AHASUERUS II.

The legend of the Wandering Jew obsessed the imagination of the Middle

Age. The tale, which an Armenian bishop first told at the Abbey of St.

Albans, concerned a doorkeeper in the house of Pontius Pilate--or, as

some say, a shoemaker in Jerusalem--who insulted Christ on His way to

Calvary. He was told by Our Lord, "I will rest, but thou shalt go on

till the Last Day." Christendom saw the strange figure in many

places--at Hamburg and Leipsic and Lubeck, at Moscow and Madrid, even at

far Bagdad. Goodwives in the little mediaeval cities, hastening homeward

against the rising storm, saw a bent figure posting through the snow,

with haggard face and burning eyes, carrying his load of penal

immortality, and seeking in vain for "easeful death." There is a

profound metaphysic in such popular fancies. Good and evil are alike

eternal. Arthur and Charlemagne and Ogier the Dane are only sleeping and

will yet return to save their peoples; and the Wandering Jew staggers

blindly through the ages, seeking the rest which he denied to his Lord.

In George Meredith's "Odes in Contribution to the Song of French

History" there is a famous passage on Napoleon. France, disillusioned at

last,

"Perceives him fast to a harsher Tyrant bound;

Self-ridden, self-hunted, captive of his aim;

Material gradeur's ape, the Infernal's hound."

That is the penalty of mortal presumption. The Superman who would

shatter the homely decencies of mankind and set his foot on the world's

neck is himself bound captive. He is the slave of the djinn whom he has

called from the unclean deeps. There can be no end to his quest.

Weariness does not bring peace, for the whips of the Furies are in his

own heart.

The Wandering Jew of the Middle Age was a figure sympathetically

conceived. He had still to pay the price in his tortured body, but his

soul was at rest, for he had repented his folly. Raemaekers in his

cartoon follows the conception of Gustave Dore rather than that of the

old fabulists. The modern Ahasuerus has no surety of an eventual peace.

We have seen the German War Lord flitting hungrily from Lorraine to

Poland, from Flanders to Nish, watching the failure of his troops before

Nancy and Ypres, inditing grandiose proclamations to Europe, prophesying

a peace which never comes. He is a figure worthy of Greek tragedy. The

[Greek: hubris] which defied the gods has put him outside the homely

consolations of mankind. He has devoted his people to the Dance of

Death, and himself, like some new Orestes, can find no solace though he

seek it wearily in the four corners of the world.

Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers · 第 69 / 315 题