BOOK III.

THE PROLOGUE.

TO EUTYCHUS.[1]

If you have a desire, Eutychus, to read the little books of Phædrus, you

must keep yourself disengaged from business, that your mind, at liberty,

may relish the meaning of the lines. "But," you say, "my genius is not

of such great value, that a moment of time should be lost {for it} to my

own pursuits." There is no reason then why that should be touched by

your hands which is not suited for ears so engaged. Perhaps you will

say, "some holidays will come,[2] which will invite me to study with

mind unbent." Will you {rather}, I ask you, read worthless ditties,[3]

than bestow attention upon your domestic concerns, give moments to your

friends, your leisure to your wife, relax your mind, and refresh your

body, in order that you may return more efficiently to your wonted

duties? You must change your purpose and your mode of life, if you have

thoughts of crossing the threshold of the Muses. I, whom my mother

brought forth on the Pierian hill,[4] upon which hallowed Mnemosyne,

nine times fruitful, bore the choir of Muses to thundering Jove:

although I was born almost in the very school itself, and have entirely

erased {all} care for acquiring wealth from my breast, and with the

approval of many have applied myself to these pursuits, am still with

difficulty received into the choir {of the Poets}. What do you imagine

must be the lot of him who seeks, with ceaseless vigilance, to amass

great wealth, preferring the sweets of gain to the labours of learning?

But now, come of it what may (as Sinon said[5] when he was brought

before the King of Dardania), I will trace a third book with the pen of

Æsop, and dedicate it to you, in acknowledgment of your honor and your

goodness.[6] If you read it, I shall rejoice; but if otherwise, at least

posterity will have something with which to amuse themselves.

Now will I explain in a few words why Fabulous narrative was invented.

Slavery,[7] subject to the will of another, because it did not dare to

say what it wished, couched its sentiments in Fables, and by pleasing

fictions eluded censure. In place of its foot-path I have made a road,

and have invented more than it left, selecting some points to my own

misfortune.[8] But if any other than Sejanus[9] had been the informer,

if any other the witness, if any other the judge, in fine, I should

confess myself deserving of such severe woes; nor should I soothe my

sorrow with these expedients. If any one shall make erroneous surmises,

and apply to himself what is applicable to all in common, he will

absurdly expose the secret convictions of his mind. And still, to him I

would hold myself excused; for it is no intention of mine to point at

individuals, but to describe life itself and the manners of mankind.

Perhaps some one will say, that I undertake a weighty task. If Æsop of

Phrygia, if Anacharsis of Scythia[10] could, by their genius, found a

lasting fame, why should I who am more nearly related to learned Greece,

forsake in sluggish indolence the glories of my country? especially as

the Thracian race numbers its own authors, and Apollo was the parent of

Linus, a Muse of Orpheus, who with his song moved rocks and tamed wild

beasts, and held the current of Hebrus in sweet suspense. Away then,

envy! nor lament in vain, because to me the customary fame is due.

I have urged you to read {these lines}; I beg that you will give me your

sincere opinion[11] of them with {your} well-known candour.

[Footnote III.1: _Eutychus_)--Ver. 2. It is not known with

certainty who this Eutychus was to whom he addresses himself. It

has been suggested that he is the same person who is mentioned by

Josephus, Antiq. B. xix., c. 4, as flourishing at the Court of

Caligula, and who had previously been a charioteer and inspector

of buildings at the stables of Claudius. He is also supposed, from

the words of the Epilogue of this Book, line 20-26, to have held

more than one public office. It has been suggested that he was the

freedman of the Emperor Claudius or Augustus, an inscription

having been found in the tomb of the freedmen of the latter to C.

Julius Eutychus. But it is hardly probable that he is the person

meant; as there is little doubt that Phædrus wrote the present

Book of Fables long after the time of Augustus. Indeed it has been

suggested by some that he wrote it as late as the reign of

Caligula.]

[Footnote III.2: _Some holidays_)--Ver. 8. The Romans had

three kinds of public "feriæ," or holidays, which all belonged to

the "dies nefasti," or days on which no public business could be

done. These were the "feriæ stativæ," "conceptivæ," and

"imperativæ." The first were held regularly, and on stated days

set forth in the Calendar. To these belonged the Lupercalia,

Carmentalia, and Agonalia. The "conceptivæ," or "conceptæ," were

moveable feasts held at certain seasons in every year, but not on

fixed days; the times for holding them being annually appointed by

the magistrates or priests. Among these were the "feriæ Latinæ,"

Sementivæ, Paganalia, and Compitalia. The "feriæ imperativæ" were

appointed to be held on certain emergencies by order of the

Consuls, Prætors, and Dictators; and were in general held to avert

national calamities or to celebrate great victories.]

