CHAPTER IX

On an afternoon a week later Rod sat in the library nursing a book, a

cigarette, and some curiously mixed reflections. A week-end party

had come and gone, leaving Laska, her maid, and a friend at Hawk's

Nest. Whereupon Phil had taken the _Haida_ and departed for a point

up the coast. The old restful quiet had succeeded that forty-eight

hours of good-natured glamor, the laughter and drinking and dancing,

in which Rod, morose and broody, seemed to detect an irritatingly

hectic note. He was glad they were gone, glad to see the _Kowloon_

clear of Mermaid Bay. Grove was getting beefier, more assertive,

more arrogant. He was so cocksure, so frankly contemptuous of things

and persons outside his own sphere.

Yet by all accounts Grove was becoming a reckonable power in the

affairs of B.C. There was a dash and sweep about his operations that

moved men to admiration. He had been tremendously successful in all

he undertook, far more so than Rod had believed possible. The

Norquay Trust Company was a three-ring circus and Grove was the

ringmaster. Lesser men and concerns leaped and curvetted when he

cracked his whip. He was fond of cracking the whip, Rod cynically

observed.

Rod eyed his father, sitting on the other side of a periodical-strewn

table. He wondered what his father thought of Grove now. But he

knew that his father was thinking of quite another matter,--for which

he was himself responsible. He continued to look at Norquay senior

with a mildly expectant curiosity. The library was the council

chamber of the family, the place chosen for edicts, discussions of

policy, admonition. From childhood Rod and his brothers had, so to

speak, taken their medicine in that pleasant book-lined room. His

father now bent a placid eye, slightly quizzical, on his youngest

son. Rod waited.

"I really don't see the necessity," Norquay senior remarked at last.

"Of course a gentleman need not necessarily be a drone. On the other

hand one doesn't need to do a laborer's work in order to acquire

knowledge of labor. You've finished school, of course. You have

seen a little of the world and as time passes you will undoubtedly

see a great deal more. Still, if you're keen on this, I'll speak to

Phil. He can give you charge of a camp."

"I don't want to take charge of a camp," Rod said. "I'm not

competent, for one thing. I'd either make a hash of it, or leave it

all to a foreman--which is not what I'm after. What I mean by going

into the woods is to go in and work; take over jobs as I master them.

I want to know all there is to be known about timber, from the

standing tree to the finished product."

His father continued to eye him.

"What's the idea for such thoroughness--this starting in at the

bottom and getting blisters and experience together?"

The root of this expressed resolve lay in a folio of notepaper on a

stool beside Rod's chair. But it was not a matter he could make

clear, or even discuss with his father. At least, that was how he

felt.

"I want to see the wheels go round," he answered lightly.

"Very well," his father agreed. "You shall. I'll speak to Phil.

He'll see that you get a job. I take it that's what you want."

"The job's incidental," Rod replied. "I've been thinking about this

for some time. I'm not dull. I have an idea I'll pick things up

quickly. I want to know something about timber, about methods of

handling it, about the men who actually do the handling. I want to

get it first-hand. Even a university training should be an advantage

in that."

"No doubt," Norquay senior permitted himself an indulgent smile. "If

you're so interested in timber, it's a wonder you didn't take a

forestry course. The Lord knows we need forestry experts in B.C."

"Why?" Rod inquired. It had no bearing on his purpose, but the

remark aroused his curiosity.

"To teach them how to get one prime stick to the booming ground

without destroying twice as much more," his father snorted. "To

inaugurate a campaign of necessary reforestation. Outside of two or

three concerns, logging in B.C. to-day is an orgy of waste. They're

skimming the cream of the forest, spilling half of it. Kicking the

milkpail over now and then, refusing to feed the cow they milk.

