XVII—THE MAN WITH THE CRUTCH

Billy Kane smiled with grim irony, as he walked rapidly down the block.

She was not here to-night with her cool, contemptuous voice bidding him

to do this thing. It was evident, therefore, that she was not quite as

infallible as she apparently believed herself to be! For once, she was

not acquainted beforehand with the Crime Trust’s movements, it seemed!

Perhaps it was because, for once, the Rat might not have had anything to

do with originating the plan that was afoot to-night, for she had

certainly always appeared to be thoroughly informed where the Rat was

concerned!

He shrugged his shoulders suddenly, dismissing her from his thoughts. He

would better concentrate his mind on the work in hand! The secret lay in

the manila envelope. That the envelope contained something of great

value, or was of great value to someone, was obvious; to Dayler,

probably, since it was in Dayler’s carefully guarded possession. He

shrugged his shoulders again. He could tell better about that in the

course of another hour—when the envelope was in his pocket instead of

Dayler’s safe! To balk this organized gang of super-criminals was

sufficient for the moment! Once more his shoulders lifted. He perhaps

was not even entitled to any great credit to-night in fulfilling his

“moral obligations!” For once, there appeared to be neither any great

danger, nor any great difficulty. The house was empty; it was not very

far away; he had an hour in which to work undisturbed; and at the

expiration of that time he should be back in his room, and ready to set

out with the Cadger and Gannet to rob an _empty_ safe. If he with the

two men then entered the house, and, for their pains, found the manila

envelope already gone, certainly there could be no suspicion to rest

upon him!

Billy Kane had reached the Bowery now. He went in through the side

entrance of a corner saloon. Here, a minute’s search in the telephone

directory supplied him with the number of Dayler’s house on Ninth

Street. After that, he made his way over to Washington Square, crossed

the Square, gained the lower end of Fifth Avenue, practically deserted

now at this hour, and, a moment later, turning into Ninth Street, headed

down the block in the direction of Sixth Avenue.

It was one of the old aristocratic neighborhoods of New York, but

changed now a great deal with the changing years. What had once been

classed as mansions had in many cases been metamorphosed into lodging

and boarding houses; but the “mansions” were still here, big,

substantial, commodious stone dwellings. Nor had the boarding houses

entirely ousted a certain unobtrusive type of wealth and means from

their midst, and it argued not at all that this Dayler, for instance,

because he had his residence here, was not well to do, even exceedingly

well to do.

The street was quiet. Billy Kane located the house he sought. He passed

by it, noting that it had a basement entrance, a flight of stone steps

to the front door, that it was entirely in darkness, and, returning, he

mounted the steps quietly and without any attempt at concealment, found

the outer vestibule door unlocked, opened it—after making pretense of

ringing the doorbell for the benefit of anyone on the street who might

have paid him any notice—stepped inside, and closed the door behind him.

The inner door was locked. His skeleton keys came into play. Still far

from an adept in their use, he was several minutes at this work. Then he

stepped forward into the hall of the house itself.

His flashlight stabbed a lane of light through the darkness. The stairs

leading to the upper floors of the house were ahead of him and on his

right; on his left, opening off the hall, which seemed to run almost the

depth of the house, were several doors, all of which were closed. The

house was empty, the cipher message had assured him of that, but

nevertheless he moved now with extreme caution to the first door on his

left. He knew nothing of the plan of the house, but it was at least

logical to assume that the library was on this floor, and the library

was the objective of his search.

He opened the door slightly, quietly, then drew sharply back, and stood

tense and motionless, listening. There was a dull, faint glow of light

in there, not as though the room itself were illuminated, but as though

the light came from, perhaps, another room beyond. But there was no

sound. A minute passed, and still he stood there, alert, his ears

strained to catch the slightest noise. And then, reassured, he pushed

the door wider open, and stepped over the threshold. That a light might

have been left burning, either intentionally or inadvertently, presented

in itself nothing of the unusual, or——

He was drawing his hand across his eyes like a man dazed from a blow.

The light had gone in the winking of an eye. It was pitch black. He was

still involuntarily staring, through darkness now, toward the front end

of the room. The light had not come from that direction, it had come

through a portièred archway in quite the opposite direction, but for the

moment his mind was chaotic, out of control. The room was a

drawing-room, a large, stately sort of a drawing-room, and there had

been a huge pier glass, gilt-framed, between the heavily curtained front

windows. What he had seen could not have been a fantasy, nor due to

disordered imagination. His eyes, the instant he had entered the room,

had gone straight to that glass because it reflected the light from the

other room. The surface of the glass had been blank as his eyes had

first fallen upon it, and then, like a flash, enduring for but the

minutest fraction of a second, the reflection of a figure, a man’s

figure, a man’s figure _with a crutch_, had swept across it—and the

light in the other room had gone out.

