CHAPTER VI

A saddle for femininity—September fairs—Three kinds of

hostelries—A night at the street door—_Buñolitos_—Mosquitoes

and holy water—All the fun of the fair—The etiquette of

mendicancy—A Spanish circus—A cinematograph—Drunk but still

courteous—The diligence.

There are three perfect months for exploring the mountains and visiting

remote hills, valleys, and villages in the leisurely way only to be done

on horse, mule, or donkey back. One is April, but then one ought to

be in Seville for the most typical fair in Western Europe; another is

May, but then one must be in Granada for the nightingales and the roses

which make the Alhambra a dream of delight; the third is September, when

grapes, peaches, and melons are in their prime, when the weather though

brilliantly sunny is no longer oppressively hot, and the high roads

are gay with swarming herds of creatures moving from fair to fair, and

forming with their owners a series of living pictures which make the

longest journey enjoyable.

For a woman no longer young, a donkey with _jamugas_ and a pack mule is

the ideal mode of transit over the mountains. If you possess your own

_jamugas_, as I do, with the leathern straps that support them on three

sides fitted to your measure, there is no more comfortable riding seat.

But perhaps I ought to explain what the _jamugas_ consist of, for they

are rarely seen nowadays except in mountain towns, and unless seen are

not easily imagined.

According to the dictionary of the Spanish Academy the word is derived

from the Basque _zamucac_, “a seat intended for femininity to mount

on any kind of beast of burden.” But although the name may have been

originally Basque, the apparatus is Oriental, for one sees just the same

sort of thing in Morocco and in the East, only there it is hooded to hide

all the femininity from curious eyes.

The basis is simply a folding trestle, like that for a table, with

cross-straps to prevent the trestle from opening too wide. This is placed

on the _aparejo_ of the beast of burden, the _aparejo_ being a stout pad

of straw used to prevent the _jamugas_ or the panniers, as the case may

be, from galling the animal’s back. It is fixed firmly with innumerable

twists and turns of tightly knotted cord, and a folded blanket is laid

across the donkey’s back to make your seat soft. As a matter of fact you

generally feel the cord through the blanket, but to obviate this you can

use a pillow, which is supplied if desired with the donkey, pillow-case

and all. For the information of my fellow-femininity I may add that I

personally take a cushion of my own to sit upon, and have the pillow

tied to the strap which forms the back of the _jamugas_, and thus save

myself from jolts and jars on rough ground, no small advantage on a long

journey. Between the blanket and the cushion a gaily coloured cotton

cloth covers the _aparejo_ and most of the donkey, and streams out

behind and around when you meet the wind. The oldest and most delicate

femininity can ride in this arm-chair, for it amounts to that, and I have

travelled all day long on my _jamugas_ up hill and down dale, and my

sure-footed little donkey has never tripped or turned a hair.

It is slow progress, certainly, but what of that, when at every fresh

step fresh beauty is revealed, and all your way your guide, as he leads

the sumpter mule with your inappropriate modern “grip” or suit-case in

its panniers, entertains you with his discourse, or wakes the echoes with

his song, for he sings most of the way, “to bring good luck.”

The worst of it is that nowadays one has to go a long way by rail and

road before one reaches country remote enough for _jamugas_: one is lucky

if half a charming tour can be covered on a donkey. Such was my fortune

one sunny September, and I never felt more sorry than when I had to come

back to the railway after a fortnight spent on the hills. But the first

part of the journey was not without incident, as I will now relate.

I left the train at Jerez, the sherry city with its huge bodegas full of

valuable wine, its cosmopolitan hotel, and its numerous millionaires.

From there to Arcos, thirty kilometres distant along a mountain road

continually increasing in beauty, a motor bus takes one in about two

hours. Arcos is a town of 20,000 inhabitants, perched on the steepest of

hills, with a Tartessian-Roman-Arabic castle on the very top, altered and

restored like many others in this country by the great Dukes of Arcos,

who in the fifteenth century were the rivals in wealth and political

power of the Medina Sidonia family.

