THE NEXT TO BE KICKED OUT--DUMBA'S MASTER

Uncle Sam is no longer the simple New England farmer of a century ago.

He is rich beyond calculation. His family is more numerous than that of

any European country save Russia. His interests are world-wide, his

trade tremendous, his industry complex, his finance fabulous. Above all,

his family is no longer of one race. The hatreds of Europe are not

echoed in his house; they are shared and reverberate through his

corridors. It is difficult, then, for him to take the simple views of

right and wrong, of justice and humanity, that he took a century ago. He

is tempted to balance a hundred sophistries against the principles of

freedom and good faith that yet burn strongly within him. He is driven

to temporize with the evil thing he hates, because he fears, if he does

not, that his household will be split, and thus the greater evil befall

him. But those that personify the evil may goad him once too often.

Dumba the lesser criminal--as also the less dexterous--has betrayed

himself and is expelled. When will Bernstorff's turn come? That it will

come, indeed _must_ come, is self-evident. The artist sees things too

clearly as they are not to see also what they will be. He therefore

skips the ignoble interlude of prevarication, quibble, and intrigue, and

gives us Uncle Sam happy at last in his recovered simplicity. So we see

him here, enjoying himself, as only a white man can, in a wholehearted

spurning of lies, cruelty, and murder.

Note that Bernstorff--the victim of a gesture "fortunately rare amongst

gentlemen"--is already in full flight through the air, while Uncle Sam's

left foot has still fifteen inches to travel. The promise of an added

velocity indicates that the flight of the unmasked diplomatist will be

far. The sketched vista of descending steps gives us the satisfaction of

knowing that the drop at the end will be deep. Every muscle of our

sinewy relative is tense, limp, and projectile--the mouthpiece of

Prussia goes to his inevitable end. There is no need of a sequel to show

him shattered and crumpled at the bottom of the stairway.

Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers · 第 32 / 315 题