it. No struggle, let alone work! If women

crave to achieve something outside of the arts, you know, something

universal and helpful which will make men acknowledge her worth, if not

the equality, where is the opportunity?”

“Opportunities should be _made_,” replied Carley.

“There are a million sides to this question of the modern young

woman—the _fin-de-siècle_ girl. I’m for her!”

“How about the extreme of style in dress for this

remarkably-to-be-pitied American girl you champion so eloquently?”

queried Carley, sarcastically.

“Immoral!” exclaimed Eleanor with frank disgust.

“You admit it?”

“To my shame, I do.”

“Why do women wear extreme clothes? Why do you and I wear open-work

silk stockings, skirts to our knees, gowns without sleeves or bodices?”

“We’re slaves to fashion,” replied Eleanor, “That’s the popular

excuse.”

“Bah!” exclaimed Carley.

Eleanor laughed in spite of being half nettled. “Are you going to stop

wearing what all the other women wear—and be looked at askance? Are you

going to be dowdy and frumpy and old-fashioned?”

“No. But I’ll never wear anything again that can be called immoral. I

want to be able to say _why_ I wear a dress. You haven’t answered my

question yet. Why do you wear what you frankly admit is disgusting?”

“I don’t know, Carley,” replied Eleanor, helplessly. “How you harp on

things! We must dress to make other women jealous and to attract men.

To be a sensation! Perhaps the word ‘immoral’ is not what I mean. A

woman will be shocking in her obsession to attract, but hardly more

than that, if she knows it.”

“Ah! So few women realize how they actually do look. Haze Ruff could

tell them.”

“Haze Ruff. Who in the world is he or she?” asked Eleanor.

“Haze Ruff is a he, all right,” replied Carley, grimly.

“Well, who is he?”

“A sheep-dipper in Arizona,” answered Carley, dreamily.

“Humph! And what can Mr. Ruff tell us?”

“He told _me_ I looked like one of the devil’s angels—and that I

dressed to knock the daylights out of men.”

“Well, Carley Burch, if that isn’t rich!” exclaimed Eleanor, with a

peal of laughter. “I dare say you appreciate that as an original

compliment.”

“No.... I wonder what Ruff would say about jazz—I just wonder,”

murmured Carley.

“Well, I wouldn’t care what he said, and I don’t care what _you_ say,”

returned Eleanor. “The preachers and reformers and bishops and rabbis

make me sick. They rave about jazz. Jazz—the discordant note of our

decadence! Jazz—the harmonious expression of our musicless, mindless,

soulless materialism!—The idiots! If they could be women for a while

they would realize the error of their ways. But they will never, never

abolish jazz—_never_, for it is the grandest, the most wonderful, the

most absolutely necessary thing for women in this terrible age of

smotheration.”

“All right, Eleanor, we understand each other, even if we do not

agree,” said Carley. “You leave the future of women to chance, to life,

to materialism, not to their own conscious efforts. I want to leave it

to free will and idealism.”

“Carley, you are getting a little beyond me,” declared Eleanor,

dubiously.

“What are you going to _do?_ It all comes home to each individual

woman. Her attitude toward life.”

“I’ll drift along with the current, Carley, and be a good sport,”

replied Eleanor, smiling.

“You don’t care about the women and children of the future? You’ll not

deny yourself now, and think and work, and suffer a little, in the

interest of future humanity?”

“How you put things, Carley!” exclaimed Eleanor, wearily. “Of course I

care—when you make me think of such things. But what have _I_ to do

with the lives of people in the years to come?”

“Everything. America for Americans! While you dawdle, the life blood is

being sucked out of our great nation. It is a man’s job to fight; it is

a woman’s to save.... I think you’ve made your choice, though you don’t

realize it. I’m praying to God that I’ll rise to mine.”

Carley had a visitor one morning earlier than the usual or conventional

time for calls.

“He wouldn’t give no name,” said the maid. “He wears soldier clothes,

ma’am, and he’s pale, and walks with a cane.”

“Tell him I’ll be right down,” replied Carley.

Her hands trembled while she hurriedly dressed. Could this caller be

Virgil Rust? She hoped so, but she doubted.

As she entered the parlor a tall young man in worn khaki rose to meet

her. At first glance she could not name him, though she recognized the

pale face and light-blue eyes, direct and steady.

