After a somewhat lengthened pause, Lamia said: ‘With which do you

sympathise, Veronica? With the mountains, or with the sea?’

‘O, with the sea!

‘The sweetest thing in all the world is pain

Consoled by Love.‘

‘And you, Sir Poet?’

‘Surely, with both,’ he answered.

‘But,’ she persisted, ‘with which of the two, chiefly?’

‘I suppose,’ he replied, ‘with the ineradicable selfishness of a man,

one inclines towards the mountains. _Pacem summa tenent._ Serenity

dwells upon the heights.’

[Illustration]

LAMIA’S WINTER-QUARTERS

I heard the Poet’s voice in the balcony, followed by the pushing back

of heavy _persiane_, and then:

‘Lamia! Come as quickly as you can; I want to show you what you may

never have a chance of seeing again.’

There was no reason why, if there was anything new or wonderful to

behold, Lamia and the Poet should have a monopoly of the spectacle; so,

arraying myself as rapidly as I could, I emerged onto the balcony just

as Lamia, in incomplete but most fascinating attire, did the same.

‘Oh!’ she exclaimed. ‘What hills! What slopes! What villas! But where

is Florence?’

‘Wait,’ said the Poet, ‘and you shall see. Like you, dear Lamia, she

is very fair,’—how I wish I had the courage to address her in that

fashion!—‘but, unlike you, she has not yet flowered out of the night.’

‘Neither have I, quite, I fear,’ she said, showing, when thuswise

reminded, a quite unnecessary concern respecting her hastily-donned

apparel.

‘She is veiled, absolutely veiled, as I have never seen her before,

in a, shall I call it, _peignoir_ of white mist, which conceals her

utterly from sight. But look! she is beginning to disrobe her marble

beauty.’

‘O, what is that, that surges through the mist?‘ ‘That is the noblest

symbol of civic liberty in the world, the Tower of the _Palazzo

Vecchio_.’

‘And that? And that?‘ ‘The topmost tier of Giotto’s Belfry, worthy, by

its sublime simplicity, to serve for the type of all great Art; and, at

its side in the rapidly-clearing ether, the cupola of the Duomo, that

Michelangelo would not copy and could not better.‘Dome after dome,

tower after tower, _campanile_ after _campanile_, surged silently out

of the mist; and, to use the Poet’s I hope not too familiar simile, the

silvery folds of night sank downward to her feet, and Florence stood in

naked loveliness before Lamia’s delighted gaze. Over the eastern hills

came the bright vernal sun, every mountain slope broke into smiles

and dimples, and in the last of its seaward valleys Arno glanced and

gleamed with joy of the expanding dawn. Distance lends enchantment

to the sound as well as to the view, and the clang and clash of

innumerable belfries came modulated through the intervening air,

wherefrom the last lingering trails of mist were gradually wizarded

away.

[Illustration: FLORENCE]

Question and answer followed each other in uninterrupted succession.

Yes, that was _San Miniato Al Monte_, with _La Bella Villanella_ hard

by; and that beyond was _Santa Margherita_, neighboured by the villa

in which Guicciardini completed his History. And yes,—Lamia was quite

right,—that was the _Torre del Gallo_, and away to the right and

farther up the hills was the Medicean _Poggio-a-Cajano_, where Lorenzo

wrote his poem on the _Ambra_. Over the matchless panorama of hill and

valley her interrogatories wandered unceasingly, whilst we called on

our recollection to supply the names she asked for.

Suddenly, other _persiane_ were pushed back, and Veronica joined us.

‘What are you all doing?’

‘Do you remember,’ answered Lamia, ‘the wife of Cosimo, Pater Patriæ,

asking him, when advanced in years, why he so often sate with closed

eyes, and his answering that he did so in order to accustom them to

what they must soon always be doing? I am opening mine thus early,

feeling that, in such a world as this, I shall never be able to close

them again.’

* * * * *

‘It is perfect, absolutely perfect,’ said Lamia, ‘and no wonder

Politian found it so.’

‘But did Politian really live here?’ I asked.

