A DITHYRAMB ON A DOG

Chum, roped securely to the cherry tree, is barking at the universe in

general and at the cows in the paddock beyond the orchard in

particular. Occasionally he pauses to snap at passing bees, of which

the orchard is full on this bright May morning; but he soon tires of

this diversion and resumes his loud-voiced demand to share in the good

things that are going. For the sun is high, the cuckoo is shouting

over the valley, and the woods are calling him to unknown adventures.

They shall not call in vain. Work shall be suspended and this morning

shall be dedicated to his service. For this is the day of deliverance.

The word is spoken and the shadow of the sword is lifted. The battle

for his biscuit is won.

He does not know what a narrow shave he has had. He does not know that

for weeks past he has been under sentence of death as an encumbrance, a

luxury that this savage world of men could no longer afford; that

having taken away his bones we were about to take away his biscuits and

leave his cheerful companionship a memory of the dream world we lived

in before the Great Killing began. All this he does not know. That is

one of the numerous advantages of being a dog. He knows nothing of the

infamies of men or of the incertitudes of life. He does not look

before and after and pine for what is not. He has no yesterday and no

to-morrow--only the happy or the unhappy present. He does not, as

Whitman says, "lie awake at night thinking of his soul," or lamenting

his past or worrying about his future. His bereavements do not disturb

him and he doesn't care twopence about his career. He has no debts and

hungers for no honours. He would rather have a bone than a baronetcy.

He does not turn over old albums, with their pictured records of

forgotten holidays and happy scenes and yearn for the "tender grace of

a day that is dead," or wonder whether he will keep his job and what

will become of his "poor old family," as Stevenson used to say, if he

doesn't, or speculate whether the war will end this year, next year,

some time, or never. He doesn't even know there is a war. Think of

it! He doesn't know there is a war. O happy dog! Give him a bone, a

biscuit, a good word, and a scamper in the woods, and his cup of joy is

full. Would that my needs were as few and as easily satisfied.

And now his biscuit is safe and I have the rare privilege of rejoicing

with Sir Frederick Banbury. I do not know that I should go as far as

he seems to go, for in that touching little speech of his at the Cannon

Street Hotel he indicated that nothing in the heavens above or in the

earth beneath should stand between him and his dogs. "In August,

1914," he said, "my son went to France. The night before he left he

said, 'Father, look after my dogs and horses while I am away.' I said,

'Don't you worry about them.' He was killed in December, and I have

got the horses and dogs now. As I said to Mr. Bonar Law last year, I

should like to see the man who would tell me I have not to look after

my son's dogs and horses." Well, I suppose that if the choice were

between a German victory and a dog biscuit, the dog biscuit would have

to go, Sir Frederick. But I rejoice with you that we have not to make

the choice. I rejoice that the sentence of death has passed from your

dead son's horses and dogs and from that noble creature under the

cherry tree.

Look at him, barking now at the cows, now with eloquent appeal at me,

and then, having caught my eye, turning sportively to worry the hated

rope. He knows that my intentions this morning are honourable. I

think he feels that, in spite of appearances, I am in that humour in

which at any radiant moment the magic word "Walk" may leap from my

lips. What a word that is! No sleep so sound that it will not

penetrate its depths and bring him, passionately awake, to his feet.

He would sacrifice the whole dictionary for that one electric syllable.

That and its brother "Bones." Give him these good, sound, sensible

words, and all the fancies of the poets and all the rhetoric of the

statesmen may whistle down the winds. He has no use for them. "Walk"

and "Bones"--that is the speech a fellow can understand.

Yes, Chum knows very well that I am thinking about him and thinking

about him in an uncommonly friendly way. That is the secret of the

strange intimacy between us. We may love other animals, and other

animals may respond to our affection. But the dog is the only animal

who has a reciprocal intelligence. As Coleridge says, he is the only

animal that _looks upward_ to man, strains to catch his meanings,

hungers for his approval. Stroke a cat or a horse, and it will have a

physical pleasure; but pat Chum and call him "Good dog!" and he has a

spiritual pleasure. He feels good. He is pleased because you are

pleased. His tail, his eyebrows, every part of him, proclaim that

"God's in his heaven, all's right with the world," and that he himself

is on the side of the angels.

And just as he has the sense of virtue, so also he has the sense of

sin. A cat may be taught not to do certain things, but if it is caught

out and flees, it flees not from shame, but from fear. But the shame

of a dog touches an abyss of misery as bottomless as any human emotion.

He has fallen out of the state of grace, and nothing but the absolution

and remission of his sin will restore him to happiness. By his

association with man he seems to have caught something of his capacity

for spiritual misery. I had an Airedale once who had moods of

despondency as abysmal as my own. He was as sentimental as any minor

poet, and at the sound of certain tunes on the piano he would break

into paroxysms of grief, whining and moaning as if in one moment of

concentrated anguish he recalled every bereavement he had endured,

every bone he had lost, every stone heaved at him by his hated enemy,

the butcher's boy. Indeed, there are times when the dog approximates

so close to our intelligence that he seems to be of us, a sort of

humble relation of ourselves, with our elementary feelings but not our

gift of expression, our joy but not our laughter, our misery but not

our tears, our thoughts but not our speech. To sentence him to death

would be almost like homicide, and the day of his reprieve should be

celebrated as a festival....

Come, old friend. Let us away to the woods. "Walk" ...

Leaves in the Wind · 第 45 / 58 题