From an Arabic loggia, here called _mirador_, which means literally

“view place,” we obtain a marvellous panorama of the mountains, with a

bird’s-eye view of a fertile valley in the foreground, encircled by the

winding Guadalete. It is truly a bird’s-eye view, for the _vega_, as

the cultivated valley is called, lies fully five hundred feet below the

sheer cliff on which the castle stands, and people walking on it look

about six inches high. The cliff is so steep that in many places even the

ubiquitous cactus cannot take hold, and here vultures and eagles build

their nests in security, for no little boy can throw stones anywhere

near them. Even the goats can only clamber up a little way at the base,

where the detritus of ages has formed a sharply sloping rise extending

fifty or sixty feet up from the river and the new high road which leads

from Arcos to El Bosque. That view alone is worth a stop at Arcos, but it

is by no means the only “sight,” for the ancient town is full of Roman,

Arabic, and Renaissance remains, and the fourteenth-century mother church

contains a wonderful gold chalice given by one of the ducal family when

the church was built—a relic which no one interested in goldsmith’s

work should miss. This church, which the people call their cathedral,

overlooks a square at the foot of the castle, and that square in May is a

mass of golden mimosa. I have never seen such a glow of colour or smelt

such overpowering sweetness from trees of that kind.

Part of the castle was granted to the Town Council for their hall in

the sixteenth century, and in one of the rooms, which was the chapel

of the Dukes of Arcos, are preserved no less than eleven grants to the

city bearing the signature of Alfonso the Learned, who won it from the

Almohad Moors in 1284 with the help of his ally Al Ahmar, the Arab king

of Granada.

The Dukes of Arcos held sway here for over two hundred years, until all

memory of the friendship of Alfonso and his father St. Ferdinand with the

Moslems of Granada was forgotten in the ambition of the “Catholic Kings,”

Ferdinand and Isabella, to make a united kingdom of Spain. Then, when

Andalucia was all a-fire with ruthless war, Arcos fell on evil days, for

lying as she does on the frontier of the kingdom of Granada (hence her

full name, which is Arcos de la Frontera), the Moslems naturally seized

the opportunity to try again and again to recover this strong outpost of

their former dominion. Until nearly the end of the war the castle held

out, but in 1484 the Moslems possessed themselves of the city, and the

Duchess, who was defending the castle, was so hard pressed that surrender

seemed inevitable. The Duke was away besieging Alhama by the Queen’s

orders, and although the Duchess contrived to send a message to her

husband telling him of her straits, Isabella could not spare him and his

troops even to rescue his wife.

The only knight who could help was the Duke of Medina Sidonia, who was

known to be somewhere in the district, on his way from Seville with

reinforcements for the Queen. But Medina Sidonia and Arcos had been at

daggers-drawn for generations. It was almost as bitter and prolonged

a feud as that of the Guelphs and Ghibellines, and none of the Arcos

faction dreamed of appealing to Medina Sidonia for help.

Medina Sidonia, however, was a very chivalrous gentleman. The tidings

of the lady’s plight reached him as he lay before Setenil (so called,

according to local etymology, because the Romans besieged it seven

times—_septem_ = _sete_—and took nothing—_nil_!) some twenty miles from

Arcos. He turned back at once with half of his troops, drove the Moslems

out of the town, left a strong guard with the rescued lady, and then

returned to continue the siege of the still stronger fortress of Setenil,

and to play his part in the taking of Alhama.

If Medina Sidonia had not brought the feud between the two families

thus dramatically to an end Arcos would have had to capitulate, as its

neighbour Zahara had already done, and once the Moslems had recovered the

four strategic points, Arcos, Zahara, Setenil, and Ronda, the war against

Granada might have had a different ending.

We do not find this story in the published histories of Ferdinand and

Isabella, but it is written in the archives of the city of Arcos and in

those of the Arcos family, now, alas! mouldering in a locked room in one

of the great towers of the castle, which is falling to ruin because its

owners cannot afford to keep it up.

