THE FORMATION OF LETTERS
Having become somewhat acquainted with the use of the pen, the next
step to be taken is the formation of letters, on the same principle as
the strokes were made in the last chapter.
Fig. 7 shows an alphabet of capital letters and also one of small
letters. Each letter is formed with simple pen-strokes, and the student
should experience no difficulty in forming these after practising the
previous exercise.
Perhaps it would not be amiss to give a few suggestions as to working.
In the first place he should set about his task in a workmanlike
manner. It is practically useless practising on a few odd scraps of
paper, in a slipshod way, without making any special preparations. This
method of working is responsible for a good deal of slovenly work and
cannot be too severely censured. The old proverb, “If a thing is worth
doing it is worth doing well,” is perfectly true in this case.
[Illustration: PEN-FORMED LETTERS.
FIG. 7.]
The student should obtain a drawing-board and fasten his paper down
carefully before commencing to work. It will be found that a pad made
of several sheets of blotting-paper placed under the writing-paper will
make the writing easier. This makes a much more sympathetic surface
to write upon than the hard drawing-board. Then the slope should be
considered. It is not advisable to work with the board flat on the
table. It should be raised to form a convenient slope. In the old
illustrations that we have representing the mediæval illuminator at
work, he is always depicted as writing at a sloping desk. By far the
most suitable for writing is a firm water-colour easel which can be
inclined to any angle. If, however, this is not to hand, a drawing can
be raised on a table to the required angle by resting one end of the
board on a small box.
Another point is the lighting. It is best to arrange this so that the
light comes over the left shoulder, otherwise the shadow of the hand
falls on the work.
Rule lightly, with a black-lead pencil, some lines to work upon. First
rule two lines for each row of letters. For the capitals these should
be about ¾ in. apart, and for the lower-case letters 3/8 in. should be
sufficient.
The pen should be cut so as to give a fairly bold stroke, to prevent
forming a thin, weak-looking letter. Great care should be taken to
ensure that the writing be crisp and sharp. See that the back of the
nib is free from ink, and be careful to keep the pen at practically
the same angle. The habit of turning the pen about in the hand while
writing is responsible for a lot of clumsy work. The beginner generally
fails to turn the ends of his strokes smartly, thus failing to
distinguish between the thick and thin strokes. This is caused by not
keeping the pen at the same angle. The least possible pressure should
be put on the nib. Let the pen have its own way; do not force it at
all. Some prefer to dip the pen into the ink, wiping the back of the
nib on a small linen pen-wiper. Others use a small brush or quill for
dropping the ink into the pen. Some dealers put their ink into bottles
provided with quill stoppers for this purpose. Whichever way be used,
care should be taken not to fill the pen too full, as if this is done
there is every probability that a blot may be caused by ink dropping
from it.
Fig. 8 shows exactly how the various strokes are formed. The different
strokes that go to make up the capital A are carefully shown in the
proper order and exactly how they can be made. Most of the letters in
the alphabet are also shown with the pen-strokes necessary for their
production. They are numbered so that the student should have no
difficulty in understanding exactly how to form them, the first stroke
being numbered 1, the second 2, and so on. It will be found that the
letters that are not shown in this manner are made up of strokes that
are shown plainly in some other letter.
[Illustration: FIG. 8.]
After practising the formation of these letters between two lines,
the student should use one line only. In fact, after he begins to
get familiar with this method of forming letters he should discard
altogether the use of the second line, as he should be able to write
just as easily on one line only. Some students seem to be afraid that
they will not be able to keep the writing the same size unless they use
two lines. It is strange that in ordinary hand-writing they would never
think it necessary to rule two lines to keep their writing the same
size. The use of two lines is necessary to the beginner until he has
become familiar with the pen, but there is no necessity to keep using
these, for they only hamper him and give him less freedom in working.
One of the difficulties that beginners generally experience, in
attempting to form letters with the pen in this way, is that they are
unable to get good firm curves and strong upright strokes. The cause
of this is nothing more or less than simply lack of practice. If the
student has any trouble in this way he should practise the earlier
exercise again and again. Weak-looking curves and tottering strokes
will soon become few and far between as he gains confidence in himself.
If he gives his whole attention to forming the strokes, the facility to
produce well-formed letters will soon be acquired.
Another cause of bad writing is often due to the pen. If this is not
cut so that it will give crisp strokes good lettering is impossible.
The student should not waste time trying to write with a badly-cut pen;
it is much better to re-cut it straight away.
After practising forming the letters this size, he should reduce them.
The pen should be cut with a smaller point to suit the size of the
letters, and lines should be ruled closer together. He should endeavour
to get the same crispness and sharp distinction between the thick and
thin strokes as in the larger writing. He should not rest satisfied
until he is able to produce clear sharp writing on single lines. He
should strive to keep the strokes of the letters quite upright, not
leaning to the right or to the left. If he has practised the earlier
exercise thoroughly he should experience no difficulty in this matter.
The next chapter will deal with massing letters together to form words
and sentences. It is, however, as well to emphasise the fact that the
formation of the individual letters should be mastered thoroughly
first.