However, _we_ don't do that. I can show you limits we logged when I

was a young man that will bear merchantable timber by the time your

children are grown, my boy. But to get back to our sheep. You

surprise me. If you'd gone in for wild-eyed art, it would have

seemed more natural. I never could make you out, my son. You were

always a bit dreamy. Sure this isn't just a whim? Want to see what

makes the wheels go round, eh?"

"Precisely," Rod agreed. It was as far as he would go.

"Well, it won't do you any harm," his father rambled on, "and you may

acquire a useful technique. We are expanding more or less, in spite

of a conservative policy. Phil would undoubtedly appreciate a

second-in-command before long. He has his hands pretty full. On the

whole, I'm rather glad you've taken this notion. I won't last

forever, and I'd like to see you and Phil solidly established before

my mantle descends on Grove. Timber and land are good, solid

foundations."

"What about finance?" Rod asked idly. "That seems pretty gorgeously

productive, pater. Does it ever strike you that Grove may outgrow

the regulation Norquay mantle?"

"If he does, it will be because he has made a more capacious one for

himself," Norquay senior smiled complacently. "I imagine Grove's

well able to run his own show and live up to the Norquay tradition,

too. He has a genius for affairs."

"So it seems," Rod commented dryly,--and the "affairs" he was

thinking of were not the ones his father had in mind. "I wouldn't

fancy it myself."

"As a matter of fact, no youngster knows quite what he fancies," his

father drawled. "I had a fancy for the law and politics. Two years

of reading Blackstone and a term in the Legislature cured me of both.

Take your Uncle Mark. He was past thirty before he found his real

bent. Follow your natural bent, Rod, whatever it is. You have

plenty of time and backing. This beginning on the ground floor may

work out. Knowledge of any sort never comes amiss."

So that was settled.

When his father presently left the zoom Rod picked up and opened the

folio. He read over forty or fifty closely-written sheets, knitting

his smooth young brow over the phrasing.

"Won't do---only in spots. It's dead. I've got to breathe the

breath of life into these people. And I don't seem to know how."

He sprang to his feet, paced the floor.

"All I know is what somebody has told me, what I've read in books,"

he grumbled. "Cobwebby stuff. Pretty--lots of it--moving--but no

substance. All I got out of school was a mass of unclassified facts.

I'm crammed with 'em. I know what a lot of great men did--but not

how they did it--why they did it. And language. What's the good of

a 'steen-thousand-word vocabulary if you've got no peg to hang it on,

only the old pegs other people have used till they're all worn and

shiny? I'm like a man with a craving to paint beautiful things he

can see, with a whole box of color-tubes, and no idea how to apply

his colors to get the effects he wants. Or a finely made steam

engine all ready to run, greased and oiled and water in the boilers,

but no fuel to make steam. I don't know people, humanity, only one

kind. I don't know life; only one comfortable groove of it. I don't

know anything that really counts, except that I don't know much. I

wouldn't be stuck with this, if I did." He faced about, frowning on

the pile of written sheets. "I'd be able to make a thing go the way

I wanted it, whether it was a story or a girl. I can't do either. I

don't know how--and I've got to find out how. As long as I stay in a

nice, fenced pasture I never will find out. It's all too cut and

dried. Too many taboos. Too many fences. I've got to break

through. I'm too much like the pea in the pod--I am green, the pod

is green, all the world is green."

He sat down in a chair, clasped his hands behind his head, and lost

himself in concentrated thought.

The history of Rod's family was part of the history of his native

land, in so far as Anglo-Saxon occupancy had made history. The

Norquay foothold had been the first individual one established by a

white man on the Pacific between Spain to the south and Russia to the

north. That century and more of far-seeing purposeful struggle had

culminated in the possession of every material benefit men live and

work and sometimes vainly die to grasp. Blood had been spilled,

storms braved, great risks faced to win that security. To Rod, ever

since he could remember, these things had been real, vividly colored

episodes enacted under the auspices of the high gods of adventure.