[Footnote III.3: _Worthless ditties_)--Ver. 10. "Nænia" were,

properly, the improvised songs that were sung at funerals by the

hired mourners, who were generally females. From their trivial

nature, the word came to be generally applied to all worthless

ditties, and under this name Phædrus, with all humility, alludes

to his Fables.]

[Footnote III.4: _On the Pierian Hill_)--Ver. 17. Judging from

this passage it would appear that Phædrus was a Macedonian by

birth, and not, as more generally stated, a Thracian. Pieria was a

country on the south-east coast of Macedonia, through which ran a

ridge of mountains, a part of which were called Pieria, or the

Pierian mountain. The inhabitants are celebrated in the early

history of the music and poesy of Greece, as their country was one

of the earliest seats of the worship of the Muses, and Orpheus was

said to have been buried there. It is most probable that Phædrus

was carried away in slavery to Rome in his early years, and that

he remembered but little of his native country.]

[Footnote III.5: _As Sinon said_)--Ver. 27. He here alludes to

the words of Sinon, the Grecian spy, when brought before Priam, in

the Second Book of Virgil, 77-78:--

"Cuncta equidem tibi, rex, fuerit quodcumque fatebor

Vera, inquit----"

Others, again, suppose that this was a proverbial expression in

general use at Rome. It is not improbable that it may have become

so on being adopted from the work of Virgil: "Come what may of it,

as Sinon said."]

[Footnote III.6: _And your goodness_)--Ver. 30. "Honori et

meritis dedicam illum tuis." We learn from ancient inscriptions

that this was a customary formula in dedications.]

[Footnote III.7: _Slavery_)--Ver. 34. He probably alludes to

Æsop's state of slavery, in the service of the philosopher

Xanthus.]

[Footnote III.8: _To my own misfortune_)--Ver. 40. He

evidently alludes to some misfortune which has befallen him in

consequence of having alluded in his work to the events of his own

times. It has been suggested that he fell under the displeasure of

Tiberius and his minister Sejanus, in consequence of the covert

allusions made to them in Fables II and VI in the First Book. This

question is, however, involved in impenetrable obscurity.]

[Footnote III.9: _Than Sejanus_)--Ver. 41. He means that Ælius

Sejanus had acted against him as both informer, witness, and

judge; but that had an honest man condemned him to the sufferings

he then experienced, he should not have complained. The nature of

the punishment here alluded to is not known.]

[Footnote III.10: _Anacharsis of Scythia_)--Ver. 52.

A Scythian philosopher, and supposed contemporary of Æsop. He came

to Athens in pursuit of knowledge while Solon was the lawgiver of

that city. He is said to have written works on legislation and the

art of war.]

FABLE I.

THE OLD WOMAN AND THE CASK.

An Old Woman espied a Cask,[12] which had been drained to the dregs,

lying on the ground, {and} which still spread forth from its ennobled

shell a delightful smell of the Falernian lees.[13] After she had

greedily snuffed it up her nostrils with all her might; "O delicious

fragrance,[14]" said she, "how good I should say were your former

contents, when the remains of them are such!"

What this refers to let him say who knows me.[15]

[Footnote III.11: _Nearer to learned Greece_)--Ver. 54.

Alluding to Pieria, the place of his birth. The people of Pieria

were supposed to have been of Thracian origin.]

[Footnote III.12: _A cask_)--Ver. 1. "Amphoram." Properly, the

"amphora," or earthen vessel with two handles, in which wine was

usually kept.]

[Footnote III.13: _Falernian Lees_)--Ver. 2. The Falernian

wine held the second rank in estimation among the Romans. The

territory where it was grown commenced at the "Pons Campanus," and

extended from the Massic Hills to the river Vulturnus. Pliny

mentions three kinds, the rough, the sweet, and the thin. It is

supposed to have been of an amber colour, and of considerable

strength. It was the custom to write the age of the wine and the

vintage on the "amphora," or cask.]

[Footnote III.14: _O, delicious fragrance_)--Ver. 5. "Anima,"

most probably applies to the savour or smell of the wine; though

some Commentators have thought that she addresses the cask as

"anima," meaning "O dear soul;" others, that she speaks of the

wine as being the soul of life; while Walchius seems to think that

she is addressing her own soul, which is quite cheered by the

fumes.]

