Malone said, "Well, I--"

"These cops here have been giving me a pretty rough deal, you know?"

Mike said.

"I'm sure they--" Malone began.

"But I've been looking for you," Mike went on. "See, I wanted to say

something to you. Something real important."

Malone leaned forward expectantly. At last he was going to get some

information--perhaps the information that would break the whole case

wide open. He said, "Yes?"

"Well," Mike began, and stopped.

"You don't have to be afraid of me, Mike," Malone said. "Just tell me

whatever's on your mind."

"Sure," Mike said. "It's this."

He took a deep breath. Malone clenched his fists. Now it was coming.

Now he would hear the all-important fact. He waited.

Mike stuck out his tongue and blew the longest, loudest, brassiest,

and juiciest Bronx cheer that Malone had ever heard.

Then, almost instantly, the room was empty except for Malone himself.

Mike was gone.

There wasn't any place to hide, and there hadn't been any time to hide

in. Malone looked around wildly, but he had no doubts at all.

Mike Fueyo had vanished, utterly and instantaneously. He'd gone out

like a light.

5

Thirty seconds passed.

During that time, Malone did nothing at all. He just sat there, while

a confused montage of pictures tumbled through his head. Sometimes he

saw double exposures, and sometimes a couple of pictures overlapped,

but it didn't seem to make any difference, because none of the

pictures meant anything anyhow.

The reason for that was obvious. He was no longer sane. He had cracked

up. At a crucial moment his brain had failed him, and now people would

have to come in and cart him away and put him in a strait jacket. It

was perfectly obvious to Malone that he was no longer capable of

dealing with everyday life. The blow on the head had probably taken

final effect, and it had been more serious than the doctor had

imagined.

He had always distrusted doctors anyhow.

And now he was suffering from a delayed reaction. He wasn't living in

the real world any more. He had gone off to dreamland, where people

disappeared when you looked at them. There was no hope for him any

more.

It was a nice theory, and it was even comforting in a way. There was

only one thing wrong with it.

The room around him didn't look dreamlike at all. It was perfectly

solid and real, and it looked just the way it had looked before Mike

Fueyo had--well, Malone amended, before whatever had happened had

happened. It was a perfectly complete little room, and it had four

chairs in it. Malone was sitting in one of the chairs and all the

others were empty.

There was absolutely nothing else in the room.

With some regret, Malone abandoned the theory that he had gone mad.

This left him with no ideas at all. Because if he hadn't become

insane, then what _had_ happened?

After another second or two, some ideas began to filter through the

daze. Perhaps he'd just blacked out for a minute and the kid had gone

out the door. That was possible, wasn't it?

Sure it was. And maybe he had just not seen the kid go. His eyes had

failed for a second or two. That could certainly happen after a blow

on the head. Malone tried to remember where the sight centers of the

brain were. Maybe whoever had hit him had disturbed them, and he'd had

a sudden blackout.

Come to think of it, that made pretty good sense. He had blacked out,

and Mike had just walked out the door. It had to be the door, of

course--the windows were out of the question, since there weren't any

windows. And six-inch-wide air-conditioner ducts do not provide

reasonable space for an exit, not if you happen to be a human being.

That, Malone told himself, was settled--and a good thing, too. He had

begun to worry about it. But now he knew just what had happened, and

he felt relieved. He got up from his chair, walked over to the door

and opened it.

Lieutenant Lynch nearly fell into the room. He'd obviously had his ear

pressed tightly to the door and hadn't expected it to open. The other

two cops stood behind him, just about filling the hallway with their

broad shoulders.

"Well, well," Malone said.

Lynch recovered his balance and glared at the FBI agent. He said

nothing.

"Where is he?" Malone said.

"Where is he?" Lynch repeated, and blinked. "Where's _who_?"

Malone shook his head impatiently. "Fueyo," he said. "The kid. Where

did he--"

Lynch's expression was the same as that on the faces of the other two

cops: complete and utter bafflement. Malone stopped and stared. It was

suddenly very obvious that the lovely theory he had worked out for

Mike's disappearance wasn't true in the least. If Mike Fueyo had come

out the door, then these cops would know about it. But they obviously

knew nothing at all about it.

Therefore, he hadn't come out through the door.

Malone took a deep breath.

"What are you talking about?" Lynch said. "Isn't the kid in there with

you? What's happened?"

There was only one thing to do and, straight-faced, Malone went ahead

and did it. "Of course not," he snapped, trying to sound impatient and

official. "I released him."

"You _what_?"

"Released him," Malone said. He stepped out into the hall and closed

the door of the interrogation room firmly behind him. "I got all the

information I needed, so I let him go."

"Thanks," Lynch said bitterly. "After all, I was the one who--"

"You called him in for questioning, didn't you, Lieutenant?" Malone

said.

"Yes, I did, and I--"

"Well," Malone said, "I questioned him."

There was a little silence. Then Lynch asked, in a strangled voice,

"What did he say?"

"Sorry," Malone said at once. "That's classified information." He

pushed his way into the corridor, trying to look as if he had fifteen

other jobs to accomplish within the next hour. Being an FBI agent was

going to help a little, but he still had to look good in order to

carry it off.

"But--"

"Thanks for your co-operation, Lieutenant," Malone said. "You've all

been very helpful." He smiled at them in what he hoped was a superior

manner. "So long," he said, and started walking.

"Wait!" Lynch said. He flung open the door of the interrogation room.

There was no doubt that it was empty. "Wait! Malone!"

Malone turned slowly, trying to look calm and in control of the

situation. "Yes?" he said.

Lynch looked at him with puzzled, pleading eyes. "Malone, _how_ did

you release him? We were right here. He didn't come through the door.

There isn't any other exit. So how did you get him out?"

There was only one answer to that, and Malone gave it with a quiet,

assured air. "I'm terribly sorry, Lieutenant," he said, "but that's

classified information, too." He gave the cops a little wave and

walked slowly down the corridor. When he reached the stairs he began

to speed up and he was out of the precinct station and into a taxicab

before any of the cops could have realized what had happened.

He took a deep breath, feeling as if it were the first he'd had in

several days. "Breathe air," he told himself. "It's _good_ for you."

Not that New York had any real air in it. It was mostly carbon fumes

and the like. But it was the nearest thing to air that Malone could

find at the moment, and he determined to go right on breathing it

until something better and cleaner showed up.

But that wasn't important now. As the cab tooled along down Broadway

toward 69th Street, Malone closed his eyes and began going over the

whole thing in his mind.

Mike Fueyo had vanished.

Of that, Malone told himself, there was no shadow of doubt. No

probable, possible shadow of doubt.

No possible doubt (as a matter of fact) whatever.

Dismissing the Grand Inquisitor with a negligent wave of his hand, he

concentrated on the main question. It was a good question. Malone

could have sat and pondered it admiringly for a long time.

As a matter of fact, that was all he could think of to do, as the cab

turned up 70th Street and headed east. He certainly didn't have any

answers for it.

But it was a lovely question:

_Where does that leave Kenneth J. Malone?_

The Impossibles · 第 13 / 49 题