And now Billy Kane acted quickly. The time that he had stood there,

inert, mentally stunned, had been but a matter of seconds exaggerated

into seemingly interminable, measureless hours. Swiftly, silently, he

reached the archway, and, sheltering himself behind the folds of the

portières, but in a position to command the other room with his

automatic, which he had whipped from his pocket, he stood still and

listened. There was only the quick, fierce pounding in his own eardrums,

in tempo with the mad race of blood through his veins. The Man with the

Crutch!

How or why the man came to be here, or what the other had to do with

what was afoot to-night, scarcely entered his mind. It did not matter!

Nothing mattered—save to get the Man with the Crutch. Everything else

paled into insignificance. It was the _same_ man that had murdered

Peters; there would not be _two_ men with crutches who prowled

stealthily at night in other people’s houses! But that it was Peters’

murderer was significant now only because it identified the man as one

who held the secret of David Ellsworth’s murder; the man who, if he,

Billy Kane, could but get to grips with him, would tell what he knew to

the last word, or one or the other of them would never leave this house

alive. It was the man who could end this hideous masquerade that he,

Billy Kane, was forced to assume; the man who could clear his name of

the foul blot that had cost him friends, the companionship of honest

men, and that was like at any instant to cost him his life.

There was no sound.

And then Billy Kane’s voice rang suddenly, imperatively through the

silence:

“Hands up!”

His flashlight bored through the darkness, circling the room in front of

him. The room—it was the library beyond doubt—was empty. His jaws

locked. He had taken a chance. It had failed. But now his glance fell

upon the door, diagonally across the library from him, that, from its

position, obviously opened on the hall. He could have sworn that the

doors opening on the hall were all closed when he had entered the house.

This one was ajar now!

He crossed the library with a bound, swung the door wide, and peered out

into the hall. He could see nothing; but now, from somewhere below, he

caught a sound as of a boot heel thudding on a bare floor—or, perhaps,

the tap of a crutch!

Along at the rear of the hall his flashlight focused on the head of a

basement stairway. He ran for this now; and then, with more caution,

wary of offering himself as a target for a shot that would put an end to

any hope of getting within reach of the other, his flashlight out, he

began to pick his way downstairs. Halfway down, he caught another sound.

From the front of the house, softly and cautiously though it was done,

there came the unmistakable opening and closing of the basement door.

Billy Kane took the remaining stairs in a leap, and, his flashlight

pointing the way, dashed along the hallway below. He reached the door,

and pulled at it. Then, with an angry, muttered exclamation, he stood

there for an instant hesitant. The man had managed to lock the door

behind him! Mechanically his hand went toward his pocket for his

skeleton keys, but stopped halfway as, turning suddenly, he raced back

upstairs. It would take too long to try out key after key. There was a

better way. There was the front door. He had left that unlocked when he

came in. He gained this now, jerked it open, lunged through the little

vestibule, snatched at the knob of the outer door—and wrenched at it

viciously like a madman in mingled rage and chagrin. It was locked! It

had not been locked even when he had come in!

Calmer in an instant, he took his keys from his pocket and worked with

feverish haste at the lock. It would possibly take less time to run into

the drawing-room, get a window open, and jump to the ground, but he did

not dare do that. He had to come back here with the Cadger and Gannet in

a little while, and he dared not risk anything that would imperil his

rôle in the eyes of the underworld. Even a number of people coming and

going from the house, if they acted naturally, entering by the door as

though they had a right to enter, would never attract the slightest

notice from either neighbors or passers-by. That was what doors were

for! But a man leaping out through one of the front windows would invite

certain attention, suspicion, and instant investigation.

Another key! Would he never get one that would fit! This wasn’t the door

he had opened before. A minute, perhaps two, perhaps even three, must

have gone by! God, how clumsy his fingers were! The man must have had

amazing agility for a cripple, and the craft and cunning of a devil to

come up here instantly on leaving the basement and lock this door! Would

he never get the—yes, he had it now! He swung the door open, and from

the top step his glance swept the street in both directions. And then

there came a sort of bitter philosophical acceptance of a situation that

he had already more than half expected. The Man with the Crutch had had

too much time. There was no sign of him now.

But there was still a chance! Billy Kane closed the door behind him,

went quietly down the steps to the pavement—there was still the

inviolability of the house to be preserved—walked along without undue

haste until far enough away to preclude the chance of any connection

being established between himself and the house he had just left, and

then broke into a run. There was still a chance. But it was a slim one.

He knew that. The man must have gone toward either Sixth Avenue or Fifth

Avenue. It was more likely Sixth Avenue; there would be more people

there, more traffic, more opportunity to “lose himself.” It was the

logical thing to do. Lower Fifth Avenue at night was almost as deserted

as a tomb; the man could have been seen there blocks away.