[Footnote III.15: _Who knows me_)--Ver. 7. Burmann thinks that

the author covertly hints here at the habits of the Emperor

Tiberius in his old age, who still hankered after those vicious

indulgences which had been his main pursuits in his former days;

or else that the Poet simply refers to human life, in the same

spirit in which Seneca, Ep. lvii., calls old age, "fæx vitæ," "the

lees of life." Others again suppose that Phædrus alludes to his

own old age, and means that those who knew him when this Fable was

written, may judge from their present acquaintance with him what

he must have been in his younger days. Heinsius thinks that it

refers to the present state of servitude of Phædrus, compared with

his former liberty; but, if he was manumitted, as generally

supposed, by Augustus, and this Fable was not written till after

the death of Sejanus, that cannot be the case.]

FABLE II.

THE PANTHER AND THE SHEPHERD.

Repayment in kind is generally made by those who are despised.

A Panther[16] had once inadvertently fallen into a pit. The rustics saw

her; some belaboured her with sticks, others pelted her with stones;

while some, on the other hand, moved with compassion, seeing that she

must die even though no one should hurt her, threw her some bread to

sustain existence. Night comes on apace; homeward they go without

concern, making sure of finding her dead on the following day. She,

however, after having recruited her failing strength, with a swift bound

effected her escape from the pit, and with hurried pace hastened to her

den. A few days intervening, she sallies forth, slaughters the flocks,

kills the shepherds themselves, and laying waste every side, rages with

unbridled fury. Upon this those who had shown mercy to the beast,

alarmed for their safety, made no demur to the loss {of their flocks,

and} begged only for their lives. But she {thus answered them}:

"I remember him who attacked me with stones, {and} him who gave me

bread; lay aside your fears; I return as an enemy to those {only} who

injured me."

[Footnote III.16: _A Panther_)--Ver. 2. Some have suggested,

Burmann and Guyetus in the number, that by the Panther is meant

Tiberius, who, during his banishment to the isle of Rhodes,

occupied himself in studying how to wreak his vengeance upon his

enemies at Rome, and, with the fury of the Panther, as soon as he

had the opportunity, glutted his vengeance. This notion, however,

seems more ingenious than well founded.]

FABLE III.

ÆSOP AND THE FARMER.

One taught by experience is proverbially said to be more quick-{witted}

than a wizard, but the reason is not told; which, now for the first

time, shall be made known by my Fable.

The ewes of a certain Man who reared flocks, brought forth lambs with

human heads. Dreadfully alarmed at the prodigy, he runs full of concern

to the soothsayers. One answers that it bears reference to the life of

the owner, and that the danger must be averted with a victim. Another,

no wiser, affirms that it is meant that his wife is an adultress, and

his children are spurious; but that it can be atoned for by a victim of

greater age.[17] Why enlarge? They all differ in opinions, and greatly

aggravate the anxiety of the Man. Æsop being at hand, a sage of nice

discernment, whom nature could never deceive {by appearances},

remarked:-- "If you wish, Farmer, to take due precautions against

{this} portent, find wives for your shepherds."[18]

[Footnote III.17: _Of greater age_)--Ver. 11. "Majori hostiâ;"

probably, a sheep of two years old instead of a lamb.]

[Footnote III.18: _For your shepherds_)--Ver. 17. Plutarch

introduces Thales in his "Convivium Sapientium," as telling a

somewhat similar story. Phædrus might, with better grace, have

omitted this so-called Fable.]

FABLE IV.

THE BUTCHER AND THE APE.

A man seeing an Ape hanging up at a Butcher's among the rest of his

commodities and provisions, enquired how it might taste;[19] on which

the Butcher, joking, replied: "Just as the head is, such, I warrant, is

the taste."

[Footnote III.19: _How it might taste_)--Ver. 3. The Butcher

puns upon the twofold meaning of "sapio," "to taste of," or "have

a flavour," and "to be wise." The customer uses the word in the

former sense, while the Butcher answers it in the latter, and

perhaps in the former as well; "Such as the head is," pointing to

it, "I'll warrant the wisdom of the animal to be;" the words at

the same time bearing the meaning of, "It has an ape's head, and

therefore it can only taste like the head of an ape." "Sapor"

ordinarily means "flavour," or "taste;" but Cicero uses it in the

signification of wisdom or genius. Many other significations of

this passage have been suggested by the various Editors.]

This I deem to be said more facetiously than correctly; for on the one

hand I have often found the good-looking to be very knaves, and on the

other I have known many with ugly features to be most worthy men.

FABLE V.

ÆSOP AND THE INSOLENT MAN.

Success leads many astray to their ruin.