“Good morning, Miss Burch,” he said. “I hope you’ll excuse so early a

call. You remember me, don’t you? I’m George Burton, who had the bunk

next to Rust’s.”

“Surely I remember you, Mr. Burton, and I’m glad to see you,” replied

Carley, shaking hands with him. “Please sit down. Your being here must

mean you’re discharged from the hospital.”

“Yes, I was discharged, all right,” he said.

“Which means you’re well again. That is fine. I’m very glad.”

“I was put out to make room for a fellow in bad shape. I’m still shaky

and weak,” he replied. “But I’m glad to go. I’ve pulled through pretty

good, and it’ll not be long until I’m strong again. It was the ‘flu’

that kept me down.”

“You must be careful. May I ask where you’re going and what you expect

to do?”

“Yes, that’s what I came to tell you,” he replied, frankly. “I want you

to help me a little. I’m from Illinois and my people aren’t so badly

off. But I don’t want to go back to my home town down and out, you

know. Besides, the winters are cold there. The doctor advises me to go

to a little milder climate. You see, I was gassed, and got the ‘flu’

afterward. But I know I’ll be all right if I’m careful.... Well, I’ve

always had a leaning toward agriculture, and I want to go to Kansas.

Southern Kansas. I want to travel around till I find a place I like,

and there I’ll get a job. Not too hard a job at first—that’s why I’ll

need a little money. I know what to do. I want to lose myself in the

wheat country and forget the—the war. I’ll not be afraid of work,

presently.... Now, Miss Burch, you’ve been so kind—I’m going to ask you

to lend me a little money. I’ll pay it back. I can’t promise just when.

But some day. Will you?”

“Assuredly I will,” she replied, heartily. “I’m happy to have the

opportunity to help you. How much will you need for immediate use? Five

hundred dollars?”

“Oh no, not so much as that,” he replied. “Just railroad fare home, and

then to Kansas, and to pay board while I get well, you know, and look

around.”

“We’ll make it five hundred, anyway,” she replied, and, rising, she

went toward the library. “Excuse me a moment.” She wrote the check and,

returning, gave it to him.

“You’re very good,” he said, rather low.

“Not at all,” replied Carley. “You have no idea how much it means to me

to be permitted to help you. Before I forget, I must ask you, can you

cash that check here in New York?”

“Not unless you identify me,” he said, ruefully, “I don’t know anyone I

could ask.”

“Well, when you leave here go at once to my bank—it’s on Thirty-fourth

Street—and I’ll telephone the cashier. So you’ll not have any

difficulty. Will you leave New York at once?”

“I surely will. It’s an awful place. Two years ago when I came here

with my company I thought it was grand. But I guess I lost something

over there. ... I want to be where it’s quiet. Where I won’t see many

people.”

“I think I understand,” returned Carley. “Then I suppose you’re in a

hurry to get home? Of course you have a girl you’re just dying to see?”

“No, I’m sorry to say I haven’t,” he replied, simply. “I was glad I

didn’t have to leave a sweetheart behind, when I went to France. But it

wouldn’t be so bad to have one to go back to now.”

“Don’t you worry!” exclaimed Carley. “You can take your choice

presently. You have the open sesame to every real American girl’s

heart.”

“And what is that?” he asked, with a blush.

“Your service to your country,” she said, gravely.

“Well,” he said, with a singular bluntness, “considering I didn’t get

any medals or bonuses, I’d like to draw a nice girl.”

“You will,” replied Carley, and made haste to change the subject. “By

the way, did you meet Glenn Kilbourne in France?”

“Not that I remember,” rejoined Burton, as he got up, rising rather

stiffly by aid of his cane. “I must go, Miss Burch. Really I can’t

thank you enough. And I’ll never forget it.”

“Will you write me how you are getting along?” asked Carley, offering

her hand.

“Yes.”

Carley moved with him out into the hall and to the door. There was a

question she wanted to ask, but found it strangely difficult of

utterance. At the door Burton fixed a rather penetrating gaze upon her.

“You didn’t ask me about Rust,” he said.

“No, I—I didn’t think of him—until now, in fact,” Carley lied.

“Of course then you couldn’t have heard about him. I was wondering.”

“I have heard nothing.”

“It was Rust who told me to come to you,” said Burton. “We were talking

one day, and he—well, he thought you were true blue. He said he knew

you’d trust me and lend me money. I couldn’t have asked you but for

him.”

