CHAPTER IX. MORE WAYS THAN ONE

Early he was up to bathe and shave. He shaved close to make it last

longer, until his tender face reddened under the scraping. Probably he

would not find another cabin in which a miner would part with his beard

for an Eastern trip. Probably he would have to go to the barber the next

time. He also succeeded, with soap and water, in removing a stain from

his collar. It was still a decent collar; not immaculate, perhaps, but

entirely possible.

This day he took eggs with his breakfast, intending to wheedle his

appetite with a lighter second meal than it had demanded the day before.

He must see if this would not average better on the day’s overhead.

After breakfast he was irresistibly drawn to view the moving picture of

his old home being dismantled. He knew now that he might stand brazenly

there without possible criticism. He found Jimmy and a companion

property-boy already busy. Much of the furniture was outside to be

carted away. Jimmy, as Merton lolled idly in the doorway, emptied the

blackened coffee pot into the ashes of the fireplace and then proceeded

to spoon into the same refuse heap half a kettle of beans upon which

the honest miners had once feasted. The watcher deplored that he had not

done more than taste the beans when he had taken his final survey of the

place this morning. They had been good beans, but to do more than taste

them would have been stealing. Now he saw them thrown away and regretted

that he could not have known what their fate was to be. There had been

enough of them to save him a day’s expenses.

He stood aside as the two boys brought out the cooking utensils, the

rifle, the miners’ tools, to stow them in a waiting handcart. When they

had loaded this vehicle they trundled it on up the narrow street of the

Western town. Yet they went only a little way, halting before one of the

street’s largest buildings. A sign above its wooden porch flaunted the

name Crystal Palace Hotel. They unlocked its front door and took the

things from the cart inside.

From the street the watcher could see them stowing these away. The room

appeared to contain a miscellaneous collection of articles needed in the

ruder sort of photodrama. Emptying their cart, they returned with it

to the cabin for another load. Merton Gill stepped to the doorway and

peered in from apparently idle curiosity. He could see a row of saddles

on wooden supports; there were kitchen stoves, lamps, painted chairs,

and heavy earthenware dishes on shelves. His eyes wandered over these

articles until they came to rest upon a pile of blankets at one side of

the room. They were neatly folded, and they were many.

Down before the cabin he could see the handcart being reloaded by Jimmie

and his helper. Otherwise the street was empty. The young man at the

doorway stepped lightly in and regarded the windows on either side of

the door. He sauntered to the street and appeared to be wondering what

he would examine next in this curious world. He passed Jimmie and the

other boy returning with the last load from the cabin. He noted at the

top of the load the mattress on which he had lain for three nights

and the blankets that had warmed him. But he was proved not to be so

helpless as he had thought. Again he knew where a good night’s rest

might be had by one using ordinary discretion.

Again that day, the fourth of his double life, he went the mad pace, a

well-fed, carefree youth, sauntering idly from stage to stage, regarding

nonchalantly the joys and griefs, the twistings of human destiny there

variously unfolded. Not only was he this to the casual public notice; to

himself he was this, at least consciously. True, in those nether regions

of the mind so lately discovered and now being so expertly probed by

Science, in the mind’s dark basement, so to say, a certain unlovely

fronted dragon of reality would issue from the gloom where it seemed to

have been lurking and force itself upon his notice.

This would be at oddly contented moments when he least feared the

future, when he was most successfully being to himself all that he must

seem to others. At such times when he leisurely walked a world of plenty

and fruition, the dragon would half-emerge from its subconscious lair

to chill him with its head composed entirely of repellent facts. Then a

stout effort would be required to send the thing back where it belonged,

to those lower, decently hidden levels of the mind--life.

