ARTHUR POLLEN.

[Illustration: THE SEA MINE]

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"SEDUCTION"

The cartoon in which the Prussian is depicted as saying to his bound and

gagged victim, "Ain't I a lovable fellow?" is one of the most pointed

and vital of all pictorial, or indeed other, criticisms on the war. It

is very important to note that German savagery has not interfered at all

with German sentimentalism. The blood of the victim and the tears of the

victor flow together in an unpleasing stream. The effect on a normal

mind of reading some of the things the Germans say, side by side with

some of the things they do, is an impression that can quite truly be

conveyed only in the violent paradox of the actual picture. It is

exactly like being tortured by a man with an ugly face, which we slowly

realize to be contorted in an attempt at an affectionate expression. In

those soliloquies of self-praise which have constituted almost the whole

of Prussia's defence in the international controversy, the brigand of

the Belgian annexation has incessantly said that his apparent hardness

is the necessary accompaniment of his inherent strength. Nietzsche said:

"I give you a new commandment: Be hard." And the Prussian says: "I am

hard," in a prompt and respectful manner. But, as a matter of fact, he

is not hard; he is only heavy. He is not indifferent to all feelings; he

is only indifferent to everybody else's feelings. At the thought of his

own virtues he is always ready to burst into tears. His smiles, however,

are even more frequent and more fatuous than his tears; and they are all

leers like that which Mr. Raemaekers has drawn on the face of the

expansive Prussian officer in the arm-chair. Compared with such an

exhibition, there is something relatively virile about the tiger cruelty

which has occasionally defaced the record of the Spaniard or the Arab.

But to be conquered by such Germans as these would be like being eaten

by slugs.

Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers · 第 79 / 315 题