He was imaginative, creatively imaginative. Old Roderick Sylvester,

the barque _Hermes_, the sea-otter trading, the bride who fled her

English home to fare into strange seas for love, the Chilcotins on

their bloody forays, the wooden blockhouse, the first course of

masonry, the vast influx of gold-seekers in the Cariboo rush of '58,

the completion of Hawk's Nest in all its comfortable

permanence,--these were not simply things he knew as part of his

antecedents. They were realities, as if they had happened but

yesterday under his own eyes. They moved him strangely, deeply. He

could reconstruct in his mind all that crowded century. In his

mind's eye all the men and women whose bones lay underground about

the great red cedar lived and moved and had being once more. He

could see them as clearly as he saw Phil and his father and Laska or

Mary Thorn.

He had been trying to capture those visions, those personalities,

those old stirring times so crowded with pregnant action. He had

been trying more or less earnestly for a year and a half. And he had

failed. He was aware of his failure. The human equation somehow

evaded him when he put pen to paper. He couldn't put his finger with

surety on the well-spring of human motive. He hadn't the key to

character. Rod had more than a casual acquaintance with literature

in two languages. He knew Balzac and O. Henry alike, Homer and

George Ade, De Maupassant and the Brontes, Flaubert and Anatole

France, Ibsen and Tolstoi and Gorky, Kipling and Hardy and Dickens

and Poe. He read these writers, and he saw that they created men and

women, creatures of pain and passion, even as God created them. He

perceived that they did it, that with deft strokes they clothed their

skeletons with flesh and blood and breathed the breath of life into

them, so that they strutted and sighed and fought with an

emotion-compelling intensity. But he could not do it himself. And

he passionately desired to catch and transfix those gorgeous pictures

his brain evoked from that pioneering past.

It could be done. It wanted doing. Rod had always wanted to do it.

Unconsciously he had been preparing for the task. He had meant to do

something like that ever since a day when he had laid down his book

and told his tutor that some one ought to write the Iliad of the

pioneers, an epic of the men and women who with vision and high

courage had tamed a wild land for their children's children, those

bold spirits who shrank from nothing by land or sea that promised a

reward for enterprise.

Rod thought he knew why there was no magic in his pen, why these

magnificent visions eluded capture. It was not a reasoned

conviction. He felt his lack instinctively. The first faint labor

pains of creative effort apprised him of his need: to plunge into the

agitated pool of life instead of viewing it from a distant eminence.

That was how the manner of life he had led from childhood struck him

now,--as a view from afar. Rod was sophisticated enough to realize

that his world was one exclusively occupied by a limited number of

fortunate people, holding their preëminence largely by sheer inertia.

Statistics, observation, his university delving in economics and

sociology, had informed him that for one very wealthy family there

were a hundred subsisting in various degrees of comfort, a thousand

but a step beyond poverty. Accident of birth, or inherent

superiority? How was he to know? How could he know unless he got

outside the fences, inhibitions, the unyielding rigidity of his own

class? It was rigid, Rod perceived; although that perception had

only become clear to him through Mary Thorn's eyes. It had a fetich

of superiority which might or might not be valid. Even aside from

that, how could he fathom things that were universal above and apart

from class and even race--men's hopes and fears and

aspirations--unless he established a contact with men? And Rod's

instinct, the wise, fundamental instinct of an unwarped nature, urged

him to make that contact first among the lowly, where the sweat and

strain was greatest. There was the raw material. The Norquays--a

little more perhaps than any of their circle--were the finished

product. Rod wanted to know the process--and the by-products.

That was why he chose the woods. It might be well to know timber.

But it was better to know men. And the way to know men was to live

among them, to work with them, to stand with them--if such a thing

were possible--upon a common ground. Afterward--he would know what

he knew.

So for himself Rod, at the age of twenty-two, defined the approach to

knowledge: through experience--plus imagination. And to him it

seemed that with the first rebuff life had dealt him, it had also

given him a clarified purpose, a definite mark to shoot at.

The inverted pyramid · 第 9 / 30 章