‘Let us be wise enough to think so,’ said the Poet, ‘and it was quite

in keeping with Lorenzo’s magnificence, when that testy scholar, to

whom he had committed the tuition of his sons, quarrelled with Donna

Clarice because she thought she also should have something to say

to their training, to provide him with such a sanctuary. Besides,

in Italy, Tradition is not, as some one has said she is elsewhere,

a toothless old crone with memory half gone, but the trustworthy

depositary of unforgotten glories.‘

‘It is more than a tradition,’ said Veronica. ‘Only this morning I came

across a passage from Politian’s correspondence, which would seem to

confirm local legend. Here it is. He is writing to Lorenzo. “When you

are incommoded by the heat of the season at Careggi, you will perchance

bethink you of the shelter of my abode, nor deem it undeserving of your

notice. Nestled in the sloping sides of the hill, we have here water

in abundance, and, being constantly refreshed by moderate breezes,

experience but little inconvenience from the fervour of the sun. As you

approach the villa itself, it seems embosomed in a grove; but, when

you reach it, you discover that it commands a full view of the city.

Though the neighbourhood is not without its denizens, I can here enjoy

the solitude so congenial to my disposition. But I can offer you the

temptation of other allurements. Wandering beyond his own boundaries,

Pico della Mirandola sometimes steals unexpectedly on my retirement,

and draws me from my seclusion to share his supper. What that is, you

well know; modest indeed, but neatly served, and made grateful by the

charm of his converse. But be you my guest. The meal shall be as good,

and the wine better.”‘

‘How very philosophic!’ said Lamia. ‘So much so, that the passage was

probably written on the morrow of a certain fascinating young woman,

whose name I cannot remember, but of whom Politian, I have read, was,

notwithstanding his erudition, deeply enamoured, giving her hand to

a rival scholar, though which of them, I need scarcely say, I have

equally forgotten.’

‘The great Marullus, I think,’ said the Poet; ‘and your fascinating

young woman was Alessandra, the accomplished daughter of Lorenzo’s

Chancellor, Bartolomeo della Scala, whose house, still standing, you

must remind us to show you in Florence.‘ [Illustration: A TUSCAN VILLA]

Our first business was to make acquaintance with the immediate

surroundings of the home provided for us by Veronica’s indefatigable

foresight, operating through a protracted correspondence none of us

had been deemed worthy to peruse. The rural architecture of Tuscany is

of a noble simplicity; and, in the main portion of our villa, built in

the course of the sixteenth century, there was no deviation from the

familiar type. But, adjoining it westward, and seemingly of more

ancient date, were an upper and a lower _loggia_ of conventual aspect;

the upper one having a sloping roof of rich red tiles supported by

graceful pillars of _pietra serena_, and the lower one serving as an

Italian equivalent of an English verandah, only more spacious and more

tasteful, in which we could sun or shade ourselves according to the

mood of the weather. Together, they formed an impenetrable barrier

against the well-known keenness of the _tramontana_, while the main

building provided ample shelter against possible inclemency from the

east. To the west our view was over the final valley of the Arno, that

spacious plain of fertile cultivation tenderly protected by hills of

exquisite shape and moderate elevation, on whose bolder ridges stand

historic towns of unmatched picturesqueness; while southward, over

vineyards and olive-groves terraced down precipitously-sloping ground,

we gazed on the domes and towers of the fair Tuscan capital. If one

lives on the side of a hill, one cannot reasonably expect to have a

very vast level expanse for the purposes of a garden. A quadrangular

space of modest dimensions between the house and the low boundary wall,

where the ground began to fall away, was all that had been dedicated

to that pleasurable end; and this afforded Lamia an opportunity of

observing that two such enthusiastic horticulturists as the Poet and

myself would find but few worlds to conquer in so narrow a territory.

‘Forget,’ I ventured to plead, ‘what it is useless to remember. England

is well enough, and so is Italy, but only on condition that you do

not ask from the one what belongs to the other. I am not quite sure

that the person who is intimately acquainted with both is ever quite

satisfied with either, since it is part of our perverse human nature

mentally to extol what we have not, to the depreciation of what we

have.’