And the dragon was cunning. From hour to hour, growing more restive, it

employed devices of craft and subtlety. As when Merton Gill, carefree

to the best of his knowledge, strolling lightly to another point of

interest, graciously receptive to the pleasant life about him, would

suddenly discover that a part of his mind without superintendence had

for some moments been composing a letter, something that ran in effect:

“Mr. Gashwiler, dear sir, I have made certain changes in my plans since

I first came to sunny California and getting quite a little homesick for

good old Simsbury and I thought I would write you about taking back my

old job in the emporium, and now about the money for the ticket back to

Simsbury, the railroad fare is--”

He was truly amazed when he found this sort of thing going on in

that part of his mind he didn’t watch. It was scandalous. He would

indignantly snatch the half-finished letter and tear it up each time he

found it unaccountably under way.

It was surely funny the way your mind would keep doing things you didn’t

want it to do. As, again, this very morning when, with his silver coin

out in his hand, he had merely wished to regard it as a great deal of

silver coin, a store of plenty against famine, which indeed it looked

to be under a not-too-minute scrutiny. It looked like as much as two

dollars and fifty cents, and he would have preferred to pocket it again

with this impression. Yet that rebellious other part of his mind had

basely counted the coin even while he eyed it approvingly, and it had

persisted in shouting aloud that it was not two dollars and fifty cents

but one dollar and eighty--five cents.

The counting part of the mind made no comment on this discrepancy; it

did not say that this discovery put things in a very different light. It

merely counted, registered the result, and ceased to function, with an

air of saying that it would ascertain the facts without prejudice and

you could do what you liked about them. It didn’t care.

That night a solitary guest enjoyed the quiet hospitality of the Crystal

Palace Hotel. He might have been seen--but was not--to effect a late

evening entrance to this snug inn by means of a front window which had,

it would seem, at some earlier hour of the day, been unfastened from

within. Here a not-too-luxurious but sufficing bed was contrived on the

floor of the lobby from a pile of neatly folded blankets at hand, and a

second night’s repose was enjoyed by the lonely patron, who again at

an early hour of the morning, after thoughtfully refolding the blankets

that had protected him, was at some pains to leave the place as he had

entered it without attracting public notice, perchance of unpleasant

character.

On this day it would not have been possible for any part of the mind

whatsoever to misvalue the remaining treasure of silver coin. It had

become inconsiderable, and even if kept from view could be, and was,

counted again and again by mere blind fingertips. They contracted,

indeed, a senseless habit of confining themselves in a trouser’s pocket

to count the half-dollar, the quarter, and the two dimes long after the

total was too well known to its owner.

Nor did this total, unimpressive at best, long retain even these poor

dimensions. A visit to the cafeteria, in response to the imperious

demands of a familiar organic process, resulted in less labour, by two

dimes, for the stubbornly reiterative fingertips.

An ensuing visit to the Holden lot barber, in obedience to social

demands construed to be equally imperious with the physical, reduced all

subsequent counting, whether by fingertips or a glance of the eye, to

barest mechanical routine. A single half-dollar is easy to count. Still,

on the following morning there were two coins to count. True, both were

dimes.

A diligent search among the miscellany of the Crystal Palace Hotel had

failed to reveal a single razor. The razor used by the miner should in

all reason have been found, but there was neither that nor any other.

The baffled seeker believed there must have been crooked work somewhere.

Without hesitation he found either Jimmie or his companion to be guilty

of malfeasance in office. But at least one item of more or less worried

debate was eliminated. He need no longer weigh mere surface gentility

against the stern demands of an active metabolism. A shave cost a

quarter. Twenty cents would not buy a shave, but it would buy at the

cafeteria something more needful to any one but a fop.

He saw himself in the days to come--if there were very many days to

come, of which he was now not too certain--descending to the unwholesome

artistic level of the elder Montague. He would, in short, be compelled

to peddle the brush. And of course as yet it was nothing like a

brush--nothing to kindle the eye of a director needing genuine brushes.

In the early morning light he fingered a somewhat gaunt chin and

wondered how long “they” would require to grow. Not yet could he be

taken for one of those actors compelled by the rigorous exactions of

creative screen art to let Nature have its course with his beard. At

present he merely needed a shave.