“True blue! He believed that. I’m glad.... Has he spoken of me to you

since I was last at the hospital?”

“Hardly,” replied Burton, with the straight, strange glance on her

again.

Carley met this glance and suddenly a coldness seemed to envelop her.

It did not seem to come from within though her heart stopped beating.

Burton had not changed—the warmth, the gratitude still lingered about

him. But the light of his eyes! Carley had seen it in Glenn’s, in

Rust’s—a strange, questioning, far-off light, infinitely aloof and

unutterably sad. Then there came a lift of her heart that released a

pang. She whispered with dread, with a tremor, with an instinct of

calamity.

“How about—Rust?”

“He’s dead.”

The winter came, with its bleak sea winds and cold rains and blizzards

of snow. Carley did not go South. She read and brooded, and gradually

avoided all save those true friends who tolerated her.

She went to the theater a good deal, showing preference for the drama

of strife, and she did not go anywhere for amusement. Distraction and

amusement seemed to be dead issues for her. But she could become

absorbed in any argument on the good or evil of the present day.

Socialism reached into her mind, to be rejected. She had never

understood it clearly, but it seemed to her a state of mind where

dissatisfied men and women wanted to share what harder working or more

gifted people possessed. There were a few who had too much of the

world’s goods and many who had too little. A readjustment of such

inequality and injustice must come, but Carley did not see the remedy

in Socialism.

She devoured books on the war with a morbid curiosity and hope that she

would find some illuminating truth as to the uselessness of sacrificing

young men in the glory and prime of their lives. To her war appeared a

matter of human nature rather than politics. Hate really was an effect

of war. In her judgment future wars could be avoided only in two

ways—by men becoming honest and just or by women refusing to have

children to be sacrificed. As there seemed no indication whatever of

the former, she wondered how soon all women of all races would meet on

a common height, with the mounting spirit that consumed her own heart.

Such time must come. She granted every argument for war and flung

against it one ringing passionate truth—agony of mangled soldiers and

agony of women and children. There was no justification for offensive

war. It was monstrous and hideous. If nature and evolution proved the

absolute need of strife, war, blood, and death in the progress of

animal and man toward perfection, then it would be better to abandon

this Christless code and let the race of man die out.

All through these weeks she longed for a letter from Glenn. But it did

not come. Had he finally roused to the sweetness and worth and love of

the western girl, Flo Hutter? Carley knew absolutely, through both

intelligence and intuition, that Glenn Kilbourne would never love Flo.

Yet such was her intensity and stress at times, especially in the

darkness of waking hours, that jealousy overcame her and insidiously

worked its havoc. Peace and a strange kind of joy came to her in dreams

of her walks and rides and climbs in Arizona, of the lonely canyon

where it always seemed afternoon, of the tremendous colored vastness of

that Painted Desert. But she resisted these dreams now because when she

awoke from them she suffered such a yearning that it became unbearable.

Then she knew the feeling of the loneliness and solitude of the hills.

Then she knew the sweetness of the murmur of falling water, the wind in

the pines, the song of birds, the white radiance of the stars, the

break of day and its gold-flushed close. But she had not yet divined

their meaning. It was not all love for Glenn Kilbourne. Had city life

palled upon her solely because of the absence of her lover? So Carley

plodded on, like one groping in the night, fighting shadows.

One day she received a card from an old schoolmate, a girl who had

married out of Carley’s set, and had been ostracized. She was living

down on Long Island, at a little country place named Wading River. Her

husband was an electrician—something of an inventor. He worked hard. A

baby boy had just come to them. Would not Carley run down on the train

to see the youngster?

That was a strong and trenchant call. Carley went. She found indeed a

country village, and on the outskirts of it a little cottage that must

have been pretty in summer, when the green was on vines and trees. Her

old schoolmate was rosy, plump, bright-eyed, and happy. She saw in

Carley no change—a fact that somehow rebounded sweetly on Carley’s

consciousness. Elsie prattled of herself and her husband and how they

had worked to earn this little home, and then the baby.