An Insolent Fellow threw a stone at Æsop. "Well done," said he, and then

gave him a penny, thus continuing: "Upon my faith I have got no more,

but I will show you where you can get some; see, yonder comes a rich and

influential man; throw a stone at him in the same way, and you will

receive a due reward." The other, being persuaded, did as he was

advised. His daring impudence, however, was disappointed of its hope,

for, being seized, he paid the penalty on the cross.[20]

[Footnote III.20: _On the cross_)--Ver. 10. The cross was

especially used as an instrument of punishment for malefactors of

low station, and, as we see here, sometimes on very trivial

occasions.]

FABLE VI.

THE FLY AND THE MULE.

A Fly sat on the pole of a chariot, and rebuking the Mule: "How slow you

are," said she; "will you not go faster? Take care that I don't prick

your neck with my sting." The Mule made answer: "I am not moved by your

words, but I fear him who, sitting on the next seat, guides my yoke[21]

with his pliant whip, and governs my mouth with the foam-covered reins.

Therefore, cease your frivolous impertinence, for I well know when to go

at a gentle pace, and when to run."

In this Fable, he may be deservedly ridiculed, who, without {any}

strength, gives utterance to vain threats.

[Footnote III.21: _Guides my yoke_)--Ver. 6. "Jugum meum;"

meaning, "me who bear the yoke."]

FABLE VII.

THE DOG AND THE WOLF.

I will shew in a few words how sweet is Liberty.

A Wolf, quite starved with hunger, chanced to meet a well-fed Dog, and

as they stopped to salute each other, "Pray," {said the Wolf}, "how is

it that you are so sleek? or on what food have you made so much flesh?

I, who am far stronger, am perishing with hunger." The Dog frankly

{replied}: "You may enjoy the same condition, if you can render the like

service to your master." "What {is it}?" said the other. "To be the

guardian of his threshold, {and} to protect the house from thieves at

night." "I am quite ready for that," {said the Wolf}; "at present I have

to endure snow and showers, dragging on a wretched existence in the

woods. How much more pleasant for me to be living under a roof, and, at

my ease, to be stuffed with plenty of victuals." "Come along, then, with

me," {said the Dog}. As they were going along, the Wolf observed the

neck of the Dog, where it was worn with the chain. "Whence comes this,

my friend?" "Oh, it is nothing.[22]" "Do tell me, though." "Because I

appear to be fierce, they fasten me up in the day-time, that I may be

quiet when it is light, and watch when night comes; unchained at

midnight, I wander wherever I please. Bread is brought me without my

asking; from his own table my master gives me bones; the servants throw

me bits, and whatever dainties each person leaves; thus, without trouble

{on my part}, is my belly filled." "Well, if you have a mind to go

anywhere, are you at liberty?" "Certainly not," replied {the Dog}.

"{Then}, Dog, enjoy what you boast of; I would not be a king, to lose my

liberty."

[Footnote III.22: _It is nothing_)--Ver. 17. "Nihil est." This

was a form of expression used when they wished to cut short any

disagreable question, to which they did not think fit to give a

direct answer.]

FABLE VIII.

THE BROTHER AND SISTER.

Warned by this lesson, often examine yourself.

A certain Man had a very ugly Daughter, and also a Son, remarkable for

his handsome features. These, diverting themselves, as children do,

chanced to look into a mirror, as it lay upon their mother's chair.[23]

He praises his own good looks; she is vexed, and cannot endure the

raillery of her boasting brother, construing everything (and how could

she do otherwise?) as a reproach {against herself}. Accordingly, off she

runs to her Father, to be avenged {on him} in her turn, and with great

rancour, makes a charge against the Son, how that he, though a male, has

been meddling with a thing that belongs to the women. Embracing them

both, kissing them, and dividing his tender affection between the two,

he said: "I wish you both to use the mirror every day: you, that you may

not spoil your beauty by vicious conduct; you, that you may make amends

by your virtues for your looks."

[Footnote III.23: _Their mother's chair_)--Ver. 4. The

"cathedra" was properly a soft or easy chair used in the

"gynæcæa," or women's apartments. These were of various forms and

sizes, and had backs to them; it was considered effeminate for the

male sex to use them. "Sellæ" was the name of seats common to both

sexes. The use of the "speculum," or mirror, was also confined to

the female sex; indeed, even Pallas or Minerva was represented as

shunning its use, as only befitting her more voluptuous

fellow-goddess, Venus.]

FABLE IX.

SOCRATES TO HIS FRIENDS.

The name of a friend is common; but fidelity is rarely found.