Perhaps fifteen minutes passed. At the expiration of that period Billy

Kane returned to the Dayler residence, and for the second time that

night coolly and quite casually mounted the steps, and again entered the

house. His search had been futile. He had circuited the blocks in the

neighborhood, and hunted up and down the adjacent section of Sixth

Avenue; and the more he had hunted the more he had realized the futility

of what he was doing, though, at that, he had even, as a last hope,

returned by Fifth Avenue. And now he was back in the house again, and

quite conscious that this, too, was likely now to prove as barren of

results as his search had been. The man had got away, and with the man

in all likelihood had gone, too, the manila envelope from the wall safe

in the library! What else had the other been in the library for?

Billy Kane shrugged his shoulders, as, using his flashlight again, he

stepped from the hall into the drawing-room, and from there through the

archway into the library. There was the one possibility that he had come

upon the Man with the Crutch and interrupted the other in his work

_before_ the envelope had been secured. That was the one possibility

that remained, and that was the one possibility that had prompted him to

come back.

He stood for a moment now beside the table that occupied the center of

the room, his flashlight creeping in a slow, inquisitive circle around

the walls. And now the round white ray, arrested, held on the mantel

opposite the archway. On either side of the mantel, shoulder high, and

projecting out a little from the wall, were what appeared to be

bric-a-brac, or, perhaps, liqueur cupboards, with leaded glass doors.

“Wall safe, left of mantel,” the message had said. He smiled a little

grimly in appreciation and understanding, as he moved over and halted

before the left-hand cupboard. It was a rather neat ambush for a wall

safe, this idea of Dayler’s—whoever Dayler might be!

The leaded glass door opened readily. The ray of the flashlight flooded

the interior. Billy Kane’s smile was gone. He was quite sure now that he

was too late. The cupboard was used for liqueurs, but the liqueurs in

turn were evidently used for the purpose of veiling the little nickel

dial of a safe that protruded from the wall at the rear of the cupboard,

for the bottles were all pushed now to one side, and the dial, with a

sort of diabolical mockery, it seemed, winked back reflected rays from

the glare of the flashlight. It was blatantly apparent now that this had

been the object of the other’s visit to the house, and it was almost as

equally apparent that the man had got what he had come for. And yet——

“Two right, eighteen; one left”—almost perfunctorily, muttering the

combination, Billy Kane had reached in and was twirling the knob of the

dial—“eight; one right, twenty-eight.”

The little steel door swung noiselessly open. Billy Kane stared into the

miniature safe, bewildered. And then he laughed a little. A minute

before and he would not have given a penny for his chances! The other

had got only so far as to move the bottles to one side. He had beaten

the Man with the Crutch by the very narrow margin of time it would have

taken to manipulate the combination! Perhaps, though, the other hadn’t

known the combination, and was just about to set to work to force the

safe! Well, it didn’t matter! The manila envelope lay there, sealed,

intact.

He took the envelope from the safe, closed the door, and locked it—and

whirled suddenly around from his position in front of the mantel. His

flashlight, jerked upward, played full upon the archway. A cool,

disdainful laugh rippled low through the room—a woman’s laugh. Billy

Kane did not move. The chill that had clutched at his heart, the fear of

discovery, was gone almost as quickly as it had come. He had nothing to

dread on that score from—the Woman in Black! And it was not the first

time she had come upon him unexpectedly! And it was she who stood there

now; and she still stood full in the glare of his flashlight, a

bewitching, entrancing, mysterious little figure, whose great dark eyes

were fixed on him, half in a deliberate, speculative way, and half in a

sort of contemptuous mockery.

It was she who broke the silence.

“I wonder if it’s true, Bundy?” she said softly.

He felt the blood surge hot into his cheeks. He knew a sudden bitter

rebellion at the contempt in those steady eyes, the same bitter

rebellion he had known last night in her presence, a rebellion against

the fate that caused him, through reason of being the counterpart of

some incarnate fiend, to stand in her eyes as that actual fiend himself,

as the one who in some way had done her, or hers, irreparable wrong, as

the embodiment of all that was loathsome and hideous to her. He was the

Rat to her, as to everybody else. The envelope crackled in his fingers,

as he clenched his hand. Would he always have to play the Rat—to her!

What would that perfect oval face, beautiful even now in its fearless

contempt, look like in softer mood?

“Is what true?” he demanded gruffly.

She came toward him across the room.

“That you are really playing the game,” she said slowly. “It’s not much

credit to you, of course, since you are doing it through fear, but

still——” She shrugged her shoulders daintily, as she stood beside him.

“Do you know, Bundy, that lately you seem to have changed somehow. I do

not know just how, and I cannot account for it. It puzzles me.”

“Forget it!” growled Billy Kane, alias the Rat. “And I don’t know what

game you’re talking about, either!”