When Carley saw the adorable dark-eyed, pink-toed, curly-fisted baby

she understood Elsie’s happiness and reveled in it. When she felt the

soft, warm, living little body in her arms, against her breast, then

she absorbed some incalculable and mysterious strength. What were the

trivial, sordid, and selfish feelings that kept her in tumult compared

to this welling emotion? Had she the secret in her arms? Babies and

Carley had never become closely acquainted in those infrequent meetings

that were usually the result of chance. But Elsie’s baby nestled to her

breast and cooed to her and clung to her finger. When at length the

youngster was laid in his crib it seemed to Carley that the fragrance

and the soul of him remained with her.

“A real American boy!” she murmured.

“You can just bet he is,” replied Elsie. “Carley, you ought to see his

dad.”

“I’d like to meet him,” said Carley, thoughtfully. “Elsie, was he in

the service?”

“Yes. He was on one of the navy transports that took munitions to

France. Think of me, carrying this baby, with my husband on a boat full

of explosives and with German submarines roaming the ocean! Oh, it was

horrible!”

“But he came back, and now all’s well with you,” said Carley, with a

smile of earnestness. “I’m very glad, Elsie.”

“Yes—but I shudder when I think of a possible war in the future. I’m

going to raise boys, and girls, too, I hope—and the thought of war is

torturing.”

Carley found her return train somewhat late, and she took advantage of

the delay to walk out to the wooded headlands above the Sound.

It was a raw March day, with a steely sun going down in a pale-gray

sky. Patches of snow lingered in sheltered brushy places. This bit of

woodland had a floor of soft sand that dragged at Carley’s feet. There

were sere and brown leaves still fluttering on the scrub-oaks. At

length Carley came out on the edge of the bluff with the gray expanse

of sea beneath her, and a long wandering shore line, ragged with

wreckage or driftwood. The surge of water rolled in—a long, low, white,

creeping line that softly roared on the beach and dragged the pebbles

gratingly back. There was neither boat nor living creature in sight.

Carley felt the scene ease a clutching hand within her breast. Here was

loneliness and solitude vastly different from that of Oak Creek Canyon,

yet it held the same intangible power to soothe. The swish of the surf,

the moan of the wind in the evergreens, were voices that called to her.

How many more miles of lonely land than peopled cities! Then the

sea—how vast! And over that the illimitable and infinite sky, and

beyond, the endless realms of space. It helped her somehow to see and

hear and feel the eternal presence of nature. In communion with nature

the significance of life might be realized. She remembered Glenn

quoting: “The world is too much with us. ... Getting and spending, we

lay waste our powers.” What were our powers? What did God intend men to

do with hands and bodies and gifts and souls? She gazed back over the

bleak land and then out across the broad sea. Only a millionth part of

the surface of the unsubmerged earth knew the populous abodes of man.

And the lonely sea, inhospitable to stable homes of men, was thrice the

area of the land. Were men intended, then, to congregate in few places,

to squabble and to bicker and breed the discontents that led to

injustice, hatred, and war? What a mystery it all was! But Nature was

neither false nor little, however cruel she might be.

Once again Carley fell under the fury of her ordeal. Wavering now,

restless and sleepless, given to violent starts and slow spells of

apathy, she was wearing to defeat.

That spring day, one year from the day she had left New York for

Arizona, she wished to spend alone. But her thoughts grew unbearable.

She summed up the endless year. Could she live another like it?

Something must break within her.

She went out. The air was warm and balmy, carrying that subtle current

which caused the mild madness of spring fever. In the Park the greening

of the grass, the opening of buds, the singing of birds, the gladness

of children, the light on the water, the warm sun—all seemed to

reproach her. Carley fled from the Park to the home of Beatrice Lovell;

and there, unhappily, she encountered those of her acquaintance with

whom she had least patience. They forced her to think too keenly of

herself. They appeared carefree while she was miserable.

Over teacups there were waging gossip and argument and criticism. When

Carley entered with Beatrice there was a sudden hush and then a murmur.

“Hello, Carley! Now say it to our faces,” called out Geralda Conners, a

fair, handsome young woman of thirty, exquisitely gowned in the latest

mode, and whose brilliantly tinted complexion was not the natural one

of health.

“Say what, Geralda?” asked Carley. “I certainly would not say anything

behind your backs that I wouldn’t repeat here.”

“Eleanor has been telling us how you simply burned us up.”

“We did have an argument. And I’m not sure I said all I wanted to.”

“Say the rest here,” drawled a lazy, mellow voice. “For Heaven’s sake,

stir us up. If I could get a kick out of _anything_ I’d bless it.”