Socrates having laid for himself the foundation of a small house (a man,

whose death I would not decline, if I could acquire {similar} fame, and

{like him} I could yield to envy, if I might be but acquitted[24] when

ashes); one of the people, no matter who, {amongst such passing remarks}

as are usual in these cases, asked: "Why do you, so famed as you are,

build so small a house?"

"I {only} wish," he replied, "I could fill it with real friends."

[Footnote III.24: _I might be acquitted_)--Ver. 4. He alludes

to the fate of Socrates, who, after he was put to death by his

countrymen, was publicly pronounced to be innocent, and a statue

was erected in his honour.]

FABLE X.

THE POET, ON BELIEVING, AND NOT BELIEVING.

It is dangerous alike to believe or to disbelieve. Of either fact,

I will briefly lay before you an instance.

Hippolytus met his death,[25] because his step-mother was believed:

because Cassandra was not believed, Troy fell. Therefore, we ought to

examine strictly into the truth of a matter, rather than {suffer} an

erroneous impression to pervert our judgment. But, that I may not weaken

{this truth} by referring to fabulous antiquity, I will relate to you a

thing that happened within my own memory.

A certain married Man, who was very fond of his Wife, having now

provided the white toga[26] for his Son, was privately taken aside by

his Freedman, who hoped that he should be substituted as his next heir,

{and} who, after telling many lies about the youth, and still more about

the misconduct of the chaste Wife, added, what he knew would especially

grieve one so fond, that a gallant was in the habit of paying her

visits, and that the honor of his house was stained with base adultery.

Enraged at the supposed guilt of his Wife, the husband pretended a

journey to his country-house, and privately stayed behind in town; then

at night he suddenly entered at the door, making straight to his Wife's

apartment, in which the mother had ordered her son to sleep, keeping a

strict eye over his ripening years. While they are seeking for a light,

while the servants are hurrying to and fro, unable to restrain the

violence of his raging passion, he approaches the bed, and feels a head

in the dark. When he finds the hair cut close,[27] he plunges his sword

into {the sleeper's} breast, caring for nothing, so he but avenge his

injury. A light being brought, at the same instant he beholds his son,

and his chaste wife sleeping in her apartment; who, fast locked in her

first sleep, had heard nothing: on the spot he inflicted punishment on

himself for his guilt, and fell upon the sword which a too easy belief

had unsheathed. The accusers indicted the woman, and dragged her to

Rome, before the Centumviri.[28] Innocent as she was, dark suspicion

weighed heavily against her, because she had become possessor of his

property: her patrons stand[29] and boldly plead the cause of the

guiltless woman. The judges then besought the Emperor Augustus that he

would aid them in the discharge of their oath, as the intricacy of the

case had embarrassed them. After he had dispelled the clouds raised by

calumny, and had discovered a sure source of truth[30]: "Let the

Freedman," said he, "the cause of the mischief, suffer punishment; but

as for her, at the same instant bereft of a son, and deprived of a

husband, I deem her to be pitied rather than condemned. If the father of

the family had thoroughly enquired into the charge preferred, and had

shrewdly sifted the lying accusations, he would not, by a dismal crime,

have ruined his house from the very foundation."

Let the ear despise nothing, nor yet let it accord implicit belief at

once: since not only do those err whom you would be far from suspecting,

but those who do not err are {sometimes} falsely and maliciously

accused.

This also may be a warning to the simple, not to form a judgment on

anything according to the opinion of another; for the different aims of

mortals either follow the bias of their goodwill or their prejudice. He

{alone} will be correctly estimated {by you}, whom you judge of by

personal experience.

These points I have enlarged upon, as by too great brevity I have

offended some.

[Footnote III.25: _Met his death_)--Ver. 3. The story of

Hippolytus, who met his death in consequence of the treachery of

his step-mother Phædra, is related at length in the Play of

Euripides of that name, and in the Fifteenth Book of Ovid's

Metamorphoses. The fate of Cassandra, the daughter of Priam, who

in vain prophesied the fall of Troy, is related in the Second Book

of the Æneid, l. 246, _et seq._]

[Footnote III.26: _The white toga_)--Ver. 10. The "toga

prætexta," or Consular robe, was worn by the male children of the

Romans till their sixteenth year; when they assumed the ordinary

"toga," which was called "pura," because it had no purple border,

and was entirely white.]

[Footnote III.27: _The hair cut close_)--Ver. 27. This is

appropriately introduced, as the hair of youths was allowed to

grow long until they had reached the age of manhood, on which it

was cut close, and consecrated to the Gods.]

[Footnote III.28: _The Centumviri_)--Ver. 35. The "Centumviri"

were a body of 105 officers, whose duty it was to assist the

prætor in litigated questions. They were sometimes called "judices

selecti," or "commissioned judges."]