With regret I tore myself away from the castle, whose once warlike keep

is now a garden of roses, orange trees, jessamine, and geraniums grown

into bushes with age. But I had to get on to Bornos and Villamartín on

the way to Algodonales, where I was to change the diligence for the

donkey.

Of that stage of the road the less said the better. Much of it was

dull, all of it was dusty, and the diligence was packed to its utmost

capacity, for it was the eve of the Villamartín September Fair, and the

rattling old shandridan, built to carry eight or ten passengers in all,

had five horses instead of three, and no less than twenty-seven people

were stowed inside, on the box, and on the roof. Every one declared that

it was excessively dangerous, and made a great joke of the fact; and as

Spanish drivers make a point of whipping up their horses when they near

the bottom of a hill, in order to take the next rise on the run, and the

over-loaded machine rocked like a ship in a storm on every such occasion,

it was little short of a miracle that we arrived at Villamartín alive.

Arrive we did, however, and at once found ourselves in all the fun of the

fair.

The only _fonda_ in the place looked out on the main square. The polite

name for _fonda_ (the Arabic _fondak_) in English is hotel, and the

_fonda_ professes to provide food and beds for its customers; unlike the

_parador_ (stopping-place), which only gives beds to travellers providing

their own food, and the _posada_ (rest-house), which is really little

more than a stable for animals with some sort of shelter attached for the

people who belong to them. Our Villamartín “hotel” only had three or four

bedrooms and no sitting-room at all, the food being served in a passage

through which one passed from the street to the staircase, or one might

rather say step-ladder, leading up to an open gallery containing one of

the convenient and comfortable folding bedsteads called _catres_, minus a

mattress; one broken-backed chair, and nothing else. From this a narrow

door led into a tiny bedroom which just held a bed and a washstand.

We had no choice but to stay here. The humble Spanish friends with whom

I was travelling to their home at Algodonales—a mother and son—insisted

on my taking the bedroom, although they gladly accepted my invitation to

share the washstand. The mother said she could sleep on the _catre_ with

a pillow from my bed, and the boy on the floor alongside, with his head

on my travelling-bag. Every other corner in the house was full for the

fair, and even this modest accommodation could only be had for one night.

Poor as it was, the bedding and the linen were clean, and we thought

ourselves lucky to get a room at all.

But we rashly arranged a pillow and rug for Rosario on the _catre_

before going out to see the town, and when we got back, the _catre_,

the pillow, and even the broken-backed chair had been carried off for

another customer, and my poor friends had just to sit downstairs at the

street door and amuse themselves as best they could till it was time

to start. This, however, was not quite the hardship it sounds, for all

Spaniards love to turn night into day; and their main concern was lest I

should be uncomfortable.

We were to start by diligence for Algodonales, our final destination,

at 3 a.m., and pretty Rosario had agreed to let me sleep till two—if I

could, which seemed doubtful in view of the incessant noise in the main

street on which my tiny window looked. I did sleep, notwithstanding the

noise, and woke to find the sun streaming in, and the town alive with

goatherds and their flocks, donkeys loaded with fruit and vegetables,

women with baskets of eggs and live fowls tied together by the legs and

distressfully clucking, and a continual stream of ponies, mules, cows,

calves, pigs, sheep, and oxen coming in from the country to the fair;

while all along the footwalks little canvas-covered sweet-stalls had

sprung up like mushrooms in the night. I had slept through all the riot

of the small hours, and the diligence had either not gone at 3 a.m. or

had gone without me.

I sprang up and opened my door, wondering if Rosario had also overslept

the appointed hour. There she was with a cup of coffee for me, smiling as

brightly as ever, but her curly hair was ruffled and she had a generally

dishevelled appearance. The diligence had not gone. Something was wrong

with the wheels, or the harness, or the horses, or the driver, no one

knew exactly what; but Rosario thought that the truth was probably that

the driver wanted to do some business in the fair. Anyhow the diligence

did not start, and Rosario and her boy had sat all night long in their

chairs, with various other visitors to the town, who like themselves

could get no beds.

