Mark Phillips

To John J.,

without whose accident in 1945 this series would not have been

possible.

1

The sidewalk was as soft as a good bed. Malone lay curled on it,

thinking about nothing at all. He was drifting off into a wonderful

dream, and he didn't want to interrupt it. There was this girl, a

beautiful girl, more wonderful than anything he had ever imagined,

with big blue eyes and long blonde hair and a figure that made the

average pin-up girl look like a man. And she had her soft white hand

on his arm, and she was looking, up at him with trust and devotion and

even adoration in her eyes, and her voice was the softest possible

whisper of innocence and promise.

"I'd love to go up to your apartment with you, Mr. Malone," she said.

Malone smiled back at her, gently but with complete confidence. "Call

me Ken," he said, noticing that he was seven feet tall and superbly

muscled. He put his free hand on the girl's warm, soft shoulder and

she wriggled with delight.

"All right--Ken," she said. "You know, I've never met anyone like you

before. I mean, you're so wonderful and everything."

Malone chuckled modestly, realizing, in passing, how full and rich his

voice had become. He felt a weight pressing over his heart, and knew

that it was his wallet, stuffed to bursting with thousand-dollar

bills.

But was this a time to think of money?

No, Malone told himself. This was the time for adventure, for romance,

for love. He looked down at the girl and put his arm around her waist.

She snuggled closer.

He led her easily down the long wide street to his car at the end of

the block. It stood in godlike solitude, a beautiful red Cadillac

capable of going a hundred and ten miles an hour in any gear, equipped

with fully automatic steering and braking, and with a stereophonic

radio, a hi-fi and a 3-D set installed in both front and back seats.

It was a 1972 job, but he meant to trade it in on something even

better when the 1973 models came out. In the meantime, he decided, it

would do.

He handed the girl in, went round to the other side and slid in under

the wheel. There was soft music playing somewhere, and a magnificent

sunset appeared ahead of them as Malone pushed a button on the

dashboard and the red Cadillac started off down the wide, empty,

wonderfully paved street into the sunset, while he... The red

Cadillac?

The sidewalk became a little harder, and, Malone suddenly realized

that he was lying on it. Something terrible had happened; he knew that

right away. He opened his eyes to look for the girl, but the sunset

had become much brighter; his head began to pound with the slow

regularity of a dead-march, and he closed his eyes again in a hurry.

The sidewalk swayed a little, but he managed to keep his balance on it

somehow; and after a couple of minutes it was quiet again. His head

hurt. Maybe that was the terrible thing that had happened, but Malone

wasn't quite sure. As a matter of fact, he wasn't very sure about

anything, and he started to ask himself questions to make certain he

was all there.

He didn't feel all there. He felt as if several of his parts had been

replaced with second- or even third-hand experimental models, and

something had happened to the experiment. It was even hard to think of

any questions, but after a while he managed to come up with a few.

_What is your name?_

Kenneth Malone.

_Where do you live?_

Washington, D. C.

_What is your work?_

The Impossibles · 第 2 / 49 题