[Footnote III.29: _The patrons stand_)--Ver. 37. The patrons

stood while pleading the causes of their clients, while the judges

sat, as with us.]

[Footnote III.30: _Sure source of truth_)--Ver. 43. It is

suggested that the source of information here alluded to was the

evidence of the slaves, who had heard their master mention in his

last moments the treachery of his freedman. It is not probable

that the freedman voluntarily came forward, and declared the truth

to Augustus. In l. 39, Augustus is called "Divus," as having been

deified after his death. Domitian was the first who was so called

during his lifetime.]

FABLE XI.

THE EUNUCH TO THE ABUSIVE MAN.

A Eunuch had a dispute with a scurrilous fellow, who, in addition to

obscene remarks and insolent abuse, reproached him with the misfortune

of his mutilated person. "Look you," said {the Eunuch}, "this is the

only point as to which I am effectually staggered, forasmuch as I want

the evidences of integrity. But why, simpleton, do you charge me with

the faults of fortune? That {alone} is really disgraceful to a man,

which he has deserved to suffer."[31]

[Footnote III.31: _Deserved to suffer_)--Ver. 7. Though this

moral may apply to all misfortunes in general, it is supposed by

some of the Commentators that by the insulter some individual

notorious for his adulteries was intended to be represented; who

consequently merited by law to be reduced to the same situation as

the innocent Eunuch.]

FABLE XII.

THE COCK AND THE PEARL.

A young Cock, while seeking for food on a dunghill, found a Pearl, and

exclaimed: "What a fine thing are you to be lying in {so} unseemly a

place. If any one sensible of your value had espied you here, you would

long ago have returned to your former brilliancy. And it is I who have

found you, I to whom food is far preferable! I can be of no use to you

or you to me."

This I relate for those who have no relish for me.[32]

[Footnote III.32: _Have no relish for me_)--Ver. 8. From this

passage we may infer either that Phædrus himself had many

censurers at Rome, or that the people in general were not admirers

of Fables.]

FABLE XIII.

THE BEES AND THE DRONES, THE WASP SITTING AS JUDGE.

Some Bees had made their combs in a lofty oak. Some lazy Drones asserted

that these belonged to them. The cause was brought into court, the Wasp

{sitting as} judge; who, being perfectly acquainted with either race,

proposed to the two parties these terms: "Your shape is not unlike, and

your colour is similar; so that the affair clearly and fairly becomes a

matter of doubt. But that my sacred duty may not be at fault through

insufficiency of knowledge, {each of you} take hives, and pour your

productions into the waxen cells; that from the flavour of the honey and

the shape of the comb, the maker of them, about which the present

dispute exists, may be evident." The Drones decline; the proposal

pleases the Bees. Upon this, the Wasp pronounces sentence to the

following effect: "It is evident who cannot, and who did, make {them};

wherefore, to the Bees I restore the fruits of their labours."

This Fable I should have passed by in silence, if the Drones had not

refused the proposed stipulation.[33]

FABLE XIV.

ÆSOP AT PLAY.

An Athenian seeing Æsop in a crowd of boys at play with nuts,[34]

stopped and laughed at him for a madman. As soon as the Sage,--a laugher

at others rather than one to be laughed at,--perceived this, he placed

an unstrung bow in the middle of the road: "Hark you, wise man," said

he, "unriddle what I have done." The people gather round. The man

torments his invention a long time, but cannot make out the reason of

the proposed question. At last he gives up. Upon this, the victorious

Philosopher says: "You will soon break the bow, if you always keep it

bent; but if you loosen it, it will be fit for use when you want it."

Thus ought recreation sometimes to be given to the mind, that it may

return to you better fitted for thought.

[Footnote III.33: _The proposed stipulation_)--Ver. 17. It has

been suggested that Phædrus here alludes to some who had laid

claim to the authorship of his Fables, and had refused a challenge

given by him, such as that here given to the Drones, to test the

correctness of their assertions.]

[Footnote III.34: _At play with nuts_)--Ver. 2. It is thought

by Schwabe that Phædrus wrote this Fable in defence of his early

patron Augustus, against those who censured him for the levity of

his conduct in his old age, as we learn from Suetonius that he

amused himself with fishing, playing with dice, pebbles, or nuts

with boys. --For some account of Roman games with nuts, see "The

Walnut-tree," a fragment of Ovid, in vol. iii. p. 491, of Bohn's

Translation of that author.]

FABLE XV.

THE DOG TO THE LAMB.