“Oh, yes, you do!” she answered. “I told you that I would hold you

responsible for any crime committed by your accomplices that it lay

within your power to circumvent. That was the chance I gave you, and you

seem to be taking it. I thought I would test you out to-night when you

might imagine that I was ignorant of what was going on, and that you

might, therefore, count on escaping the consequences as far as I was

concerned. You were to come here with the Cadger and Gannet at nine

o’clock to rob that safe. You are here alone long before that hour, and

you have robbed the safe. I presume, at least I am going to give you

credit for it, that it is because you are playing the game I referred

to, and are checkmating your partners, and preventing the crime from

being carried any further.”

There was silence for a moment.

“I think you had better put out that flashlight,” she said.

He must play the Rat. His soul jeered at him ironically. He snapped off

the light.

“How did you get wise to this?” he flung out.

“About to-night? Why, it was one of your own pet schemes, wasn’t it,

Bundy—all worked out quite a while ago? That’s how I knew! Well, am I

right about the reason for you being here alone? And, if so, how did you

propose to square yourself with your cronies of the underworld?”

“By coming back here with the Cadger and Gannet, of course,” he replied

curtly, “and letting them fall for the idea that someone had beaten us

all to it.”

“Yes,” she said calmly. “Well, I quite approve, Bundy. And I’ll take

that envelope now, please! You won’t have any further use for it, and

I’ll attend to the rest of this affair.”

He handed her the envelope. He asked nothing better than that she should

assume any further responsibility that might be connected with its

contents. As far as he was concerned there were matters of far greater

moment now. There was the Man with the Crutch! And that was a matter in

which he had very cogent reasons for desiring to play a lone hand. His

lips tightened. It was fairly evident that she had not been in the house

the first time he had entered but he wanted to be sure.

“When did you get in here?” he snapped. “Followed me, I suppose!”

“About five minutes ago,” she said quietly. “And you left the door

unlocked—though I had a key. No, I didn’t follow you! Why should I? I

knew that you would be here at nine o’clock anyway, and I simply came a

little ahead of time. I really hoped, you see, that you would do the

same—and for more reasons than the one I have just mentioned.”

“What do you mean?” he grunted.

“I haven’t seen you since last night, you know,” she said deliberately.

“What about the diamonds that were stolen from Vetter?”

“I’ve got them,” he answered shortly.

“_Vetter_ hasn’t!” There was a cold, unpleasant inflection in her voice.

“Well, what do you expect!” He forced a raucous note into his voice. He

was not sure that it sounded genuine. It was not easy to play the Rat

with her! “Think it over! It’s not so soft a job to get them back to him

without leaving a trail behind that might trip me up! See?”

She appeared to consider this for a moment.

“That is true,” she said at last. “Well, have you got them here?”

“Yes.” He reached into his pocket and took out the chamois pocketbook.

He laughed brusquely, as he held it out to her. “If you can handle that

envelope, maybe you can handle the sparklers, too!”

“I can—and I will,” she said simply, as she took the pocketbook from

him. “That’s only fair. I told you once that I would put no difficulties

in the way of your keeping yourself solid—if you could!—with your fellow

yeggs. And that applies equally to to-night. You may bring the Cadger

back here. You will find the house empty.”

“Thanks!” he said grimly. “I’ll move along then; I’ve got just about

enough time left. And would you mind _locking_ the front door when you

go out? I’d like the Cadger to get all the run that’s coming to him for

his money.”

He stepped forward to pass her, but she laid a detaining hand on his

arm.

“Wait!” she said tersely. “I agreed to look after this envelope, but

even so you are not through yet to-night, Bundy. I know where Mr. Dayler

is this evening, and I am going to bring him back here to his own house

myself. But I will give you time first to play out your little farce

with your two thugs, and send them about their business. Say, ten

o’clock. Mr. Dayler and myself will be here at that time—and so will

you.”

“Will I?” inquired Billy Kane insolently. “Whats the lay? A trap?”

“No—an experiment,” she said evenly. “I would like to find out if there

is really anything _human_, if there is a shred of decency left in you.

I want you to see your crime for once from your victim’s standpoint. It

may help you, if you _are_ human, to keep on ‘playing the game’; and

that will help you, if you can keep out of the clutches of the

underworld, to keep out of the electric chair at Sing Sing. You quite

understand, Bundy? At ten o’clock! And I should not even mind if you are

found here in this room—in the dark—when Mr. Dayler and myself enter the

house—at ten o’clock. And now I think you had better hurry, Bundy.”

There was a twisted smile on Billy Kane’s lips. He was the Rat, and the

Rat would be here, or anywhere else at ten o’clock—if she said so. There

was no comment to make. The Rat had no choice.

“All right!” he said gruffly, and moved past her to the door, and out to

the hall; and a moment later, reaching the street, he swung into a

hurried stride, heading back for the Rat’s den.

Doors of the Night · 第 22 / 32 题