Relieved of their anxiety lest I should be vexed at the delay, the mother

and son quickly brightened up, and we agreed that as we had to stay there

all day we would get all the fun we could out of it. Rosario after a wash

and a brush in my room looked as fresh as if she had slept in her own

comfortable bed, and as for the boy, he was at an age to enjoy anything.

The innkeeper flatly declined to provide us with coffee or anything else

for breakfast, so we went out and ate _buñolitos_, a peculiar dainty

largely in evidence at these country fairs, where booths are set up

entirely for their sale. My friends took me to the largest and gayest

of the two tents already opened, which had white muslin curtains tied

together in the middle with streamers of red and yellow calico, just like

the sweet-stalls in Syria. An overpowering smell of boiling oil greeted

our nostrils as we approached, and such was the frizzling and the smoke

that we could hardly see the _buñolera_, a stout lady in a brown skirt,

white apron, and blue cross-over, with a red handkerchief picturesquely

knotted round her head. She saw us, however, and promptly turned to serve

us with the odd product of her cooking—a mixture of flour and water

squeezed through a funnel into a vast frying-pan and coiled round and

round as it fried, until the whole was deftly thrown out unbroken on the

dish. _Buñolitos_ are crisp and tempting and really delicious to eat,

provided only that the oil be good and of last year’s milling; for the

new oil has an abominable smell and taste which only a native can endure.

This was good oil, and the _buñolera_ was an artist. We ate all we

could, and be it observed that I fell little short of my companions in

the quantity consumed. We paid a penny a piece for our breakfast, and

then strolled up the hill to the Parish Church, for it was Sunday and a

festival Mass was in progress.

Very few people were present. A couple of nuns, a few ladies shrouded in

black gauze veils falling over their shoulders and down to their knees,—a

graceful Oriental survival which lends dignity to the stoutest old

dowager,—two or three peasants with handkerchiefs on their heads, and the

usual group of beggars about the door.

I got past these last without trouble by using the accepted formulas,

“Pardon me, brother, for God’s sake,” or “May God support you”; both of

which mean that one consigns them to the mercy of Providence because

one has no mercy of one’s own for them. And if this seems rather

hard-hearted, let me point out that in remote places, where foreigners

are never seen from one year’s end to another, the gift of a penny to

a single beggar will be a sowing of the dragon’s teeth to raise up

as by magic a swarm of from twenty to fifty more, who pursue one with

pitiful appeals that change to imprecations and even stone-throwing,

unless one proceeds to dole out pennies all round. One may therefore

be thankful that the ceremonious response above quoted seldom fails of

its effect, it being a matter of etiquette in Spanish mendicant circles

politely to accept the time-worn courtesy in lieu of coin of the realm.

It has often acted like a charm in my own experience, and I can call

to mind brutal-looking men with some affliction or other which by no

means hampered their physical power for violence, who stopped short and

turned away with a gentle “Go with God” instead of a rude retort, when I

answered their petitions with _Perdóneme, hermano_.

The Mass ended a few minutes after we went in, and as I stood by the main

door studying the not very interesting architecture of the church, I

suddenly felt a wet finger on my forehead. It was one of the nuns, who,

noticing that I had failed to cross myself with holy water, was doing it

for me. I appreciated her good intention, but did not appreciate that

particular holy water, for the marble vessel was alive with mosquito

grubs, whose progenitors swarmed round us where we stood. I knew the holy

water was seldom changed in these country churches, but never had I seen

any quite so dirty as that.

A clamour of brass instruments drew us out. It was the town band making a

round of the chief streets to announce that the fair had begun. It was

a much better band than we should find in many English country towns of

a similar size, and indeed the level of the brass bands is rather high

here—a fact I cannot explain, for among amateurs one practically never

hears any concerted music at all, and even when two performers sing

together on the stage in the minor theatres, it is as often as not in

unison. This band had already woke the town on its first round at 6 a.m.,

when the church bells were ringing for early Mass, and now as soon as its

performance came to an end, a sort of blaring roar from a merry-go-round

began and continued at intervals throughout the rest of the day. I had

never imagined, far less heard, anything like the noise of that fair in

the daytime; but worse was reserved for the night.