A Dog said to a Lamb[35] bleating among some She-Goats: "Simpleton, you

are mistaken; your mother is not here;" and pointed out some Sheep at a

distance, in a flock by themselves. "I am not looking for her," {said

the Lamb}, "who, when she thinks fit, conceives, then carries her

unknown burden for a certain number of months, and at last empties out

the fallen bundle; but for her who, presenting her udder, nourishes me,

and deprives her young ones of milk that I may not go without." "Still,"

said the Dog, "she ought to be preferred who brought you forth." "Not at

all: how was she to know whether I should be born black or white?[36]

However, suppose she did know; seeing I was born a male, truly she

conferred a great obligation on me in giving me birth, that I might

expect the butcher every hour. Why should she, who had no power in

engendering me, be preferred to her who took pity on me as I lay, and of

her own accord shewed me a welcome affection? It is kindliness makes

parents, not the ordinary course {of Nature}."

By these lines the author meant to show that men are averse to fixed

rules, but are won by kind services.

[Footnote III.35: _To a Lamb_)--Ver. 1. Burmann suggests that

this Fable is levelled against the cruelty of parents, who were

much in the habit of exposing their children, who were

consequently far from indebted to them. Schwabe conjectures that

the system of employing wet-nurses is intended here to be

censured.]

[Footnote III.36: _Black or white_)--Ver. 10. This, though

disregarded by the mother, would be of importance to him, as the

black lambs were first selected for sacrifice.]

FABLE XVI.

THE GRASSHOPPER AND THE OWL.

He who does not conform to courtesy, mostly pays the penalty of his

superciliousness.

A Grasshopper was making a chirping that was disagreeable to an Owl, who

was wont to seek her living in the dark, and in the day-time to take her

rest in a hollow tree. She was asked to cease her noise, but she began

much more loudly to send forth her note; entreaties urged again only set

her on still more. The Owl, when she saw she had no remedy, and that her

words were slighted, attacked the chatterer with this stratagem: "As

your song, which one might take for the tones of Apollo's lyre, will not

allow me to go to sleep, I have a mind to drink some nectar which Pallas

lately gave me;[37] if you do not object, come, let us drink together."

The other, who was parched with thirst, as soon as she found her voice

complimented, eagerly flew up. The Owl, coming forth from her hollow,

seized the trembling thing, and put her to death.

Thus what she had refused when alive, she gave when dead.

[Footnote III.37: _Pallas lately gave me_)--Ver. 13. The Owl

was sacred to Pallas.]

FABLE XVII.

THE TREES UNDER THE PROTECTION OF THE GODS.

The Gods in days of yore made choice of such Trees as they wished to be

under their protection. The Oak pleased Jupiter, the Myrtle Venus, the

Laurel Phoebus, the Pine Cybele, the lofty Poplar Hercules. Minerva,

wondering why they had chosen the barren ones, enquired the reason.

Jupiter answered: "That we may not seem to sell the honor for the

fruit." "Now, so heaven help me,"[38] said she, "let any one say what he

likes, but the Olive is more pleasing to me on account of its fruit."

Then said the Father of the Gods and the Creator of men: "O daughter, it

is with justice that you are called wise by all; unless what we do is

useful, vain is our glory."[39]

This little Fable admonishes us to do nothing that is not profitable.

[Footnote III.38: _So heaven help me_)--Ver. 8. "Mehercule,"

literally "By Hercules." This was a form of oath used generally by

men, and Phædrus has been censured for here putting it in the

mouth of Minerva. Some Commentators also think that he is guilty

of a slight anachronism in using the name of Hercules here to give

emphasis to an asseveration; but there does not appear to be any

ground for so thinking, as the choice must, of course, be supposed

to have been made after his death and deification. In the

Amphitryon of Plautus, Mercury is represented as swearing by

Hercules before that God was born.]

[Footnote III.39: _Vain is our glory_)--Ver. 12. "Nisi utile

est quod facimus, stulta est gloria." This line is said to have

been found copied on a marble stone, as part of a sepulchral

inscription, at Alba Julia or Weissenburg, in Transylvania.]

FABLE XVIII.

THE PEACOCK TO JUNO.

A Peacock came to Juno, complaining sadly that she had not given to him

the song of the Nightingale; that it was the admiration of every ear,

while he himself was laughed at the very instant he raised his voice.

