ANECDOTES OF CELEBRATED AUTHORS, FRENCH AND ITALIAN.

Crebillon's manner of life was extremely singular. He slept little, and

lay very hard; he was always surrounded with about thirty cats and dogs;

and used to smoke tobacco, to keep his room sweet against their

exhalations. Being one day asked, in a large company, which of his works

he thought the best? "I don't know," answered he, "which is my best

production; but this (pointing to his son, who was present) is certainly

my worst." "It is," replied the son, with vivacity, "because no

Carthusian had a hand in it," alluding to the report that the best

passages in his father's tragedies had been written by a Carthusian

friar, who was his friend.

Molieres, the celebrated French priest and mathematician, was a very

irritable man, which led him frequently into passions, of which one was

the cause of his death in 1742. In other respects he was reckoned a very

amiable character; but was apt to be so absent, or absorbed in his

studies, as to appear almost wholly insensible to surrounding objects.

His infirmity in this respect became known, and he was accordingly made

the subject of depredations. A shoe-black once finding him profoundly

absorbed in a reverie, contrived to steal the silver buckles from his

shoes, replacing them with iron ones. At another time, while at his

studies, a villain broke into the room in which he was sitting, and

demanded his money; Molieres, without rising from his studies, or giving

any alarm, coolly showed him where it was, requesting him, as a great

favour, that he would not derange his papers.

Ariosto, the celebrated Italian poet, being asked why he had not built

his house in a more magnificent manner, and more suitable to the noble

descriptions which he had given of sumptuous palaces, beautiful

porticoes, and pleasant fountains, in his _Orlando Furioso_, he replied,

"that words were combined together with less expense than stones." To

such a degree was he charmed with his own verse, and so much did he also

excel in his manner of reading, that he was always disgusted if he heard

his own writings repeated with an ill grace and accent. Accordingly, it

is said, that, when he accidentally heard a potter singing a stanza of

his _Orlando_ in an incorrect and ungraceful manner, he was so incensed,

that he rushed into his shop and broke several of the pots which were

exposed to sale; when the potter expostulated with him for this

unprovoked injury, Ariosto replied, "I indeed have broken half a dozen

of your pots, which are not worth so many halfpence, and you have

spoiled a stanza of mine, which is worth a considerable sum of gold." He

was so attached to a plain and frugal mode of life, that he says of

himself in one of his poems, "that he was a fit person to have lived in

the world when acorns were the food of mankind." His constitution was

delicate and infirm; and, notwithstanding his temperance and general

abstemiousness, his health was often interrupted. He bore his last

sickness with uncommon resolution and serenity; affirming, "that he was

willing to die on many accounts, and particularly because he found that

the greatest divines were of opinion that we shall know one another in

the other world;" and he observed to those who were with him, "that many

of his friends were departed, whom he desired to visit, and that he

thought every moment tedious till he gained that happiness."

Dante, the celebrated Italian poet, has been described by Boccacio, as

of a middle stature, of a pensive and melancholy expression in his

countenance. He was courteous and civil, and his way of living extremely

temperate. He is said to have been a very absent man, of which instances

have been recorded; once meeting with a book in an apothecary's, which

he had been long looking for, he opened it, and read from morning till

night without being roused from his pursuit by the distraction and

tumult occasioned by a great wedding passing through the street. For

some time he roved about Italy in an indigent and distressed condition,

till he was hospitably received by the Lord of Ravenna, his patron and

friend.

Paul Scarron, whose life abounds with curious features, married

Mademoiselle d'Aubignè, afterwards the celebrated Madame de Maintenon,

who was at that time only sixteen years of age. On his marriage, the

notary asked him what dowry he would settle upon his wife? he replied,

"Immortality: the names of the wives of kings die with them, but the

name of Scarron's wife shall live for ever." He was accustomed to talk

to his superiors with great freedom, and in a very jocular style. In a

dedication to the king, he thus addressed his majesty: "I shall

endeavour to persuade your majesty, that you would do yourself no

injury, were you to do me a small favour; for in that case I should

become gay. If I should become more gay, I should write sprightly

comedies; and if I should write sprightly comedies, your majesty would

be amused, and thus your money would not be lost. All this appears so

evident that I should certainly be convinced of it, if I were as great a

king as I am now a poor unfortunate man." Scarron took pleasure in

reading his works to his friends, as he composed them; he used to call

it trying them. Segrais and another person coming to him one day, "Take

a chair," he said, "and sit down, that I may examine my Comic Romance."

When he saw them laugh very heartily, he said he was satisfied, "my book

will be well received since it makes persons of such delicate taste

laugh." He was not disappointed in his expectations, for the Romance had

a great run. In the year 1638, he was attending the Carnival at Mons, of

which he was a canon. Having put on the dress of a savage, he was

followed by a troop of boys into a morass, where he was kept so long,

that the cold penetrated his debilitated limbs, which became contracted

in such a manner, that he used to compare his body to the shape of a Z.

He died in 1660, at the age of fifty; he said to his friends who

surrounded his dying bed, "I shall never make you weep so much as I have

made you laugh." In his epitaph, made by himself, he desires, in a

mixture of the comic and the pathetic, that the passengers would not

awaken, by their noise, poor Scarron from the first good sleep he had

ever enjoyed.

The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 352, January 17, 1829 · 第 12 / 32 题