‘Is it to a woman you say that?’ observed Lamia, to my complete

confusion. ‘Men preach Philosophy, women practise it; and I shall

probably show myself quite content without your well-filled borders,

while you inwardly, and perhaps sometimes outwardly, long for your

rampant greenery and untidy efflorescence. These _garofani_—you see,’

she said, turning to the Poet, ‘I know the Italian for carnations,—in

their tasteful pots along the loopholed wall are much more to my taste

than all the straggling annuals and robust perpetuals in the world.’

‘I can see,’ he said, kindly coming to my rescue, ‘you have found

your proper home at last. I thought it would be so; and we can only

congratulate ourselves on the result. But now let us explore farther

afield, and we shall probably find that, if we will only use the word

garden in a liberal sense, and indeed in that in which it is used in

the corner of England where we have our home, there is more of it than

we have just rashly assumed.’

Thereupon, we passed through a cool, spacious _cortile_, cloistered

on two of its sides, but for the rest open to the sky, and whose only

occupants were a disused fountain and a tall glistening orange-tree

covered with golden fruit, of course of the hardy bitter sort; thence

under an archway festooned with wistaria not yet in flower, and out

into the _podere_, which I must needs call by that name, since there is

no English equivalent for it, and which is nowhere to be seen in such

perfection as in Tuscany.

‘Indeed, indeed you are right,’ exclaimed Lamia; ‘right as when you

once said that, were it always Spring, one would never garden, even

in England. O this young green corn, with its purple anemones, its

crimson tulips, its pale almond and intensely bright peach blossom,

its fantastically growing fig-trees with their budding tips, its

burgeoning vines and spectral olive-trees, all dwelling together on

the fair hillside that seems to be smiling self-complacently at its

own loveliness! Look at that bank of irises, not yet broken from their

sheath! But when they have, what a sight they will be!’

It is always delightful to have one’s feelings expressed by some one

else in language of enthusiasm one might oneself be afraid to employ;

and we accompanied Lamia, as a sort of chorus, echoing all she said,

and only too well pleased to follow in her footsteps, as she wandered

on and on through a world of beauty wholly new to her.

‘And these lovely grassy paths,’ she said, ‘that lead everywhere and

nowhere, tempting one to travel on in search of something unknown, but

with ever, on either side, more sprouting wheat, more pendent vines,

more crookedly-branching fig-stems, more tulips, more windflowers,

more mountains, more glimpses of towers and belfries in the glittering

distance. In England everything seems to crouch. Here everything seems

to soar.’

Lured onward by Lamia’s enjoyment, and mounting by such easy and

gradual slopes that we hardly noticed we were ascending, we suddenly

came to a grassy plateau almost encircled by secular cypresses that are

the distinctive glory of Tuscany; and here we might have been tempted

to halt, had it not been that yet beyond it were rugged paths that

zigzagged among tall, dense bushes of white heath and yellow broom,

both now in full flower; while on shapeless boulders and protruding

rocks were the stars of the white, the yellow, and the rose-coloured

cistus. Here and there we came on sheets of the single pink anemone;

elsewhere, in the more sheltered nooks, were the Apennine wind-flower

which, with due care and choice of position, perhaps you remember, we

have persuaded to flourish in the garden that we love.

‘As Veronica has told us that we are to lead a life of strict

simplicity,’ said Lamia, ‘we had better do something to make it

graceful; and, if you two will only cut some branches of heath and

broom, I will be equally energetic among the anemones.’

We were descending homeward with our lovely spoil, when we heard a

creaking sound well known to me; and, in another moment, we overtook

the slowly-rolling wheels of a wooden wain—of wood, not only in its

low, long body, but of wood throughout, with wooden wheels, wooden

pole, and wooden yoke—drawn by a couple of cream-coloured steers, and

bearing a fragrant load of newly-cut rye-grass. Though at no little

inconvenience and delay, on the incline along which it was moving,

the peasants who accompanied it at once cried a halt, that they might

show their respect to and make the acquaintance of the new-comers. Of

the manifold charms of Tuscany, perhaps there is none so great or so

enduring as the charm of manner peculiar to its rural population. Frank

without being free, deferential but never servile, not without a fine

reserve yet with never a touch of shyness, withholding not a certain

tribute to social superiority, while tacitly intimating the fundamental

equality that appertains to human brotherhood, the demeanour and speech

of Tuscan _contadini_ keep intercourse perpetually fresh, and impart

to conversation on the tritest and most familiar themes perennial

liveliness and interest. Their salutations, frequent though these be,

for they would never think of passing you without one, are divested of

conventionality by their manifest sincerity. They can never see you,

never speak to you, too often; and, whenever they speak, they smile.