And the collar had not improved with usage. Also, as the day wore on,

coffee with one egg proved to have been not long-enduring fare for

this private in the army of the unemployed. Still, his morale was but

slightly impaired. There were always ways, it seemed. And the later

hours of the hungry afternoon were rather pleasantly occupied in

dwelling upon one of them.

The sole guest of the Crystal Palace Hotel entered the hostelry that

night somewhat earlier than was usual; indeed at the very earliest

moment that foot traffic through the narrow street seemed to have

diminished to a point where the entry could be effected without

incurring the public notice which he at these moments so sincerely

shunned. After a brief interval inside the lobby he issued from

his window with certain objects in hand, one of which dropped as he

clambered out. The resulting clamour seemed to rouse far echoes along

the dead street, and he hastily withdrew, with a smothered exclamation

of dismay, about the nearest corner of the building until it could be

ascertained that echoes alone had been aroused.

After a little breathless waiting he slunk down the street, keeping well

within friendly shadows, stepping softly, until he reached the humble

cabin where so lately the honest miners had enacted their heart-tragedy.

He jerked the latch-string of the door and was swiftly inside, groping a

way to the fireplace. Here he lighted matches, thoughtfully appropriated

that morning from the cafeteria counter. He shielded the blaze with one

hand while with the other he put to use the articles he had brought from

his hotel.

Into a tin cooking pot with a long handle he now hastily ladled

well-cooked beans from the discarded heap in the fireplace, by means of

an iron spoon. He was not too careful. More or less ashes accompanied

the nutritious vegetables as the pot grew to be half full. That was a

thing to be corrected later, and at leisure. When the last bean had

been salvaged the flame of another match revealed an unsuspected

item--a half-loaf of bread nestled in the ashes at the far corner of the

fireplace. It lacked freshness; was, in truth, withered and firm to the

touch, but doubtless more wholesome than bread freshly baked.

He was again on his humble cot in the seclusion of the Crystal Palace

Hotel. Half-reclining, he ate at leisure. It being inadvisable to light

matches here he ate chiefly by the touch system. There was a marked

alkaline flavour to the repast, not unpleasantly counteracted by a

growth of vegetable mould of delicate lavender tints which Nature had

been decently spreading over the final reduction of this provender to

its basic elements. But the time was not one in which to cavil about

minor infelicities. Ashes wouldn’t hurt any one if taken in moderation;

you couldn’t see the mould in a perfectly dark hotel; and the bread was

good.

The feast was prolonged until a late hour, but the finger--tips that

had accurately counted money in a dark pocket could ascertain in a dark

hotel that a store of food still remained. He pulled the blankets about

him and sank comfortably to rest. There was always some way.

Breakfast the next morning began with the promise of only moderate

enjoyment. Somehow in the gray light sifting through the windows the

beans did not look as good as they had tasted the night before, and the

early mouthfuls were less blithesome on the palate than the remembered

ones of yesterday. He thought perhaps he was not so hungry as he had

been at his first encounter with them. He delicately removed a pocket

of ashes from the centre, and tried again. They tasted better now. The

mould of tender tints was again visible but he made no effort to avoid

it. For his appetite had reawakened. He was truly hungry, and ate with

an entire singleness of purpose.

Toward the last of the meal his conscious self feebly prompted him to

quit, to save against the inevitable hunger of the night. But the voice

was ignored. He was now clay to the moulding of the subconscious. He

could have saved a few of the beans when reason was again enthroned, but

they were so very few that he fatuously thought them not worth saving.

Might as well make a clean job of it. He restored the stewpan and spoon

to their places and left his hotel. He was fed. To-day something else

would have to happen.

The plush hat cocked at a rakish angle, he walked abroad with something

of the old confident swagger. Once he doubtfully fingered the sprouting

beard, but resolutely dismissed a half-formed notion of finding out how

the Holden lot barber would regard a proposition from a new patron to

open a charge account. If nothing worse than remaining unshaven was

going to happen to him, what cared he? The collar was still pretty good.

