ARTHUR SHADWELL.

[Illustration: BETTER A LIVING DOG THAN A DEAD LION

THE DRIVER: "You are a worthy Dutchman. He who lies there was a foolish

idealist."]

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"THE BURDEN OF THE INTOLERABLE DAY"

Most people have wondered from time to time what the Kaiser thinks in

his inmost heart and in the solitude of his own chamber about the

condition of Germany and about the War. What impression has been made on

him by the alternation of victories and failures during the last twenty

months? After all he has staked everything--he has everything to lose.

What does he feel? What impression do the frightful losses of his own

people make on him?

Raemaekers tells in this cartoon. The Kaiser has this moment been

wakened from sleep by the entrance of a big gorgeously dressed footman,

carrying his morning tea. The panelling of the royal chamber in the

palace at Potsdam is faintly indicated. The Kaiser sits up in bed, and a

look of agony gathers on his face as he realizes that he has wakened up

to the grim horror of a new day, and that the delightful time which he

has just been living through was only a dream. He had dreamed that the

whole thing was not true--that the War had never really occurred, and

that he could face the world with a conscience clear from guilt; and now

he has wakened up to bear the burden for another day. It is written in

his face what he thinks. You see the deep down-drawn lines in the lower

part of the face, the furrows upon the forehead, and the look almost of

terror in the eyes. But a smug-faced flunkey offers him a cup of tea

with buttered toast, and he must come back to the pretence of that

tragi-comedy, the life of the King-Emperor.

The Dutch artist is fully alive to the comic element which underlies

that tragedy. The King-Emperor, as he awakes from sleep and sits forward

from that mountain of pillows, would be a purely comic figure were it

not for the terrible tragedy written in his face. A footman in brilliant

livery is a comic figure. The splendour of this livery brings out the

comic element by its contrast to, and yet its harmony with, the stupid

self-satisfaction of the countenance and the curls of the powdered hair.

The Kaiser, however, awakens to more than the pretences and shams of

court life. The vast dreams which he cherished before the War of

world-conquest and an invincible Germany are fled now, and he must face,

open-eyed and awake, the stern reality.

Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers · 第 124 / 315 题