For thousands of years, morning has risen upon the world, but without

any diminution in its freshness; and it is the same with their _Buon

giorno, signore_! their _Felice sera, sua signoria_! their _Felicissima

notte, e buon riposo_! their _A rivederla_! and all their ancient

consecrated phrases for conveying their sense of the strong link that

binds human creatures to each other. Every time they say these things,

they mean them; nor do they ever tire of the iterated and reiterated

courtesies of life. The undeferential nod of Northern manners, the

mumbled recognition, the slipshod salutation, would seem shocking to

them, as lacking in human piety. On this occasion, no doubt, natural

curiosity blended with native good-breeding to make them halt in

their labours; for they were, I have no doubt, as eager to make our

acquaintance as we were to make theirs. Yet of visible curiosity there

was not a trace, as they lifted their hats from their beaded foreheads

and remained bareheaded till we begged them to cover themselves. What

they conveyed was a fervour of welcome akin to the glow of an Italian

sun, a welcome that warmed us through and through, and made us feel

that, at that instant, we were forming friendships that, save for some

fault of ours, would last through life. Were we all in good health?

Had we had a fatiguing journey? Were we comfortable and happy in the

villa? They hoped we were going to stay a long time. Could they do

anything for us? Did we love Italy? Had we been there before? O, but it

was evident we had; for we talked their language like one of themselves

(somewhat of an exaggeration, save in the case of Veronica). Yes, the

season was fairly forward, and there was good promise for everything,

given what was now wanted, plenty of sunshine. Commonplaces, you

perhaps will say. Indeed, yes. But which of us in this world is so

surprisingly original? The real originality, in some countries I could

mention, would be amiability, unfailing courtesy in the ever-recurring

trifles of life, a wish to please and to be pleased, and a perpetual

freshening of existence by treating nothing in it as a matter of

course, or as undeserving of recognition and thankfulness. Even the

most original of us are original only sometimes; and, if we are to

consort with each other at all, we must needs indulge in a good deal of

repetition and commonplace. But freshness of manner can make repetition

sound absolutely new, and kindliness of disposition invest the veriest

commonplace with an air that everybody shall take for uncommon.

It was with difficulty we led Lamia away from her new acquaintances,

not the least attractive of those being the sleek, smooth-coated,

soft-eyed oxen that play so large a part in the picturesqueness as in

the rural life of Tuscany, and that seemed to appreciate the tender

stroking of her hand and the equally soft caress of her voice.

‘I never felt such a bumpkin before,’ she said, ‘as in the presence of

those gracious peasants. What barbarians they must think us!’

‘If they thought that of you, Lamia,’ I said, more struck by the

exaggeration than by the humility of her remark, ‘they certainly

contrived to conceal their impression. Still, speaking generally, rural

Tuscany is a school of manners.’

The noble simplicity referred to as the distinguishing mark of villa

architecture in Tuscany, is as dominant in the interior as on the

exterior of its buildings; ample space being their chief feature and

adornment. Unless they have been invaded by modern hands, they depend

for effect on bold outlines rather than on decorative detail; and they

are furnished in harmony with the same severe taste. When Veronica

admonished us that we were to lead a life of strict simplicity, she

referred to this circumstance among others.

‘I hope,’ she said, ‘you have left your sybaritic tastes at home. You

will find many shapely but no comfortable chairs, no superfluity of

cushions, nowhere a footstool, and, if you choose to lie on what looks

like a sofa, you will soon find you are not reposing on rose-leaves.