Why let his beard be an incubus? He forgot it presently in noticing that

the people arriving on the Holden lot all looked so extremely well fed.

He thought it singular that he should never before have noticed how many

well-fed people one saw in a day.

Late in the afternoon his explorations took him beyond the lower end of

his little home street, and he was attracted by sounds of the picture

drama from a rude board structure labelled the High Gear Dance Hall. He

approached and entered with that calm ease of manner which his days on

the lot had brought to a perfect bloom. No one now would ever

suppose that he was a mere sightseer or chained to the Holden lot by

circumstances over which he had ceased to exert the slightest control.

The interior of the High Gear Dance Hall presented nothing new to his

seasoned eye. It was the dance-hall made familiar by many a smashing

five-reel Western. The picture was, quite normally, waiting.

Electricians were shoving about the big light standards, cameras were

being moved, and bored actors were loafing informally at the round

tables or chatting in groups about the set.

One actor alone was keeping in his part. A ragged, bearded, unkempt

elderly man in red shirt and frayed overalls, a repellent felt hat

pulled low over his brow, reclined on the floor at the end of the bar,

his back against a barrel. Apparently he slept. A flash of remembrance

from the Montague girl’s talk identified this wretched creature. This

was what happened to an actor who had to peddle the brush. Perhaps for

days he had been compelled to sleep there in the interests of dance-hall

atmosphere.

He again scanned the group, for he remembered, too, that the Montague

girl would also be working here in God’s Great Outdoors. His eyes

presently found her. She was indeed a blonde hussy, short-skirted,

low-necked, pitifully rouged, depraved beyond redemption. She stood

at the end of the piano, and in company with another of the dance-hall

girls who played the accompaniment, she was singing a ballad the refrain

of which he caught as “God calls them Angels in Heaven, we call them

Mothers here.”

The song ended, the Montague girl stepped to the centre of the room,

looked aimlessly about her, then seized an innocent bystander, one of

the rough characters frequenting this unsavoury resort, and did a dance

with him among the tables. Tiring of this, she flitted across the room

and addressed the bored director who impatiently awaited the changing

of lights. She affected to consider him a reporter who had sought an

interview with her. She stood erect, facing him with one hand on a hip,

the other patting and readjusting her blonde coiffure.

“Really,” she began in a voice of pained dignity, “I am at a loss to

understand why the public should be so interested in me. What can I

say to your readers--I who am so wholly absorbed in my art that I can’t

think of hardly anything else? Why will not the world let us alone? Hold

on--don’t go!”

She had here pretended that the reporter was taking her at her word. She

seized him by a lapel to which she clung while with her other arm she

encircled a post, thus anchoring the supposed intruder into her private

affairs. “As I was saying,” she resumed, “all this publicity is highly

distasteful to the artist, and yet since you have forced yourself in

here I may as well say a few little things about how good I am and how

I got that way. Yes, I have nine motor cars, and I just bought a lace

tablecloth for twelve hundred bones--”

She broke off inconsequently, poor victim of her constitutional

frivolity. The director grinned after her as she danced away, though

Merton Gill had considered her levity in the worst of taste. Then her

eye caught him as he stood modestly back of the working electricians and

she danced forward again in his direction. He would have liked to evade

her but saw that he could not do this gracefully.

She greeted him with an impudent grin. “Why, hello, trouper! As I live,

the actin’ Kid!” She held out a hand to him and he could not well refuse

it. He would have preferred to “up-stage” her once more, as she had

phrased it in her low jargon, but he was cornered. Her grip of his hand

quite astonished him with its vigour.

“Well, how’s everything with you? Everything jake?” He tried for a show

of easy confidence. “Oh, yes, yes, indeed, everything is.”

“Well, that’s good, Kid.” But she was now without the grin, and was

running a practised eye over what might have been called his production.

The hat was jaunty enough, truly a hat of the successful, but all below

that, the not-too-fresh collar, the somewhat rumpled coat, the trousers

crying for an iron despite their nightly compression beneath their

slumbering owner, the shoes not too recently polished, and, more than

all, a certain hunted though still-defiant look in the young man’s eyes,

seemed to speak eloquently under the shrewd glance she bent on him.