“Carley, go on the stage,” advised another. “You’ve got Elsie Ferguson

tied to the mast for looks. And lately you’re surely tragic enough.”

“I wish you’d go somewhere far off!” observed a third. “My husband is

dippy about you.”

“Girls, do you know that you actually have not one sensible idea in

your heads?” retorted Carley.

“Sensible? I should hope not. Who wants to be sensible?”

Geralda battered her teacup on a saucer. “Listen,” she called. “I

wasn’t kidding Carley. I am good and sore. She goes around knocking

everybody and saying New York backs Sodom off the boards. I want her to

come out with it right here.”

“I dare say I’ve talked too much,” returned Carley. “It’s been a rather

hard winter on me. Perhaps, indeed, I’ve tried the patience of my

friends.”

“See here, Carley,” said Geralda, deliberately, “just because you’ve

had life turn to bitter ashes in your mouth you’ve no right to poison

it for us. We all find it pretty sweet. You’re an _un_satisfied woman

and if you don’t marry somebody you’ll end by being a reformer or

fanatic.”

“I’d rather end that way than rot in a shell,” retorted Carley.

“I declare, you make me see red, Carley,” flashed Geralda, angrily. “No

wonder Morrison roasts you to everybody. He says Glenn Kilbourne threw

you down for some Western girl. If that’s true it’s pretty small of you

to vent your spleen on us.”

Carley felt the gathering of a mighty resistless force, But Geralda

Conners was nothing to her except the target for a thunderbolt.

“I have no spleen,” she replied, with a dignity of passion. “I have

only pity. I was as blind as you. If heartbreak tore the scales from my

eyes, perhaps that is well for me. For I see something terribly wrong

in myself, in you, in all of us, in the life of today.”

“You keep your pity to yourself. You need it,” answered Geralda, with

heat. “There’s nothing wrong with me or my friends or life in good old

New York.”

“Nothing wrong!” cried Carley. “Listen. Nothing wrong in you or life

today—nothing for you women to make right? You are blind as bats—as

dead to living truth as if you were buried. Nothing wrong when

thousands of crippled soldiers have no homes—no money—no friends—no

work—in many cases no food or bed?... Splendid young men who went away

in their prime to fight for _you_ and came back ruined, suffering!

Nothing wrong when sane women with the vote might rid politics of

partisanship, greed, crookedness? Nothing wrong when prohibition is

mocked by women—when the greatest boon ever granted this country is

derided and beaten down and cheated? Nothing wrong when there are half

a million defective children in this city? Nothing wrong when there are

not enough schools and teachers to educate our boys and girls, when

those teachers are shamefully underpaid? Nothing wrong when the mothers

of this great country let their youngsters go to the dark motion

picture halls and night after night in thousands of towns over all this

broad land see pictures that the juvenile court and the educators and

keepers of reform schools say make burglars, crooks, and murderers of

our boys and vampires of our girls? Nothing wrong when these young

adolescent girls ape _you_ and wear stockings rolled under their knees

below their skirts and use a lip stick and paint their faces and darken

their eyes and pluck their eyebrows and absolutely do not know what

shame is? Nothing wrong when you may find in any city women standing at

street corners distributing booklets on birth control? Nothing wrong

when great magazines print no page or picture without its sex appeal?

Nothing wrong when the automobile, so convenient for the innocent

little run out of town, presents the greatest evil that ever menaced

American girls! Nothing wrong when money is god—when luxury, pleasure,

excitement, speed are the striven for? Nothing wrong when some of your

husbands spend more of their time with other women than with you?

Nothing wrong with jazz—where the lights go out in the dance hall and

the dancers jiggle and toddle and wiggle in a frenzy? Nothing wrong in

a country where the greatest college cannot report birth of one child

to each graduate in ten years? Nothing wrong with race suicide and the

incoming horde of foreigners?... Nothing wrong with you women who

cannot or will not stand childbirth? Nothing wrong with most of you,

when if you _did_ have a child, you could not nurse it?... Oh, my God,

there’s nothing wrong with America except that she staggers under a

Titanic burden that only mothers of sons can remove!... You doll women,

you parasites, you toys of men, you silken-wrapped geisha girls, you

painted, idle, purring cats, you parody of the females of your

species—find brains enough if you can to see the doom hanging over you

and revolt before it is too late!”

The Call of the Canyon · 第 10 / 12 章