You must not come to me and complain that there is not a bell in your

room, or, if there is, that it apparently has no communication with the

outer world. If Lamia wishes to make a mess indoors with her flowers

and branches of blossom, she shall not be denied; but you must not

look for those more permanent graces of life to which you are all so

attached.’

‘Don’t mind _me_,‘ said Lamia. ‘I am quite prepared to empty my own

bath, brush my own skirts, answer the bell instead of ringing it, and

live on _fagioli_ and dried _funghi_. Indeed, it was chiefly to indulge

in those unusual luxuries that I came to Italy.’

Considering who it is that has created, cherished, and fostered in

us those sybaritic tastes, and that attachment to the graces and

elegancies of life of which Veronica spoke, and with which she told

us we were now to dispense, we may be pardoned, I think, if, at the

first opportunity, we indulged in some private humour at her expense.

If we are demoralised by domestic luxury, who is it but Veronica that

has corrupted us? I protest that most men, in the matter of material

comfort, are absolute Spartans, and, as for the Poet, his native

austerity was once not to be surpassed, and he still indulges from time

to time in his ideal, at any rate in conversation. But he too has, for

the most part, succumbed to Veronica’s unequalled capacity for making

life at once graceful and commodious; and I am not sure that now he

would not, if at home, feel almost wronged if, should he happen to want

a paper-cutter, he had to rise from his chair in order to go in search

of one.

‘Just you wait!’ said Lamia, ‘and see what becomes of the simple life

to which we are to dedicate ourselves. The first time Veronica goes to

Florence, she will return, I will engage to say, laden with manifold

conveniences of existence, and by degrees she will introduce a world

of things into this splendid vacuum; and if, some fine morning, you

meet a plumber or bell-hanger on the stairs, you need not regard

him as an interloper. Nor would I mind wagering my next quarter’s

dress-money that, before long, you will see me sitting in the easiest

of easy-chairs, and gracefully reposing on the softest of ottomans.‘

‘I doubt it,’ said the Poet, ‘for Veronica has a fine sense of the

fitness of things, and her tastes are sufficiently flexible for her to

distinguish between Northern and Southern needs, Northern and Southern

traditions. When Francesco Cibo, the nephew of Innocent VIII., married

Lorenzo’s daughter, and came to Florence with a large and splendid

retinue, he was entertained during the period of the nuptials with the

utmost magnificence. But, at the end of that time, he observed that

all the silver vessels and ornaments, of which there had been such a

profusion, disappeared from the table, and were replaced by others of

brass; and, moreover, that every meal was now served with the utmost

plainness and frugality. Anxious lest his Roman attendants should

carry back to the Eternal City the impression that he had contracted a

union with either a very poor or a very parsimonious family, he sought

to discover how they were faring, and found they were still being

entertained in the most sumptuous manner. The enigma was explained

when Lorenzo said to him, “You are now one of ourselves, and as one of

ourselves I treat you. My grandsire Cosimo used to say to his sons,

‘Remember you are only citizens of Florence, and must reserve what

splendours you can command for the glorification of the City.’ As his

descendant, I obey his injunction.”‘

‘Hark!’ I said. ‘Already there are sounds of modern civilisation. The

grass-plot is being mown.’

Lamia and the Poet listened, though I think the latter at once guessed

my meaning.

‘What is it?’ said Lamia. ‘A mowing-machine? I cannot hear it. I hear

only the bleating of sheep.’

We passed afresh into the garden, and there was a flock of ewes and

lambs nibbling the sweet short clover, attended by a picturesque

shepherd girl, who carefully kept them off the shrubs, but went on

industriously knitting all the while.

‘Is not that a simple enough mowing-machine for you?’ I asked. ‘It

attains to even Veronica’s ideal of primitive expedients.‘

‘It is as simple and primitive,’ said Lamia, ‘as much of the garden

itself. What a comfort it is to find oneself in a country where’—I

imagine this was intended as a shaft against myself—‘there does not

rage a fidgety mania for perfection. Flowers here are reduced to their

proper subordination in the universe.’

Lamia's Winter-Quarters · 第 3 / 8 段