The Goddess, to console him, replied: "But you surpass the {nightingale}

in beauty, you surpass {him} in size; the brilliancy of the emerald

shines upon your neck; and you unfold a tail begemmed with painted

plumage." "Wherefore {give} me," he retorted, "a beauty that is dumb, if

I am surpassed in voice?" "By the will of the Fates," {said she}, "have

your respective qualities been assigned; beauty to you, strength to the

Eagle, melody to the Nightingale, to the Raven presages, unpropitious

omens to the Crow; all of {these} are contented with their own

endowments."

Covet not that which has not been granted you, lest your baffled hopes

sink down to {useless} repinings.

FABLE XIX.

ÆSOP'S ANSWER TO THE INQUISITIVE MAN.

When Æsop was the only servant of his master, he was ordered to prepare

dinner earlier than usual. Accordingly, he went round to several houses,

seeking for fire,[40] and at last found a place at which to light his

lantern. Then as he had made a rather long circuit, he shortened the way

back, for he went home straight through the Forum. There a certain

Busybody in the crowd {said to him}: "Æsop, why with a light at

mid-day?" "I'm in search of a man,"[41] said he; and went hastily

homewards.

If the inquisitive fellow reflected on this {answer}, he must have

perceived that the sage did not deem him a man, who could so

unseasonably rally him when busy.

[Footnote III.40: _Seeking for fire_)--Ver. 3. Fire was

kindled in general by being kept smouldering in a log under the

ashes, from day to day, for culinary purposes; or else it was

begged from a neighbour, as we learn from the Aulularia of

Plautus, A. I., Sc. ii., l. 12 _et seq._; and so generally was

this done that we find it stated in the Trinummus, A. II.,

sc. ii., l. 53, that it was the custom not to refuse fire when

asked for even to an enemy.]

[Footnote III.41: _In search of a man_)--Ver 9. Meaning that

he did not deem the enquirer to be a man. The same story is told

in Diogenes Laertius, of Diogenes the Cynic.]

EPILOGUE.[42]

There are yet remaining {Fables} for me to write, but I purposely

abstain; first, that I may not seem troublesome to you, whom a

multiplicity of matters distract; and next, that, if perchance any other

person is desirous to make a like attempt, he may still have something

left to do; although there is so abundant a stock of matter that an

artist will be wanting to the work, not work to the artist. I request

that you will give the reward to my brevity which you promised; make

good your word. For life each day is nearer unto death; and the greater

the time that is wasted in delays, the less the advantage that will

accrue to me. If you dispatch the matter quickly, the more lasting will

be {my} enjoyment; the sooner I receive {your favours}, the longer shall

I have the benefit {thereof}. While there are yet some remnants of a

wearied life,[43] there is room for {your} goodness; in aftertimes your

kindness will in vain endeavour to aid me, infirm with old age; for then

I shall have ceased to be able to enjoy your kindness, and death, close

at hand, will be claiming its due. I deem it foolish to address my

entreaties to you, when your compassion is so ready, spontaneously, to

render assistance. A criminal has often gained pardon by confessing; how

much more reasonably ought it to be granted to the innocent? It is your

province[44] {now to judge of my cause}; it will fall to others

by-and-by; and again by a like revolution, the turn of others will come.

Pronounce the sentence, as religion--as your oath permits; and give me

reason to rejoice in your decision. My feelings have passed the limits

they had proposed; but the mind is with difficulty restrained, which,

conscious of unsullied integrity, is exposed to the insults of spiteful

men. "Who are they?" you will ask: they will be seen in time. For my

part, so long as I shall continue in my senses, I shall take care to

recollect that "it is a dangerous thing for a man of humble birth to

murmur in public.[45]"

[Footnote III.42: This and the following Prologue seem better

suited to their present places than to the close of the Fourth

Book, where in most of the editions they appear.]

[Footnote III.43: _Of a wearied life_)--Ver. 15. It is

impossible to say with any certainty to what he refers; but the

most probable conjecture is that he has again got into trouble

through his compositions, and is begging Eutychus, in some public

capacity, immediately to give a favourable decision in his behalf.

That "Languens ævum" means a life worn out with misfortune, and

does not refer to himself as sinking, in want, under old age, is

evident from the next line. It has been conjectured by some that

Phædrus wrote these lines in prison, where he had been thrown

through the malice of his enemies.]

[Footnote III.44: _It is your province_)--Ver. 24. He is

supposed to allude to some judicial position held by Eutychus,

which he would have to vacate at the end of a year, and be

succeeded by others, probably not so favourably disposed to

himself.]

[Footnote III.45: _To murmur in public_)--Ver. 33. "Palam

mutire plebeio piaculum est." These words are quoted from the

Telephus of Ennius.]

The Fables of Phædrus Literally translated into English prose with notes · 第 3 / 6 章