I.

The middle of the studio was occupied by a rug. The middle of the rug

was occupied by Clifford. He sat on the floor playing a dirge on a

brass cornet. Around him lay bureau drawers, empty trunks and satchels,

flanked by cabinets and chests littered with palettes, underclothes,

colour-tubes, pipes, and paint-rags.

When Elliott came in, an hour later, he found Clifford still performing

on the cornet. He played “Hark! from the Tomb,” and “Death and The

Maiden”; and while he played he winked ominously at Elliott.

Now, when Clifford played on his cornet, something was amiss. Elliott

knew this and watched him sideways, sullenly removing overcoat and

gloves. Every dismal bleat of the brass prophesied calamity. The hollow

studio echoed with forebodings of disaster.

“Stop that,” said Elliott, flinging his hat on a chair; “what’s the

matter with you?”

“O Commander of the Faithful,” said Clifford, “behold the end of the

world! J’ai beau cherchai—je n’en trouve point—”

“Money?” asked Elliott, sitting down; “stop blowing into that cornet.”

“I know of no other way to raise the wind,” said Clifford,—“get your

cornet and we’ll play duets.”

“You mean we are actually without means?”

Clifford threaded his way through an abatis of easels, canvasses, books,

and bird-cages to the Japanese tea-table.

“Have some tea?” he inquired.

“No, I won’t,” snapped Elliott, “and you can tell me where our funds have

gone.”

Clifford poured himself a cup of tea, raised his eyes piously, sipped it,

and looked at Elliott over the edge of the cup.

“Where’s our money?” repeated Elliott; “you had charge of the common

account for the last three months—”

Clifford sighed, unrolled a sheet of paper, shoved it toward his

confrère, and offered himself more tea. Elliott examined the figures

anxiously.

“You hopeless ass!” he blurted out. “Why didn’t you draw the purse

strings?”

“I can deny you nothing, my son,” protested Clifford, casting furtive

glances toward his cornet again.

“But we’re ruined!” bawled Elliott in sudden fright.

“Utterly,” admitted Clifford pleasantly.

Through the broad glass roof the pale winter sunlight fell over piles

of rugs and weapons on the floor; in the garden the sparrows chirped

unceasingly around the frozen fountain. Elliott sat motionless,

hypnotised by the column of figures before him. Clifford regarded his

canary birds with vague reproach.

At last Elliott broke the silence:

“We had enough,—more than enough to live on decently; we threw our money

away! Ass that I am, I didn’t realise I was such an ass.”

“I didn’t either,” said Clifford.

“Oh, you didn’t?” sneered Elliott: “who was it that spent five hundred

francs on those idiot birds?”

They frowned at the two dozen canaries. The birds hopped aimlessly from

pole to perch and from perch to pole.

“I didn’t buy a coupé for a lady,” retorted Clifford.

“No, but you gave garden parties with fireworks and Chinese lanterns, and

the company broke windows and set the curtains ablaze, and the police

fined us for shooting rockets without a permit—”

“Accidents,” observed Clifford; “our social position in the Latin Quarter

required us to entertain.”

“Our social position on this planet will also require us to

eat,—occasionally.”

“There’s the furniture.”

“I won’t! I won’t! You hear me, Clifford! I’ll not sell a chair. Isn’t

there any money in any of those bureau drawers?”

“No,—look for yourself,” replied Clifford cheerfully.

“Now I’ll not mortgage our furniture,” said Elliott; “so you needn’t

finger my carved chairs. We must pull through,—I don’t know how,—but we

must pull through. I shall cut down my tobacco, I shall drink cheap wine,

I shall see Colette at once—”

“Do you think she can stand the blow?” inquired Clifford.

“Your wit is unseasonable,” said Elliott haughtily; “how much can you get

for your canaries?”

Clifford flatly refused to sell the birds and played a dirge on his

cornet. Then the horror of poverty laid hold of Elliott and drove him out

into the Luxembourg where he sat in the fading sunshine until the drums

boomed from the southern terrace and the challenge of the sentinels,

droning, monotonous, sounded and resounded across the windy park.

There was a hint of snow in the air as he passed out into the Place de

Medici. He clinked the few gold pieces in his pocket as he walked. This

appalled him, and he stepped more quickly.

On the Boulevard, a slim white-browed girl, exquisitely gowned, called to

him from a coupé. When he motioned the coachman to stop and stepped to

the curb, she buried her nose in a bunch of violets and laughed.

“Colette,” said Elliott gloomily, “Mr. Clifford and I are compelled to

retire for the space of three months. Therefore, most charming and most

wise Colette,—therefore—”

He raised one hand and opened his fingers as though releasing a butterfly.

The haunts of men · 第 65 / 82 题