Many hours were yet to pass, however, before night fell, and I must say

they did not hang heavily, for the people and their animals formed a

series of moving pictures which it would need the brush of a Sorolla or a

Zuloaga to do justice to. One especially took my fancy. Two pretty girls

(and the mountain people are as a rule remarkably handsome), dressed in

beautifully laundered print gowns with flowers in their sleek black hair,

rode together on a white horse covered with the brilliantly embroidered

trappings familiar to us in pictures of the last century and still in

common use in the Sierras. One girl sat facing one way and the other

the other, with their arms round each other’s waists, and a slim lad in

a round Cordovese hat, a brown velvet jacket, and richly embroidered

leather overalls,[5] led the horse by a purple-and-white halter made of

twisted aloe fibre. On a donkey alongside were slung the girls’ worldly

goods, consisting of a box almost as large as the donkey, brilliantly

yellow with new paint that gleamed golden in the morning sun, balanced

by a large bundle tied up in a crimson wrapper, and topped by a sheaf of

pale maize stalks, which would be the donkey’s provender during the fair.

It was a riot of youth and beauty and colour and gaiety which would have

been the chance of a lifetime for a painter, but sad to say no painter

was there to immortalise the scene.

In the afternoon we went to see a circus in the Bull Ring, and in company

with the rank and fashion of the town we paid one peseta apiece for what

was described on the programme as a “stall.” The “stalls” were honest

reed-seated chairs, such as are sold new for two pesetas, but were

borrowed on this occasion from the kindly neighbours and brought in by

half-dozens at a time, as the aristocratic part of the audience increased.

The show was advertised for five o’clock, but did not begin till about

six, by which time the shady side of the ring was crowded, and the

stalls had almost surrounded the very small circle railed in and sanded

for the performers. We first had a tumbler with a week’s beard, dressed

in crimson satin and red cotton stockings, who usually came to grief

in his feats, but never failed to draw applause. Followed a highly

coloured young lady whom we had seen at the door taking tickets, and who

now juggled with knives and cubes of wood, which invariably landed on

the ground instead of on the table; a clown, in the same crimson satin

and red cotton stockings, who played the fiddle quite nicely, but was

interrupted by another clown with a feather brush, who always stopped the

music by tickling the violinist’s nose at the third or fourth bar, to the

intense delight of the audience; and then another highly rouged lady,

past her first youth, who exhibited three rather sad little performing

dogs.

An acrobat, again in the crimson satin and red cotton stockings, now came

on, after great preparations and testing of wires, to perform a trapeze

act. There seemed to be some sort of hitch about starting, which was

explained when the acrobat with a sweet smile indicated that we had been

seated by the attendants immediately under his taking-off platform, as

indeed we were, unknown to ourselves. So we and our immediate neighbours

picked up our chairs and retired, while the acrobat did some rather

pretty swinging.

The unshaven tumbler then reappeared, now dressed in a pilot coat and

brown trousers, but still unshaven, and we discovered that what the

advertisements called an “automovil race” was about to take place. It was

in fact a terribly gimcrack “loop-the-loop” affair, and the performer

looked haggard with nervousness as he examined his wires and pulleys.

In retiring from the trapeze we had unconsciously planted ourselves just

where the “automovil” must inevitably smash into us all; no attempt

having been made to indicate a danger zone. No one waited to be asked

to retire this time. As soon as we saw the bold chauffeur climb his

scaffold and realised what was going to happen, we just got up and bolted

like rabbits, all quite as frightened as the chauffeur looked. We did

not, however, omit to carry our chairs with us. The band struck up an

inappropriate gipsy dance, the performer whirled down, and we settled

into our seats with a sigh of relief that he and we had escaped with our

lives.

