HIS MASTER'S VOICE

The manipulation of the Press is one of the weapons which Bismarck

taught German Imperialism to use. Like others it has been developed by

his successors into an instrument which the master himself would hardly

have recognized. It is one of the most potent means of that "peaceful

penetration" of all other countries which was nothing but a preparation

for war. And it has been used in the war with a purposefulness of aim

and a versatility of method that betoken long and systematic study. It

is a ubiquitous influence and the most subtle of all. Yet the Press is

held in greater contempt by official and other ruling circles in Germany

than in any other country. They despise the tool, while tacitly

acknowledging its utility by unsparing use.

This curious state of things is the fault of the Press. What has

rendered it such a pliant tool in the hands of German Imperialism is

either credulity or venality; and both are contemptible qualities.

Credulity is probably the more prevalent, at least in this country,

where shoals of newspapers, blinded by their own prejudices, were the

dupes of German duplicity. But there has been venality, too, both crude

and subtle. The case of the "Vlaamsche Sten," here satirized by

Raemaekers, is exceptional. So crude and gross a method of influencing

the Press as bribing the proprietor of a newspaper (probably with the

aid of threats) to hand it over with its staff and goodwill could hardly

be practised where any independence survived. It was not practised with

success even in conquered Flanders, for the staff, to their eternal

credit, refused to listen to the new master's voice. But there are

journalists who, less intelligent than the terrier, faithfully accept

the voice from the _Pickelhaube_ and wag their little tails when they

hear it. To them is offered the parable which shows their relation to

their master.

Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers · 第 254 / 315 题