“Say, listen here, Old-timer, remember I been trouping man and boy for

over forty year and it’s hard to fool me--you working?”

He resented the persistent levity of manner, but was coerced by the

very apparent real kindness in her tone. “Well,” he looked about the set

vaguely in his discomfort, “you see, right now I’m between pictures--you

know how it is.”

Again she searched his eyes and spoke in a lower tone: “Well, all

right--but you needn’t blush about it, Kid.” The blush she detected

became more flagrant.

“Well, I--you see--” he began again, but he was saved from being

explicit by the call of an assistant director.

“Miss Montague. Miss Montague--where’s that Flips girl--on the set,

please.” She skipped lightly from him. When she returned a little later

to look for him he had gone.

He went to bed that night when darkness had made this practicable, and

under his blankets whiled away a couple of wakeful hours by running

tensely dramatic films of breakfast, dinner, and supper at the Gashwiler

home. It seemed that you didn’t fall asleep so quickly when you had

eaten nothing since early morning. Never had he achieved such perfect

photography as now of the Gashwiler corned-beef hash and light biscuits,

the Gashwiler hot cakes and sausage, and never had Gashwiler so

impressively carved the Saturday night four-rib roast of tender beef.

Gashwiler achieved a sensational triumph in the scene, being accorded

all the close--ups that the most exacting of screen actors could wish.

His knife-work was perfect. He held his audience enthralled by his

technique.

Mrs. Gashwiler, too, had a small but telling part in the drama to-night;

only a character bit, but one of those poignant bits that stand out in

the memory. The subtitle was, “Merton, won’t you let me give you another

piece of the mince pie?” That was all, and yet, as screen artists say,

it got over. There came very near to being not a dry eye in the

house when the simple words were flashed beside an insert of thick,

flaky-topped mince pies with quarters cut from them to reveal their

noble interiors

Sleep came at last while he was regretting that lawless orgy of the

morning. He needn’t have cleaned up those beans in that silly way.

He could have left a good half of them. He ran what might have been

considered a split-reel comedy of the stew-pan’s bottom still covered

with perfectly edible beans lightly protected with Nature’s own

pastel-tinted shroud for perishing vegetable matter and diversified here

and there with casual small deposits of ashes.

In the morning something good really did happen. As he folded his

blankets in the gray light a hard object rattled along the floor from

them. He picked this up before he recognized it as a mutilated fragment

from the stale half--loaf of bread he had salvaged. He wondered how he

could have forgotten it, even in the plenitude of his banquet. There it

was, a mere nubbin of crust and so hard it might almost have been taken

for a petrified specimen of prehistoric bread. Yet it proved to be

rarely palatable. It’s flavour was exquisite. It melted in the mouth.

Somewhat refreshed by this modest cheer, he climbed from the window of

the Crystal Palace with his mind busy on two tracks. While the letter to

Gashwiler composed itself, with especially clear directions about where

the return money should be sent, he was also warning himself to remain

throughout the day at a safe distance from the door of the cafeteria. He

had proved the wisdom of this even the day before that had started with

a bounteous breakfast. To-day the aroma of cooked food occasionally

wafted from the cafeteria door would prove, he was sure, to be more than

he could bear.

He rather shunned the stages to-day, keeping more to himself. The

collar, he had to confess, was no longer, even to the casual eye, what

a successful screen-actor’s collar should be. The sprouting beard

might still be misconstrued as the whim of a director sanctified

to realism--every day it was getting to look more like that--but no

director would have commanded the wearing of such a collar except in

actual work where it might have been a striking detail in the apparel of

an underworldling, one of those creatures who became the tools of

rich but unscrupulous roues who are bent upon the moral destruction of

beautiful young screen heroines. He knew it was now that sort of collar.

No use now in pretending that it had been worn yesterday for the first

time.

Merton of the Movies · 第 9 / 20 章