But even this was not the last time we were moved on, for the finale was

a play in pantomime, in which the middle-aged lady played the heroine,

in a long train which she carefully held up all the time; the other lady

played the young lover in yellow tights and a red cloak; the tumbler, the

clowns, and the manager, all wearing Russian caps and blouses trimmed

with rabbit-skin over their workaday trousers, interfered each after

his manner with the course of true love; and the stout acrobat with a

scarlet-horned hood over the inevitable crimson satin and red stockings,

appeared as a friendly devil and made all the stage furniture dance to

distract the attention of the rest of the company from the antics of

the lovers. The devil ended by letting off a lot of fireworks right in

front of the “stalls,” and this time we got up and ran, regardless of our

chairs. It was not as dangerous as it looked, however, for the fireworks

promptly fizzled out, and I for one was so weak with laughter by then

that I could not even start when a cracker went off under my nose.

The whole centre of the ring had been invaded by a swarm of young men and

lads of the peasant class, who obviously had not paid a peseta for the

privilege. The manager, wearing a monstrous Emperor William moustache

fiercely curling up to his eyebrows, had at intervals blandly requested

them to retire and not incommode the ladies. They always retired with

perfect politeness, to return again the moment his back was turned. When

the circus was over this portion of the audience at once blocked the

only exit, and gave us time to observe the back of the scenery of the

pantomime, which was remarkable. A sheet of painted canvas stood on end,

held in place by some mysterious law of cohesion, for visible supports

it had none; and how the red devil, who must have weighed a good fifteen

stone, contrived to jump in and out of the window without bringing the

whole thing down will always be for me an insoluble mystery.

The _fonda_ was less of an hotel than ever this evening, and we were

warned that we must, willy-nilly, leave by the night diligence, because

a _viajante_ (commis-voyageur) had engaged my room and would want to go

to bed when the Fair meeting of the Commercial Club closed about 2 a.m.

But the fun of the Fair was not yet over for us, and the little window

overlooking the main square now became for me a kind of Royal Box at the

opera, music and all.

At nine o’clock the band took up its position under my window, and the

fireworks began. Another point I have never quite understood is why

Spanish fireworks even in remote little towns like Villamartín are always

good; and how it is that every remote little town manages to keep its own

firework-maker. But the profusion of devices in interlacing circles of

arabesques leads me to suspect an Arabic origin for this as for so many

other popular junkets in Spain.

The Villamartín fireworks were beautiful, differing from those of the big

towns only in quantity, not at all in quality, and the set pieces were

quite the most attractive to the crowd, whose inherited instincts are all

for the arabesque in art.

After the fireworks came a cinematograph, still accompanied by the

band, whose repertoire consisted of six pieces, very well played, which

they had been repeating at intervals all day. The people grew wildly

enthusiastic over the moving pictures, and shouted and laughed and

clapped like children, at the runaway who upsets every one he meets

as he evades his pursuers, at the illicit lover who hides under the

dinner-table and turns it over so as to spill the soup into the lady’s

lap, and at all the other stale old jokes which seemed to be brand-new to

these unsophisticated southerners. There was no risk at all of our going

to sleep and forgetting our diligence now. No one but a deaf mute could

have closed an eye in the main square of Villamartín that night.

After midnight, when the cinematograph closed, I laid me down fondly

imagining I might get a little sleep; but the clamour of the voices in no

way diminished. On the contrary, as the night wore on it began to rise

louder and louder, until it became a perfect roar. Now and then it would

die down for a few minutes, until a boyish voice shouted something that I

could not catch, when it began again worse than ever, still good-natured,

but sounding ever more impatient, as if the self-restraint of the crowd

were rapidly becoming exhausted.

At last, about half-past one, a distant noise like thunder made itself

heard above all the human din, and then the crowd seemed to go perfectly

mad, yelling and shouting like Bedlam let loose. It was time to get ready

to leave anyhow, so I rose from my sleepless bed and went to the window.

Then I saw what it all meant. It was the _encierro_, the bringing in of

the bulls for the bull-fight next day. In this case they were not full

grown bulls; only year-old bullocks, and of these there were but two, the

rest of the future victims being heifers. For fighting bulls cost a good

deal of money, and Villamartín is a small town and not particularly rich:

so the sportsmen of the ring here have to content themselves with the

inexpensive heifer and “yarlin’,” as they say in Devon.

