SCAPINO, of Milanese origin, i. 28;

played by Bissoni, 49;

chapter on, ii. 161;

Brighella, 161;

Fenocchio, 168;

Beltrame, 172;

his address to travellers, 179;

his character, 180;

played by Bissoni, 182;

played by Camerani, 183;

Flautino and Gradelino, 184;

Mezzetino, 185;

Narcisino, 195;

Turlupin, 198;

Grattelard, 200;

Jodelet and other variants of, 204

SCARAMOUCHE, i. 26;

of Neapolitan origin, 28;

played by Rauzzini, 49; and ii. 226;

chapter on, ii. 207;

and Pulcinella, 209;

in scenes from Gherardi’s collection, 215 _et seq._;

Pasquariello, 219;

played by Cavé, 227;

Pasquino, 228;

Crispin, 229

Scardeon, Bernardino, on Beolco, i. 279, 281, 282

Scarron quoted, i. 147

Schœnobates, i. 10, 109

Scudéry, i. 145

_Serva Padrona, La_, ii. 54;

translated, 66

Shakespeare, the Clowns of, i. 233

Simodes, i. 19

Sitonno, II, rôle of, i. 133;

source of, in Ruzzante, 134

Smargiasso, described, i. 156

Soubrettes, i. 161;

Columbine, 163;

names of, 174;

Coraline, 175

Spanish Comedians in Paris, i. 43

Spavento, Captain, i. 148;

played by F. Andreini, 149;

and Pedrolino, 201;

in _The Wiles of Isabella_, 242

Spezzafer, Captain, his dress, i. 152;

played by G. Bianchi, 153;

dialogue of, 154

Spezza-Monti, Captain, described, i. 148

Spinetta, i. 45

STENTERELLO, of Florentine origin, i. 28;

comparable with English Clown, 231;

chapter on, ii. 89;

appearance of, 90;

etymology of, 92;

costume of, 92;

character of, 93;

an episode of, 94;

the Bolognese, 98;

monologue of, 99;

Meneghino, 101;

Gianduja and Girolamo, 108;

Zacometo, 113;

Jeannot, 114;

Jocrisse and other variants of, 118

Sticotti, Antonio, plays Pierrot, i. 212

Sticotti, Fabio, plays Pantaloon, ii. 29

Strozzi, Giulio, author, i. 42

Suppositi, I, produced, i. 280

_Surprise de l’Amour, La_, i. 85

Susarion, i. 9

Sycionian phallophores, i. 59

T

Tabarin, i. 41;

and Rodomonte, 151;

a charlatan, ii. 238;

St Victor on, 239;

the story of his death, 240;

rivals of, 242;

complete works of, 243;

quoted, 246;

prophetic almanac of, 251;

costume of, 253

Tabarini, his troupe in Vienna, i. 66; ii. 238

Tabarino described, ii. 237

Tabernariæ, i. 12

_Taking of Delhi, The_, Gianduja in, ii. 112

Tarentum famous for its actors, i. 18

TARTAGLIA, i. 27;

of Neapolitan origin, 28;

in Venice, ii. 17;

chapter on, 259;

in _Le Collier de Perles_, 260 _f.n._;

costume of, 261;

frequent imprisonments of player of, 262;

in _Il Re Cervo_, 263;

the Notary, 265;

Il Sbirro, 272;

the Apothecary, 273

Terence on funambuli, i. 15

Terpander introduces the lyre, ii. 53

_Thémire Délivrée_ criticised by Favart, ii. 158

Thespis, i. 9;

creates the corypheus, ii. 53

Thomas Aquinas quoted, i. 23

Thomassin. _See_ Antonio Vicentini

_Three Hunchbacks, The_, ii. 201 _et seq._;

Tartaglia in, 259

Titus Livy quoted, i. 11, 13

Togatæ, i. 12

Toneelgek, the Dutch Polichinelle, i. 115

Tortoretti, Giuseppe, plays Pasquariello, i. 44;

touring, 98;

his career, ii. 220

_Triumph of Bacchus, The_, Louis XIV. plays in, ii. 82

Trivelino, i. 41;

a variant of Harlequin, 96;

in _Artémire_, 97

Truffaldino, a variant of Harlequin, i. 98;

played by Sacchi, 99;

quotation from rôle of, 101;

in Venice, ii. 17

Tude, Hippolyte de la, on her début, i. 175

Turgis, M. de, his marriage with Françoise Biancolelli, ii. 147 _et

seq._

Turi, Nicolò, plays Pantaloon, i. 43

Turi, Virginio, plays lovers, i. 44, 259

Turlupin, played by H. Legrand, ii. 198

Tusculum, theatre at, i. 11

U

Uniti Troupe, i. 35, 39

V

_Vaccaria, La_, i. 99;

quotation from, 235;

outlined, ii. 121;

contrasted with _Asinaria_, 128

Valerini, Adriano, plays Aurelio, i. 35;

forms the Uniti Troupe, 39;

plays lovers, 238;

and Lidia di Bagnacavallo, ii. 134;

and Charles Borromeo, 137

Vappo, Il, one of the captains, i. 156

Varchi, Benedetto, on Beolco, i. 212

_Verità, La_, scenario of, ii. 81

Veronese, Anna, Coraline, i. 50;

a soubrette, 175;

Rousseau and, 176;

Collé’s criticism of, 177;

great vogue of, 178;

her dancing, ii. 80

Veronese, Carlo, plays Pantaloon, i. 176;

and Rousseau, 176;

overshadowed by his daughters, ii. 29

Veronese, Giacometta-Antonia, Camille, i. 50;

and Rousseau, 176;

Collé’s criticism of, 177;

in Sacchi’s company, 178;

her dancing, ii. 80;

her career, 157

Vicentini, Antonio (Thomassin), plays Harlequin, i. 49;

in _L’Inganno Fortunato_, 84;

plays for, by Marivaux, 85;

his agility, 88;

his death, 89;

Collé’s criticism of, 94;

married to Margarita Rusca, 174

Vicentini, Gioachino, plays Harlequin, i. 89

Vicenza, theatre at, i. 33

Vieux Cordelier quoted, i. 123

Violette, Margarita Rusca, i. 49;

a variant of Columbine, 174

Volange, plays Jeannot, ii. 116;

his failure, 117

Voltaire, on mystery plays, i. 24;

on La Camargo, ii. 84

W

_Wiles of Isabella, The_, Scala’s scenario of, i. 242

X

Xenophon quoted, ii. 175

Z

ZACOMETO, of Venetian origin, i. 28;

described, ii. 113

Zanarini, La, a cantatrice, ii. 70

Zanobio, a variant of Pantaloon, ii. 50

Zanoni, Atanasio, plays Brighella, ii. 167;

Gozzi’s praise of, 281

Zanotti, Andrea, plays Valerio and Ottavio, i. 44, 259

Zeccha, Nicolò, plays Bertoldino, i. 192

THE RIVERSIDE PRESS LIMITED, EDINBURGH

The history of the harlequinade, volume 2 (of 2) · 第 20 / 20 段