To hear the yells of delight raised when they came in sight, one would

have thought that all Villamartín was out to receive the bullocks and

their decoy: but as a matter of fact all Villamartín except the dregs

had long gone home to bed, and the howling mob consisted entirely of a

few men of mature years, financially interested in the bull-ring, and a

crowd of boys and lads, the rag-tag and bobtail of the working classes,

for the respectable working men and their families do not approve of

the “sport.” These two elements in the Spanish social system nowadays

form the immense majority of those who still support what is called

“the national sport.” Yet tourists seem to imagine that they represent

the nation! So well is it recognised by the governing classes that the

bull-fight has ceased to appeal to any save the riff-raff and those

to whom, in one capacity or another, it is a source of income, that

legislative attempts have been made to forbid the bull-fights on Sunday,

because if they only took place on week-days the aforesaid dregs of the

working classes would find it difficult to attend at the cost of a day’s

wages, and the whole brutal concern would soon come to an end. But the

vested interests are tremendously strong, and capital has great power

in Spain; so the bull-fight still goes on, and the tourists go to see

it, and Spanish social reformers shrug their shoulders when they are

told by foreigners that the first step to social reform in Spain must be

the suppression of the bull-ring, which the foreigners’ entrance money

largely helps to keep going, and of which their mere presence is supposed

by amateurs to express approval.

But this is another of the tragedies of Spain, and Rosario and her boy,

who hate the very name of bull-fight, though they are mere peasants and

never heard of the Society for the Prevention of Cruelty to Animals,

did not talk about it that night with me as we watched the tumultuous

passage of a particularly lively heifer across the square under my

window. Setting aside humanitarian considerations, it was a picturesque

sight enough, for the victims of the morrow, surrounded and steered by

half a dozen stolid old cows with bells on their necks, were preceded and

followed by the _garrochistas_, those herders of the wild cattle, with

the high-peaked saddles and great square stirrups and long poles with

iron points, which form so effective a group on post-cards purporting to

represent the everyday life of Spain. Some of the rabble had gone out to

meet the procession with torches, and these still flared as the crowd

surged by, making curious yellow cross-lights when they fell on the glare

of the arc lights of the town.

I have been told that it was once proposed to start a branch of the

Society for Prevention of Cruelty to Animals at Madrid, and that in

order to obtain funds a great bull-fight was organised. I do not know

whether Ben Trovato is responsible for this story, but I have myself met

a member of that Society, an English lady of mature years, who refused to

subscribe to an entertainment in Spain because it was to take place on a

Sunday, and then quarrelled violently with her husband because he refused

to take tickets for her for the bull-fight on Easter Day! This is a true

story, though the well-known Italian raconteur might be proud to father

it. I remember also a British curate of extreme evangelical opinions,

who gave at a luncheon party a full, true, and particular account, with

realistic details, of the disembowelling of a horse and the wounding of

a _torero_ that he had witnessed, embellished with the usual expressions

of horror at the innate degradation of a nation which supported such

barbarities. Some unkind person present remarked that it was believed

that the Bishop of Gibraltar objected to his chaplains attending the

bull-fight; to which the ingenuous curate replied: “Ah, but you see I

went in without my clerical collar”—the fatuous immorality of which

remark closed the conversation.

I was not altogether sorry when the time came to start for Algodonales.

I had never heard such prolonged and uncontrolled noise made by human

beings before, and much though the whole thing had amused me I do not

care if I never hear such a noise again. When we made our way out into

the brilliantly lighted square most of the crowd appeared to be drunk,

but riff-raff though they might be, they were civil to the last, and

good-naturedly lurched aside in a bunch to make room for us to pass into

the comparative darkness of the street where the diligence awaited us,

we, needless to say, being the only passengers who wished to leave the

town just then.

[Illustration: A PREHISTORIC WEIR.]

My Spanish Year · 第 2 / 9 章